Tag Archives: Rebecca F. Kuang

Book Serendipity, January to February 2024

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.

  • I finished two poetry collections by a man with the surname Barnett within four days in January: Murmur by Cameron Barnett and Birds Knit My Ribs Together by Phil Barnett.
  • I came across the person or place name Courtland in The Optimist’s Daughter by Eudora Welty, then Cortland in a story from The Orange Fish by Carol Shields, then Cotland (but where? I couldn’t locate it again! Was it in Elizabeth Is Missing by Emma Healey?).

 

  • The Manet painting Olympia is mentioned in Christmas Holiday by W. Somerset Maugham and The Paris Novel by Ruth Reichl (both of which are set in Paris).
  • There’s an “Interlude” section in Babel by R.F. Kuang and The Vulnerables by Sigrid Nunez.

 

  • The Morris (Minor) car is mentioned in Elizabeth Is Missing by Emma Healey and Various Miracles by Carol Shields.

 

  • The “flour/flower” homophone is mentioned in Babel by R.F. Kuang and Various Miracles by Carol Shields.
  • A chimney swift flies into the house in Cat and Bird by Kyoko Mori and The Optimist’s Daughter by Eudora Welty.

 

  • A character named Cornelius in The Fruit Cure by Jacqueline Alnes and Wellness by Nathan Hill.

 

  • Reading two year challenge books at the same time, A Year of Biblical Womanhood by Rachel Held Evans and Local by Alastair Humphreys, both of which are illustrated with frequent black-and-white photos by and of the author.
  • A woman uses a bell to summon children in one story of Universally Adored and Other One Dollar Stories by Elizabeth Bruce and The Optimist’s Daughter by Eudora Welty.

 

  • Apple turnovers get a mention in A Year of Biblical Womanhood by Rachel Held Evans and Wellness by Nathan Hill.

 

  • A description of rolling out pie crust in A Year of Biblical Womanhood by Rachel Held Evans and Cat and Bird by Kyoko Mori.

 

  • The idea of a house giving off good or bad vibrations in Wellness by Nathan Hill and a story from Various Miracles by Carol Shields.

  • Emergency C-sections described or at least mentioned in Brother Do You Love Me by Manni Coe, The Unfamiliar by Kirsty Logan, Wellness by Nathan Hill, and lots more.

 

  • Frustration with a toddler’s fussy eating habits, talk of “gentle parenting” methods, and mention of sea squirts in Wellness by Nathan Hill and Matrescence by Lucy Jones.

 

  • The nickname “Poet” in The Tidal Year by Freya Bromley and My Friends by Hisham Matar.
  • A comment about seeing chicken bones on the streets of London in The Tidal Year by Freya Bromley and Went to London, Took the Dog by Nina Stibbe.

 

  • Swans in poetry in The Tidal Year by Freya Bromley and Egg/Shell by Victoria Kennefick.

 

  • A mention or image of Captcha technology in Egg/Shell by Victoria Kennefick and Went to London, Took the Dog by Nina Stibbe.
  • An animal automaton in Loot by Tania James and Egg/Shell by Victoria Kennefick.

 

  • A mention of Donna Tartt in The Tidal Year by Freya Bromley, Looking in the Distance by Richard Holloway, and Matrescence by Lucy Jones.

 

  • Cathy Rentzenbrink appears in The Tidal Year by Freya Bromley and Went to London, Took the Dog by Nina Stibbe.

 

  • Dialogue is given in italics in the memoirs The Tidal Year by Freya Bromley and The Unfamiliar by Kirsty Logan.

 

  • An account of a man being forced to marry the sister of his beloved in A Year of Biblical Womanhood by Rachel Held Evans, Wellness by Nathan Hill, and The Tiger’s Wife by Téa Obreht.

 

  • Saying that one doesn’t want to remember the loved one as ill (but really, not wanting to face death) so not saying goodbye (in Cat and Bird by Kyoko Mori) or having a closed coffin (Wellness by Nathan Hill).

 

  • An unhappy, religious mother who becomes a hoarder in Wellness by Nathan Hill and I’m Glad My Mom Died by Jennette McCurdy.

 

  • Characters called Lidija and Jin in Exhibit by R. O. Kwon and Lydia and Jing in the first story of This Is Salvaged by Vauhini Vara.
  • Distress at developing breasts in Cactus Country by Zoë Bossiere and I’m Glad My Mom Died by Jennette McCurdy.

 

  • I came across mentions of American sportscaster Howard Cosell in Heartburn by Nora Ephron and Stations of the Heart by Richard Lischer (two heart books I was planning on reviewing together) on the same evening. So random!
  • Girls kissing and flirting with each other (but it’s clear one partner is serious about it whereas the other is only playing or considers it practice for being with boys) in Cactus Country by Zoë Bossiere and Winter’s Bone by Daniel Woodrell.

 

  • A conversion to Catholicism in Places I’ve Taken My Body by Molly McCully Brown and Stations of the Heart by Richard Lischer.

 

  • A zookeeper is attacked by a tiger when s/he goes into the enclosure (maybe not the greatest idea!!) in Tiger by Polly Clark and The Tiger’s Wife by Téa Obreht.
  • The nickname Frodo appears in Tiger by Polly Clark and Brother Do You Love Me by Manni Coe.

 

  • Opening scene of a parent in a coma, California setting, and striking pink and yellow cover to Death Valley by Melissa Broder and I’m Glad My Mom Died by Jennette McCurdy.
  • An Englishman goes to Nigeria in Howards End by E.M. Forster and Immanuel by Matthew McNaught.

 

  • The Russian practice of whipping people with branches at a spa in Tiger by Polly Clark and Fight Night by Miriam Toews.

