Tag Archives: Eva Baltasar

Some 2024 Reading Superlatives

Longest book read this year: The Bee Sting by Paul Murray

Shortest books read this year: The Wood at Midwinter by Susanna Clarke – a standalone short story (unfortunately, it was kinda crap); After the Rites and Sandwiches by Kathy Pimlott – a poetry pamphlet

 

Authors I read the most by this year: Alice Oseman (5 rereads), Carol Shields (3 rereads); Margaret Atwood, Rachel Cusk, Pam Houston, T. Kingfisher, Sarah Manguso, Maggie O’Farrell, and Susan Allen Toth (2 each)

 

Publishers I read the most from: (Besides the ubiquitous Penguin Random House and its myriad imprints,) Carcanet (15), Bloomsbury & Faber (12 each), Alice James Books & Picador/Pan Macmillan (9 each)

 

My top author ‘discoveries’ of the year: Sherman Alexie and Bernardine Bishop

Proudest bookish achievements: Reading almost the entire Carol Shields Prize longlist; seeing The Bookshop Band on their huge Emerge, Return tour and not just getting my photo with them but having it published on both the Foreword Reviews and Shelf Awareness websites

Most pinching-myself bookish moment: Getting a chance to judge published debut novels for the McKitterick Prize

 

Books that made me laugh: Lots, but particularly Fortunately, the Milk… by Neil Gaiman, The Year of Living Biblically by A.J. Jacobs, and You Don’t Have to Be Mad to Work Here by Benji Waterhouse

Books that made me cry: On Chesil Beach by Ian McEwan, My Good Bright Wolf by Sarah Moss

 

Two books that hit the laughing-and-crying-at-the-same-time sweet spot: The Absolutely True Diary of a Part-Time Indian by Sherman Alexie and I’m Glad My Mom Died by Jennette McCurdy

 

Best book club selections: Clear by Carys Davies, Howards End by E.M. Forster, Strange Sally Diamond by Liz Nugent

Best first lines encountered this year:

  • From Cocktail by Lisa Alward: “The problem with parties, my mother says, is people don’t drink enough.”
  • From A Reason to See You Again by Jami Attenberg: “Oh, the games families play with each other.”
  • From The Snow Queen by Michael Cunningham: “A celestial light appeared to Barrett Meeks in the sky over Central Park, four days after Barrett had been mauled, once again, by love.”

Best last lines encountered this year:

  • From The Ministry of Time by Kaliane Bradley: “Forgiveness and hope are miracles. They let you change your life. They are time-travel.”
  • From Mammoth by Eva Baltasar: “May I know to be alert when, at the stroke of midnight, life sends me its cavalry.”
  • From Private Rites by Julia Armfield: “For now, they stay where they are and listen to the unwonted quiet, the hush in place of rainfall unfamiliar, the silence like a final snuffing out.”
  • From Come to the Window by Howard Norman: “Wherever you sit, so sit all the insistences of fate. Still, the moment held promise of a full life.”
  • From Intermezzo by Sally Rooney: “It doesn’t always work, but I do my best. See what happens. Go on in any case living.”
  • From Barrowbeck by Andrew Michael Hurley: “And she thought of those Victorian paintings of deathbed scenes: the soul rising vaporously out of a spent and supine body and into a starry beam of light; all tears wiped away, all the frailty and grossness of a human life transfigured and forgiven at last.”
  • From Small Rain by Garth Greenwell: “Pure life.”

Books that put a song in my head every time I picked them up: I’m the King of the Castle by Susan Hill (“Crash” by Dave Matthews Band); Y2K by Colette Shade (“All Star” by Smashmouth)

Shortest book titles encountered: Feh (Shalom Auslander) and Y2K (Colette Shade), followed by Keep (Jenny Haysom)

 

Best 2024 book titles: And I Will Make of You a Vowel Sound, I Can Outdance Jesus, Zombie Vomit Mad Libs, Crocodile Tears Didn’t Cause the Flood, This Is Why We Can’t Have Nice Things

 

