It’s time to draw a line under 20 Books of Summer so I can focus on hosting Short Story September. I’m technically not quite finished with these first two I’m technically not quite finished with these first two [70 pages to go in the Jaouad and 46 in the Kim], but I’ve read enough to form an opinion and will pop back later to add in final thoughts and ratings. My final four are a memoir of cancer in young adulthood; a page-turning courtroom drama about experimental autism treatment gone wrong; gorgeous nature poems; and a novella in translation that comments on disability, motherhood and mental health issues. Skip to the end for my one DNF of the challenge and a look back at some stats plus my most successful reads.

Between Two Kingdoms: What Almost Dying Taught Me about Living by Suleika Jaouad (2021)

{Updated on 7 September} Jaouad wrote a New York Times column about going through leukaemia treatment in her early twenties and what came next. After months of itching and fatigue, she fell properly ill while working her first postgraduate job in Paris and her blood test results were so bad that she flew home to New York. She would be in and out of hospital for the next five years, enduring multiple rounds of chemo and a bone marrow transplant from her brother. It’s a terrific granular account of the physical and emotional rigours of illness, as well as the strain it put on her relationships – being her primary caregiver was too much for her boyfriend, Will. But she also found a community of young cancer patients, many (like Max Ritvo) now dead. After 60% of the book’s length, as the title – its metaphor taken from Susan Sontag – suggests, the new challenge for Jaouad was resuming life. “I’ve spent the past fifteen hundred days working tirelessly toward a single goal—survival. And now that I’ve survived, I’m realizing I don’t know how to live.” She decides to undertake a cross-country road trip punctuated by visits to people who wrote to her through her column: fellow cancer survivors, a mother who lost a son to suicide, a man on death row in Texas. At first I thought this content felt tacked on and should have been a sequel, but ultimately it illustrates why she wouldn’t edit out her illness if she had it all to do again. I hadn’t heard of Jaouad before I stumbled on this book; from Instagram, I learned she’s now (at age 38) weathered cancer three times. (Little Free Library)

Miracle Creek by Angie Kim (2019)

{Updated on 7 September} After enjoying Happiness Falls so much, I wanted to go back to Kim’s debut, for which she won an Edgar Award. (There’s an autistic boy and discussion of therapies in that second book as well.) The bulk of the novel is set during the four days of an August 2009 trial. It’s been a year since a horrific accident at Pak Yoo’s “Miracle Submarine,” a rural Virginia hyperbaric oxygen chamber where regulars came for twice-daily treatment of autism, cerebral palsy, and infertility. Meanwhile, protesters gathered outside to draw attention to what they believed to be a dangerous and unproven technique, the equivalent of child abuse. Someone with Camel cigarettes and matches from a local 7-11 set a small fire under an oxygen tank; the resulting explosion killed two and seriously injured two more. The mother of one of the autistic boys was arrested for suspected arson and attempted murder, but as the trial goes on suspicion seems to shift to members of the Korean American family who ran the HBOT operation. There’s a lot to sink the teeth into here. Each character has secrets, and little revelations are emerging all the time, such that the prosecutor and defence lawyer are always having to adjust their approach. Like I’ve experienced with Kim before, this was intelligent, thought-provoking, and absorbing. It’s just the sort of crime-adjacent fiction I like. An author Q&A at the end reveals a couple of autobiographical inspirations: working in her immigrant parents’ convenience store near Baltimore as a teenager, and taking one of her sons, who had neurological deafness and chronic illnesses, for HBOT. (Gift from my wish list)

The Vixen by W.S. Merwin (1996)

it seems that the world is made of a single

summer as it always has been (from “Entry”)

I took this off the shelf because Merwin was one of the POV characters in The Daffodil Days, Helen Bain’s excellent novel about Sylvia Plath’s final years. I had no idea what to expect, and it took me a while to get used to his entirely unpunctuated verse. Only by reading aloud or in my head was I able to split the text blocks into meaning-rich phrases. The fox is a revenant flitting through many of these poems as they pinpoint natural rhythms and human traces across the seasons and centuries. A lot reference summer, in particular, so this was a perfect choice for the challenge. There are a few historical portraits but most of the pieces feel timeless, evoking a countryside locale where the speaker returns to find derelict dwellings given over to birds and trees. Mostly it feels like this could be England, but sometimes a dry aridity suggests the Mediterranean. There is a strong sense of temporality, especially of afterness – the close of a day, the tail end of a season, the still-resonant emptiness after life has left or activity has finished. But there is also the hint of an eternal present:

Seen from afterward the time appears to have been

all of a piece which of course it was but how seldom

it seemed that way when it was still happening (from “Completion”)

In a long book (~65 pieces), there were only a few poems that washed over me without making any impression. The run-on pace, alliteration, and close attention to the natural world made this utterly mesmerizing. I’ll be sure to read more by Merwin. (Secondhand – Bridport Old Books)