 

  • A mother continues washing her daughter’s hair until she is a teenager old enough to leave home in Mrs. March by Virginia Feito and I’m Glad My Mom Died by Jennette McCurdy.

 

  • Section 28 (a British law prohibiting the “promotion of homosexuality” in schools) is mentioned in A Bookshop of One’s Own by Jane Cholmeley, Some Kids I Taught and What They Taught Me by Kate Clanchy, and Brother Do You Love Me by Manni Coe.

 

  • Characters named Gord (in one story from Various Miracles by Carol Shields, and in Fight Night by Miriam Toews), Gordy (in The Absolutely True Diary of a Part-Time Indian by Sherman Alexie), and Gordo (in Blood Red by Gabriela Ponce).
  • Montessori and Waldorf schools are mentioned in Cactus Country by Zoë Bossiere and When Fragments Make a Whole by Lory Widmer Hess.

 

  • A trailer burns down in The Absolutely True Diary of a Part-Time Indian by Sherman Alexie and Cactus Country by Zoë Bossiere.

What’s the weirdest reading coincidence you’ve had lately?

Book Serendipity, June to July 2023

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better.

Are all of these pure coincidence? Or, as a character says in The Year of Pleasures by Elizabeth Berg, maybe it’s true that “Sometimes serendipity is just intention, unmasked.”

This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.

  • A deadbeat boyfriend named Andrew in Yellowface by Rebecca F. Kuang and The Legacy of Elizabeth Pringle by Kirsty Wark.

 

  • A partner’s piano playing is by turns annoying (practice) and revelatory (performance) in The Happy Couple by Naoise Dolan and The Late Americans by Brandon Taylor.
  • Frequent meals of potatoes due to poverty, and a character sneaking salt in, in Music in the Dark by Sally Magnusson and How Much of These Hills Is Gold by C Pam Zhang.

 

  • Getting close to a seal even though the character knows it might bite in Salt & Skin by Eliza Henry-Jones and one story in High-Wire Act by JoeAnn Hart.

 

  • Rev. Robert Kirk’s writings on fairies are mentioned in The Archaeology of Loss by Sarah Tarlow and The Legacy of Elizabeth Pringle by Kirsty Wark (and were also a major element in Sally Magnusson’s previous novel, The Ninth Child; I happened to be reading her most recent novel at the same time as the above two!).
  • Menthols are smoked in Death of a Bookseller by Alice Slater and The Late Americans by Brandon Taylor.

 

  • Joan Didion’s The Year of Magical Thinking is mentioned in Death of a Bookseller by Alice Slater and The Archaeology of Loss by Sarah Tarlow.

 

  • An ant farm as a metaphor in The Happy Couple by Naoise Dolan and The Wild Delight of Wild Things by Brian Turner.

 

  • The main character, in buying a house, inherits the care of a large, elaborate garden from an older woman who kept it immaculate, in The Year of Pleasures by Elizabeth Berg and one story in High-Wire Act by JoeAnn Hart.

 

  • A widow, despite her feminist ideals, wishes she had a man to take care of DIY and other house stuff for her in The Year of Pleasures by Elizabeth Berg and The Archaeology of Loss by Sarah Tarlow.

 

  • A spouse’s death in 2016 and a description of cremation in The Archaeology of Loss by Sarah Tarlow and The Wild Delight of Wild Things by Brian Turner.

 

  • A character deliberately burns a sexual partner’s cheek with a cigarette in Death of a Bookseller by Alice Slater and The Late Americans by Brandon Taylor.

  • Counting down the days, then hours, until a wedding, in The Year of Pleasures by Elizabeth Berg, The Happy Couple by Naoise Dolan, and Crudo by Olivia Laing.

 

  • Similar sentiments – about reading to find our own experiences expressed in a way we never would have thought to put them – in passages I encountered on the same day from A Life of One’s Own by Joanna Biggs (“I want to have that moment of recognition, finding something on the page I’ve felt but haven’t put into words”) and The Librarianist by Patrick deWitt (“the reader says to him or herself, Yes, that’s how it is, only I didn’t know it to describe it”).
  • I encountered mentions of “Believe” by Cher in The Country of the Blind by Andrew Leland and House Gone Quiet by Kelsey Norris on the same evening.

 

  • Calculating how old a newborn child will be on a certain date in the future – and fearing what the world will be like for them then – in Matrescence by Lucy Jones and Milk by Alice Kinsella.

 

  • Moving with twin sons is a key part of the setup in Dirt by Bill Buford and Speak to Me by Paula Cocozza.
  • I read scenes of a mother’s death from brain cancer in The Librarianist by Patrick deWitt and One Last Thing by Wendy Mitchell in the same evening.

 

  • There’s a mint-green house, and a house with a rope banister (the same house in one case, but not in the other) in both Speak to Me by Paula Cocozza and The Librarianist by Patrick deWitt, two 6 July 2023 releases.

 

  • Connective tissue in the body is compared to the threads of textiles in Cross-Stitch by Jazmina Barrera and Floppy by Alyssa Graybeal.
  • The metaphorical framework of one day is used as the structure in One Midsummer’s Day by Mark Cocker and The Farmer’s Wife by Helen Rebanks.

 

  • I’ve read two chef’s memoirs this summer with a scene of pig slaughter: A Cook’s Tour by Anthony Bourdain and Dirt by Bill Buford.

  • A character who lost an arm in the First World War in The Librarianist by Patrick deWitt and Haweswater by Sarah Hall.

 

  • I read descriptions of fried egg residue on a plate, one right after the other in the same evening, in The Dead Are Gods by Eirinie Carson and The Wren The Wren by Anne Enright.

 

What’s the weirdest reading coincidence you’ve had lately?