Tag Archives: Erica Fischer

Book Serendipity, September through Mid-November

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. People frequently ask how I remember all of these coincidences. The answer is: I jot them down on scraps of paper or input them immediately into a file on my PC desktop; otherwise, they would flit away.

Thanks to Emma and Kay for posting their own Book Serendipity moments! (Liz is always good about mentioning them as she goes along, in the text of her reviews.)

The following are in roughly chronological order.

 

  • An obsession with Judy Garland in My Judy Garland Life by Susie Boyt (no surprise there), which I read back in January, and then again in Beard: A Memoir of a Marriage by Kelly Foster Lundquist.
  • Leaving a suicide note hinting at drowning oneself before disappearing in World War II Berlin; and pretending to be Jewish to gain better treatment in Aimée and Jaguar by Erica Fischer and The Lilac People by Milo Todd.

 

  • Leaving one’s clothes on a bank to suggest drowning in The Covenant of Water by Abraham Verghese, read over the summer, and then Benbecula by Graeme Macrae Burnet.
  • A man expecting his wife to ‘save’ him in Amanda by H.S. Cross and Beard: A Memoir of a Marriage by Kelly Foster Lundquist.

 

  • A man tells his story of being bullied as a child in Goodbye to Berlin by Christopher Isherwood and Beard by Kelly Foster Lundquist.

 

  • References to Vincent Minnelli and Walt Whitman in a story from Touchy Subjects by Emma Donoghue and Beard by Kelly Foster Lundquist.

 

  • The prospect of having one’s grandparents’ dining table in a tiny city apartment in Beard by Kelly Foster Lundquist and Wreck by Catherine Newman.

 

  • Ezra Pound’s dodgy ideology was an element in The Dime Museum by Joyce Hinnefeld, which I reviewed over the summer, and recurs in Swann by Carol Shields.
  • A character has heart palpitations in Andrew Miller’s story from The BBC National Short Story Award 2025 anthology and Endling by Maria Reva.

 

  • A (semi-)nude man sees a worker outside the window and closes the curtains in one story of Cathedral by Raymond Carver and one from Good and Evil and Other Stories by Samanta Schweblin.
  • The call of the cuckoo is mentioned in The Edge of Silence by Neil Ansell and Of All that Ends by Günter Grass.

 

  • A couple in Italy who have a Fiat in Of All that Ends by Günter Grass and Caoilinn Hughes’s story from The BBC National Short Story Award 2025 anthology.

 

  • Balzac’s excessive coffee consumption was mentioned in Au Revoir, Tristesse by Viv Groskop, one of my 20 Books of Summer, and then again in The Writer’s Table by Valerie Stivers.
  • The main character is rescued from her suicide plan by a madcap idea in The Wedding People by Alison Espach and Endling by Maria Reva.

 

  • The protagonist is taking methotrexate in Sea, Poison by Caren Beilin and Wreck by Catherine Newman.
  • A man wears a top hat in Benbecula by Graeme Macrae Burnet and one story of Cathedral by Raymond Carver.

 

  • A man named Angus is the murderer in Benbecula by Graeme Macrae Burnet and Swann by Carol Shields.

 

  • The thing most noticed about a woman is a hair on her chin in the story “Pluck” in Touchy Subjects by Emma Donoghue and Swann by Carol Shields.

 

  • The female main character makes a point of saying she doesn’t wear a bra in Sea, Poison by Caren Beilin and Find Him! by Elaine Kraf.

 

  • A home hairdressing business in one story of Cathedral by Raymond Carver and Emil & the Detectives by Erich Kästner.

 

  • Painting a bathroom fixture red: a bathtub in The Diary of a Nobody by George Grossmith, one of my 20 Books of Summer; and a toilet in Find Him! by Elaine Kraf.
  • A teenager who loses a leg in a road accident in individual stories from A Wild Swan by Michael Cunningham and the Racket anthology (ed. Lisa Moore).

 

  • Digging up the casket of a loved one in the wee hours features in Pet Sematary by Stephen King, one of my 20 Books of Summer; and one story of Pretty Monsters by Kelly Link.
  • A character named Dani in the story “The St. Alwynn Girls at Sea” by Sheila Heti and The Silver Book by Olivia Laing; later, author Dani Netherclift (Vessel).

 

  • Obsessive cultivation of potatoes in Benbecula by Graeme Macrae Burnet and The Martian by Andy Weir.

