Four Books Abandoned Recently (+ One I SHOULD Have)
I’d like to think I’ve gotten better at choosing books that are sure to suit me, but sometimes it’s still a matter of ditching the duds when it becomes clear they’re not working. Here’s the small (digital) pile of abandoned novels I’ve amassed over the last couple of months. I’d be interested to hear if you’ve read any of them and thought they were worth persisting with.
Mrs. Houdini by Victoria Kelly
Perfectly serviceable historical fiction, but with no spark. I felt like I was just being given a lot of information about the two major time periods (1894 and 1929). Alas, scenes set at a séance, a circus, and an insane asylum are not nearly as exciting as they promise to be. And, as is often the case with these famous wives books – a genre I generally love but can also find oddly disappointing from time to time – the protagonist tries but fails to explain why she finds her husband so fascinating. “His eyes danced. There was a madness to his passion, but he was not insane. There was something real and familiar about him. … Harry was promising her a life of possibility, of magic, and it was unlike anything she had ever imagined for herself.” [Read the first 40%.]
Terrible Virtue by Ellen Feldman
Another case of expectations too high and payoff too little. Fictionalized biographies can be among my favorite historical fiction, but the key is that they have to do something that a biography doesn’t do. They have to shape a story that goes beyond the chronology of what happened to whom and when. This novel about contraception activist Margaret Sanger failed to tell me anything I didn’t already know from The Birth of the Pill, a more engaging book all round. If anything this left me more confused about why Sanger consented to marriage and motherhood. These cringe-worthy lines try to explain it: “His [Bill’s] sex upended the world. His love filled the hole my childhood had carved out of me. Maybe that was the reason I married him.” [Read the first 26%.]
Vexation Lullaby by Justin Tussing
This started off very promising, with Pete Silver, a doctor in Rochester, New York, being summoned by ageing rock star Jimmy Cross for a consult. Jimmy knows Pete’s mother from way back and wants to know if he’ll accompany him on the airplane during this comeback tour as his personal physician. However, after that there was a lot of downtime filling in Pete’s backstory and introducing a first-person voice that didn’t feel relevant. This is Arthur Pennyman, a fan who’s seen every Jimmy Cross show and writes them up on his website. I didn’t care for Arthur’s sections and thought they pulled attention away from Pete’s story. That’s a shame, as the plot reminded me of Jennifer Egan’s A Visit from the Goon Squad. [Read the first nearly 100 pages.]
Over the Plain Houses by Julia Franks
Entirely decent historical fiction with a flavor of Ron Rash or Virginia Reeves (Work Like Any Other), but it felt so slow and aimless. Irenie Lambey is married to a harsh fundamentalist preacher named Brodis. She longs for their son to get a good education and hopes that the appearance of a USDA agent may be the chance, but Brodis cares about the boy’s soul rather than his mind. On night-time walks, Irenie stores up artifacts and memories in a cave – desperately trying to have a life larger than what her husband controls. It could well just be my lack of patience, but the believable dialect and solid characters weren’t quite enough to keep me reading. [Read the first 16%.]
And now for the one I should have stopped reading at about the 25% point. I have an expanded version of this review on Goodreads; click on the title to read more.
The Mandibles: A Family, 2029–2047 by Lionel Shriver
Shriver does a good line in biting social commentary. Here she aims at Atwood-style near-future speculative fiction and takes as her topic the world economy. I had big problems with this one. Worst is the sheer information overload: tons of economic detail crammed into frequent, wearisome conversations. Instead of making America’s total financial collapse a vague backdrop for her novel, she takes readers through it event by agonizing event. This means the first third or more of the novel feels like prologue, setting the scene. When she finally gets around to the crux of the matter – the entire extended Mandible family descending on Florence’s small New York City house – it feels like too little plot, too late. Everything Shriver imagines for the near future, except perhaps the annoying slang (e.g. “boomerpoop”), is more or less believable. But boy is it tedious in the telling.