Two Bellwether Prize Winners by Heidi Durrow and Hillary Jordan
I conceived of the idea to read all of the Bellwether Prize winners because I loved Lisa Ko’s The Leavers so much. The PEN/Bellwether Prize for Socially Engaged Fiction is a biennial award given since 2000 by PEN America and Barbara Kingsolver, who created and funds the prize, “to a U.S. citizen for a previously unpublished work of fiction that addresses issues of social justice.” (More information can be found here.) Earlier this year, I found secondhand or cheap new copies of two of the winners and tried another one from the library.
The Girl Who Fell from the Sky by Heidi W. Durrow (2010)
This review is ALL SPOILER because there isn’t really a way to discuss the book otherwise, so skip onwards if you think you might want to read this someday. Durrow was inspired by her own family history – she is biracial, her father a Black serviceman and her mother from Denmark – and by a newspaper story about a woman who jumped off the top of a multi-story building with her small children. Only one daughter survived the fall. Durrow was captivated by that girl’s story and wanted to imagine what her life would be like in the wake of tragedy.
In 1982, Rachel has come to live with her father’s mother in Portland, Oregon. She’s starting a new life there after a long time in the hospital. She survived her mother Nella’s leap from their Chicago apartment building because she landed on the top of the heap of three siblings. As her teen years unfold, she struggles to incorporate her European heritage with her African American identity and turns to promiscuity. Details of what happened that day in Chicago unfold gradually.
The secondary characters are more interesting than Rachel herself, even though she narrates, and I felt more sympathy for her when she was a child. I would have liked more of the mother’s journal entries, showing how her depression and alcoholism developed. The coincidence of the one eyewitness to the jump ending up in Portland was too much for me. Overall, this was fairly dismal and didn’t make enough of its compelling premise. It was an easy read, but had it been much longer than 260 pages I would likely have DNFed.
Mudbound by Hillary Jordan (2008)
1946: Two servicemen return from fighting in Europe, headed to the same Mississippi farm. Jamie McAllan was a fighter pilot and Ronsel Jackson was part of a tank division. Both are dependent on alcohol to help them cope with the memories of what they have seen and done. But Jamie can get away with drunk driving and carousing with local women, knowing that his big brother, Henry, will take him back in no matter what. Ronsel, though, has to keep his head down and be on his guard at every moment: war hero or not, no one in Mississippi is going to let a Black man walk in through the front door of a store or get a lift home in a white man’s truck. His sharecropping family’s position at the McAllan farm, Mudbound, is precarious, with the weather and the social hierarchy always working against them.
This story of love, betrayal, and the obsession with land is told through rotating first-person narration from six key players, three McAllans and three Jacksons. Each voice is distinct and perfectly captures the character’s personality and level of education. Jordan uses this kaleidoscope view to explore how fateful decisions bind the two families together. I particularly loved the two female voices: Laura, Henry’s wife; and Florence, Ronsel’s mother. Though they’re often stuck inside cooking and delivering babies, they still play their roles in the farm’s drama. The novel opens with a burial scene, but readers get faked out not once but twice about how the character died. I raced through the last three-quarters, and the final 50–100 pages are a real doozy. This feels like a modern classic of the segregated South and I’d recommend it for those looking for a follow-up to The Vanishing Half.
And a DNF:
Running the Rift by Naomi Benaron (2010)
I read 25 pages and didn’t feel drawn into the characters’ story. When the main characters are from a persecuted ethnic minority and one boy is a star runner, you sort of know where things are heading. (I’m also perhaps too familiar with Rwandan history from We Wish to Inform You that Tomorrow We Will Be Killed with Our Families by Philip Gourevitch.)
Remaining Bellwether Prize winners:
2019 Katherine Seligman, If You Knew [retitled At the Edge of the Haight – publication forthcoming in January 2021]
2014 Ron Childress, And West Is West
2012 Susan Nussbaum, Good Kings Bad Kings
2004 Marjorie Kowalski Cole, Correcting the Landscape
2002 Gayle Brandeis, The Book of Dead Birds
2000 Donna Gershten, Kissing the Virgin’s Mouth
Have you read one of these winners? Do any tempt you?
Six Degrees of Separation: From Normal People to The Bass Rock
I’m a #6Degrees regular now: this is my fifth time participating. This month (see Kate’s introductory post) we start with Sally Rooney’s Normal People (2018). I loved Conversations with Friends but wasn’t so enamored with Rooney’s second novel (see my review), so I haven’t been tempted to watch the television adaptation; I don’t have a TV anyway.
