Tag Archives: Maya Binyam

Thoughts on the Women’s Prize and Carol Shields Prize Longlists

Yesterday was my 9th blog anniversary! I love that it coincides with International Women’s Day.

It’s traditionally also been the day of the Women’s Prize longlist announcement, but the past two years they’ve brought it forward to pre-empt news of the Carol Shields Prize for Fiction longlist. It’s hard not to see these prizes as being in competition, though the CSP is only for U.S. and Canadian residents; also considers short story collections, graphic novels, and work in translation; and is more deliberate about including trans and nonbinary authors.

Like last year, their lists are extremely different. In 2023 there was no crossover; this year only one novel appears on both (Brotherless Night). Although it’s easier for me to feel engaged with the WP, I’m drawn to reading much more from the CSP list.

 

Women’s Prize

Of my predictions, only 1 was correct, compared to last year’s 4. I got none of my personal wishes, as in 2023. I guess making a wish list is a kiss of death! Once again, we have a mix of new and established authors, with a full half of the list being debut work. Nine of the authors are BIPOC. I’ve read 2 of the nominees and would be agreeable to reading up to 6 more. My library always buys the entire longlist, so I’ll eventually get the chance to read them, but not soon enough to add to the conversation.

Read:

The Wren, The Wren by Anne Enright (CORRECT PREDICTION): Enright’s astute eighth novel traces the family legacies of talent and trauma through the generations descended from a famous Irish poet. The novel switches between Nell’s funny, self-deprecating narration and third-person vignettes about her mother, Carmel. Cycles of abandonment and abuse characterize the McDaraghs. Enright convincingly pinpoints the narcissism and codependency behind their love-hate relationships.

Western Lane by Chetna Maroo: Easy to warm to even if you’ve never played and know nothing about squash. A debut novella that is illuminating on what is expected of young Gujarati women in England; on sisterhood and a bereaved family’s dynamic; but especially on what it is like to feel sealed off from life by grief. This offbeat, delicate coming-of-age story eschews literary fireworks. In place of stylistic flair is the sense that each word and detail has been carefully placed.

 

Will read:

Enter Ghost by Isabella Hammad – requested from the library

8 Lives of a Century-Old Trickster by Mirinae Lee – on my Kindle from NetGalley

 

Interested in reading:

In Defence of the Act by Effie Black – queer novella, suicide theme

And Then She Fell by Alicia Elliott – Indigenous Canadian, postpartum depression theme

Soldier Sailor by Claire Kilroy – Irish author, new motherhood theme

The Blue, Beautiful World by Karen Lord – Black sci-fi author

 

Maybe:

Brotherless Night by V.V. Ganeshananthan – see below

 

Not interested in reading:

Hangman by Maya Binyam – meh

The Maiden by Kate Foster – not keen on historical mysteries, and this looks very commercial

Restless Dolly Maunder by Kate Grenville – will read more Grenville, but not this one any time soon

River East, River West by Aube Rey Lescure – have read mixed reviews

Nightbloom by Peace Adzo Medie – disliked her debut novel

Ordinary Human Failings by Megan Nolan – enjoyed her first novel, but DNFed this

A Trace of Sun by Pam Williams – nah

 

See also the reactions posts from Eric and Laura.

 

Predictions:

I’d expect to see two or three of the Irish writers on the shortlist, plus probably Western Lane, Enter Ghost, and a couple of other wildcards (but not the SF novel). Enter Ghost, set in Palestine, would certainly be a timely winner…

 

What comes next:

Shortlist (6 titles) on 24 April and winner on 13 June.

 


Carol Shields Prize

After I badgered the administrators for six months about Q&A responses that never materialized, they kindly offered me digital review copies of any of the nominees that I’m not able to easily access in the UK. This is, in general, a more rigorous list of highbrow literary fiction, with some slight genre diversity thanks to Catton and Makkai (plus a mixture of historical and contemporary fiction, three story collections, and one book in translation); 10 of 15 authors are BIPOC. There are further details about all the nominees on the website.

Read:

I Have Some Questions for You by Rebecca Makkai – When an invitation comes from her boarding school alma mater, Granby, to teach a two-week course on podcasting, Bodie indulges her obsession with the 1995 murder of her former roommate. Makkai has taken her cues from the true crime genre and constructed a convincing mesh of evidence and theories. She so carefully crafts her pen portraits, and so intimately involves us in Bodie’s psyche, that it’s impossible not to get invested. This is timely, daring, intelligent, enthralling storytelling. (Delighted to see this nominated as I hoped the WP would recognize it last year.)

 

Skimmed and didn’t care for:

Birnam Wood by Eleanor Catton

Loot by Tania James

 

Will read:

Land of Milk and Honey by C. Pam Zhang – requested from the library

 

Know little or nothing about but will happily read if I get a chance:

Cocktail: Stories by Lisa Alward

Dances by Nicole Cuffy

Daughter by Claudia Dey

Between Two Moons by Aisha Abdel Gawad

You Were Watching from the Sand: Short Stories by Juliana Lamy

The Future by Catherine Leroux, translated by Susan Ouriou – has just won Canada Reads

A Council of Dolls by Mona Susan Power

Chrysalis: Stories by Anuja Varghese

 

Less interested in reading:

Brotherless Night by V. V. Ganeshananthan – Sri Lankan civil war setting

Coleman Hill by Kim Coleman Foote – Fictionalized family memoir with 9 POVs

A History of Burning by Janika Oza – Big Indian-Ugandan multigenerational story

 

Predictions:

Not the first clue. Come back to me after I’ve read a few more.

 

What comes next:

Shortlist (5 titles) on 9 April and winner on 13 May.

 

What have you read, or might you read, from the longlists?