“The Marriage Plot”: Literary Wives Gets an Update
I’ve been part of the Literary Wives online book club for just over four years now. We recently decided to give the group a revamp, including a new name and feature image. The name was Becky’s idea and we all liked it for the literary reference. Part of our reasoning was to make things more inclusive, because future reads will cover same-sex marriages and we also want to think more broadly about love and roles in any long-term partnership. I’ve made a project page for it based on Kay’s.

Our current members are:
Becky of Aidanvale
Kate of Books Are My Favourite and Best
Kay of What? Me Read?
Marianne of Let’s Read!
Rebecca of Bookish Beck
Here’s our schedule for the next couple of years. Anyone is welcome to read along with us! We post reviews quarterly, on the first Monday of the month.

September 2026 – Family Family by Laurie Frankel
December 2026 – The Eden Test by Adam Sternbergh*
March 2027 – Wedded Wife by Rachael E. Lennon
June 2027 – Liars by Sarah Manguso
September 2027 – Brick Lane by Monica Ali
December 2027 – Parallel Lives: Five Victorian Marriages by Phyllis Rose
March 2028 – The Course of Love by Alain de Botton
June 2028 – My Husband by Maud Ventura

(*I’m going to have to skip December’s read because I couldn’t find a way to acquire it affordably and I don’t think it will be to my taste anyway.)
Book Serendipity: 2020, Part I
I call it serendipitous when two or more books that I’m reading at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once – usually between 10 and 20 – I guess I’m more prone to such incidents. I also post these occasional reading coincidences on Twitter. (The following are in rough chronological order.)
- A Wisconsin setting in three books within a month (Shotgun Lovesongs by Nickolas Butler, This Is How It Always Is by Laurie Frankel and Crossing to Safety by Wallace Stegner)
- I came across a sculpture of “a flock of 191 silver sparrows” in Dear Edward by Ann Napolitano while also reading Silver Sparrow by Tayari Jones.
- Characters nearly falling asleep at the wheel of a car in Crossing to Safety by Wallace Stegner and In the Dream House by Carmen Maria Machado
- There’s no escaping Henry David Thoreau! Within the span of a week I saw him mentioned in The Library of Ice by Nancy Campbell, The Snow Tourist by Charlie English, Losing Eden by Lucy Jones and Crossing to Safety by Wallace Stegner. Plus I’d just read the whole graphic novel Thoreau and Me by Cédric Taling.
- Discussions of the work of D.H. Lawrence in Unfinished Business by Vivian Gornick and The Offing by Benjamin Myers
- That scientific study on patient recovery in hospital rooms with a window view vs. a view of a brick wall turns up in both Dear Life by Rachel Clarke and Losing Eden by Lucy Jones.
- The inverted teardrop shapes mirror each other on these book covers:

- Punchy, one-word titles on all these books I was reading simultaneously:

- Polio cases in The Golden Age by Joan London, Nemesis by Philip Roth and Crossing to Safety by Wallace Stegner
- An Italian setting and the motto “Pazienza!” in Dottoressa by Susan Levenstein and Crossing to Safety by Wallace Stegner
- Characters named Lachlan in The Ninth Child by Sally Magnusson and The Inland Sea by Madeleine Watts
- Mentions of the insecticide Flit in Nemesis by Philip Roth and Sacred Country by Rose Tremain
- A quoted Leonard Cohen lyric in Traveling Mercies by Anne Lamott; Cohen as a character in A Theatre for Dreamers by Polly Samson
- Plague is brought to an English village through bolts of cloth from London in Year of Wonders by Geraldine Brooks and Hamnet by Maggie O’Farrell; both also feature a woman who is a herbal healer sometimes mistaken for a witch (and with similar names: Anys versus Agnes)
- Gory scenes of rats being beaten to death in Hamnet by Maggie O’Farrell and Nemesis by Philip Roth
- Homemade mobiles in a baby’s room in A Theatre for Dreamers by Polly Samson and Sacred Country by Rose Tremain
- Speech indicated by italics rather than the traditional quotation marks in Pew by Catherine Lacey and Red at the Bone by Jacqueline Woodson