 

  • The story of Dante Gabriel Rossetti digging up the poems he buried with his love is recounted in Sharon Bala’s story in the Racket anthology (ed. Lisa Moore) and one of the stories in Pretty Monsters by Kelly Link.

 

  • Putting French word labels on objects in Alone in the Classroom by Elizabeth Hay and Find Him! by Elaine Kraf.

  • A man with part of his finger missing in Find Him! by Elaine Kraf and Lessons from My Teachers by Sarah Ruhl.

 

  • In Minor Black Figures by Brandon Taylor, I came across a mention of the Italian film director Pier Paolo Pasolini, who is a character in The Silver Book by Olivia Laing.

 

  • A character who works in an Ohio hardware store in Flashlight by Susan Choi and Buckeye by Patrick Ryan (two one-word-titled doorstoppers I skimmed from the library). There’s also a family-owned hardware store in Alone in the Classroom by Elizabeth Hay.

 

  • A drowned father – I feel like drownings in general happen much more often in fiction than they do in real life – in The Homecoming by Zoë Apostolides, Flashlight by Susan Choi, and Vessel by Dani Netherclift (as well as multiple drownings in The Covenant of Water by Abraham Verghese, one of my 20 Books of Summer).
  • A memoir by a British man who’s hard of hearing but has resisted wearing hearing aids in the past: first The Quiet Ear by Raymond Antrobus over the summer, then The Edge of Silence by Neil Ansell.

 

  • A loved one is given a six-month cancer prognosis but lives another (nearly) two years in All the Way to the River by Elizabeth Gilbert and Lessons from My Teachers by Sarah Ruhl.

 

  • A man’s brain tumour is diagnosed by accident while he’s in hospital after an unrelated accident in Flashlight by Susan Choi and Saltwash by Andrew Michael Hurley.

 

  • Famous lost poems in What We Can Know by Ian McEwan and Swann by Carol Shields.

 

  • A description of the anatomy of the ear and how sound vibrates against tiny bones in The Edge of Silence by Neil Ansell and What Stalks the Deep by T. Kingfisher.
  • Notes on how to make decadent mashed potatoes in Beard by Kelly Foster Lundquist, Death of an Ordinary Man by Sarah Perry, and Lessons from My Teachers by Sarah Ruhl.

 

  • Transplant surgery on a dog in Russia and trepanning appear in The Heart of a Dog by Mikhail Bulgakov and the poetry collection Common Disaster by M. Cynthia Cheung.
  • Audre Lorde, whose Sister Outsider I was reading at the time, is mentioned in Lessons from My Teachers by Sarah Ruhl. Lorde’s line about the master’s tools never dismantling the master’s house is also paraphrased in Spent by Alison Bechdel.

  • An adult appears as if fully formed in a man’s apartment but needs to be taught everything, including language and toilet training, in The Heart of a Dog by Mikhail Bulgakov and Find Him! by Elaine Kraf.

 

  • Two sisters who each wrote a memoir about their upbringing in Spent by Alison Bechdel and Vessel by Dani Netherclift.

 

  • The fact that ragwort is bad for horses if it gets mixed up into their feed was mentioned in Ghosts of the Farm by Nicola Chester and Understorey by Anna Chapman Parker.

 

  • The Sylvia Plath line “the O-gape of complete despair” was mentioned in Vessel by Dani Netherclift, then I read it in its original place in Ariel later the same day.

  • A mention of the Baba Yaga folk tale (an old woman who lives in the forest in a hut on chicken legs) in Common Disaster by M. Cynthia Cheung and Woman, Eating by Claire Kohda. [There was a copy of Sophie Anderson’s children’s book The House with Chicken Legs in the Little Free Library around that time, too.]

 

  • Coming across a bird that seems to have simply dropped dead in Victorian Psycho by Virginia Feito, Vessel by Dani Netherclift, and Rainforest by Michelle Paver.
  • Contemplating a mound of hair in Vessel by Dani Netherclift (at Auschwitz) and Year of the Water Horse by Janice Page (at a hairdresser’s).

 

  • Family members are warned that they should not see the body of their loved one in Vessel by Dani Netherclift and Rainforest by Michelle Paver.

 

  • A father(-in-law)’s swift death from oesophageal cancer in Year of the Water Horse by Janice Page and Death of an Ordinary Man by Sarah Perry.
  • I saw John Keats’s concept of negative capability discussed first in My Little Donkey by Martha Cooley and then in Understorey by Anna Chapman Parker.