Elena Knows by Claudia Piñeiro (2007; 2021)

[Translated from Spanish by Frances Riddle]

Piñeiro is an Argentinian author known for infusing her detective novels with a political conscience. Elena Knows is a mystery of sorts, in which the title character devotes herself to investigating her daughter’s death (Rita was found hanging in the belfry of a church). But several elements make this atypical for crime fiction: Elena has Parkinson’s disease – “that f—ing whore illness,” she calls it; refuses to accept the police’s conclusion that Rita died by suicide – she would never have gone there in the rain, she insists; and drags her uncooperative body across Buenos Aires to confront an acquaintance she thinks might be able to shed some light. It’s a circadian narrative, divided into sections by Elena’s pill schedule, but expands its timeline through flashbacks to consider the complications of the mother–daughter relationship as Elena became more physically dependent. The eventual encounter with Isabel presents a contrast in the form of a woman who didn’t want to become a mother but had to because of a prohibition on abortion, which was only legalized in Argentina in 2020. While the approach and themes were appealing, I found this repetitive and the long blocks of dialogue in italics were challenging to read. This was shortlisted for the International Booker Prize, though I thought it had a better chance in that year’s Barbellion Prize race (returning this year!). (Gift from my wish list)

And a DNF:

Blonde by Joyce Carol Oates (2000)

Her problem wasn’t she was a dumb blonde, it was she wasn’t a blonde and she wasn’t dumb.

Sigh. Between February and July I read about 200 pages, then skimmed another 100 or so, then finally gave up. (My third Oates DNF. I don’t think she and I are meant to be, though I seem to have better luck with her short stories and own another couple of her books to try.) I engaged most with the early pages about her childhood with a vain, neglectful mother who ends up in a mental hospital; and then with her teenage marriage to Bucky Glazer and involvement in the war effort.

She was a sweet kid but so emotional. Wanting love all the time. She was immature and unreliable and I guess so was I; we were too young. If she’d been a better cook and not so emotional, it might’ve worked out.

Except that people were dying and being injured and the world filling up with smoldering rubble, Norma Jeane liked the War. The War was as steady and reliable as hunger or sleep. Always, the War was there.

In the part that I skimmed, she is starting to become known in Hollywood, with a nude photo shoot (for which she only earned $50), bit parts in films, and her famous stage name.

In the introductory Author’s Note, Oates writes, “for all its length, synecdoche is the principle of appropriation.” So, for instance, instead of multiple foster families, we just get one. Always, there was unwanted male attention, including molestation. I was surprised to find that the pick-and-choose, fact–fiction hybrid approach became a problem for me. I wanted to know if she really married a man named Bucky and wrote poetry. Yet I didn’t want to have to be verifying every fact either.

Oates’s kitchen-sink style involves imagined scenes and dialogue plus retrospective commentary and knowing asides; long, looping sentences and short ones; direct and indirect speech; lots of exclamation points. Lots of everything. The repetition will be deliberate, for effect, but I kept longing for a streamlined version that cut, say, three of every five sentences.

Anyway, this was certainly a project worth undertaking for Oates; you can see why it was irresistible to unearth the reality behind a legend. Norma Jeane is intriguing for her simultaneous childlike innocence and cultivated sensuality. (Secondhand – Awesomebooks.com)

20 Books Statistics:

14 fiction

4 nonfiction

2 poetry

7 by BIPOC

3 towards WIT Month (for which I reviewed 8 in total, with library reads and Foreword reviews)

3 rereads

I’ve learned this year that it’s important, momentum-wise, to build in a number of shorter books (6 of novella length + 2 poetry collections) and best to avoid doorstoppers. I was wise to pick some addictive, undemanding novels that tread the line between popular and literary fiction (Kim, Mantel, O’Farrell, Reid, Sullivan); anything that feels like hard work (Oates!) is definitely not a summer read.

I only read a risible 4 of the specific books I set out as options in my planning post, plus 1 of my additional ideas. (It’s ironic that I struggled to finish this set of 20 when I could have labelled anything from my shelves part of the challenge – in total, I read 39 of my own books this summer.)

My favourites of the 20 were Strange Weather in Tokyo, Prodigal Summer & The Vanishing Act of Esme Lennox (both rereads), and The Vixen. But What Belongs to You, Miracle Creek, Mitz, The Employees, Commencement, and Flush were also great reads. To be able to single out half of the books equals a huge success!

I also completed a 4-book diagonal on the Bingo card!

• Summer in the title (PRODIGAL SUMMER)
• A classic you’ve been meaning to (RE-)read (FLUSH)
• Features a family holiday (MITZ)
• Published in summer (ELENA KNOWS – July 2021)