Three on a Theme of Sylvia Plath (The Slicks by Maggie Nelson for #NonfictionNovember & #NovNov25; The Bell Jar and Ariel)
A review copy of Maggie Nelson’s brand-new biographical essay on Sylvia Plath (and Taylor Swift) was the excuse I needed to finally finish a long-neglected paperback of The Bell Jar and also get a taste of Plath’s poetry through the posthumous collection Ariel, which is celebrating its 60th anniversary. These are the sorts of works it’s hard to believe ever didn’t exist; they feel so fully formed and part of the zeitgeist. It also boggles the mind how much Plath accomplished before her death by suicide at age 30. What I previously knew of her life mostly came from hearsay and was reinforced by Euphoria by Elin Cullhed. For the mixture of nonfiction, fiction and poetry represented below, I’m counting this towards Nonfiction November’s Book Pairings week.
The Slicks: On Sylvia Plath and Taylor Swift by Maggie Nelson (2025)
Can young women embrace fame amidst the other cultural expectations of them? Nelson attempts to answer this question by comparing two figures who turn(ed) life into art. The link between them was strengthened by Swift titling her 2024 album The Tortured Poets Department. “Plath … serves as a metonym – as does Swift – for a woman who makes art about a broken heart,” Nelson writes. “When women make the personal public, the charge of whorishness always lurks nearby.” What women are allowed to say and do has always, it seems, attracted public commentary, and “anyone who puts their work into the world, at any level, must learn to navigate between self-protectiveness and risk, becoming harder and staying soft.”
Nelson acknowledges a major tonal difference between Plath and Swift, however. Plath longed for fame but didn’t get the chance to enjoy it; she’s the patron saint of sad-girl poetry and makes frequent reference to death, whereas Swift spotlights joy and female empowerment. It’s a shame this was out of date before it went to print; my advanced copy, at least, isn’t able to comment on Swift’s engagement and the baby rumour mill sure to follow. It would be illuminating to have an afterword in which Nelson discusses the effect of spouses’ competing fame and speculates on how motherhood might change Swift’s art.
Full confession: I’ve only ever knowingly heard one Taylor Swift song, “Anti-Hero,” on the radio in the States. (My assessment was: wordy, angsty, reasonably catchy.) Undoubtedly, I would have gotten more out of this essay were I equally familiar with the two subjects. Nonetheless, it’s fluid and well argued, and I was engaged throughout. If you’re a Swiftie as well as a literary type, you need to read this.
[66 pages]
With thanks to Vintage (Penguin) for the advanced e-copy for review.
The Bell Jar by Sylvia Plath (1963)
Given my love of mental hospital accounts and women’s autofiction, it’s a wonder I’d not read this before my forties. It was first published under the pseudonym “Victoria Lucas” because Plath thought it immature, “an autobiographical apprentice work which I had to write in order to free myself from the past.” Esther Greenwood is the stand-in for Plath: a talented college student who, after working in New York City during the remarkable summer of 1953, plunges into mental ill health. Chapter 13 is amazing and awful at the same time as Esther attempts suicide thrice in one day, toying with a silk bathrobe cord and ocean waves before taking 50 pills and walling herself into a corner of the cellar. She bounces between various institutional settings, undergoing electroshock therapy – the first time it’s horrible, but later, under a kind female doctor, it’s more like it’s ‘supposed’ to be: a calming reset.
The 19-year-old is obsessed with the notion of purity. She has a couple of boyfriends but decides to look for someone else to take her virginity. Beforehand, the asylum doctor prescribes her a fitting for a diaphragm. A defiant claim to the right to contraception despite being unmarried is a way of resisting the bell jar – the rarefied prison – of motherhood. Still, Esther feels guilty about prioritizing her work over what seems like feminine duty: “Why was I so maternal and apart? Why couldn’t I dream of devoting myself to baby after fat puling baby? … I was my own woman.” Plath never reconciled parenthood with poetry. Whether that’s the fault of Ted Hughes, or the times they lived in, who can say. For her and for Esther, the hospital is a prison as well – but not so hermetic as the turmoil of her own mind. How ironic to read “I took a deep breath and listened to the old brag of my heart. I am, I am, I am” knowing that this was published just a few weeks before this literary genius ceased to be.