#1 Picking out one of the words from the book title, and echoing the question that Rooney’s characters seem to be asking themselves, I’ll hop over to a memoir I enjoyed a lot in late 2011, Why Be Happy When You Could Be Normal? by Jeanette Winterson. Adopted into a strict religious household, Winterson had to hide her sexuality. Here you get the full story behind her autobiographical debut novel, Oranges Are Not the Only Fruit.
#2 Adoption is my link to The Leavers by Lisa Ko. When he’s abandoned by his mother, an undocumented Chinese immigrant in the USA, Daniel is adopted by a pair of white professors. This is an achingly beautiful story of searching for a mother and a sense of belonging. It won the 2016 PEN/Bellwether Prize for Socially Engaged Fiction.
#3 Barbara Kingsolver created and funds the biennial Bellwether Prize for unpublished fiction that addresses issues of social justice. I have vague ambitions to read as many Bellwether and Women’s Prize winners as I can. While it’s not one of my favorites by Kingsolver, The Lacuna (2009) won her the (then) Orange Prize. A historical novel, it’s largely set in the household of Diego Rivera and Frida Kahlo.
#4 Frida Kahlo is my link to Constellations by Sinéad Gleeson, autobiographical essays about the female body in pain. Kahlo is one of Gleeson’s gurus in that she turned her chronic pain and pregnancy loss into art – “making wounds the source of inspiration.” Constellations was our Not the Wellcome Prize winner during this hiatus year for the official prize.
#5 The first winner of the Wellcome Book Prize, in 2009, was Keeper by Andrea Gillies, a memoir of her mother-in-law Nancy’s struggle with Alzheimer’s disease. I also intend to read as many WBP winners and nominees as possible, so I recently ordered a secondhand copy of this and read the introduction before setting it aside for another time. Already I can tell it will be an engaging if harrowing book; Gillies pulls no punches in her depiction of the misery of the years when Nancy lived with her family and then in an institution.
[#5.5 Another book called Keeper, this one by Jessica Moor, provides my cheaty half-step. I found this debut novel to be a gripping and grimly fascinating story of why women stay with their abusers and what finally drives them to leave.]
#6 Violence against women is also the theme of The Bass Rock by Evie Wyld, my novel of 2020 so far. While it ranges across the centuries, it always sticks close to the title location, an uninhabited island off the east coast of Scotland. It cycles through its three strands in an ebb and flow pattern that is appropriate to the coastal setting and creates a sense of time’s fluidity. This is not a puzzle book where everything fits together. Instead, it is a haunting echo chamber where elements keep coming back, stinging a little more each time. A must-read, especially for fans of Claire Fuller, Sarah Moss and Lucy Wood. (See my full Shiny New Books review.)
I’ve featured only books by women this month, and there have been quite a number of prize winners in here, too.
Join us for Six Degrees of Separation if you haven’t already!
Have you read any of my selections? Are you tempted by any you didn’t know before?
New Reading Projects! (Join Me?)
It’s only one week since we announced the Not the Wellcome Prize winner, the culmination of a month-long project that was months more in the planning. I don’t think I’ll be coordinating another blog tour anytime soon, as it was a lot of work finding participants, working out a schedule and keeping on top of the publicizing via social media. Still, it was a lot of fun, and already I’m missing the buzz and ready to get stuck into more projects.
I’d love it if you joined me for one or more of these. Some could be combined with your 20 Books of Summer or other challenges, too.
Ongoing buddy reads
It would have been Richard Adams’s 100th birthday on the 9th. That night I started rereading his classic tale of rabbits in peril, Watership Down, which was my favorite book from childhood even though I only read it the once at age nine. I’m 80 pages in and enjoying all the local place names. Who would ever have predicted that that mousy tomboy from Silver Spring, Maryland would one day live just 6.5 miles from the real Watership Down?!
My husband is joining me for the Watership Down read (he’s not sure he ever read it before), and we’re also doing a buddy read of Arctic Dreams by Barry Lopez. In that case, we ended up with two free copies, one from the bookshop where I volunteer and the other from The Book Thing of Baltimore, so we each have a copy on the go. Lopez’s style, like Peter Matthiessen’s, lends itself to slower, reflective reading, so I’m only two chapters in. It’s novel to journey to the Arctic, especially as we approach the summer.
I plan to take my time over these two, so tell me if you have a copy of either and feel like picking it up at any point over the next few months.
