Tag Archives: Gabriela Ponce

#ReadIndies Catch-up: Ansell, Kinard, McNaught, Ponce, Toews and Vara

At last, my first dedicated selections for Read Indies month, two of which have been languishing on the shelf since 2022! A few more indie titles will appear in my February roundup tomorrow. I’ve got a huge variety here: an extended essay comparing life among the unhoused in London in the 1980s with the freedom of the open road and the island of Jura; gospel-saturated poems of queer African American life; an exposé of spiritual abuse in a Pentecostal church with branches in England and Nigeria; an Ecuadorian novella obsessed with bodies and sex; a funny yet heartbreaking novel about a zany family trying not to fall apart; and short stories about siblings, adolescence, memory, death and much more. I name the publishers and other books I have on the docket from each one.

Deer Island by Neil Ansell (2013)

My last unread book by Ansell (whose Deep Country, The Last Wilderness, and The Circling Sky I’ve loved) and one that had been out of print for many years, so it was great to hear that Little Toller was reissuing it. Ansell has visited most countries; pressed for a favourite place, he names the Scottish isle of Jura. In memory he returns to a place he hadn’t been in over 20 years. In the early 1980s he lived in London and volunteered with The Simon Community, a homeless charity, for three years. Later that decade, he found himself in the same situation as those he served, squatting in chaotic multi-occupancy London properties. But in between he’d had a magical jaunt to Jura by hitchhiking and motorbike with a girlfriend. And later, when his only sentimental keepsake was stolen from his squat bedroom, he left that lifestyle behind and fled to Jura, haunt of golden eagles and otters; refuge for George Orwell, who experienced his fair share of squalor – Down and Out in Paris and London gets a mention, but Ansell doesn’t belabour a comparison he more than earns. It’s a shame this is so short, but it’s a carefully crafted slice of life, and illustrates a sobering truth: “Security is an illusion.”

With thanks to Little Toller Books for the free copy for review. Deer Island came out in paperback on 27 February.


Little Toller

Also read recently: brother. do. you. love. me. by Manni Coe

Currently reading: The Long Field by Pamela Petro

 

Orders of Service by Willie Lee Kinard III (2023)

At a confluence of Southern, Black and gay identities, Kinard writes of matriarchal families, of congregations and choirs, of the descendants of enslavers and enslaved living side by side. The layout mattered more than I knew, reading an e-copy: often it is white text on a black page; words form rings or an infinity symbol; erasure poems gray out much of what has come before. “Boomerang” interludes imagine a chorus of fireflies offering commentary – just one of numerous insect metaphors. Mythology also plays a role. “A Tangle of Gorgons,” a sample poem I’d read before, wends its serpentine way across several pages. “Catalog of My Obsessions or Things I Answer to” presents an alphabetical list. For the most part, the poems were longer, wordier and more involved (four pages of notes on the style and allusions) than I tend to prefer, but I could appreciate the religious frame of reference and the alliteration.

Two favorite passages:

Ma taught me how to change a tire

the fall before it got real cold one October,

on the plot of dirt the pole beans we call Babel

 

spiral from, where our boozy station wagon

sat after hobbling home & passing out

in the backyard

(from “Work”)

 

I left before the door was closed.

I built myself of drowning hymns.

I stole every one to fly.

(from “Icarus Confesses”)

With thanks to Alice James Books for the advanced e-copy for review.


