Tag Archives: November

Getting Ready for Novellas in November!

Novellas: “all killer, no filler”

~Joe Hill

For the fourth year in a row, Cathy of 746 Books and I are celebrating the art of the short* book by co-hosting Novellas in November as a month-long challenge. This time we have five prompts, adapted from ones commonly used for Nonfiction November. (*A reminder that we suggest 200 pages as the upper limit for a novella.)


Here’s the schedule:

Week 1 (starts Wednesday 1 November): My Year in Novellas

  • During this partial week, tell us about any novellas you have read since last NovNov.

 

Week 2 (starts Monday 6 November): What Is a Novella?

  • Ponder the definition, list favourites, or choose ones you think best capture the ‘spirit’ of a novella.

 

Week 3 (starts Monday 13 November): Broadening My Horizons

  • Pick your top novellas in translation and think about new genres or authors you’ve been introduced to through novellas.

Week 4 (starts Monday 20 November): The Short and the Long of It

  • Pair a novella with a nonfiction book or novel that deals with similar themes or topics.

 

Week 5 (starts Monday 27 November): New to My TBR

  • In the last few days, talk about the novellas you’ve added to your TBR since the month began.

We also have two buddy read options, one contemporary and one classic. Please join us in reading one or both at any time in November!

Western Lane by Chetna Maroo (2023) is on this year’s Booker Prize longlist; whether or not it advances to the shortlist on Thursday, it promises to be a one-of-a-kind debut novel about an eleven-year-old girl coming to terms with the loss of her mother and becoming deeply involved in the world of competitive squash.

A Room of One’s Own by Virginia Woolf (1929), an extended essay about the conditions necessary for women’s artistic achievement, is based on lectures she delivered at Cambridge’s women’s colleges. This feminist classic is in print or can be freely read online (Internet Archive or Project Gutenberg Canada).


It’s always a busy month in the blogging world, what with Nonfiction November, German Literature Month, and Margaret Atwood Reading Month. Why not search your shelves and/or local library for novellas that count towards multiple challenges? You might also consider participating in Annabel’s Beryl Bainbridge Reading Week (the 18th through 26th) as most of Bainbridge’s novels were under 200 pages.

We’re looking forward to having you join us! From 1 November there will be a pinned post on my site from which you can join the link-up. Keep in touch via Twitter (@cathy746books) and Instagram (@cathy_746books), and feel free to use the terrific feature images Cathy has made plus our new hashtag, #NovNov23.

Announcing Novellas in November!

Lots of us make a habit of prioritizing novellas in our November reading. (Who can resist that alliteration?) Perhaps you’ve been finding it hard to focus on books with all the bad news around, and your reading target for the year is looking out of reach. If you’re beset by distractions or only have brief bits of free time in your day, short books can be a boon.

In 2018 Laura Frey surveyed the history of Novellas in November, which has had various incarnations but no particular host. This year Cathy of 746 Books and I are co-hosting it as a month-long challenge with four weekly prompts. We’ll both put up an opening post on 1 November where you can leave your links throughout the month, to be rounded up on the 30th, and we’ll take turns introducing a theme each Monday.

The definition of a novella is loose – it’s based on word count rather than number of pages – but we suggest aiming for 150 pages or under, with a firm upper limit of 200 pages. Any genre is valid. As author Joe Hill (the son of Stephen King) has said, a novella should be “all killer, no filler.” With distinctive characters, intense scenes and sharp storytelling, the best novellas can draw you in for a memorable reading experience – maybe even in one sitting.

It’s always a busy month in the blogging world, what with Nonfiction November, German Literature Month, Australia Reading Month, and Margaret Atwood Reading Month. Why not search your shelves and/or local library for novellas that count towards multiple challenges? See Cathy’s recent post for ideas of how books can overlap on a few categories. Or you might choose a short Atwood novel, like Surfacing (186 pages) or The Penelopiad (199 pages).

