12 Days in Portugal and Spain & What I Read
It’s the second time we’ve braved the 20+-hour ferry crossing from the south coast of England to Santander in the north of Spain. Four years ago, we stayed on the edge of the Picos de Europa national park in Spain. This time we prioritized Portugal, spending a night in Spain on the way out and back. (In Léon, we acquired a taste for vermouth – and the free tapas that come with it. So cheap, too. What a fun eating-out culture!)
Portugal was a new country for us and we thoroughly enjoyed getting a taste of it. Spring seemed to be a month ahead of the UK and blossom was abundant. We stayed in three places in the north: Guimarães, the Douro Valley, and the Côa Valley. We took our new-to-us EV and found the distances manageable and charging cheaper and easier than in the UK. Going by car made packing easy and allowed us to bring back some port, Mr. F’s favourite tipple. However, there were hairy drives along confusing city streets and narrow mountain roads.
Our first stay was at Pousada de Santa Marinha, overlooking Portugal’s oldest city. One of a chain of state-restored castles and convents, it was originally a 12th-century monastery. We relished the bountiful breakfast buffet and manicured grounds but wished for more free time to relax in the grand common areas. Mostly we used this as a base for the first of two day trips to Porto, where we got good views from the cathedral tower, had delicious coffee and veggie snacks at 7g Roaster, and did a tour and tasting at Taylor’s port house. Portugal does a good line in doorstep cats. We also had our first sighting of swifts for the year on the 7th, flying above the azulejos (painted tiles) and cobbled streets of Guimarães before a traditional taverna meal of bacalhau (salt cod) fritters and bean stew with vinho verde.
Quinta dos Murças was, if anything, even more luxurious than the pousada. We were the only guests on our first of three nights at the winery, and after a private English-language cellar tour and wine and port tasting, a sit on the wisteria-covered balcony, and a three-course meal in the dining room, we were feeling like royalty. Along with grapes, they grow almonds, olives and several types of citrus. The lemon trees were dripping with the biggest fruits I’ve ever seen, and the smell of the orange blossom was truly intoxicating. The next morning we got up early and took a pack-up picnic on the train back into Porto, which was so hot and busy that we wondered why we’d bothered – though we did have an excellent tasting experience at a smaller producer, Poças, that included white and red wine, several ports, and a cocktail of white port, lime juice, and blood orange tonic served with a salt rim.
Portuguese is significantly more challenging than Spanish, so I was pleased with myself for managing an all-Portuguese transaction with the conductor on the rural branch line. The old-fashioned train carriages were spacious with comfortable seats, though the ride was not what one would call speedy. The journey back was fraught because we found ourselves pressed to catch the final train of the day (at just after 5:30 p.m.!), couldn’t figure out how to buy tickets at the station machines, were short of cash to pay the conductor on board, and arrived 2 hours late after a car collided with a telegraph pole and left the track blocked for an hour. The following day, what did we do? Got back on a train! (In the opposite direction, with tickets we’d carefully purchased ahead online.) This time we traveled toward the eastern end of the scenic Douro Valley so that we managed to see the whole river in pieces. The village of Tua had no particular sights, but we had a pleasant amble along its river boardwalk.
We’d earmarked the Côa Valley because it’s home to a sizable rewilding project. On the way, we stopped at Penascosa, an outdoor rock art site with etchings of ibex, aurochs and deer – and even ancient attempts at animation! The Rewilding Centre, where we stayed, is similar to a hostel and has an industrial kitchen because it also operates as a café for the villagers. In cities, we had tended to find English speakers, but the centre manager here had no English, so we happily switched to French (a true lingua franca!) to communicate with her.
The accommodation may have felt like a step down after our two previous splurges, but we’d booked a different treat to selves: an English-speaking guide from Wildlife Portugal who took us out in a Land Rover and found us loads of eagles, vultures and warblers. Bee-eaters and black storks were particular highlights. We were impressed by the array of landscapes: vines and olive groves, granite boulders, high cliffs, pools created by former mining, and green glens. At the hostel we met an English couple (one half a botanist) who are exploring Europe on Interrail passes during a three-month sabbatical, and they joined us for the second day of wildlife tourism; we discovered that Fernando is just as good with plants as with birds.
It was a varied, comfy, boozy trip. There was the touristy experience in Porto and parts of the Douro Valley, but also the ‘real’ countryside. Things ended on something of a sour note due to a rough return crossing of the Bay of Biscay. We’ll be back in Spain next summer to meet up with my sister and our nephew on his school trip to Barcelona, but that jaunt will be by train!
What I Read

En route: Rita Hayworth and Shawshank Redemption by Stephen King, which I’ll review for a spring-themed post as it’s the first in a quartet of loosely seasonal novellas. You likely know this prison story from the film version.
In Portugal: three Portugal-set novels I’d proudly sourced, including two in translation. My only previous knowledge of Portuguese literature had been a DNF of a José Saramago novel.

