Tag Archives: Robin Stevens

Book Serendipity, Mid-November–Early January

This is a short set but I’ll post it now to keep things ticking over. I’ve lost nearly a week to the upper respiratory virus from hell, and haven’t felt up to sitting at my computer for any extended periods of time. I had to request extensions on a few of my work deadlines; I’ll hope to be back to normal blogging next week, too.

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. People frequently ask how I remember all of these coincidences. The answer is: I jot them down on scraps of paper or input them immediately into a file on my PC desktop; otherwise, they would flit away! Feel free to join in with your own.

The following are in roughly chronological order.

  • Ayot St Lawrence as a setting in Q’s Legacy by Helene Hanff and Flesh by David Szalay.
  • A man who has panic attacks in Pan by Michael Clune and All the World Can Hold by Jung Yun.

 

  • Two of my Shelf Awareness PRO (early) reviews in a row were of 2026 novels set on a celebrity/reunion cruise: All the World Can Hold by Jung Yun, followed by American Fantasy by Emma Straub. In both, the narrative alternates between three main characters, the cruise is to celebrate a milestone birthday for a passenger’s relative, and there’s a celebrity who’s in AA.
  • A teacher–student relationship develops into a friendship in The Irish Goodbye by Beth Ann Fennelly (with Molly McCully Brown, whose Places I’ve Taken My Body I’ve reviewed) and Lessons from My Teachers by Sarah Ruhl (with Max Ritvo, about whom she wrote a whole book).

 

  • Someone becomes addicted to benzodiazepines in The Pass by Katriona Chapman and All the World Can Hold by Jung Yun (both 2026 releases).

 

  • A New York City event scheduled to occur on September 15 or 16, 2001 is postponed because of 9/11 in Joyride by Susan Orlean (her wedding) and All the World Can Hold by Jung Yun (a cruise departure – it’s moved to Boston).

 

  • A 1960s attempted suicide by putting one’s head in a gas oven in The Mercy Step by Marcia Hutchinson and The Soul of Kindness by Elizabeth Taylor.

 

  • A plan to eat cheese to induce dreams in The Reservation by Rebecca Kauffman and Slags by Emma Jane Unsworth.
  • An author is (at least initially) aghast at the liberties taken with an adaptation of her book in Spent by Alison Bechdel and Joyride by Susan Orlean (the film Adaptation, one of my favourites, bears little relation to her nonfiction work The Orchid Thief, which I also love).

 

  • A North American author meets her British publishers, André Deutsch and Diana Athill, in Book of Lives by Margaret Atwood and Q’s Legacy by Helene Hanff. (Atwood also mentions Sir Arthur Quiller-Couch, the title reference in the Hanff.)

 

  • An older white woman feels compelled to add, as an aside after a memory of slightly dodgy behaviour observed, that cultural appropriation was not a thing in those days in Book of Lives by Margaret Atwood and Winter by Val McDermid.
  • I read two books in 2025 with a title taken from a Christian Wiman poem: A Truce that Is Not Peace by Miriam Toews, then Some Bright Nowhere by Ann Packer.

 

  • A special trip undertaken for a younger sister’s milestone birthday: a road trip through Scotland in a campervan in Slags by Emma Jane Unsworth for a 40th; and a boy band reunion cruise to the Bahamas for a 45th in American Fantasy by Emma Straub.

 

  • A reference to Sartre’s “hell is other people” line (paraphrased) in Two Women Living Together by Kim Hana and Hwang Sunwoo and The End of Mr Y by Scarlett Thomas.
  • The clock-drawing test as a shorthand for assessing a loved one’s dementia in Book of Lives by Margaret Atwood (her partner Graeme) and Joyride by Susan Orlean (her mother).

 

  • A sexual encounter between two men is presaged by them relieving themselves side by side at urinals in A Room Above a Shop by Anthony Shapland and The End of Mr Y by Scarlett Thomas.

 

  • An older man who knows he’s having a stroke just wants to sit quietly in a chair and not be taken to hospital in Book of Lives by Margaret Atwood (her partner Graeme) and The Boy from the Sea by Garrett Carr.

 

  • A man who’s gone through Alcoholics Anonymous gets dangerously close to falling off the wagon: picks up a bottle of gin in a shop in The Names by Florence Knapp / buys a drink at a bar in All the World Can Hold by Jung Yun.

  • I was reading two nonfiction books with built-in red ribbon bookmarks at the same time: Book of Lives by Margaret Atwood and Robin by Stephen Moss.

 

  • Homoeopathy is an element in The Names by Florence Knapp and The End of Mr Y by Scarlett Thomas.

 

  • A character named Sparrow in Spent by Alison Bechdel and Songs of No Provenance by Lydi Conklin.
  • A mention of special celebrations for a Korean mother’s 70 birthday in Two Women Living Together by Kim Hana and Hwang Sunwoo and All the World Can Hold by Jung Yun.

 

  • Some kinky practices in Songs of No Provenance by Lydi Conklin and Mr Norris Changes Trains by Christopher Isherwood.

 

  • A girl from an immigrant family reads Greek mythology for escape in Visitations by Julia Alvarez and The Mercy Step by Marcia Hutchinson.
  • View halloo” (originally a fox-hunting term) is used as a greeting in Talking It Over by Julian Barnes and Arsenic for Tea by Robin Stevens.

 

What’s the weirdest reading coincidence you’ve had lately?