The other day I got out my copy of The Novel Cure by School of Life bibliotherapists Ella Berthoud and Susan Elderkin and browsed through the categories for some prescriptions that might feel relevant to the current situation. I found four books I own that fit the bill:
From the list of “The Ten Best Novels to Lower Your Blood Pressure”: Your Presence Is Requested at Suvanto by Maile Chapman & The Waves by Virginia Woolf (and I’ve read another three of them, including, recently, Crossing to Safety).
One of several prescriptions for Loneliness: Tales of the City by Armistead Maupin.
The cure for Zestlessness: Ragtime by E. L. Doctorow.
If you have access to one of these, or have a copy of The Novel Cure and are keen on following up on another of the prescriptions, let me know.
And now for two memes that I (think I) have created. Although I’m sure something similar has been done in the past, I couldn’t find any specific blogs about them. I don’t know about you, but I always need encouragement to pick up books from my own shelves – even though libraries are currently closed, I’m still working my way through a library stack, and I’m tempted to make another order of new books from Hungerford Bookshop. It’s great to support libraries and independent bookstores, of course, but there could be no better time to mine your own bookshelves for treasures you bought ages ago but still have never read.
Journey through the Day with Books
I enjoyed picking out 18 books from my shelves that refer to particular times of day or meals or activities associated therewith. Four of these are books I’ve already read and four are ones I’m currently reading. You can piggyback on my selections if you wish, or find your own set.
Here’s my full list:
Zennor in Darkness by Helen Dunmore
Rise and Shine by Anna Quindlen
Up with the Larks by Tessa Hainsworth
Shine Shine Shine by Lydia Netzer
Three-Martini Lunch by Suzanne Rindell
The Shadow of the Sun by Ryszard Kapuściński
Eventide by Kent Haruf
Dinner at the Homesick Restaurant by Anne Tyler
Talk before Sleep by Elizabeth Berg
When the Lights Go Out by Carys Bray
Journey by Moonlight by Antal Szerb
Voyage in the Dark by Jean Rhys
Late Nights on Air by Elizabeth Hay
Sleeping Arrangements by Laura Shaine Cunningham
The House of Sleep by Jonathan Coe
Bodies in Motion and at Rest by Thomas Lynch
Silence by Shūsaku Endō
Arctic Dreams by Barry Lopez
The Four in a Row Challenge
I’ve been contemplating this one for quite a while. It’s inspired by Phyllis Rose’s The Shelf –from LEQ to LES: Adventures in Extreme Reading (one of Simon’s favourite books – see his review), for which she picked a shelf of the New York Society Library, eliminated duplicates and repeat entries from the same author, and read the remainder – whether she’d heard of them or not; whether they were awful or not. (“Hands down the worst book on the shelf is Le Queux’s Three Knots, a mystery that reads as if it were written by an eight-year-old on Percocet.”)
This is a variation in that you’re looking at your own TBR shelves and picking a set of four books in a row. For many, that will be four novels whose authors’ surnames all start with the same letter. But if you organize your books differently (especially within nonfiction), you may find that the set of four is more arbitrary. You never know what they might have in common, though (book serendipity!).
I’m no strict challenge host, so if you want to engineer your shelf order, or if you decide to swap a book in later on, that is no problem at all. My one firm rule is only one book per author.
I’ve picked out a few appealing sets, all from my fiction shelves. F, G, L and M had particularly rich pickings. I’ll report back as I finish each set, while the “Journey through a Day” may well take me the whole rest of the year.
Still ongoing (more here): Projects to read as many Bellwether Prize, Wellcome Book Prize and Women’s Prize winners as possible, as well as Wellcome long- and shortlistees.
Can I tempt you to take part in any of these reading projects?
[Journey through the Day: Sunrise in Pieniny, Poland (Pudelek / CC BY-SA (https://creativecommons.org/licenses/by-sa/4.0)) / Sunset (Alvesgaspar / CC BY-SA (https://creativecommons.org/licenses/by-sa/3.0))
Four in a Row: Four pelicans in a row (Sheba_Also 43,000 photos / CC BY-SA (https://creativecommons.org/licenses/by-sa/2.0)) / Phone boxes, Market Place, Ripon (Tim Green from Bradford / CC BY (https://creativecommons.org/licenses/by/2.0))]
Women’s Prize Longlist 2020 Thoughts & Other Prize Reading Projects
Next Wednesday the 22nd, the Women’s Prize shortlist will be revealed. However, the winner announcement has been delayed until September 9th, so we all get extra time to read the finalists (which is handy since the 900-page Hilary Mantel is a shoo-in). I happen to have gotten through half of the longlist so far. There were some books I cared for more than others. Of the remainder, I plan to pick up a few more once my library reopens.
