Tag Archives: Namwali Serpell

Book Serendipity, Mid-April through Early June

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every few months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.

 

  • Fishing with dynamite takes place in Glowing Still by Sara Wheeler and In Memoriam by Alice Winn.

 

  • Egg collecting (illegal!) is observed and/or discussed in Sea Bean by Sally Huband and The Jay, the Beech and the Limpetshell by Richard Smyth.
  • Deborah Levy’s Things I Don’t Want to Know is quoted in What I’d Rather Not Think About by Jente Posthuma and Glowing Still by Sara Wheeler. I then bought a secondhand copy of the Levy on my recent trip to the States.

 

  • “Piss-en-lit” and other folk names for dandelions are mentioned in The House of the Interpreter by Lisa Kelly and The Furrows by Namwali Serpell.

 

  • Buttercups and nettles are mentioned in The House of the Interpreter by Lisa Kelly and Springtime in Britain by Edwin Way Teale (and other members of the Ranunculus family, which includes buttercups, in These Envoys of Beauty by Anna Vaught).
  • The speaker’s heart is metaphorically described as green in a poem in Lo by Melissa Crowe and The House of the Interpreter by Lisa Kelly.

 

  • Discussion of how an algorithm can know everything about you in Tomb Sweeping by Alexandra Chang and I’m a Fan by Sheena Patel.

 

  • A brother drowns in The Loved Ones: Essays to Bury the Dead by Madison Davis, What I’d Rather Not Think About by Jente Posthuma, and The Furrows by Namwali Serpell.

A few cases of a book recalling a specific detail from an earlier read:

  • This metaphor in The Chosen by Elizabeth Lowry links it to The Marriage Portrait by Maggie O’Farrell, another work of historical fiction I’d read not long before: “He has further misgivings about the scalloped gilt bedside table, which wouldn’t look of place in the palazzo of an Italian poisoner.”
  • This reference in The Education of Harriet Hatfield by May Sarton links it back to Chase of the Wild Goose by Mary Louisa Gordon (could it be the specific book she had in mind? I suspect it was out of print in 1989, so it’s more likely it was Elizabeth Mavor’s 1971 biography The Ladies of Llangollen): “Do you have a book about those ladies, the eighteenth-century ones, who lived together in some remote place, but everyone knew them?”
  • This metaphor in Things My Mother Never Told Me by Blake Morrison links it to The Chosen by Elizabeth Lowry: “Moochingly revisiting old places, I felt like Thomas Hardy in mourning for his wife.”

 

  • A Black family is hounded out of a majority-white area by harassment in The Education of Harriet Hatfield by May Sarton and Ordinary Notes by Christina Sharpe.

 

  • Wartime escapees from prison camps are helped to freedom, including with the help of a German typist, in My Father’s House by Joseph O’Connor and In Memoriam by Alice Winn.

 

  • A scene of eating a deceased relative’s ashes in 19 Claws and a Black Bird by Agustina Bazterrica and The Loved Ones by Madison Davis.

 

  • A girl lives with her flibbertigibbet mother and stern grandmother in “Wife Days,” one story from How Strange a Season by Megan Mayhew Bergman, and Jane of Lantern Hill by L.M. Montgomery.
  • Macramé is mentioned in How Strange a Season by Megan Mayhew Bergman, The Memory of Animals by Claire Fuller, Floppy by Alyssa Graybeal, and Sidle Creek by Jolene McIlwain.

 

  • A fascination with fractals in Floppy by Alyssa Graybeal and one story in Sidle Creek by Jolene McIlwain. They are also mentioned in one essay in These Envoys of Beauty by Anna Vaught.

 

  • I found disappointed mentions of the fact that characters wear blackface in Laura Ingalls Wilder’s Little Town on the Prairie in Monsters by Claire Dederer and, the very next day, Ordinary Notes by Christina Sharpe.
  • Moon jellyfish are mentioned in the Blood and Cord anthology edited by Abi Curtis, Floppy by Alyssa Graybeal, and Sea Bean by Sally Huband.

 

  • A Black author is grateful to their mother for preparing them for life in a white world in the memoirs-in-essays I Can’t Date Jesus by Michael Arceneaux and Ordinary Notes by Christina Sharpe.