Apart from an unfortunate portrayal of a “negro” worker at the hospital, this was an enduringly relevant and absorbing read, a classic to sit alongside Emily Holmes Coleman’s The Shutter of Snow and Janet Frame’s Faces in the Water.
(Secondhand – it’s been in my collection so long I can’t remember where it’s from, but I’d guess a Bowie Library book sale or Wonder Book & Video / Public library – I was struggling with the small type so switched to a recent paperback and found it more readable)
Ariel by Sylvia Plath (1965)
Impossible not to read this looking for clues of her death to come:
Dying
Is an art, like everything else.
I do it exceptionally well.
(from “Lady Lazarus”)
Eternity bores me,
I never wanted it.
(from “Years”)
The woman is perfected.
Her dead
Body wears the smile of accomplishment
(from “Edge”)
I feel incapable of saying anything fresh about this collection, which takes no prisoners. The images and vocabulary are razor-sharp. First and last lines or stanzas are particularly memorable. (“Morning Song” starts “Love set you going like a fat gold watch”; “Lady Lazarus” ends “Out of the ash / I rise with my red hair / And I eat men like air.”) Words and phrases repeat and gather power as they go. “The Applicant” mocks the obligations of a wife: “A living doll … / It can sew, it can cook. It can talk, talk, talk. … // … My boy, it’s your last resort. / Will you marry it, marry it, marry it.” I don’t know a lot about Plath’s family life, only that her father was a Polish immigrant and died after a long illness when she was eight, but there must have been some daddy issues there – after all, “Daddy” includes the barbs “Daddy, I have had to kill you” and “If I’ve killed one man, I’ve killed two— / The vampire who said he was you / And drank my blood for a year, / Seven years, if you want to know.” It ends, “Daddy, daddy, you bastard, I’m through.” Several later poems in a row, including “Stings,” incorporate bee-related imagery, and Plath’s father was an international bee expert. I can see myself reading this again and again in future, and finding her other collections, too – all but one of them posthumous. (Secondhand – RSPCA charity shop, Newbury)
Winter Reading, Part II: “Snow” Books by Coleman, Rice & Whittell
Here I am squeaking in on the day before the spring equinox – when it’s predicted to be warmer than Ibiza here in southern England, as headlines have it – with a few snowy reads that have been on my stack for much of the winter. I started reading this trio when we got a dusting back in January, in case (as proved to be true) it was our only snow of the year. I have an arresting work of autofiction that recreates a period of postpartum psychosis, a mildly dystopian novel by a First Nations Canadian, and a snow-lover’s compendium of science and trivia.
As it happens, I’ll be starting the spring in the middle of We Do Not Part by Han Kang, which is austerely beautiful and eerily snowy: its narrator traverses a blizzard to rescue her friend’s pet bird; and the friend’s mother recalls a village massacre that left piles of snow-covered corpses. Here Kang muses on the power of snow:
Snow had an unreality to it. Was this because of its pace or its beauty? There was an accompanying clarity to snow as well, especially snow, drifting snow. What was and wasn’t important were made distinct. Certain facts became chillingly apparent. Pain, for one.