 

  • I started two books with an Anne Sexton epigraph on the same day: A Portable Shelter by Kirsty Logan and Slags by Emma Jane Unsworth.
  • Mentions of Martin Luther King, Jr.’s assassination in Q’s Legacy by Helene Hanff and Sister Outsider for Audre Lorde, both of which I was reading for Novellas in November.

 

  • Mentions of specific incidents from Samuel Pepys’s diary in Q’s Legacy by Helene Hanff and Gin by Shonna Milliken Humphrey, both of which I was reading for Nonfiction November/Novellas in November.
  • Starseed (aliens living on earth in human form) in Beautyland by Marie-Helene Bertino and The Conspiracists by Noelle Cook.

 

  • Reading nonfiction by two long-time New Yorker writers at the same time: Life on a Little-Known Planet by Elizabeth Kolbert and Joyride by Susan Orlean.
  • The breaking of a mirror seems like a bad omen in The Spare Room by Helen Garner and The Bell Jar by Sylvia Plath.

 

  • The author’s husband (who has a name beginning with P) is having an affair with a lawyer in Catching Sight by Deni Elliott and Joyride by Susan Orlean.

 

  • Mentions of Lewis Hyde’s book The Gift in Lessons from My Teachers by Sarah Ruhl and The Serviceberry by Robin Wall Kimmerer; I promptly ordered the Hyde secondhand!

 

  • The protagonist fears being/is accused of trying to steal someone else’s cat in Minka and Curdy by Antonia White and Aunts Aren’t Gentlemen by P.G. Wodehouse, both of which I was reading for Novellas in November. 

What’s the weirdest reading coincidence you’ve had lately?

Nine Days in Germany and What I Read, Part I: Berlin

We’ve actually been back for more than a week, but soon after our return I was felled by a nasty cold (not Covid, surprisingly), which has left me with a lingering cough and ongoing fatigue. Finally, I’m recovered just about enough to report back.

This Interrail adventure was more low-key than the one we took in 2016. The first day saw us traveling as far as Aachen, just over the border from France. It’s a nice small city with Christian and culinary history: Charlemagne is buried in the cathedral; and it’s famous for a chewy, spicy gingerbread called printen. Before our night in a chain hotel, we stumbled upon the mayor’s Green Party rally in the square – there was to be an election the following day – and drank and dined well. The Gin Library, spotted at random on the map, is an excellent and affordable Asian-fusion cocktail bar. My “Big Ben,” for instance, featured Tanqueray gin, lemon juice, honey, fresh coriander, and cinnamon syrup. Then at Hanswurst – Das Wurstrestaurant (cue jokes about finding the “worst” restaurant in Aachen!), a superior fast-food joint, I had the vegetarian “Hans Berlin,” a scrumptious currywurst with potato wedges.

The next day it was off to Berlin with a big bag of bakery provisions. For the first time, we experienced the rail cancellations and delays that would plague us for much of the next week. We then had to brave the only supermarket open in Berlin on a Sunday – the Rewe in the Hauptbahnhof – before taking the S-Bahn to Alexanderplatz, the nearest station to our Airbnb flat.

It was all worth it to befriend Lemmy (the ginger one) and Roxanne. It’s a sweet deal the host has here: whenever she goes away, people pay her to look after her cats. At the same time as we were paying for a cat-sitter back home. We must be chumps!

I’ll narrate the rest of the trip through the books I read. I relished choosing relevant reads from my shelves and the library’s holdings – I was truly spoiled for choice for Berlin settings! – and I appreciated encountering them all on location.

 

As soon as we walked into the large airy living room of the fifth-floor Airbnb flat, I nearly laughed out loud, for there in the corner was a monstera plant. The trendy, minimalist décor, too, was just like that of the main characters’ place in…

 

Perfection by Vincenzo Latronico (2022; 2025)

[Translated from Italian by Sophie Hughes]

Anna and Tom are digital nomads from Southern Europe who offer up their Berlin flat as a short-term rental. In the listing photographs it looks pristine, giving no hint of the difficulties of the expatriate life such as bureaucracy and harsh winters. “Creative professionals” working in the fields of web development and graphic design, they are part of the micro-generation that grew up as the Internet was becoming mainstream, and they tailor their products and personal lives to social media’s preferences. They are lazy liberals addicted to convenience and materialism; aspiring hedonists who like the idea of sex clubs but don’t enjoy them when they actually get there. When Berlin loses its magic, they try Portugal and Sicily before an unforeseen inheritance presents them with the project of opening their own coastal guesthouse. “What they were looking for must have existed once upon a time, back when you only had to hop onto a train or a ferry to reach a whole other world.” This International Booker Prize shortlistee is a smart satire about online posturing and the mistaken belief that life must be better elsewhere. There are virtually no scenes or dialogue but Latronico gets away with the all-telling style because of the novella length. Were it not for his note in the Acknowledgements, I wouldn’t have known that this is a tribute to Things by Georges Perec. (Read via Edelweiss)