The Migrant Painter of Birds by Lídia Jorge (1998; 2001)
[Translated by Margaret Jull Costa]
The title figure is Walter, a former soldier who wanders the world and sends his bird paintings back to his daughter at the Dias family home in (fictional) Valmares. His actual visits are few and clandestine: Jorge keeps returning to a scene of him holding his shoes in his hand so he can soundlessly climb the stairs to see his daughter. You see, his daughter is officially his ‘niece’, born of an affair Maria Ema had with her husband Custódio’s brother. That act of adultery is the foundation of the novel but so tacit that it influences everything, including the language and narration. “Walter’s daughter” narrates – in third person or first – and frequently refers to herself as “Walter’s niece” instead.
The slippery narrative moves back and forth in time, pausing at a few landmark years. Very little happens, per se, apart from Walter’s daughter having a liaison with her mother’s therapist and then going to find her father in Argentina, but throughout we are invited to observe the family’s shifting dynamic and understand the narrator’s growing bitterness – “so bruised are we all by the passing of time.” I found the writing intermittently beautiful (“the sun was setting, persimmon red, behind the smooth fields”; “A tangle of living ghosts, the magical cortège of all tyrannies”) but sometimes pretentious or obfuscating to no purpose (“I invoke the decade of irony, the decade of silence pierced by the oblique laughter of cynicism”). (Interlibrary loan) ![]()
The High Mountains of Portugal by Yann Martel (2016)
I knew of Martel’s obscure fourth novel through The Bookshop Band’s song “Why I Travel This Way,” about a bereaved man who starts walking backwards. What I didn’t realize is that the book is essentially three linked novellas and that song responds to just the first one, “Homeless.” Within a week, museum curator Tomás’s son, common-law wife, and father all died. Tomás sets off in his uncle’s early motorcar (this being 1904) to find a religious relic he learned about from a 17th-century priest’s journal written in São Tomé. But he has no idea how to drive, and accidents and persecution continue to beset him. A Job-like figure, he has set “his back to the world, his back to God” as a way of “not grieving” but “objecting.” Next, pathologist Eusebio and his wife have a high-minded discussion of the morality of murder mysteries in the 1939-set “Homeward.” Eusebio then undertakes an unexpected late-night job when an old woman arrives with her late husband’s corpse in a suitcase. Every cut reveals the substance of the man’s life rather than the reason for his death.
After religious parable and magic realism, “Home” initially seems more straightforward with its story of a widowed Canadian senator who buys Odo the chimpanzee from a research centre and relocates to rural Portugal. If you’ve read Life of Pi and/or Beatrice and Virgil, you know that Martel really goes in for his animal allegories. Odo might be considered symbolic of simplicity and joy in life. There are apt connections with the other novellas: not only an overarching theme of grief, but the specifics of one northern Portuguese village and its events that have become legend. And, yes, chimpanzees. A line from the first part serves as Martel’s mantra: “We are risen apes, not fallen angels.” Weird but satisfying. (Public library) ![]()
The Piano Cemetery by José Luís Peixoto (2006; 2010)
[Translated by Daniel Hahn]
It may be premature, but I feel I can pinpoint some trademarks of Portuguese literature based on the few examples I’ve now read (plus Martel’s pastiche): narrative trickery, family dysfunction, metaphors of blindness, philosophical and religious dialogues, and a fine line between life and death. Unfortunately, in this case I found the appealing elements buried under an off-putting style. The Lázaro family are carpenters in 1910s Lisbon with a back room housing busted pianos that they use for their instrument-repair side business. To start with, the narrator is the dead patriarch of the family, who remembers how he met his wife at the piano cemetery and keeps watch over his children and grandchildren in the present day. There are also two long sections of stream-of-consciousness memories of his son Francisco as he runs the marathon at the 1912 Stockholm Olympics. Francisco Lázaro was a historical figure who died in that athletic pursuit, but the family backstory of estrangement, domestic violence, and adultery that Peixoto builds around him is fictional. Punctuated by distance markers (“Kilometre one” and so on), Francisco’s fragments are decontextualised and often don’t join up or even form complete sentences. Add in the father’s fatphobic attitude toward one of his daughters and the laughably circuitous phrasing (“my thick hand in a single movement, like an impulse, but not even an impulse, like a desire you have for a moment and which becomes concrete in that same moment, another person’s desire within me, a desire which is not thought, but which rises up like a flame” – huh? can I blame the translator?) and you might see why this was a slog for me. (Secondhand purchase – Awesomebooks.com) ![]()
Plus a partial reread of a delightful teen novel we both read the last time we were in Spain:
The Murderer’s Ape by Jakob Wegelius
[Translated from the Swedish by Peter Graves]
Talk about a risen ape! Sally Jones is an animal narrator extraordinaire: a ship’s engineer who meets every challenge that comes her way with aplomb, traveling from Portugal to India and back just to clear the Chief’s name after he’s falsely accused of murder. She happens to be a gorilla, but her only real limitation is that she can’t voice human language; she understands and writes it perfectly, and can beat most people at chess. This doorstopper never feels like one because it races along on a tide of adventure and intrigue. The technology suggests a 1920s date. All the settings are evocative, but historical Lisbon is especially enticing (and not dissimilar to Peixoto’s): Sally Jones lives with Ana Molina, a famous fado singer, and works in her neighbour Signor Fidardo’s instrument workshop repairing accordions. ![]()