Alice James Books

Also read recently: Theophanies by Sarah Ghazal Ali

 

Immanuel by Matthew McNaught (2022)

“Immanuel was the centre of the world once. Long after it imploded, its gravitational pull remains.” McNaught grew up in an evangelical church in Winchester, England, but by the time he left for university he’d fallen away. Meanwhile, some peers left for Nigeria to become disciples at charismatic preacher TB Joshua’s Synagogue Church of All Nations in Lagos. It’s obvious to outsiders that this was a cult, but not so to those caught up in it. It took years and repeated allegations for people to wake up to faked healings, sexual abuse, and the ceding of control to a megalomaniac who got rich off of duping and exploiting followers. This book won the inaugural Fitzcarraldo Editions Essay Prize. I admired its blend of journalistic and confessional styles: research, interviews with friends and strangers alike, and reflection on the author’s own loss of faith. He gets to the heart of why people stayed: “A feeling of holding and of being held. A sense of fellowship and interdependence … the rare moments of transcendence … It was nice to be a superorganism.” This gripped me from page one, but its wider appeal strikes me as limited. For me, it was the perfect chance to think about how I might write about traditions I grew up in and spurned.

With thanks to Fitzcarraldo Editions for the proof copy for review.


Fitzcarraldo Editions

Currently reading: Intervals by Marianne Brooker

Up next: Alphabetical Diaries by Sheila Heti

 

Blood Red by Gabriela Ponce (2020; 2024)

[Translated from the Spanish by Sarah Booker]

Like other short works I’ve read by Hispanic women authors (Die, My Love, September and the Night, In Vitro), this Ecuadorian novella is intense, fragmentary, and obsessed with the female body and psyche. The unnamed narrator, a woman separated from her husband and freed from inhibitions, gives in to her substance and sex addictions – “For me, anything that isn’t falling in love has never merited much attention. That giddiness from proximity or bodies”. I was reminded of A Spy in the House of Love in that she flits compulsively from one lover to another, but Ponce is much more explicit than Nin. At least at the start, the sex scenes are almost constant and described in graphic detail. The narrator meets her lovers in warehouses and caves. Literal holes/orifices and blood are profuse, but also symbolically weighty, with fear of pregnancy also featuring heavily. I was impressed at how Booker rendered the stream-of-consciousness approach, which involves several-page paragraphs and metaphors of moths and moss. I wouldn’t say this was a pleasant book to spend time with, but the style and vocabulary made it worthy of note.

With thanks to Dead Ink for the free copy for review. Blood Red was first published in English by Restless Books in the USA in 2022.


Dead Ink

Up next: Sinking Bell by Bojan Louis

 

Fight Night by Miriam Toews (2022)

I knew from All My Puny Sorrows that Canadian author Miriam Toews has a knack for combining humour and heartbreak. I can’t believe it took me since 2015 to read another of her novels. Once again, there seems to be a strong autobiographical element and suicide in the family is part of the backstory. Although abandonment and failure haunt these three female generations, we see everything through a child’s point-of-view, which turns life into a jolly adventure. Swiv’s mother, an underemployed actress, is heavily pregnant with “Gord”; her father is out of the picture. Swiv has been expelled, which gives her plenty of time with Grandma Elvira, who makes friends with everyone she meets but, alas, is crumbling physically. Luckily, Swiv knows just how to keep her going with nitro spray and compression socks and pills rescued from the floor. Before Gord arrives, Grandma wants one last adventure: a flight from Canada to Fresno, California to see her remaining family. Their trip is a disaster, in hilarious ways. Child narrators are tough to pull off, so kudos to Toews for making eight-year-old Swiv almost completely believable (though a bit too precocious). These characters are all foul-mouthed fighters, with a quick wit and the determination to make their stories matter. You’ll laugh and cry.

With thanks to Faber for the proof copy for review.


Faber

Also read recently: Happiness Falls by Angie Kim

Currently reading: Places I’ve Taken My Body by Molly McCully Brown

 

This Is Salvaged by Vauhini Vara (2023)