The Shutter of Snow by Emily Holmes Coleman (1930)
Coleman (1899–1974), an expatriate American poet, was part of the Paris literary milieu in the 1920s and then the London scene of the 1930s. (She worked with T.S. Eliot on editing Djuna Barnes’s Nightwood, for instance.) This novella, her only published work of fiction, was based on her experience of giving birth to her son in 1924, suffering from puerperal fever and a mental breakdown, and being incarcerated in Rochester State Hospital. Although the portrait of Marthe Gail is in the omniscient third person, the stream-of-consciousness style – no speech marks or apostrophes, minimal punctuation – recalls unreliable first-person narration. Marthe believes she is Jesus Christ. Her husband Christopher visits occasionally, hoping she’ll soon be well enough to come home to their baby. It’s hard to believe this was written a century ago; I could imagine it being published tomorrow. It is absolutely worth rediscovering. While I admired the weird lyrical prose (“in his heart was growing a stern and ruddy pear … He would make of his heart a stolen marrow bone and clutch snow crystals in the night to his liking”; “This earth is made of tar and every morsel is stuck upon it to wither … there were orange peelings lying in the snow”), the interactions between patients, nurses and doctors got tedious. (Secondhand – Community Furniture Project, Newbury) 
Moon of the Crusted Snow by Waubgeshig Rice (2018)
A mysterious total power outage heralds not just the onset of winter or a temporary crisis but the coming of a new era. For this Anishinaabe community, it will require a return to ancient nomadic, hunter-gatherer ways. I was expecting a sinister dystopian; while there are rumours of a more widespread collapse, the focus is on adaptation versus despair, internal resilience versus external threats. Rice reiterates that Indigenous peoples have often had to rebuild their worlds: “Survival had always been an integral part of their culture. It was their history. The skills they needed to persevere in this northern terrain … were proud knowledge held close through the decades of imposed adversity.” As an elder remarks, apocalypse is nothing new. I was more interested in these ideas than in how they played out in the plot. Evan works snow-ploughs until, with food running short and many falling ill, he assumes the grim task of an undertaker. I was a little disappointed that it’s a white interloper breaks their taboos, but it is interesting how he is compared to the mythical windigo in a dream sequence. As short as this novel is, I found it plodding, especially in the first half. It does pick up from that point (and there is a sequel). I was reminded somewhat of Sherman Alexie. It was probably my first book by an Indigenous Canadian, which was reason enough to read it, though I wonder if I would warm more to his short stories. (Birthday gift from my wish list last year) 
The Secret Life of Snow: The science and the stories behind nature’s greatest wonder by Giles Whittell (2018)
This is so much like The Snow Tourist by Charlie English it was almost uncanny. Whittell, an English journalist who has written history and travel books, is a snow obsessive and hates that, while he may see a few more major snow events in his lifetime, his children probably won’t experience any in their adulthood. Topics in the chatty chapters include historical research into snowflakes, meteorological knowledge then and now and the ongoing challenge of forecasting winter storms, record-breaking snowfalls and the places still most likely to have snow cover, and the depiction of snow in medieval paintings (like English, he zeroes in on Bruegel) and Bond films. There’s a bit too much on skiing for my liking: it keeps popping up in segments on the Olympics, avalanches, and how famous snow spots are reckoning with their uncertain economic future. It’s a fun and accessible book with many an eye-popping statistic, but, coming as it did a decade after English’s, does sound the alarm more shrilly about the future of snow. As in, we’ll get maybe 15 more years (until 2040), before overall warming means it will only fall as rain. “That idea, like death, is hard to think about without losing your bearings, which is why, aware of my cowardice and moral abdication, I prefer to think of the snowy present and recent past rather than of the uncertain future.” (Secondhand – Community Furniture Project, Newbury) 
Whittell’s mention of the U.S. East Coast “Snowmaggedon” of February 2010 had me digging out photos my mother sent me of the aftermath at our family home of the time.
Any wintry reading (or weather) for you lately? Or is it looking like spring?
Reading Snapshot for Mid-January
As I said in my last post, I’m in the middle of a bunch of books but hardly finishing anything, so consider this another placeholder until my Love Your Library and January releases posts next week. People often ask how I read so much. One of the answers is that I generally read 20–30 books at once, bouncing between them as the mood takes me and making steady progress in most. A frequent follow-up question is how I keep so many books straight in my head. I maintain a variety of genres and topics in the stack and alternate between fiction, nonfiction and poetry in any reading session. If I’m going to be reviewing something, particularly for pay, I tend to make notes. Here’s a peek at my current stacks, with a line or two on each book and why I’m reading it.