 

  • The children’s book The Owl Who Was Afraid of the Dark by Jill Tomlinson is mentioned in The Jay, the Beech and the Limpetshell by Richard Smyth and These Envoys of Beauty by Anna Vaught.

 

  • The protagonist’s father brings home a tiger as a pet/object of display in The Marriage Portrait by Maggie O’Farrell and The Memory of Animals by Claire Fuller.
  • Bloor Street, Toronto is mentioned in Jane of Lantern Hill by L.M. Montgomery and Ordinary Notes by Christina Sharpe.

 

  • Ralph Waldo Emerson’s thinking about the stars is quoted in Jane of Lantern Hill by L.M. Montgomery and These Envoys of Beauty by Anna Vaught.

 

  • Wondering whether a marine animal would be better off in captivity, where it could live much longer, in The Memory of Animals by Claire Fuller (an octopus) and Sea Bean by Sally Huband (porpoises).

 

  • Martha Gellhorn is mentioned in The Collected Regrets of Clover by Mikki Brammer and Monsters by Claire Dederer.

 

  • Characters named June in “Indigo Run,” the novella-length story in How Strange a Season by Megan Mayhew Bergman, and The Cats We Meet Along the Way by Nadia Mikail.

 

  • “Explicate!” is a catchphrase uttered by a particular character in Girls They Write Songs About by Carlene Bauer and The Lake Shore Limited by Sue Miller.

 

  • It’s mentioned that people used to get dressed up for going on airplanes in Fly Girl by Ann Hood and The Lights by Ben Lerner.
  • Green-Wood Cemetery in Brooklyn is a setting in The Lights by Ben Lerner and Grave by Allison C. Meier.

 

  • Last year I read Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin, in which Oregon Trail re-enactors (in a video game) die of dysentery; this is also a live-action plot point in “Pioneers,”  one story in Lydia Conklin’s Rainbow Rainbow.

 

  • A bunch (4 or 5) of Italian American sisters in Circling My Mother by Mary Gordon and Hello Beautiful by Ann Napolitano.

What’s the weirdest reading coincidence you’ve had lately?

Six Degrees of Separation: From Born to Run to Scary Monsters

I take part in this meme every few months. This time we begin with Born to Run, Bruce Springsteen’s memoir. (See Kate’s opening post.)

#1 Springsteen is one of my musical blind spots – I maybe know two songs by him? – but my husband has been working up a cover of his “Streets of Philadelphia” to perform at the next open mic night at our local arts venue. A great Philadelphia-set novel I’ve read twice is The Sixteenth of June by Maya Lang.

 

#2 The 16th of June is, as James Joyce fans out there will know, “Bloomsday,” so I’ll move on to the only novel I’ve read so far by Amy Bloom (and one I felt ambivalent about, though I love her short stories and memoir), White Houses.

 

#3 A recent and much-missed occupant of the White House: Barack Obama, whose Dreams from My Father didn’t quite stand up to a reread but is still a strong family memoir when it doesn’t go too deep into community organizing.

 

#4 Similar to the Oprah effect, Obama publicly mentioning that he’s read and enjoyed a book is enough to make it a bestseller. On his list of favourite books of 2022 was The Furrows by Namwali Serpell, which I currently have on the go as a buddy read with Laura T.

 

#5 The Furrows is longlisted for the inaugural Carol Shields Prize for Fiction. In 2020 I did buddy reads of six Carol Shields novels with Marcie of Buried in Print. One of those was Happenstance, the story of a marriage told from two perspectives, the husband’s and the wife’s.

 

#6 My Happenstance volume gives the wife’s story first and then once you’ve read to halfway you flip it over to read the husband’s story. The only other novel I know of that does that (How to Be Both does have two different versions, each of which starts with a different story line, but you don’t physically turn the book over) is Scary Monsters by Michelle de Kretser, which recently won the Rathbones Folio Prize in the fiction category. Perhaps it’s no coincidence that Ali Smith was a judge! (How astonished am I that I predicted all three category winners and the overall winner in this post from three days before the announcement?!) I know nothing else about the novel, but I have a copy out from the library and plan to read it soon.

 

Where will your chain take you? Join us for #6Degrees of Separation! (Hosted on the first Saturday of each month by Kate W. of Books Are My Favourite and Best.) Next month’s starting book is Hydra by Adriane Howell, from the Stella Prize 2023 shortlist.

Have you read any of my selections? Tempted by any you didn’t know before?