The epigraph is from the two pages of laughter (“Ha!”) in “Real Estate,” one of the stories of Birds of America by Lorrie Moore. Vara shares Moore’s themes, which are the stuff of literary fiction generally – adolescence, friendship, ageing, memory, romantic relationships – but also her tone of dark comedy. The death of a sibling recurs. In “The Irates,” teenage Swati, whose brother died of cancer, and her friend Lydia get phone sales jobs through the Chinese restaurant where they go for egg rolls. In “I, Buffalo,” Sheila tries to hide her alcoholism when her sister Priya comes for a visit with Sheila’s brother-in-law and niece. “The girl” in “You Are Not Alone” is delighted to spend her eighth birthday in Florida with her estranged father, but less so when she learns there’s a stepmother figure in the picture. The women of “Sibyls” look after an elderly neighbour with dementia. The querulous child in “Unknown Unknowns” reminded me of Good Talk by Mira Jacob. My two favourites were the title story, about building a Noah’s Ark replica, and “What Next,” about a woman accompanying her teenage daughter to meet her father for the first time. A few stories didn’t stand out, and while I liked the writing, this didn’t necessarily feel like a cohesive collection.

With thanks to Grove Press UK for the free copy for review. This Is Salvaged came out in paperback in the UK on 1 February.


Grove Atlantic

Up next: Get the Picture by Bianca Bosker, Home/Land by Rebecca Mead, We Play Ourselves by Jen Silverman

 

Have you discovered any new-to-you independent publishers recently?

Book Serendipity, January to February 2024

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.

  • I finished two poetry collections by a man with the surname Barnett within four days in January: Murmur by Cameron Barnett and Birds Knit My Ribs Together by Phil Barnett.
  • I came across the person or place name Courtland in The Optimist’s Daughter by Eudora Welty, then Cortland in a story from The Orange Fish by Carol Shields, then Cotland (but where? I couldn’t locate it again! Was it in Elizabeth Is Missing by Emma Healey?).

 

  • The Manet painting Olympia is mentioned in Christmas Holiday by W. Somerset Maugham and The Paris Novel by Ruth Reichl (both of which are set in Paris).
  • There’s an “Interlude” section in Babel by R.F. Kuang and The Vulnerables by Sigrid Nunez.

 

  • The Morris (Minor) car is mentioned in Elizabeth Is Missing by Emma Healey and Various Miracles by Carol Shields.

 

  • The “flour/flower” homophone is mentioned in Babel by R.F. Kuang and Various Miracles by Carol Shields.
  • A chimney swift flies into the house in Cat and Bird by Kyoko Mori and The Optimist’s Daughter by Eudora Welty.

 

  • A character named Cornelius in The Fruit Cure by Jacqueline Alnes and Wellness by Nathan Hill.

 

  • Reading two year challenge books at the same time, A Year of Biblical Womanhood by Rachel Held Evans and Local by Alastair Humphreys, both of which are illustrated with frequent black-and-white photos by and of the author.
  • A woman uses a bell to summon children in one story of Universally Adored and Other One Dollar Stories by Elizabeth Bruce and The Optimist’s Daughter by Eudora Welty.

 

  • Apple turnovers get a mention in A Year of Biblical Womanhood by Rachel Held Evans and Wellness by Nathan Hill.

 

  • A description of rolling out pie crust in A Year of Biblical Womanhood by Rachel Held Evans and Cat and Bird by Kyoko Mori.

 

  • The idea of a house giving off good or bad vibrations in Wellness by Nathan Hill and a story from Various Miracles by Carol Shields.

  • Emergency C-sections described or at least mentioned in Brother Do You Love Me by Manni Coe, The Unfamiliar by Kirsty Logan, Wellness by Nathan Hill, and lots more.

 

  • Frustration with a toddler’s fussy eating habits, talk of “gentle parenting” methods, and mention of sea squirts in Wellness by Nathan Hill and Matrescence by Lucy Jones.

 

  • The nickname “Poet” in The Tidal Year by Freya Bromley and My Friends by Hisham Matar.
  • A comment about seeing chicken bones on the streets of London in The Tidal Year by Freya Bromley and Went to London, Took the Dog by Nina Stibbe.

 

  • Swans in poetry in The Tidal Year by Freya Bromley and Egg/Shell by Victoria Kennefick.