Plus the latter half of another novel or two I had on the go, and most of a couple of pre-release e-books for Shelf Awareness reviews: the odd Kitten by Stacey Yu, about a cat-identifying millennial Disaster woman, and The Half Life by Rachel Beanland. Set in 1970s Sardinia, this was a perfect summer read – intelligent as well as sultry – about a young Navy wife’s sexual coming of age and casual investigation into the ongoing effect of American nuclear submarines on the island’s natural environment.
Nine Days in Germany and What I Read, Part I: Berlin
We’ve actually been back for more than a week, but soon after our return I was felled by a nasty cold (not Covid, surprisingly), which has left me with a lingering cough and ongoing fatigue. Finally, I’m recovered just about enough to report back.
This Interrail adventure was more low-key than the one we took in 2016. The first day saw us traveling as far as Aachen, just over the border from France. It’s a nice small city with Christian and culinary history: Charlemagne is buried in the cathedral; and it’s famous for a chewy, spicy gingerbread called printen. Before our night in a chain hotel, we stumbled upon the mayor’s Green Party rally in the square – there was to be an election the following day – and drank and dined well. The Gin Library, spotted at random on the map, is an excellent and affordable Asian-fusion cocktail bar. My “Big Ben,” for instance, featured Tanqueray gin, lemon juice, honey, fresh coriander, and cinnamon syrup. Then at Hanswurst – Das Wurstrestaurant (cue jokes about finding the “worst” restaurant in Aachen!), a superior fast-food joint, I had the vegetarian “Hans Berlin,” a scrumptious currywurst with potato wedges.
The next day it was off to Berlin with a big bag of bakery provisions. For the first time, we experienced the rail cancellations and delays that would plague us for much of the next week. We then had to brave the only supermarket open in Berlin on a Sunday – the Rewe in the Hauptbahnhof – before taking the S-Bahn to Alexanderplatz, the nearest station to our Airbnb flat.
It was all worth it to befriend Lemmy (the ginger one) and Roxanne. It’s a sweet deal the host has here: whenever she goes away, people pay her to look after her cats. At the same time as we were paying for a cat-sitter back home. We must be chumps!
I’ll narrate the rest of the trip through the books I read. I relished choosing relevant reads from my shelves and the library’s holdings – I was truly spoiled for choice for Berlin settings! – and I appreciated encountering them all on location.
As soon as we walked into the large airy living room of the fifth-floor Airbnb flat, I nearly laughed out loud, for there in the corner was a monstera plant. The trendy, minimalist décor, too, was just like that of the main characters’ place in…
Perfection by Vincenzo Latronico (2022; 2025)
[Translated from Italian by Sophie Hughes]
Anna and Tom are digital nomads from Southern Europe who offer up their Berlin flat as a short-term rental. In the listing photographs it looks pristine, giving no hint of the difficulties of the expatriate life such as bureaucracy and harsh winters. “Creative professionals” working in the fields of web development and graphic design, they are part of the micro-generation that grew up as the Internet was becoming mainstream, and they tailor their products and personal lives to social media’s preferences. They are lazy liberals addicted to convenience and materialism; aspiring hedonists who like the idea of sex clubs but don’t enjoy them when they actually get there. When Berlin loses its magic, they try Portugal and Sicily before an unforeseen inheritance presents them with the project of opening their own coastal guesthouse. “What they were looking for must have existed once upon a time, back when you only had to hop onto a train or a ferry to reach a whole other world.” This International Booker Prize shortlistee is a smart satire about online posturing and the mistaken belief that life must be better elsewhere. There are virtually no scenes or dialogue but Latronico gets away with the all-telling style because of the novella length. Were it not for his note in the Acknowledgements, I wouldn’t have known that this is a tribute to Things by Georges Perec. (Read via Edelweiss) ![]()
We got to pretend to be hip locals for four days, going up the Reichstag tower, strolling through the Tiergarten, touring the Natural History Museum (which has some excellent taxidermy as at left), walking from Potsdam station through Park Sanssouci and ogling the castles and windmill, chowing down on hand-pulled noodles and bao buns at neighbourhood café Wen Cheng, catching an excellent free lunchtime concert at the Philharmonic, and bringing back pastries or vegan doughnuts to snack on while hanging out with the kitties. The S-Bahn was included on our Interrail passes but didn’t go everywhere we needed, so we were often on the handy U-Bahn and tram system instead. Graffiti is an art form rather than an antisocial activity in Berlin; there is so much of it, everywhere.
- Reichstag (Photos 1, 2 and 4 by Chris Foster)
- Reichstag tower designed by Norman Foster
- The Philharmonic
- Brandenburg Gate (Photos 1-3 by Chris Foster)
- Postdam’s Park Sanssouci
- Wen Cheng noodles
- Brammibal’s vegan doughnuts
I brought along another novella that proved an apt companion for our explorations of the city. Even just spotting familiar street and stop names in it felt like reassurance.

