Tag Archives: Ruben Reyes Jr.

Most Anticipated Books of the Second Half of 2025

My “Most Anticipated” designation sometimes seems like a kiss of death, but other times the books I choose for these lists live up to my expectations, or surpass them!

(Looking back at the 25 books I selected in January, I see that so far I have read and enjoyed 8, read but been disappointed by 4, not yet read – though they’re on my Kindle or accessible from the library – 9, and not managed to get hold of 4.)

This time around, I’ve chosen 15 books I happen to have heard about that will be released between July and December: 7 fiction and 8 nonfiction. (In release date order within genre. UK release information generally given first, if available. Note given on source if I have managed to get hold of it already.)

 

Fiction

The Girls Who Grew Big by Leila Mottley [10 July, Fig Tree (Penguin) / June 24, Knopf]: I was impressed with the confident voice in Mottley’s debut, Nightcrawling. She’s just 22 years old so will only keep getting better. This is “about the joys and entanglements of a fierce group of teenage mothers in a small town on the Florida panhandle. … When [16-year-old Adela] tells her parents she’s pregnant, they send her from … Indiana to her grandmother’s in Padua Beach, Florida.” I’ve read one-third so far. (Digital review copy)

 

Archive of Unknown Universes by Ruben Reyes Jr. [21 Aug., Footnote Press (Bonnier) / July 1, Mariner Books]: There Is a Rio Grande in Heaven was a strong speculative short story collection and I’m looking forward to his debut novel, which involves alternative history elements. (Starred Kirkus review.) “Cambridge, 2018. Ana and Luis’s relationship is on the rocks, despite their many similarities, including … mothers who both fled El Salvador during the war. In her search for answers, and against her best judgement, Ana uses The Defractor, an experimental device that allows users to peek into alternate versions of their lives.”

 

Minor Black Figures by Brandon Taylor [Oct. 7, Riverhead / 5 March 2026, Jonathan Cape (Penguin)]: I’ve read all of his works … but I’m so glad he’s moving past campus settings now. “A newcomer to New York, Wyeth is a Black painter who grew up in the South and is trying to find his place in the contemporary Manhattan art scene. … When he meets Keating, a white former seminarian who left the priesthood, Wyeth begins to reconsider how to observe the world, in the process facing questions about the conflicts between Black and white art, the white gaze on the Black body, and the compromises we make – in art and in life.” (Edelweiss download)

 

Heart the Lover by Lily King [16 Oct., Canongate / Oct. 7, Grove Press]: I’ve read several of her books and after Writers & Lovers I’m a forever fan. “In the fall of her senior year of college, [Jordan] meets two star students from her 17th-Century Lit class, Sam and Yash. … she quickly discovers the pleasures of friendship, love and her own intellectual ambition. … when a surprise visit and unexpected news brings the past crashing into the present, Jordan returns to a world she left behind and is forced to confront the decisions and deceptions of her younger self.” (Edelweiss download)

 

Wreck by Catherine Newman [28 Oct., Transworld / Harper]: This is a sequel to Sandwich, and in general sequels should not exist. However, I can make a rare exception. Set two years on, this finds “Rocky, still anxious, nostalgic, and funny, obsessed with a local accident that only tangentially affects them—and with a medical condition that, she hopes, won’t affect them at all.” In a recent Substack post, Newman compared it to Small Rain, my book of 2024, for the focus on a mystery medical condition. (Edelweiss download)

 

Palaver by Bryan Washington [Nov. 4, Farrar, Straus, and Giroux / 1 Jan. 2026, Atlantic]: I’ve read all his work and I’m definitely a fan, though I wish that (like Taylor previously) he wouldn’t keep combining the same elements each time. I’ll be reviewing this early for Shelf Awareness; hooray that I don’t have to wait until 2026! “He’s entangled in a sexual relationship with a married man, and while he has built a chosen family in Japan, he is estranged from his family in Houston, particularly his mother … Then, in the weeks leading up to Christmas, ten years since they’ve last seen each other, the mother arrives uninvited on his doorstep. Separated only by the son’s cat, Taro, the two of them bristle against each other immediately.” (Edelweiss download)

 