Here’s how I’ve fared this year, in categories from best to worst, with excerpts and links to any I’ve reviewed in full:
- Dominicana by Angie Cruz: In 1965, 15-year-old Ana Canción, married off to an older man, leaves the Dominican Republic for New York City. With not a word of English, she feels trapped in her apartment and in this abusive relationship. Yet Ana is such a plucky and confiding narrator that you’re drawn into her world and cheer for her as she figures out what she wants from her life. This compassionate novel is proof that not all the immigration stories have been told yet.
- Girl, Woman, Other by Bernardine Evaristo: A terrific linked short story collection about 12 black women in twentieth-century and contemporary Britain balancing external and internal expectations and different interpretations of feminism to build lives of their own. The prose is more like poetry: a wry, radical stream of consciousness. A warm, spirited book, it never turns strident. It’s timely and elegantly constructed – and, it goes without saying, a worthy Booker Prize winner. To win the Women’s Prize too would be unprecedented, I think? But no surprise.
- Weather by Jenny Offill: Could there be a more perfect book for 2020? It’s a blunt, unromanticized but wickedly funny novel about how eco-anxiety permeates everyday life. Set either side of Trump’s election, it amplifies many voices prophesying doom, from environmentalists to Bible-thumpers. Lizzie’s sardonic narration is an ideal way of capturing relatable feelings of anger and helplessness. Don’t expect to come away with your worries soothed, though there is some comfort to be found in the feeling that we’re all in this together.
- The Dutch House by Ann Patchett: A memorable exploration of family secrets and memories. Maeve and Danny Conroy are an inseparable brother-and-sister pair. When their father dies, they become like Hansel and Gretel: cast out into the wilds by an evil stepmother who takes possession of the only home they’ve ever known, a suburban Philadelphia mansion built on the proceeds of the VanHoebeek cigarette empire. Patchett always captures the psychology of complicated families, and her sharp prose never fails to hit the nail on the head.
- Red at the Bone by Jacqueline Woodson: Like a family saga in miniature, this short novel stretches backward from Melody’s 16th birthday party, held in Brooklyn in 2001, to explore previous generations of the African American experience. Chapters alternate between first- and third-person narration, highlighting the perspectives of all the major family members. I raced through to see who would follow in family footsteps, or not. The title is apt: the book is sometimes raw and sometimes tender. It’s an emotionally engaging story of loss and memory.
Currently skimming (1)
- The Mirror and the Light by Hilary Mantel: I’ve stalled around page 200. I’ll be totally engrossed for a few pages of exposition and Cromwell one-liners, but then everything gets talky or plotty and I skim for 20‒30 pages and put it down. My constant moving between 10‒20 books and the sudden loss of a deadline have not served me well: I feel overwhelmed by the level of detail and the cast of characters, and haven’t built up momentum. Still, I can objectively recognize the prose as top-notch.
Did not particularly enjoy (3)
- Fleishman Is in Trouble by Taffy Brodesser-Akner: To me this didn’t stand out at all from the sea of fiction about crumbling marriages and upper-middle-class angst.
- Actress by Anne Enright: A slow-burning backstory of trauma and mental illness. I found I wasn’t warming to the voice or main characters and mostly skimmed this.
- Hamnet by Maggie O’Farrell: In comparison with other historical fiction, this fell short. Overall, I found the prose flat and repetitive, which diluted the portrait of grief.
Attempted but couldn’t get through (1)
- Djinn Patrol on the Purple Line by Deepa Anappara – I’m wary of child narrators anyway, and the voice didn’t grab me within the first few pages.
Still plan to read (3)
- Queenie by Candice Carty-Williams
- How We Disappeared by Jing-Jing Lee
- The Most Fun We Ever Had by Claire Lombardo
Not interested (3)
- Nightingale Point by Luan Goldie: Sounds subpar.
- A Thousand Ships by Natalie Haynes: Say no to updated Greek classics.
- Girl by Edna O’Brien: I don’t care for O’Brien’s writing. Though this was well received by the critics, it’s not finding much love among my trusted bloggers. (Plus there’s the cultural appropriation issue.)
My ideal shortlist
(A wishlist based on my reading and what I want to read)
Dominicana by Angie Cruz
Girl, Woman, Other by Bernardine Evaristo
How We Disappeared by Jing-Jing Lee
The Mirror and the Light by Hilary Mantel
Weather by Jenny Offill
The Dutch House by Ann Patchett
My predicted shortlist
Queenie by Candice Carty-Williams
Actress by Anne Enright
Girl, Woman, Other by Bernardine Evaristo
The Mirror and the Light by Hilary Mantel
Girl by Edna O’Brien OR Hamnet by Maggie O’Farrell
The Dutch House by Ann Patchett
Callum, Eric, Laura and Rachel have been posting lots of reviews and thoughts related to the Women’s Prize. Have a look at their blogs!