Sojourn by Amit Chaudhuri (2022)
The narrator of this spare text is a Böll Visiting Professor experiencing disorientation yet resisting gestures of familiarity. Like a Teju Cole or Rachel Cusk protagonist, his personality only seeps in through his wanderings and conversations. After his first talk, he meets a fellow Indian from the audience, Faqrul Haq, who takes it upon himself to be his dedicated tour guide. The narrator isn’t entirely sure how he feels about Faqrul, yet meets him for meals and seeks his advice about the best place to buy warm outerwear. An expat friend is a crutch he wishes he could refuse, but the bewilderment of being somewhere you don’t speak the language at all is such that he feels bound to accept. Meanwhile, there is the possibility of another academic admirer, Birgit, becoming his lover. Strangely, his relationship with his cleaning lady, who addresses him only in German, seems the healthiest one on offer. As the book goes on, the chapters get shorter and shorter, presaging some kind of mental crisis. “I keep walking – in which direction I’m not sure; Kreuzberg? I’ve lost my bearings – not in the city; in its history. The less sure I become of it, the more I know my way.” This was interesting, even admirable, but I wanted more story. (Public library) ![]()
We spent a drizzly and slightly melancholy first day and final morning making pilgrimages to Jewish graveyards and monuments to atrocities, some of them nearly forgotten. I got the sense of a city that has been forced into a painful reckoning with its past – not once but multiple times, perhaps after decades of repression. One morning we visited the claustrophobic monument to the Murdered Jews of Europe, and, in the Tiergarten, the small memorials to the Roma and homosexual victims of the Holocaust. The Nazis came for political dissidents and the disabled, too, as I was reminded at the Topography of Terrors, a free museum where brutal facts are laid bare. We didn’t find the courage to go in as the timeline outside was confronting enough. I spotted links to the two historical works I was reading during my stay (Stella the red-haired Jew-catcher in the former and Magnus Hirschfeld’s institute in the latter). As I read both, I couldn’t help but think about the current return of fascism worldwide and the gradual erosion of rights that should concern us all.
Aimée and Jaguar: A Love Story, Berlin 1943 by Erica Fischer (1994; 1995)
[Translated from German by Edna McCown]
Elisabeth “Lilly” Wust was a good German: the estranged wife of a Nazi and mother of four young sons. She met Felice Schragenheim via her new domestic helper, Inge Wolf. Lilly (aka Aimée) was slow to grasp that Inge and Felice were part of a local lesbian milieu, and didn’t realize Felice (aka Jaguar) was a “U-boat” (Jew living underground) until they’d already become lovers. They got nearly a year and a half together, living almost as a married couple – they had rings engraved and everything – before Felice was taken into Gestapo custody. You know from the outset that this story won’t end well, but you keep hoping – just like Lilly did. It’s not a usual or ‘satisfying’ tragedy, though, because there is no record of what happened to Felice. She was declared legally dead in 1948 but most likely shared the fate of Anne and Margot Frank, dying of typhus at Bergen-Belsen. It’s heartbreaking that Felice, the orphaned daughter of well-off dentists, had multiple chances to flee Berlin – via her sister in London, their stepmother in Palestine, an uncle in America, or friends escaping through Switzerland – but chose to remain.
The narrative incorporates letters, diaries and interviews, especially with Lilly, who clearly grieved Felice for the rest of her life. The book is unsettling, though, in that Fischer doesn’t let it stand as a simple Juliet & Juliet story; rather, she undermines Lilly by highlighting Felice’s promiscuity (so she likely would not have remained faithful) and Lilly’s strange postwar behaviour: desperately trying to reclaim Felice’s property, and raising her sons as Jewish. This was a time capsule, a wholly absorbing reclamation of queer history, but no romantic vision. (Secondhand purchase – Community Furniture Project) ![]()
[A similar recent release: Milena and Margarete: A Love Story in Ravensbrück by Gwen Strauss]
The Lilac People by Milo Todd (2025)
This was illuminating, as well as upsetting, about the persecution of trans people in Nazi Germany. Todd alternates between the gaiety of early 1930s Berlin – when trans man Bertie worked for Magnus Hirschfeld’s Institute of Sexual Science and gathered with friends at the Eldorado Club for dancing and singing their anthem, “Das Lila Lied” – and 1945 Ulm, where Bert and his partner Sofie have been posing as an older farming couple. At the novel’s start, a runaway from Dachau, a young trans man named Karl, joins their household. Ironically, it is at this point safer to be Jewish than to be different in any other way; even with the war over, rumour has it the Allies are rounding up queer people and putting them in forced labour camps, so the trio pretend to be Jews as they ponder a second round of escapes.
While this is slow to start with, and heavy on research throughout, it does gather pace. The American officer, Ward, is something of a two-dimensional villain who keeps popping back up. Still, the climactic scenes are gripping and the dual timeline works well. Todd explores survivor guilt and gives much valuable context. He is careful to employ language in use at that time (transvestites, transsexuals, “inverts,” “third sex”) and persuasively argues that, in any era, how we treat the vulnerable is the measure of our humanity. (Read via Edelweiss) ![]()
[A similar recent release: Under the Pink Triangle by Katie Moore (set in Dachau)]
We might have been at the Eldorado in the early 1930s on the evening when we ventured out to the bar Zosch for a “New Orleans jazz” evening. The music was superb, the German wine tasty, the whole experience unforgettable … but it sure did feel like being in a bygone era. We’re so used to the indoor smoking ban (in force in the UK since 2007) that we didn’t expect to find young people chain-smoking rollies in an enclosed brick basement, and got back to the flat with our clothes reeking and our lungs burning.
It was good to see visible signs of LGTBQ support in Berlin, though they weren’t as prevalent as I perhaps expected.
For a taste of more recent German history, I’ve started Kairos by Jenny Erpenbeck, which is set in the 1980s not long before the Berlin Wall came down. Unfortunately, my library hold didn’t arrive until too late to take it with me. We made a point of seeing the wall remnants and Checkpoint Charlie on our trip.
Other Berlin highlights: a delicious vegetarian lunch at the canteen of an architecture firm, the Ritter chocolate shop, and the pigeons nesting on the flat balcony – the chicks hatched on our final morning!
And a belated contribution to Short Story September:
Touchy Subjects by Emma Donoghue (2006)
I seem to pluck one or two books at random from Donoghue’s back catalogue per year. I designated this as reliable train reading. The 19 contemporary stories fall into thematic bundles: six about pregnancy or babies, several about domestic life, a few each on “Strangers” and “Desire,” and a final set of four touching on death. The settings range around Europe and North America. It’s impressive how Donoghue imagines herself into so many varied situations, including heterosexual men longing for children in their lives and rival Louisiana crawfishermen setting up as tour-boat operators. The attempts to write Black characters in “Lavender’s Blue” and “The Welcome” are a little cringey, and the latter felt dated with its ‘twist’ of a character being trans. She’s on safer ground writing about a jaded creative writing tutor or football teammates who fall for each other. I liked a meaningful encounter between a tourist and an intellectually disabled man in a French cave (“The Sanctuary of Hands”), an Irishwoman’s search for her missing brother in Los Angeles (“Baggage”) and a contemporary take on the Lazarus myth (“Necessary Noise”), but my two favourites were “The Cost of Things,” about a lesbian couple whose breakup is presaged by their responses to their cat’s astronomical vet bill; and “The Dormition of the Virgin,” in which a studious young traveller to Florence misses what’s right under his nose. There are some gems here, but the topics are so scattershot the collection doesn’t cohere. (Secondhand – Awesomebooks.com) ![]()
Trip write-up to be continued (tomorrow, with any luck)…
Hay-on-Wye Trip & Book Haul (Plus a Little Life Complication)
Last week was our ninth time visiting Hay-on-Wye. Our previous trip was in October 2023 for my 40th birthday. Prompted by my overhaul post last month, I managed to finish a couple more of the 16 books I’d bought that time, taking me to 4 read and 1 skimmed; I’ve also read the first quarter of So Happy for You by Celia Laskey. Considering it was less than 18 months between visits, I’m going to call that an adequate showing. However, I will endeavour to be better about reading this latest book haul (below) in a timely fashion!
Because we were staying four nights, there was no need to rush through all the bookshops in a day or two, though that would be possible; instead, we parcelled them out and mixed up our shopping with walks, short outings in the car, and relaxing in the comfy cottage just over the English border in Cusop. I had work deadlines to meet within the first few days, but on another evening we took advantage of the place having Netflix to watch My Neighbor Totoro.
I’ve gotten secondhand book shopping in Hay down to a science over the years. Check on opening days and hours carefully or you can miss out. Thursday to Saturday is the best window to go: the Thursday market is excellent for local produce and crafts, and it’s nice to see the town bustling. (Though I’ve never seen it at Festival time, and wouldn’t want to!)
Start with the bargain options: the Little Free Library shelves by the river, where I scored Electricity by Victoria Glendinning; the sale area outside Hay Cinema Bookshop, the dedicated honesty shop beside Richard Booth’s Bookshop (new this trip), and the Book Passage beside Addyman Books – all £1/book; and the honesty shelves on the castle grounds, where it’s £2/book. Most of my purchases came from these areas. Just call me thrifty!