The Silver Book by Olivia Laing [6 Nov., Hamish Hamilton (Penguin) / 11 Nov., Farrar, Straus and Giroux]: I’ve read all but one of Laing’s books and consider her one of our most important contemporary thinkers. I was also pleasantly surprised by Crudo so will be reading this second novel, too. I’ll be reviewing it early for Shelf Awareness as well. “September 1974. Two men meet by chance in Venice. One is a young English artist, in panicked flight from London. The other is Danilo Donati, the magician of Italian cinema. … The Silver Book is at once a queer love story and a noirish thriller, set in the dream factory of cinema. (Edelweiss download)

 

 

Nonfiction

Jesusland: Stories from the Upside[-]Down World of Christian Pop Culture by Joelle Kidd [Aug. 12, ECW]: “Through nine incisive, honest, and emotional essays, Jesusland exposes the pop cultural machinations of evangelicalism, while giving voice to aughts-era Christian children and teens who are now adults looking back at their time measuring the length of their skirts … exploring the pop culture that both reflected and shaped an entire generation of young people.” Yep, that includes me! Looking forward to a mixture of Y2K and Jesus Freak. (NetGalley download)

 

Somebody Is Walking on Your Grave: My Cemetery Journeys by Mariana Enríquez; translated from Spanish by Megan McDowell [25 Sept., Granta / Sept. 30, Hogarth]: I’ve enjoyed her creepy short stories, plus I love touring graveyards. “In 2013, when the body of a friend’s mother who was disappeared during Argentina’s military dictatorship was found in a common grave, she began to examine more deeply the complex meanings of cemeteries and where our bodies come to rest. In this vivid, cinematic book … Enriquez travels North and South America, Europe and Australia … [and] investigates each cemetery’s history, architecture, its dead (famous and not), its saints and ghosts, its caretakers and visitors.” (Edelweiss download, for Shelf Awareness review)

 

Ghosts of the Farm: Two Women’s Journeys Through Time, Land and Community by Nicola Chester [30 Sept., Chelsea Green]: Nicola is our local nature writer and is so wise on class and countryside matters. On Gallows Down was her wonderful debut and, though I know very little about it, I’m looking forward to her second book. “This is the story of Miss White, a woman who lived in the author’s village 80 years ago, a pioneer who realised her ambition to become a farmer during the Second World War. … Moving between Nicola’s own attempts to work outdoors and Miss White’s desire to farm a generation earlier, Nicola explores the parallels between their lives – and the differences.”

 

Death of an Ordinary Man by Sarah Perry [2 Oct., Vintage (Penguin)]: I’ve had a very mixed experience with Perry’s fiction, but a short bereavement memoir should be right up my street. “Sarah Perry’s father-in-law, David, died at home nine days after a cancer diagnosis and having previously been in the good health. The speed of his illness outstripped that of the NHS and social care, so the majority of nursing fell to Sarah and her husband. They witnessed what happens to the body and spirit, hour by hour, as it approaches death.”

 

Book of Lives: A Memoir of Sorts by Margaret Atwood [4 Nov., Vintage (Penguin) / Doubleday]: It’s Atwood; ’nuff said, though I admit I’m daunted by the page count. “Raised by ruggedly independent, scientifically minded parents – entomologist father, dietician mother – Atwood spent most of each year in the wild forest of northern Quebec. … [She links] seminal moments to the books that have shaped our literary landscape. … In pages bursting with bohemian gatherings … and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel.”

 

Tigers Between Empires: The Improbable Return of Great Cats to the Forests of Russia and China by Jonathan C. Slaght [4 Nov., Allen Lane / Farrar, Straus and Giroux]: Slaght’s Owls of the Eastern Ice was one of the best books I read in 2022; he’s a top-notch nature and travel writer with an environmentalist’s conscience. After the fall of the Soviet Union, “scientists came together to found the Siberian Tiger Project[, which …] captured and released more than 114 tigers over three decades. … [C]haracters, both feline and human, come fully alive as we travel with them through the quiet and changing forests of Amur.” (NetGalley download)

 

Joyride by Susan Orlean [6 Nov., Atlantic Books / Oct. 14, Avid Reader Press (Simon & Schuster)]: I’m a fan of Orlean’s genre-busting nonfiction, e.g. The Orchid Thief and The Library Book, and have always wanted to try more by her. “Joyride is her most personal book ever—a searching journey through finding her feet as a journalist, recovering from the excruciating collapse of her first marriage, falling head-over-heels in love again, becoming a mother while mourning the decline of her own mother, sojourning to Hollywood for films based on her work. … Joyride is also a time machine to a bygone era of journalism.”