 

  • A mention or image of Captcha technology in Egg/Shell by Victoria Kennefick and Went to London, Took the Dog by Nina Stibbe.
  • An animal automaton in Loot by Tania James and Egg/Shell by Victoria Kennefick.

 

  • A mention of Donna Tartt in The Tidal Year by Freya Bromley, Looking in the Distance by Richard Holloway, and Matrescence by Lucy Jones.

 

  • Cathy Rentzenbrink appears in The Tidal Year by Freya Bromley and Went to London, Took the Dog by Nina Stibbe.

 

  • Dialogue is given in italics in the memoirs The Tidal Year by Freya Bromley and The Unfamiliar by Kirsty Logan.

 

  • An account of a man being forced to marry the sister of his beloved in A Year of Biblical Womanhood by Rachel Held Evans, Wellness by Nathan Hill, and The Tiger’s Wife by Téa Obreht.

 

  • Saying that one doesn’t want to remember the loved one as ill (but really, not wanting to face death) so not saying goodbye (in Cat and Bird by Kyoko Mori) or having a closed coffin (Wellness by Nathan Hill).

 

  • An unhappy, religious mother who becomes a hoarder in Wellness by Nathan Hill and I’m Glad My Mom Died by Jennette McCurdy.

 

  • Characters called Lidija and Jin in Exhibit by R. O. Kwon and Lydia and Jing in the first story of This Is Salvaged by Vauhini Vara.
  • Distress at developing breasts in Cactus Country by Zoë Bossiere and I’m Glad My Mom Died by Jennette McCurdy.

 

  • I came across mentions of American sportscaster Howard Cosell in Heartburn by Nora Ephron and Stations of the Heart by Richard Lischer (two heart books I was planning on reviewing together) on the same evening. So random!
  • Girls kissing and flirting with each other (but it’s clear one partner is serious about it whereas the other is only playing or considers it practice for being with boys) in Cactus Country by Zoë Bossiere and Winter’s Bone by Daniel Woodrell.

 

  • A conversion to Catholicism in Places I’ve Taken My Body by Molly McCully Brown and Stations of the Heart by Richard Lischer.

 

  • A zookeeper is attacked by a tiger when s/he goes into the enclosure (maybe not the greatest idea!!) in Tiger by Polly Clark and The Tiger’s Wife by Téa Obreht.
  • The nickname Frodo appears in Tiger by Polly Clark and Brother Do You Love Me by Manni Coe.

 

  • Opening scene of a parent in a coma, California setting, and striking pink and yellow cover to Death Valley by Melissa Broder and I’m Glad My Mom Died by Jennette McCurdy.
  • An Englishman goes to Nigeria in Howards End by E.M. Forster and Immanuel by Matthew McNaught.

 

  • The Russian practice of whipping people with branches at a spa in Tiger by Polly Clark and Fight Night by Miriam Toews.

 

  • A mother continues washing her daughter’s hair until she is a teenager old enough to leave home in Mrs. March by Virginia Feito and I’m Glad My Mom Died by Jennette McCurdy.

 

  • Section 28 (a British law prohibiting the “promotion of homosexuality” in schools) is mentioned in A Bookshop of One’s Own by Jane Cholmeley, Some Kids I Taught and What They Taught Me by Kate Clanchy, and Brother Do You Love Me by Manni Coe.

 

  • Characters named Gord (in one story from Various Miracles by Carol Shields, and in Fight Night by Miriam Toews), Gordy (in The Absolutely True Diary of a Part-Time Indian by Sherman Alexie), and Gordo (in Blood Red by Gabriela Ponce).
  • Montessori and Waldorf schools are mentioned in Cactus Country by Zoë Bossiere and When Fragments Make a Whole by Lory Widmer Hess.

 

  • A trailer burns down in The Absolutely True Diary of a Part-Time Indian by Sherman Alexie and Cactus Country by Zoë Bossiere.

What’s the weirdest reading coincidence you’ve had lately?