Next, the mid-priced options: Cinema, Broad Street Book Centre, Hay-on-Wye Booksellers, Clock Tower Books, and the new British Red Cross bookshop, which is not cheap for a charity shop but has a good selection of relatively recent stuff. (Oxfam, however, has moved away from books and primarily sells clothes, new products and bric-a-brac.) Cap it off with Addymans + Addyman Annexe, Cinema, Booth’s, the Poetry Bookshop and Green Ink Booksellers.
I had the best luck in Cinema this time, where I found two remainder books, three bargain books (one not pictured because it will be a gift) and the Howard Norman short stories – a particular thrill as his work is not often seen in the UK. Cinema and Booth’s are the greatest pleasure to browse. At Booth’s I bought my priciest book of the trip – Fountainville by Tishani Doshi, a retelling of stories from the Mabinogion – and indulged in a bookish tote bag (as if I needed another!). It was especially pleasing to find the Doshi and the Lewis in Hay as they are Welsh authors so will cover me for Reading Wales Month next year.
I wasn’t in the market for new books this time, not having any vouchers at my disposal, but those who are will also enjoy perusing Gay on Wye, North Books, and the large selection of new stock mixed in thematically at Booth’s. All told, that’s 15 places to shop for books.
Alas, The Bean Box, where you could get the best coffee in town, has now closed. We returned to Hay Distillery for delicious gin drinks and had Shepherd’s ice cream (a must) twice. New to us on this trip were nearby Talgarth and its excellent Mill café, the Burger Me (oh dear) restaurant at The Globe, a drink at Kilverts Inn, and an evening walk down the river to a nice shingle spit.
The weather was improbably warm and sunny – as in, I packed an umbrella and raincoat but never used them. I did need my woolly hat, scarf and gloves, but only on the first morning when we climbed up a hill. The rest of the time, it was blue skies and blossom, lambs in the fields, and 20 degrees C, for which, in early April, we could only be grateful – but also, as the lady on the till at Cinema rightly observed, it’s mildly disturbing.
This was our first major trip with our secondhand electric car, which needs rather frequent charging. En route we broke the journey at Gloucester and toured its cathedral; on the way back, we plumped for usefulness over aesthetics by stopping at carparks in Ross-on-Wye and Cirencester. We now choose routes that avoid motorways, which makes for more leisurely and scenic touring.
- Pwll y grach waterfall
Two days after we bought the car from a local acquaintance, this creature entered our lives. I certainly didn’t intend to adopt another cat a shade under six weeks after Alfie’s death. (I haven’t even finished reading Grieving the Death of a Pet on my Kindle; I still haven’t brought myself to read your kind comments on my post about losing Alfie.) But we were deeply lonely in a way we hadn’t been expecting. I would object to the use of the word “replace” – there is no replacing Alfie; we still miss him for his predictability and dignity as well as all his own funny ways. I’ve come to realize that grief is ongoing, and all of a piece: mourning Alfie took me back to the same place of grief I inhabit for my mother, and missing them and others lost in recent years is tied into my helpless sadness over natural disasters, humanitarian crises, the state of affairs in my home country, the trajectory of the planet, and on and on.
Any road, the adoption moved very quickly: from expressing interest on a Thursday to getting a call back on a Saturday to meeting and taking him home on a Sunday afternoon. Benny (“Tubbs” as was) is only a year old and full of energy. He came home with a tapeworm but got over it within a week after a targeted worming treatment. It’s been a big adjustment for us to have a cat who doesn’t sleep most of the day and can jump up onto any counter or piece of furniture. Benny considers every waking moment a chance for playtime and mischief. But he is also so sweet and affectionate. And we haven’t laughed this much in a long, long time.
We had booked the Hay trip long before we knew about Benny and were concerned it would be too soon to leave him. But we needn’t have worried; he was settled in here from Day One. Our regular cat sitter visited twice a day and he was absolutely fine. She sent us WhatsApp updates on him and cute photos, in most of which he is a blur chasing his toy snake!
So that’s what’s been going on with me. And of course, I’ve been frantically reading there in the background (36 books on the go at the moment): pre-release e-books for paid reviews, review copies I’ve been sent for the blog, new releases from the library, and the rest of the McKitterick Prize longlist – my shortlist choices are due on the 23rd, eek! I still hope to read a couple of novels from the Carol Shields Prize longlist before the winner is announced, too.
Hope everyone is having a happy spring!
Making Plans for a Return to Hay-on-Wye & A Book “Overhaul”
I was last in Hay-on-Wye for my 40th birthday (write-up here). We’ve decided 18 months is a decent length between visits such that we can go back and find enough turnover in the bookshops and changes around the town. The plan is to spend four nights there in early April, in a holiday cottage we’ve not stayed in before. It’s in Cusop, just back over the border into England, which means a pleasant (if not pouring with rain) walk over the fields into the town. Normally we go for just a night or two, so this longer ninth trip to Hay will allow us time to do more local exploring besides thoroughly trawling all the bookshops and rediscovering the best eateries on offer.
An Overhaul of Last Trip’s Book Purchases
Simon of Stuck in a Book has a regular blog feature he calls “The Overhaul,” where he revisits a book haul from some time ago and takes stock of what he’s read, what he still owns, etc. (here’s the most recent one). With his permission, I occasionally borrow the title and format to look back at what I’ve bought. Previous overhaul posts have covered pre-2020 Hay-on-Wye purchases, birthdays, the much-lamented Bookbarn International, and Northumberland. It’s been a good way of holding myself accountable for what I’ve purchased and reminding myself to read more from my shelves.
So, earlier this week I took a look back at the 16 new and secondhand books I acquired in Hay in October 2023. I was quickly dismayed: 18 months might seem like a long time, but as far as my shelves go it is more like the blink of an eye.