 

We got to pretend to be hip locals for four days, going up the Reichstag tower, strolling through the Tiergarten, touring the Natural History Museum (which has some excellent taxidermy as at left), walking from Potsdam station through Park Sanssouci and ogling the castles and windmill, chowing down on hand-pulled noodles and bao buns at neighbourhood café Wen Cheng, catching an excellent free lunchtime concert at the Philharmonic, and bringing back pastries or vegan doughnuts to snack on while hanging out with the kitties. The S-Bahn was included on our Interrail passes but didn’t go everywhere we needed, so we were often on the handy U-Bahn and tram system instead. Graffiti is an art form rather than an antisocial activity in Berlin; there is so much of it, everywhere.

I brought along another novella that proved an apt companion for our explorations of the city. Even just spotting familiar street and stop names in it felt like reassurance.

Sojourn by Amit Chaudhuri (2022)

The narrator of this spare text is a Böll Visiting Professor experiencing disorientation yet resisting gestures of familiarity. Like a Teju Cole or Rachel Cusk protagonist, his personality only seeps in through his wanderings and conversations. After his first talk, he meets a fellow Indian from the audience, Faqrul Haq, who takes it upon himself to be his dedicated tour guide. The narrator isn’t entirely sure how he feels about Faqrul, yet meets him for meals and seeks his advice about the best place to buy warm outerwear. An expat friend is a crutch he wishes he could refuse, but the bewilderment of being somewhere you don’t speak the language at all is such that he feels bound to accept. Meanwhile, there is the possibility of another academic admirer, Birgit, becoming his lover. Strangely, his relationship with his cleaning lady, who addresses him only in German, seems the healthiest one on offer. As the book goes on, the chapters get shorter and shorter, presaging some kind of mental crisis. “I keep walking – in which direction I’m not sure; Kreuzberg? I’ve lost my bearings – not in the city; in its history. The less sure I become of it, the more I know my way.” This was interesting, even admirable, but I wanted more story. (Public library)

 

We spent a drizzly and slightly melancholy first day and final morning making pilgrimages to Jewish graveyards and monuments to atrocities, some of them nearly forgotten. I got the sense of a city that has been forced into a painful reckoning with its past – not once but multiple times, perhaps after decades of repression. One morning we visited the claustrophobic monument to the Murdered Jews of Europe, and, in the Tiergarten, the small memorials to the Roma and homosexual victims of the Holocaust. The Nazis came for political dissidents and the disabled, too, as I was reminded at the Topography of Terrors, a free museum where brutal facts are laid bare. We didn’t find the courage to go in as the timeline outside was confronting enough. I spotted links to the two historical works I was reading during my stay (Stella the red-haired Jew-catcher in the former and Magnus Hirschfeld’s institute in the latter). As I read both, I couldn’t help but think about the current return of fascism worldwide and the gradual erosion of rights that should concern us all.

 

Aimée and Jaguar: A Love Story, Berlin 1943 by Erica Fischer (1994; 1995)

[Translated from German by Edna McCown]

Elisabeth “Lilly” Wust was a good German: the estranged wife of a Nazi and mother of four young sons. She met Felice Schragenheim via her new domestic helper, Inge Wolf. Lilly (aka Aimée) was slow to grasp that Inge and Felice were part of a local lesbian milieu, and didn’t realize Felice (aka Jaguar) was a “U-boat” (Jew living underground) until they’d already become lovers. They got nearly a year and a half together, living almost as a married couple – they had rings engraved and everything – before Felice was taken into Gestapo custody. You know from the outset that this story won’t end well, but you keep hoping – just like Lilly did. It’s not a usual or ‘satisfying’ tragedy, though, because there is no record of what happened to Felice. She was declared legally dead in 1948 but most likely shared the fate of Anne and Margot Frank, dying of typhus at Bergen-Belsen. It’s heartbreaking that Felice, the orphaned daughter of well-off dentists, had multiple chances to flee Berlin – via her sister in London, their stepmother in Palestine, an uncle in America, or friends escaping through Switzerland – but chose to remain.