- Myself & Other Animals by Gerald Durrell [public library] – This is a posthumous collection of excerpts from his published work, including newspaper articles, plus mini essays that he wrote towards an autobiography. We own/have read most of his animal-collecting and zoo-keeping memoirs and this is just as delightful, even in unconnected pieces. His conservationist zeal was ahead of his time.
- The God of the Woods by Liz Moore [public library] – It’s rare for me to borrow something from the Crime section, but this came highly lauded by Laila. Set in upstate New York in 1975, it’s a page-turning missing-girl mystery with a literary focus on character backstory, and it’s reminding me of Bright Young Women by Jessica Knoll and When the Stars Go Dark by Paula McLain.
- Gold by Elaine Feinstein [secondhand purchase] – I’ve enjoyed Feinstein’s poetry before so snapped this up on our second trip to Bridport. The first long poem was a monologue from the perspective of a collaborator of Mozart; I think I’ll engage more with the discrete poems to follow.
- Understorey by Anna Chapman Parker [review copy] – Catching up on one I was sent last year. It’s a one-year diary through ‘weeds’ (wild plants!) she observes and sketches near her home of Berwick upon Tweed, where we vacationed in September. I am enjoying reading a few peaceful entries per sitting.
- A God at the Door by Tishani Doshi [secondhand purchase] – Her Girls Are Coming out of the Woods was a favourite of mine a few years ago when I reviewed it for Wasafiri literary magazine. I found this on my last trip to Hay-on-Wye, and it is just as rich in long, forthright, feminist and political poems.
- The Secret Life of Snow by Giles Whittell [secondhand purchase] – I picked up a few snowy titles when we got a dusting the other week, in case it was the only snow of the year. This is so much like The Snow Tourist by Charlie English it’s uncanny; to my memory it’s more meteorological, though still accessible. The science is interspersed with travels and fun trivia about Norway’s Olympic skiers and so on.
- Moon of the Crusted Snow by Waubgeshig Rice [gift] – Probably my first book by an Indigenous Canadian, which was reason enough to read it. I’m about 50 pages in and so far it’s a plodding story of mysterious power outages which could just be part of the onset of winter but I suspect will turn out to be sinister and dystopian instead.
- Knead to Know by Neil Buttery [review copy] – Another 2024 book to catch up on. It’s a history of baking via mini-essays on loads of different breads, cakes, pies and pastries, many of them traditional English ones that you will never have heard of but will now want to cram. Lots of intriguing titbits.
- Invisible by Paul Auster [secondhand purchase] – Getting ready for Annabel’s second Paul Auster Reading Week in early February. A young (and Auster-like) would-be poet gets entangled with a thirtysomething professor who wants to fund a start-up literary magazine – and his French girlfriend. Highly readable and sure to get weirder.
- While the Earth Holds Its Breath by Helen Moat [review copy] – Yet another 2024 book to catch up on. Authors are still jumping on the Wintering bandwagon. This is composed of short autobiographical pieces about winter walks near home or further afield, many of them samey; the trip to Lapland has been a highlight so far.
- The Blindfold by Siri Hustvedt [review copy] – Also part of my preparation for Paul Auster Reading Week, and boy can you see his influence on her first novel! Iris Vegan is employed by Mr. Morning to record audio descriptions of relics left behind by a possibly murdered woman. Odd and enticing.
- Uneven by Sam Mills [review copy] – A group biography of nine bisexuals – make that 10, as there’s plenty of memoir fragments from Mills, too. I’ve read the chapters on Oscar Wilde, Colette & Bessie Smith, and Marlene Dietrich so far. It is particularly enlightening to think of Wilde as bi rather than a closeted homosexual.