Read: Only 1 – Uh oh…
- Learning to Drive by Katha Pollitt

But also:
Partially read: 4
- A God at the Door by Tishani Doshi – Doshi is awesome. This is only my second of her poetry collections. I’ll finish it this month for Dewithon.
- Looking in the Distance by Richard Holloway – The problem with Holloway is that all of his books of recent decades are about the same – a mixture of mediations and long quotations from poetry – and I have one from last year on the review catch-up pile already. But I’m sure I’ll finish this at some point.
- The Ghost Orchid by Michael Longley – No idea why I set this one aside, but I’ve put it back on a current stack.
- The Enduring Melody by Michael Mayne – I have this journal of his approaching death as one of my bedside books and read a tiny bit of it at a time. (Memento mori?)

Skimmed: 1
- Love, Remember: 40 Poems of Loss, Lament and Hope by Malcolm Guite – I enjoyed the poetry selection well enough but didn’t find that the author’s essays added value, so I’m donating this to my church’s theological library.
That left 10 still to read. Eager to make some progress, I picked up a quick win, Comic & Curious Cats, illustrated in an instantly recognizable blocky folk art style by Martin Leman (I also have his Twelve Cats for Christmas, a stocking present I gave my husband this past year) and with words by Angela Carter. Yes, that Angela Carter! It’s picture book size but not really, or not just, for children. Each spread of this modified abecedarian includes a nonsense poem that uses the letter as much as possible: the cat’s name, where they live, what they eat, and a few choice adjectives. I had to laugh at the E cat being labelled “Elephantine.” Who knows, there might be some good future cat names in here: Basil and Clarissa? Francesca and Gordon? Wilberforce? “I love my cat with an XYZ [zed] … There is really nothing more to be said.” Charming. (Secondhand purchase – Hay-on-Wye Booksellers) ![]()
Total still unread: 9
Luckily, I’m still keen to read all of them. I’ll start with the two I purchased new, So Happy for You by Celia Laskey, a light LGBTQ thriller about a wedding (from Gay on Wye with birthday money from friends, a sweet older lesbian couple – so it felt appropriate to use their voucher there!), and Past Mortems by Carla Valentine, a memoir set at a mortuary (remainder copy from Addymans); as well as a secondhand novel, The Tie that Binds by Kent Haruf (Hay-on-Wye Booksellers) and the foodie essays of The Man Who Ate Everything by Jeffrey Steingarten (Cinema).
Then, if I still haven’t read them before the trip (who am I kidding…), I’ll pack for the car a few small volumes that will fit neatly into my handbag: Apple of My Eye by Helene Hanff, How to Make an American Quilt by Whitney Otto, and one of the poetry collections.
Making Plans for a Return to Northumberland & A Book “Overhaul”
It’s just over three years since our terrific trip to Northumberland. We enjoyed ourselves so much that, when casting around for somewhere within the country to spend a week in September before the university term starts for my husband, we decided to go back later this week. This time we’re renting a holiday cottage in Berwick and travelling by train and bus instead of car – a decision that has already been complicated by rail replacement buses, but we’re making it work. The plan is to explore Berwick and Bamburgh; revisit Alnwick, the Farne Islands, and Lindisfarne (Holy Island); and venture into Scotland for a day trip. We’ll also stay with friends in York on the way up and back and attend York’s annual beer festival with them.
An Overhaul of Last Trip’s Book Purchases
Simon of Stuck in a Book runs a regular blog feature he calls “The Overhaul,” where he revisits a book haul from some time ago and takes stock of what he’s read, what he still owns, etc. (here’s the most recent one). With his permission, I occasionally borrow the title and format to look back at what I’ve bought. Previous overhaul posts have covered Hay-on-Wye, birthdays, and the much-missed Bookbarn International. It’s a good way of holding myself accountable for what I’ve purchased and reminding myself to read more from my shelves.
So, earlier this summer, I took a look back at the whopping 33 new and secondhand books I acquired in Northumberland (and en route) in July 2021; they are all pictured in my trip write-up post.
Had already read: 2
- How Far Can You Go by David Lodge
- Leaving Church by Barbara Brown Taylor – It’s on my shelf for rereading.

Have read since then: 22 – I cannot tell you how proud I am of this number! A full 2/3!
- Until the Real Thing Comes Along by Elizabeth Berg (see below)
- The Girl Aquarium by Jen Campbell
- The Waterfall by Margaret Drabble
- Home Life by Alice Thomas Ellis
- Talking to the Dead by Elaine Feinstein
- Islands of Abandonment by Cal Flyn
- The End We Start From by Megan Hunter
- The Story of My Life by Helen Keller
- Spring by Karl Ove Knausgaard
- No Time to Spare by Ursula K. Le Guin
- The Facebook of the Dead by Valerie Laws
- An Advent Calendar by Shena Mackay
- Christmas Holiday by W. Somerset Maugham
- Birds of America by Lorrie Moore
- Thinking Again by Jan Morris
- Emerald by Ruth Padel
- Dear George by Helen Simpson
- Intimations by Zadie Smith
- Filthy Animals by Brandon Taylor
- North with the Spring by Edwin Way Teale
- Female Friends by Fay Weldon
- Kitchen by Banana Yoshimoto
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Plus…
Partially read: 4
- A Keeper of Sheep by William Carpenter
- Nature Cure by Richard Mabey
- Vida by Marge Piercy
- The Truants by Kate Weinberg
Skimmed: 1 (A Childhood in Scotland by Christian Miller)
Gave away unread: 1 (Wolf Winter by Cecilia Ekback)
Total still unread: 7
Total no longer owned: 11 (resold, gifted or donated to the Little Free Library) – Getting rid of at least 1/3 of what I read seems like a pretty solid ratio.
I surveyed the pile of books still unread or only partly read and picked up a few to read beforehand or on the way back to Northumberland. I managed to finish one:
Until the Real Thing Comes Along by Elizabeth Berg (1999)
I think of Berg as Anne Tyler lite, likely to appeal to readers of Sue Miller, Catherine Newman, and Maggie O’Farrell. I’d read five of her novels and they are all at least moderately enjoyable, with Talk Before Sleep the best and Open House and The Pull of the Moon in a second tier. But this was pretty annoying and cliched. The plot is straight out of that Rupert Everett–Madonna movie The Next Best Thing. Patty is madly in love with her friend Ethan but, darn it, he’s gay. She’s also 36 and desperate for a baby. She can’t see another way to get one, so Ethan agrees to impregnate her. Works first time! Everything goes perfectly with the pregnancy, and he says he’ll try to act straight so they can move to Minneapolis to raise the baby. Reality does set in, but only very late on. My main problem was Patty: always complaining, putting no effort into her real estate career, and oblivious to when her parents are struggling. Ethan’s experience losing friends to AIDS is shoehorned in through one histrionic paragraph. This got better as it went on, but certainly wasn’t what I’d call fresh and convincing. ![]()
and am partway through another:
Sorry to Disrupt the Peace by Patrick [Patty Yumi at the time of publication] Cottrell – An unusual voice-driven novel about a Korean adoptee mourning her brother’s death by suicide. I’m not sure I’ll stay the course.
I’m packing for the train:
The Picnic and Suchlike Pandemonium by Gerald Durrell
A House Unlocked by Penelope Lively
Vida by Marge Piercy
…along with plenty of other books in progress!
Hay-on-Wye Trip & Book Haul
Our previous trip to Hay was in September 2020, when Covid restrictions meant some shops were closed and most eateries only offered takeaway or outdoor dining. At the end of my write-up, I vowed to go back before I turned 40. I stayed true to my word and we arrived in town the day before my 40th birthday. (Not only that, but I’ve completed the Triple Crown of British Book Towns in a year, what with visits to Wigtown in June and Sedbergh in August. My hauls were comparable in all three and my spending in Hay (£37.95 for 15 books) was somewhere between Sedbergh’s low (£24.50 for 13) and Wigtown’s high (£44 for 16).)
Every time we visit, we find some businesses have closed but others have opened. There’s still a core of 12 bookshops, but as in Sedbergh, there are other establishments with a few shelves of books, so there are 15–20 places in town where you can browse books. That’s plenty for anyone to be getting on with in a long weekend.
I had an action plan for our three days that moved from cheapest (honesty shelves below the castle, £1 area outside Cinema; Oxfam and British Red Cross charity shops; Hay-on-Wye Booksellers; Clock Tower Books) through mid-price (Addyman Books, Cinema) to the more expensive options (Green Ink, Booths). The town’s newest shop, as pictured in my birthday post, is Gay on Wye, which, with North Books, replaced Pembertons as sellers of new stock. (Booth’s, the Castle and the Old Electric Shop also sell curated selections of new books.)
New to us on this trip:
- The Bean Box, a terrific and reasonably priced mini coffee bar run out of a horse box by the river. They have a nice garden and a secondhand book selection, and you can sit on their patio or at tables and chairs closer to the river view.
Felin Fach Griffin, a country pub about a 20-minute drive from Hay, where we booked a table for my birthday lunch. Excellent food and a cosy atmosphere, with hill views from the windows.- Hay Castle, which has had scaffolding up and been half-derelict ever since our first visit in 2004. At various points it has had books for sale. In 2022, it opened to the public as a visitor attraction. A projected animation gives a jaunty historical overview from the Middle Ages to the present day. We especially liked the room of Richard Booth and Book Town memorabilia and the viewing platform at the top. Booth himself was the last to live in the castle. On our earliest trips we would occasionally see him around town – a loud, shuffling (after his stroke) eccentric.