The narrative incorporates letters, diaries and interviews, especially with Lilly, who clearly grieved Felice for the rest of her life. The book is unsettling, though, in that Fischer doesn’t let it stand as a simple Juliet & Juliet story; rather, she undermines Lilly by highlighting Felice’s promiscuity (so she likely would not have remained faithful) and Lilly’s strange postwar behaviour: desperately trying to reclaim Felice’s property, and raising her sons as Jewish. This was a time capsule, a wholly absorbing reclamation of queer history, but no romantic vision. (Secondhand purchase – Community Furniture Project)

[A similar recent release: Milena and Margarete: A Love Story in Ravensbrück by Gwen Strauss]

 

The Lilac People by Milo Todd (2025)

This was illuminating, as well as upsetting, about the persecution of trans people in Nazi Germany. Todd alternates between the gaiety of early 1930s Berlin – when trans man Bertie worked for Magnus Hirschfeld’s Institute of Sexual Science and gathered with friends at the Eldorado Club for dancing and singing their anthem, “Das Lila Lied” – and 1945 Ulm, where Bert and his partner Sofie have been posing as an older farming couple. At the novel’s start, a runaway from Dachau, a young trans man named Karl, joins their household. Ironically, it is at this point safer to be Jewish than to be different in any other way; even with the war over, rumour has it the Allies are rounding up queer people and putting them in forced labour camps, so the trio pretend to be Jews as they ponder a second round of escapes.

While this is slow to start with, and heavy on research throughout, it does gather pace. The American officer, Ward, is something of a two-dimensional villain who keeps popping back up. Still, the climactic scenes are gripping and the dual timeline works well. Todd explores survivor guilt and gives much valuable context. He is careful to employ language in use at that time (transvestites, transsexuals, “inverts,” “third sex”) and persuasively argues that, in any era, how we treat the vulnerable is the measure of our humanity. (Read via Edelweiss)

[A similar recent release: Under the Pink Triangle by Katie Moore (set in Dachau)]

 

We might have been at the Eldorado in the early 1930s on the evening when we ventured out to the bar Zosch for a “New Orleans jazz” evening. The music was superb, the German wine tasty, the whole experience unforgettable … but it sure did feel like being in a bygone era. We’re so used to the indoor smoking ban (in force in the UK since 2007) that we didn’t expect to find young people chain-smoking rollies in an enclosed brick basement, and got back to the flat with our clothes reeking and our lungs burning.

It was good to see visible signs of LGTBQ support in Berlin, though they weren’t as prevalent as I perhaps expected.

For a taste of more recent German history, I’ve started Kairos by Jenny Erpenbeck, which is set in the 1980s not long before the Berlin Wall came down. Unfortunately, my library hold didn’t arrive until too late to take it with me. We made a point of seeing the wall remnants and Checkpoint Charlie on our trip.

Other Berlin highlights: a delicious vegetarian lunch at the canteen of an architecture firm, the Ritter chocolate shop, and the pigeons nesting on the flat balcony – the chicks hatched on our final morning!

And a belated contribution to Short Story September:

Touchy Subjects by Emma Donoghue (2006)

I seem to pluck one or two books at random from Donoghue’s back catalogue per year. I designated this as reliable train reading. The 19 contemporary stories fall into thematic bundles: six about pregnancy or babies, several about domestic life, a few each on “Strangers” and “Desire,” and a final set of four touching on death. The settings range around Europe and North America. It’s impressive how Donoghue imagines herself into so many varied situations, including heterosexual men longing for children in their lives and rival Louisiana crawfishermen setting up as tour-boat operators. The attempts to write Black characters in “Lavender’s Blue” and “The Welcome” are a little cringey, and the latter felt dated with its ‘twist’ of a character being trans. She’s on safer ground writing about a jaded creative writing tutor or football teammates who fall for each other. I liked a meaningful encounter between a tourist and an intellectually disabled man in a French cave (“The Sanctuary of Hands”), an Irishwoman’s search for her missing brother in Los Angeles (“Baggage”) and a contemporary take on the Lazarus myth (“Necessary Noise”), but my two favourites were “The Cost of Things,” about a lesbian couple whose breakup is presaged by their responses to their cat’s astronomical vet bill; and “The Dormition of the Virgin,” in which a studious young traveller to Florence misses what’s right under his nose. There are some gems here, but the topics are so scattershot the collection doesn’t cohere. (Secondhand – Awesomebooks.com)

 

Trip write-up to be continued (tomorrow, with any luck)…