- Unexpected Lessons in Love by Bernardine Bishop [secondhand purchase] – Every year I pick up at least a few “love” or “heart” titles in advance of Valentine’s Day. Bishop was one of my top discoveries last year (via The Street) and this Costa Award-nominated posthumous novel is equally engaging, even after just 50 pages.
- My Judy Garland Life by Susie Boyt [secondhand purchase] – After Loved and Missed, I was keen to try more from Boyt and this Ackerley Prize-shortlisted memoir sounded fascinating. I love The Wizard of Oz as much as the next person. Boyt, however, is a Garland mega-fan and blends biography and memoir as she writes about addiction, mental health, celebrity and the search for love.
- Poetry Unbound by Pádraig Ó Tuama [public library] – I’m gradually making my way through this set of 50 poems and his critical/personal responses to them. Most of the poets have been unfamiliar to me. Marie Howe has been my top discovery.
- The Shutter of Snow by Emily Holmes Coleman [secondhand purchase] – Another incidental ‘snow’ title; this is autofiction about postpartum psychosis, written in a stream-of-consciousness style with no speech marks or apostrophes. It’s hard to believe it was written in the 1930s because it feels like it could have been yesterday.
- Ravens in Winter by Bernd Heinrich [secondhand purchase] – I’ve long meant to read more by Heinrich, who’s better known in the USA, after Winter World. This was a lucky find at Regent Books in Wantage. It’s a granular scientific study of bird behaviour, so I will likely read it very slowly, maybe even over two winters.
- The Book of George by Kate Greathead [review copy] – Linked short stories about an Everyman schmuck (and my exact contemporary) from adolescence up to today. He’s indecisive, lazy, an underachiever. Life keeps happening around him; will he make something happen? (George, c’est moi?) The deadpan tone is great.
- Stowaway by Joe Shute [public library] – I’ve been reading this off and on since, er, June, which is not to say that it’s not interesting but that it’s never been a priority. Like his book on ravens, it’s intended to rehabilitate the reputation of a species often considered to be a pest. He gets pet rats, too!
- The Black Bird Oracle by Deborah Harkness [public library] – It’s even rarer for me to borrow from the Science Fiction & Fantasy section of the library, but I’ve been following the series since A Discovery of Witches came out in 2011. I’m halfway through and enjoying Diana’s embrace of her witch heritage in the Salem area.
That’s not all, folks! There’s also the e-books.
- Dirty Kitchen by Jill Damatac [Edelweiss] – I’ll be reviewing this May release early for Shelf Awareness. The author’s Filipino family were undocumented immigrants in the USA and as a child she was occasionally abandoned and frequently physically abused. Recipes and legends offer a break from the tough subject matter (reminiscent of Educated or What My Bones Know).
- My Marriage Sabbatical by Leah Fisher [from publicist] – She Writes Press is a reliable source of women’s life writing. I’ve only just started this but will try to review it this month. Fisher, a psychotherapist, was sick of her psychiatrist husband’s workaholism and wanted to try living differently, starting with a house share.
- I’ll Come to You by Rebecca Kauffman [from publicist] – Another American linked short story collection, moving month by month through 1995 (does that count as historical fiction?!), cycling through the members of an extended family as they navigate illnesses and fraught parenting journeys. I’m getting J. Ryan Stradal vibes.
- Constructing a Witch by Helen Ivory [Edelweiss] – This feminist take on the historical persecution and stereotypes of witches is a good match for the Harkness! I just keep forgetting to open it up on my Kindle.
According to Goodreads, I’m reading 28 books at the moment, so I haven’t even covered all of them. (The rest include library books that would more honestly be classified as “set aside.”)
Whew. It somehow seems like even more when I write them all up like this…
Back to the reading!
Bookish Beck = Rebecca Foster. American transplant to England. Freelance proofreader and book reviewer.
Bookish Beck 