2–8 November: Contemporary fiction (Cathy)

9–15 November: Nonfiction novellas (Rebecca)

16–22 November: Literature in translation (Cathy)

23–29 November: Short classics (Rebecca)

We’re looking forward to having you join us! Keep in touch via Twitter (@bookishbeck / @cathy746books) and Instagram (@bookishbeck / @cathy_746books) and feel free to use the terrific feature image Cathy made and the hashtag #NovNov.


My stacks of possibilities for the four weeks (with a library haul of mostly lit in translation to follow).

Bonus points for three of the below being November review books!

Three Perfect November Reads

It occurred to me that I’ve read three novels with “November” in the title. They’re extremely different from each other: one’s a melancholy 1930s American classic; one’s a quirky Icelandic road trip; and the last is a darker entry in a beloved Scandinavian children’s series. All are interesting books, though, and worth reading if you’re in the right mood.


Now in November by Josephine Johnson

(Reviewed here in full back in May.)

now-in-novemberMissouri-born Johnson was just 24 years old when she published Now in November, which won the 1935 Pulitzer Prize. The novel is narrated by the middle Haldmarne daughter, Marget, looking back at a grueling decade on the family farm. The arrival of Grant Koven, a neighbor in his thirties hired to help with hard labor, seems like the only thing that might break the agricultural cycle of futile hope and disappointment. Marget quickly falls in love with him, but it takes her a while to realize that her two sisters are smitten too. They all keep hoping their fortunes will change, but as drought settles in, things only get worse. This is an atmospheric and strangely haunting novel. The plot is simple enough, but the writing elevates it into something special. The plaintive tone, folksy metaphors, and philosophical earnestness all kept me eagerly traveling along with Marget to see where the tragic story might lead.

 

Butterflies in November by Auður Ava Ólafsdóttir

butterflies-2This is a whimsical, feminist road trip novel. The unnamed narrator is a translator based in Reykjavík. When her best friend slips on an icy sidewalk and breaks her arm, it falls to the narrator to care for the friend’s deaf-mute four-year-old son, Tumi. Leaving behind romantic troubles and boosted by not one but two lottery wins, she and the boy set off on a snowy voyage around Iceland’s Ring Road, with plenty of madcap adventures ahead. The plot is rather scattered and uneven, with uproarious mishaps followed by tedious passages. However, in this kooky fictional world where “nothing is as it should be any more,” where butterflies are still flying in November, the narrator’s tragicomic travels should still strike a chord. Recommended for fans of zany Scandinavian fiction such as The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared by Jonas Jonasson, or Doppler by Erlend Loe. (See my full review at For Books’ Sake.)

 

Moominvalley in November by Tove Jansson

moominvalleyJansson said that after the Second World War she was depressed and wanted to write about something naïve and innocent. She wrote the first book of the Moomins series in 1945, about a family of hippo-like white trolls. But the Moomins do not appear in this book at all. It is November, the days are closing in, and no one knows where they have gone and when they might come back. A series of visitors journey to Moominvalley and find the house empty, cold and strange; these interlopers try to make their own merriment with a picnic and a party, but it all falls flat. The book felt unique to me for its Scandinavian qualities: the strange sprite-like creatures, woodland settings and short winter days, and the slight air of depression. As with the best children’s fiction, there is much here to entertain adults. Perhaps the most fun aspect of the book is Jansson’s original black and white line drawings of her peculiarly loveable creations.

Favorite passage: “The quiet transition from autumn to winter is not a bad time at all. It’s a time for protecting and securing things and for making sure you’ve got in as many supplies as you can. It’s nice to gather together everything you possess as close to you as possible, to store up your warmth and your thoughts and burrow yourself into a deep hole inside, a core of safety where you can defend what is important and precious and your very own. Then the cold and the storms and the darkness can do their worst. They can grope their way up the walls looking for a way in, but they won’t find one, everything is shut, and you sit inside, laughing in your warmth and your solitude, for you have had foresight.”

 

[On my TBR: November Storm by Robert Oldshue, a recent short story collection.]


Have you read these or any other “November” books?