- Hay Distillery, where I had a delicious gin cocktail on my birthday evening.
“It is obviously impossible to catalogue over one million books and these listings therefore represent only a very small selection of the books that we have in stock in Hay. We would point out that one of the chief services of the secondhand bookshop is to provide the customer the opportunity to find the book he did not know existed.”
~Richard Booth, “Books for Sale” periodical (1981?)
“The new book is for the ego; the second-hand book is for the intellect.”
~Richard Booth, quoted on the castle exhibit wall
When we arrived at our Airbnb, we found it had not been cleaned; no linen, etc. A cleaner belatedly came to sort it out, but the owner gave us a full refund, so a minor inconvenience got us back more than enough to pay for the rest of the weekend.
After the final day’s shopping, this was my final book haul. We had particularly good luck in the Addyman’s alleyway, where all books are £1 – we got a bunch for presents (not pictured).
I also opened a first set of birthday books. (My husband and I are having a joint birthday party later this month; I daresay there may be more book parcels to open after.)

Hay is gentrified and hipster now in ways that would probably have Booth turning in his grave. While we slightly miss its dusty, ramshackle past, it’s the new businesses and the Festival that have helped it survive.
If you’ve never been to Hay, I’d certainly recommend it. I possibly slightly prefer Wigtown for its community atmosphere, but it’s more than twice as far away and has fewer book shopping opportunities, which for many of us is the main draw, as well as measly food options. Depending on where you live or are traveling in from, Hay is also likely to be the easiest of the three UK book towns to get to, including by public transport.
Isherwood intended for these six autofiction stories to contribute to a “huge episodic novel of pre-Hitler Berlin” titled The Lost. Two “Berlin Diary” segments from 1930 and 1933 bear witness to a change in tenor accompanying the rise of Nazism. Even in lighter pieces about a holiday at the Baltic coast and his friendship with a family who run a department store, menace creeps in through characters’ offhand remarks about “dirty Jews” ruining the country. The narrator, Christopher Isherwood, is a private English tutor staying in squalid boarding houses or spare rooms. His living conditions are mostly played for laughs – his landlady, Fraulein Schroeder, calls him “Herr Issyvoo” – but I was also reminded of George Orwell’s didactic realism. I had it in mind that Isherwood was homosexual; the only evidence of that here is his observation of the homoerotic tension between two young men, Otto and Peter, whom he meets on the Ruegen Island vacation, so he was still being coy in print. Famously, the longest story introduces Sally Bowles (played by Liza Minnelli in Cabaret), the lovable club singer who flits from man to man and feigns a carefree joy she doesn’t always feel. This is the second of two Berlin books; I will have to find the other and explore the rest of Isherwood’s work as I found this witty and humane, restrained but vigilant. (Little Free Library) 






Mansfield was 19 when she composed this slim debut collection of arch sketches set in and around a Bavarian guesthouse. The narrator is a young Englishwoman traveling to take the waters for her health. A quiet but opinionated outsider (“I felt a little crushed … at the tone – placing me outside the pale – branding me as a foreigner”), she crafts pen portraits of a gluttonous baron, the fawning Herr Professor, and various meddling or air-headed fraus and frauleins. There are funny lines that rest on stereotypes (“you English … are always exposing your legs on cricket fields, and breeding dogs in your back gardens”; “a tired, pale youth … was recovering from a nervous breakdown due to much philosophy and little nourishment”) but also some alarming scenarios. One servant girl narrowly escapes being violated, while “The-Child-Who-Was-Tired” takes drastic action when another baby is added to her workload. Most of the stories are unmemorable, however. Mansfield renounced this early work as juvenile and inferior – her first publisher went bankrupt and when war broke out in Europe, sparking renewed interest in a book that pokes fun at Germans, she refused republishing rights. (Secondhand – Well-Read Books, Wigtown)






This posthumous prosimetric collection contains miniature essays, stories and poems, many of which seem autobiographical. By turns nostalgic and morbid, the pieces are very much concerned with senescence and last things. The black-and-white sketches, precise like Dürer’s but looser and more impressionistic, obsessively feature dead birds, fallen leaves, bent nails and shorn-off fingers. The speaker and his wife order wooden boxes in which their corpses will lie and store them in the cellar. One winter night they’re stolen, only to be returned the following summer. He has lost so many friends, so many teeth; there are few remaining pleasures of the flesh that can lift him out of his naturally melancholy state. Though, in Lübeck for the Christmas Fair, almonds might just help? The poetry happened to speak to me more than the prose in this volume. I’ll read longer works by Grass for future German Literature Months. My library has his first memoir, Peeling the Onion, as well as The Tin Drum, both doorstoppers. (Public library)