Some 2025 Reading Superlatives

Longest book read this year: The Covenant of Water by Abraham Verghese (724 pages)

Shortest book read this year: Sky Tongued Back with Light by Sébastien Luc Butler (a 38-page poetry chapbook coming out in 2026)

 

Authors I read the most by this year: Paul Auster and Emma Donoghue (3) [followed by Margaret Atwood, Chloe Caldwell, Michael Cunningham, Mairi Hedderwick, Christopher Isherwood, Rebecca Kauffman, Stephen King, Elaine Kraf, Maggie O’Farrell, Sylvia Plath and Jess Walter (2 each)]

Publishers I read the most from: (Besides the ubiquitous Penguin Random House and its myriad imprints) Faber (14), Canongate (12), Bloomsbury (11), Fourth Estate (7); Carcanet, Picador/Pan Macmillan and Virago (6)

 

My top author ‘discoveries’ of the year (I’m very late to the party on some of these!): poet Amy Gerstler, Christopher Isherwood, Stephen King, Elaine Kraf, Sylvia Plath, Chloe Savage’s children’s picture books (women + NB characters, science, adventure, dogs), Robin Stevens’s middle-grade mysteries, Jess Walter

Proudest book-related achievement: Clearing 90–100 books from my shelves as part of our hallway redecoration. Some I resold, some I gave to friends, some I put in the Little Free Library, and some I donated to charity shops.

 

Most pinching-myself bookish moment: Miriam Toews’ U.S. publicist e-mailing me about my Shelf Awareness review of A Truce That Is Not Peace to say, “saw your amazing review! Thank you so much for it – Miriam loved it!”

Books that made me laugh: LOTS, including Spent by Alison Bechdel (which I read twice), The Wedding People by Alison Espach, Victorian Psycho by Virginia Feito, Is This My Final Form? by Amy Gerstler, The Diary of a Nobody by George Grossmith, The Sacred Diary of Adrian Plass Aged 37 ¾, and Slags by Emma Jane Unsworth

 

A book that made me cry: Death of an Ordinary Man by Sarah Perry

Best book club selections: Leave the World Behind by Rumaan Alam; The Remains of the Day by Kazuo Ishiguro, I Am, I Am, I Am by Maggie O’Farrell and Stoner by John Williams (these three were all rereads)

 

Best first line encountered this year:

  • From Leaving Atlanta by Tayari Jones: “Hard, ugly, summer-vacation-spoiling rain fell for three straight months in 1979.”

Best last lines encountered this year:

  • Is a River Alive? by Robert Macfarlane: “Death and love and life, all mingled in the flow.”

 

(Two quite similar rhetorical questions:)

  • Leave the World Behind by Rumaan Alam: “If they didn’t know how it would end—with night, with more terrible noise from the top of Olympus, with bombs, with disease, with blood, with happiness, with deer or something else watching them from the darkened woods—well, wasn’t that true of every day?”

&

  • Beautiful Ruins by Jess Walter: “And even if they don’t find what they’re looking for, isn’t it enough to be out walking together in the sunlight?”

 

  • Wreck by Catherine Newman: “You are still breathing.”

 

  • The Irish Goodbye by Beth Ann Fennelly: “Dear viewer of my naked body, Enjoy the bunions.”

 

  • A Certain Smile by Françoise Sagan: “It was a simple story; there was nothing to make a fuss about.”

 

  • Book of Lives by Margaret Atwood: “We scribes and scribblers are time travellers: via the magic page we throw our voices, not only from here to elsewhere, but also from now to a possible future. I’ll see you there.”

 

Book that put a song in my head every time I picked it up: The Harvest Gypsies by John Steinbeck (see Kris Drever’s song of the same name). Also, one story of Book of Exemplary Women by Diana Xin mentioned lyrics from “Wild World” by Cat Stevens (“Oh, baby, baby, it’s a wild world. And I’ll always remember you like a child, girl”).

Shortest book titles encountered: Pan (Michael Clune), followed by Gold (Elaine Feinstein) & Girl (Ruth Padel); followed by an 8-way tie! Spent (Alison Bechdel), Billy (Albert French), Carol (Patricia Highsmith), Pluck (Adam Hughes), Sleep (Honor Jones), Wreck (Catherine Newman), Ariel (Sylvia Plath) & Flesh (David Szalay)

Best 2025 book titles: Chopping Onions on My Heart by Samantha Ellis [retitled, probably sensibly, Always Carry Salt for its U.S. release], A Truce That Is Not Peace by Miriam Toews [named after a line from a Christian Wiman poem – top taste there] & Calls May Be Recorded for Training and Monitoring Purposes by Katharina Volckmer.

 

Best book titles from other years: Dreams of Dead Women’s Handbags by Shena Mackay

Biggest disappointments: Dream Count by Chimamanda Ngozi Adichie – so not worth waiting 12 years for – and Heart the Lover by Lily King, which kind of retrospectively ruined her brilliant Writers & Lovers for me.

The 2025 books that it seemed like everyone was reading but I decided not to: Helm by Sarah Hall, The Persians by Sanam Mahloudji, What We Can Know by Ian McEwan (I’m 0 for 2 on his 2020s releases)

 

The downright strangest books I read this year: Both by Elaine Kraf: I Am Clarence and Find Him! (links to my Shelf Awareness reviews) are confusing, disturbing, experimental in language and form, but also ahead of their time in terms of their feminist content and insight into compromised mental states. The former is more accessible and less claustrophobic.