Best book titles from other years: Recipe for a Perfect Wife, Tripping over Clouds, Waltzing the Cat, Dressing Up for the Carnival, The Met Office Advises Caution

 

Favourite title and cover combo of the year: I’m Mostly Here to Enjoy Myself by Glynnis MacNicol

Best punning title (and nominative determinism): Knead to Know: A History of Baking by Dr Neil Buttery

 

Biggest disappointments: The Glassmaker by Tracy Chevalier (I didn’t get past the first chapter because of all the info dumping from her research); The Year of the Cat by Rhiannon Lucy Cosslett; milk and honey by Rupi Kaur (that … ain’t poetry); 2 from the Observer’s 10 best new novelists feature (here and here)

 

A couple of 2024 books that everyone was reading but I decided not to: Creation Lake by Rachel Kushner, You Are Here by David Nicholls

 

The worst books I read this year: Mammoth by Eva Baltasar, A Spy in the House of Love by Anaïs Nin

 

The downright strangest books I read this year: Zombie Vomit Mad Libs, followed by The Peculiar Life of a Lonely Postman. All Fours by Miranda July (I am at 44% now) is pretty weird, too.

Book Serendipity, June to Mid-August 2024

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. People frequently ask how I remember all of these coincidences. The answer is: I jot them on scraps of paper or input them immediately into a file on my PC desktop; otherwise, they would flit away!

The following are in roughly chronological order.

  •  A self-induced abortion scene in Recipe for a Perfect Wife by Karma Brown and Sleeping with Cats by Marge Piercy.

 

  • A woman who cleans buildings after hours, and a character named Tova who lives in the Seattle area in A Reason to See You Again by Jami Attenberg and Remarkably Bright Creatures by Shelby Van Pelt.
  • Flirting with a surf shop employee in Sandwich by Catherine Newman and Remarkably Bright Creatures by Shelby Van Pelt.

 

  • Living in Paris and keeping ticket stubs from all films seen in Paris Trance by Geoff Dyer and The Invention of Hugo Cabret by Brian Selznick.

 

  • A schefflera (umbrella tree) is mentioned in Cheri by Jo Ann Beard and Company by Shannon Sanders.
  • The Plague by Albert Camus is mentioned in Knife by Salman Rushdie and Stowaway by Joe Shute.

 

  • Making egg salad sandwiches is mentioned in Cheri by Jo Ann Beard and Sandwich by Catherine Newman.

 

  • Pet rats in Stowaway by Joe Shute and Happy Death Club by Naomi Westerman. Rats are also mentioned in Mammoth by Eva Baltasar, The Tale of Despereaux by Kate DiCamillo, and The Colour by Rose Tremain.
  • Eels feature in Our Narrow Hiding Places by Kristopher Jansma, Late Light by Michael Malay, and The Colour by Rose Tremain.

 

  • Atlantic City, New Jersey is a location in Florence Adler Swims Forever by Rachel Beanland and Company by Shannon Sanders.

 

  • The father is a baker in Florence Adler Swims Forever by Rachel Beanland and Our Narrow Hiding Places by Kristopher Jansma.

 

  • A New Zealand setting (but very different time periods) in Greta & Valdin by Rebecca K Reilly and The Colour by Rose Tremain.

 

  • A mention of Melanie Griffith’s role in Working Girl in I’m Mostly Here to Enjoy Myself by Glynnis MacNicol and Happy Death Club by Naomi Westerman.

 

  • Ermentrude/Ermyntrude as an imagined alternate name in Greta & Valdin by Rebecca K Reilly and a pet’s name in Stowaway by Joe Shute.

 

  • A poet with a collection that was published on 6 August mentions a constant ringing in the ears: Joshua Jennifer Espinoza (I Don’t Want to Be Understood) and Keith Taylor (What Can the Matter Be?).

 

  • A discussion of the original meaning of “slut” (a slovenly housekeeper) vs. its current sexualized meaning in Girlhood by Melissa Febos and Sandi Toksvig’s introduction to the story anthology Furies.
  • An odalisque (a concubine in a harem, often depicted in art) is mentioned in I’m Mostly Here to Enjoy Myself by Glynnis MacNicol and The Shark Nursery by Mary O’Malley.