Rightly likened to Of Mice and Men, this is an engrossing short novel about two brothers, Neil and Calum, tasked with climbing trees and gathering the pinecones of a wealthy Scottish estate. They will be used to replant the many woodlands being cut down to fuel the war effort. Calum, the younger brother, is physically and intellectually disabled but has a deep well of compassion for living creatures. He has unwittingly made an enemy of the estate’s gamekeeper, Duror, by releasing wounded rabbits from his traps. Much of the story is taken up with Duror’s seemingly baseless feud against the brothers – though we’re meant to understand that his bedbound wife’s obesity and his subsequent sexual frustration may have something to do with it – as well as with Lady Runcie-Campbell’s class prejudice. Her son, Roderick, is an unexpected would-be hero and voice of pure empathy. I read this quickly, with grim fascination, knowing tragedy was coming but not quite how things would play out. The introduction to Canongate’s Canons Collection edition is by actor Paul Giamatti, of all people. (Secondhand – Community Furniture Project, Newbury)





Eric and Mabel moved from the Midlands to run a hotel on a remote Scottish island. He places an advertisement in select London periodicals to lure in some Christmas-haters for the holidays and attracts a motley group: a bereaved former soldier writing a biography of General Gordon, a pair of actors known only for commercials, a psychoanalyst, and a department store buyer looking for a novel sweater pattern. Mabel decides she’s had enough and flees the island just as the guests start arriving. One guest is stalking another; one has history on the island. And all along, there are hints that this is a site of major selkie activity. I found it jarring how the novella moved from Shena Mackay-like social comedy into magic realism and doubt I’ll read more by Ellis (I’d already read one volume of 
The many Gaelic phrases, defined in footnotes, help to create the atmosphere. The chapter epigraphs from the legend of Oisín (son of Fionn Mac Cumhaill) and Tír Na nÓg, the land of eternal youth, heighten the contrast between Colin’s idealism and the reality of this life-changing season. I think this is the first book I’ve read that was originally published in Gaelic and I hope it will find readers far beyond its island niche. (BookSirens)
1) Our transit through Edinburgh was brief and muggy, but we made sure to leave just enough time to queue for cones at Mary’s Milk Bar, which has the most interesting flavours you’ll find anywhere. Pictured, though half eaten, are my one scoop of Earl Grey and peach sorbet and one scoop of fig and cardamom ice cream. When we returned to Edinburgh to return the car at the end of our trip, I took the train home by myself but C stayed on for a conference, during which he treated himself to another round at Mary’s.




A quaint short memoir set in the 1950s on the island of Mull (which we sailed past on our way to and from the Outer Hebrides). It’s narrated in tongue-in-cheek fashion by Nicholas the Cat, who pals around with the farm’s dogs, horse and goats and comments on the doings of its human inhabitants, such as “Puddy” (Carothers), a war widow, and her daughter Fionna, who goes away to school. “We understand so much about them, yet they understand so little about us,” he opines. Indeed, the animals are all observant and can communicate with each other. Corrieshellach is a fine horse taken to compete in shows. The goats are lucky to escape with their lives after a local outbreak of foot-and-mouth disease among livestock. Nicholas grows fat on rabbits and fathers several litters. He voices some traditional views (the Clearances: bad but the Empire: good; crows: bad); then again, cats would certainly be C/conservatives. A sweet Blyton-esque read for precocious children or sentimental adults, this passed the time nicely on a long drive. It could do with a better title, though; the ducks only play a tiny role. (Favourite aside: “that beverage which humans find so comforting when things aren’t right. Tea.”) (Secondhand – Benbecula thrift shop)
I read half of this large-format paperback before our trip and the rest afterward. It collects four of Hedderwick’s picture books, which are all set on the Isle of Struay, a kind of Hebridean composite that reproduces the islands’ wildlife and scenery beautifully. Katie Morag’s parents run the shop and post office and her mother always seems to be producing another little brother. In Katie Morag Delivers the Mail, the little red-haired girl causes chaos by delivering parcels at random. Sophisticated Granma Mainland and practical Grannie Island are the stars of Katie Morag and the Two Grandmothers. Katie Morag learns to deal with her anger and with being punished, respectively, in …and the Tiresome Ted and …and the Big Boy Cousins. Cute stories with useful lessons, but the illustrations are the main attraction. I’ll get the rest of the books out from the library. (Little Free Library) 

















I’d read one memoir of working and living in Shakespeare and Company, Books, Baguettes and Bedbugs by Jeremy Mercer (original title: Time Was Soft There), back in 2017. I don’t remember it being particularly special as bookish memoirs go, but if you want an insider’s look at the bookshop that’s one option. Founder Sylvia Beach herself also wrote a memoir. The best part of any trip is preparing what books to take and read. I had had hardly any time to plan what else to pack, and ended up unprepared for the cold, but I had my shelf of potential reads ready weeks in advance. I took The Elegance of the Hedgehog by Muriel Barbery and read the first 88 pages before giving up. This story of several residents of the same apartment building, their families and sadness and thoughts, was reminiscent of
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After a dinner party, Marji helps her grandmother serve tea from a samovar to their female family friends, and the eight Iranian women swap stories about their love lives. These are sometimes funny, but mostly sad and slightly shocking tales about arranged marriages, betrayals, and going to great lengths to entrap or keep a man. They range from a woman who has birthed four children but never seen a penis to a mistress who tried to use mild witchcraft to get a marriage proposal. What is most striking is how standards of beauty and purity have endured in this culture, leading women to despair over their loss of youth and virginity.
We both read this, keeping two bookmarks in and trading it off on Metro journeys. The short thematic chapters, interspersed with recipes, were perfect for short bursts of reading, and the places and meals he described often presaged what we experienced. His observations on the French, too, rang true for us. Why no shower curtains? Why so much barging and cutting in line? Parisians are notoriously rude and selfish, and France’s bureaucracy is something I’ve read about in multiple places this year, including John Lewis-Stempel’s
This was consciously based on George Orwell’s
I forgot to start it while I was there, but did soon afterwards: The Paris Novel by Ruth Reichl, forthcoming in early 2024. When Stella’s elegant, aloof mother Celia dies, she leaves her $8,000 – and instructions to go to Paris and not return to New York until she’s spent it all. At 2nd & Charles yesterday, I also picked up a clearance copy of A Paris All Your Own, an autobiographical essay collection edited by Eleanor Brown, to reread. I like to keep the spirit of a vacation alive a little longer, and books are one of the best ways to do that.