In this 25th anniversary year of the Women’s Prize, readers are also being encouraged to catch up on previous winners.
- I’ve read 13 so far (and am currently rereading On Beauty by Zadie Smith).
- I already had Half of a Yellow Sun by Chimamanda Ngozi Adichie and The Idea of Perfection by Kate Grenville on my shelves, plus The Song of Achilles by Madeline Miller on my Nook.
- I recently found a copy of A Crime in the Neighborhood by Suzanne Berne at the free bookshop where I volunteer.
- On my current library stack are When I Lived in Modern Times by Linda Grant, Property by Valerie Martin and Fugitive Pieces by Anne Michaels.
I can’t promise to be a completist about this project because the prospect of reading A Girl Is a Half-formed Thing and The Glorious Heresies fills me with dread, but we’ll see…
Other Prize Reading Projects
I’d been trying to make my way through some previous Wellcome Book Prize winners and nominees, but have been scuppered by my library’s closure. At the moment I have Adam Rutherford’s A Brief History of Everyone Who Ever Lived (2017 longlist; passed on from my father-in-law) and Steve Silberman’s Neurotribes (2016 shortlist; from the library) on my pile to read or, more likely, skim.
I also had the idea to read all the Bellwether Prize winners because I loved The Leavers so much. (Known in full as the PEN/Bellwether Prize for Socially Engaged Fiction, it is a biennial award given by PEN America and Barbara Kingsolver, who created and funds the prize, “to a U.S. citizen for a previously unpublished work of fiction that address issues of social justice.”) This project did not start particularly well as I DNFed Running the Rift by Naomi Benaron. However, I own copies of Mudbound by Hillary Jordan and The Girl Who Fell from the Sky by Heidi W. Durrow and hope I’ll have better luck with them.
What prize lists or other reading projects are keeping you busy?
Blog Tour Review: The Leavers by Lisa Ko
Lisa Ko’s exceptional debut novel, The Leavers, was hand-picked by Barbara Kingsolver for the 2016 PEN/Bellwether Prize for Socially Engaged Fiction, was a finalist for the 2017 National Book Award for Fiction in the States, and is now the launch title for Little, Brown UK’s new imprint, Dialogue Books, which will feature “stories from illuminating voices often excluded from the mainstream,” specifically those “for, about and by readers from the LGBTQI+, disability, working class and BAME communities.” I highly recommend it to fans of Nathan Hill’s The Nix, Atticus Lish’s Preparation for the Next Life and Celeste Ng’s Little Fires Everywhere. It’s an ambitious and satisfying novel set in New York and China, with major themes of illegal immigration, searching for a mother and a sense of belonging, and deciding what to take with you from your past.
Eleven-year-old Deming Guo and his mother Peilan (nicknamed “Polly”), an undocumented immigrant, live in New York City with another Fuzhounese family: Leon, Polly’s boyfriend, works in a slaughterhouse, and they share an apartment with his sister Vivian and her son Michael. Deming gets back from school one day to find that his mother never came home from her job at a nail salon. She’d been talking about moving to Florida to work in a restaurant, but how could she just leave him behind with no warning?
Ten years later, Deming is Daniel Wilkinson, adopted and raised in upstate New York by a pair of white professors, Peter and Kay. He’s made a mess of his life with drinking and an addiction to online poker, and has been expelled from college. Now the guitar is his life, but even his best friend and bandmate Roland Fuentes isn’t willing to cut him any slack when he doesn’t show up for rehearsals and performances. Peter and Kay are pulling strings to get Daniel accepted into their college, but he keeps screwing up every chance he’s given. He can only hope his efforts to reconnect with his birth mother will be more successful.
The novel shifts fluidly between a third-person account of our protagonist then (Deming) and now (Daniel) and a first-person confession as Polly explains all: her upbringing in poverty in China, her pregnancy out of wedlock, her illegal entry to the United States, and why she had to leave Deming so suddenly. Polly and Deming/Daniel are vibrant characters, and I ached for their struggles. Both have the sense of being split between lives, of “juggling selves.” Their collective story is about figuring out who you are, what can be made right, and what to leave behind as you move forward in life. It’s such a beautiful novel, and an impressive debut from Lisa Ko.
The Leavers will be published in paperback by Dialogue Books on April 26th. My thanks to Little, Brown for the free copy for review.