 

  • Reading my second historical novel of the year in which there’s a disintegrating beached whale in the background of the story: first was Whale Fall by Elizabeth O’Connor, then Come to the Window by Howard Norman.

 

  • A short story in which a woman gets a job in online trolling in Because I Don’t Know What You Mean and What You Don’t by Josie Long and in the Virago Furies anthology (Helen Oyeyemi’s story).

 

  • Her partner, a lawyer, is working long hours and often missing dinner, leading the protagonist to assume that he’s having an affair with a female colleague, in Recipe for a Perfect Wife by Karma Brown and Summer Fridays by Suzanne Rindell.

 

  • A fierce boss named Jo(h)anna in Summer Fridays by Suzanne Rindell and Test Kitchen by Neil D.A. Stewart.
  • An OTT rendering of a Scottish accent in Greta & Valdin by Rebecca K Reilly and Test Kitchen by Neil D.A. Stewart.

 

  • A Padstow setting and a mention of Puffin Island (Cornwall) in The Cove by Beth Lynch and England as You Like It by Susan Allen Toth.

 

  • A mention of the Big and Little Dipper (U.S. names for constellations) in Directions to Myself by Heidi Julavits and How We Named the Stars by Andrés N. Ordorica.
  • A mention of Binghamton, New York and its university in We Are Animals by Jennifer Case and We Would Never by Tova Mirvis.

 

  • A character accidentally drinks a soapy liquid in We Would Never by Tova Mirvis and one story of The Man in the Banana Trees by Marguerite Sheffer.

 

  • The mother (of the bride or groom) takes over the wedding planning in We Would Never by Tova Mirvis and Summer Fridays by Suzanne Rindell.

 

  • The ex-husband’s name is Jonah in The Mourner’s Bestiary by Eiren Caffall and We Would Never by Tova Mirvis.

 

  • The husband’s name is John in Dot in the Universe by Lucy Ellmann and Liars by Sarah Manguso.
  • An affair is discovered through restaurant receipts in Summer Fridays by Suzanne Rindell and Test Kitchen by Neil D.A. Stewart.

 

  • A mention of eating fermented shark in The Museum of Whales You Will Never See by A. Kendra Greene and Test Kitchen by Neil D.A. Stewart.

 

  • A mention of using one’s own urine as a remedy in Thunderstone by Nancy Campbell and Terminal Maladies by Okwudili Nebeolisa.
  • The main character tries to get pregnant by a man even though one of the partners is gay in Mammoth by Eva Baltasar and Until the Real Thing Comes Along by Elizabeth Berg.

 

  • Motherhood is for women what war is for men: this analogy is presented in We Are Animals by Jennifer Case, Parade by Rachel Cusk, and Want, the Lake by Jenny Factor.

 

  • Childcare is presented as a lifesaver for new mothers in We Are Animals by Jennifer Case and Liars by Sarah Manguso.

 

  • A woman bakes bread for the first time in Mammoth by Eva Baltasar and A Year of Biblical Womanhood by Rachel Held Evans.

 

  • A gay couple adopts a Latino boy in Greta & Valdin by Rebecca K Reilly and one story of There Is a Rio Grande in Heaven by Ruben Reyes, Jr.

 

  • A husband who works on film projects in A Year of Biblical Womanhood by Rachel Held Evans and Liars by Sarah Manguso.

 

  • A man is haunted by things his father said to him years ago in Parade by Rachel Cusk and one story in There Is a Rio Grande in Heaven by Ruben Reyes, Jr.

 

  • Two short story collections in a row in which a character is a puppet (thank you, magic realism!): The Man in the Banana Trees by Marguerite Sheffer, followed by There Is a Rio Grande in Heaven by Ruben Reyes, Jr.
  • A farm is described as having woodworm in Mammoth by Eva Baltasar and Parade by Rachel Cusk.

 

  • Sebastian as a proposed or actual name for a baby in Signs, Music by Raymond Antrobus and Birdeye by Judith Heneghan.

 

What’s the weirdest reading coincidence you’ve had lately?