 

A Long Game: Notes on Writing Fiction by Elizabeth McCracken [Dec. 2, Ecco]: I’m not big on craft books, but will occasionally read one by an author I admire; McCracken won my heart with The Hero of This Book. “How does one face the blank page? Move a character around a room? Deal with time? Undertake revision? The good and bad news is that in fiction writing, there are no definitive answers. … McCracken … has been teaching for more than thirty-five years [… and] shares insights gleaned along the way, offering practical tips and incisive thoughts about her own work as an artist.” (Edelweiss download)

 

As a bonus, here are two advanced releases that I reviewed early:

Trying: A Memoir by Chloe Caldwell [Aug. 5, Graywolf] (Reviewed for Foreword): Caldwell devoted much of her thirties to trying to get pregnant via intrauterine insemination. She developed rituals to ease the grueling routine: After every visit, she made a stop for luxury foodstuffs and beauty products. But then her marriage imploded. When she began dating women and her determination to become a mother persisted, a new conception strategy was needed. The book’s fragmentary style suits its aura of uncertainty about the future. Sparse pages host a few sentences or paragraphs, interspersed with wry lists.

 

If You Love It, Let It Kill You by Hannah Pittard [July 15, Henry Holt] (Reviewed for Shelf Awareness): A quirky work of autofiction about an author/professor tested by her ex-husband’s success, her codependent family, and an encounter with a talking cat. Hana P. (or should that be Pittard?) relishes flouting the “rules” of creative writing. With her affectations and unreliability, she can be a frustrating narrator, but the metafictional angle renders her more wily than precious. The dialogue and scenes sparkle, and there are delightful characters This gleefully odd book is perfect for Miranda July and Patricia Lockwood fans.

 

I can also recommend:

Both/And: Essays by Trans and Gender-Nonconforming Writers of Color, ed. Denne Michele Norris [Aug. 12, HarperOne / 25 Sept., HarperCollins] (Review to come for Shelf Awareness)

Other People’s Mothers by Julie Marie Wade [Sept. 2, Univ. of Florida Press] (Review pending for Foreword)

 

Which of these catch your eye? Any other books you’re looking forward to in this second half of the year?

Book Serendipity, June to Mid-August 2024

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. People frequently ask how I remember all of these coincidences. The answer is: I jot them on scraps of paper or input them immediately into a file on my PC desktop; otherwise, they would flit away!

The following are in roughly chronological order.

  •  A self-induced abortion scene in Recipe for a Perfect Wife by Karma Brown and Sleeping with Cats by Marge Piercy.

 

  • A woman who cleans buildings after hours, and a character named Tova who lives in the Seattle area in A Reason to See You Again by Jami Attenberg and Remarkably Bright Creatures by Shelby Van Pelt.
  • Flirting with a surf shop employee in Sandwich by Catherine Newman and Remarkably Bright Creatures by Shelby Van Pelt.

 

  • Living in Paris and keeping ticket stubs from all films seen in Paris Trance by Geoff Dyer and The Invention of Hugo Cabret by Brian Selznick.

 

  • A schefflera (umbrella tree) is mentioned in Cheri by Jo Ann Beard and Company by Shannon Sanders.
  • The Plague by Albert Camus is mentioned in Knife by Salman Rushdie and Stowaway by Joe Shute.

 

  • Making egg salad sandwiches is mentioned in Cheri by Jo Ann Beard and Sandwich by Catherine Newman.

 

  • Pet rats in Stowaway by Joe Shute and Happy Death Club by Naomi Westerman. Rats are also mentioned in Mammoth by Eva Baltasar, The Tale of Despereaux by Kate DiCamillo, and The Colour by Rose Tremain.
  • Eels feature in Our Narrow Hiding Places by Kristopher Jansma, Late Light by Michael Malay, and The Colour by Rose Tremain.

 

  • Atlantic City, New Jersey is a location in Florence Adler Swims Forever by Rachel Beanland and Company by Shannon Sanders.

 

  • The father is a baker in Florence Adler Swims Forever by Rachel Beanland and Our Narrow Hiding Places by Kristopher Jansma.

 

  • A New Zealand setting (but very different time periods) in Greta & Valdin by Rebecca K Reilly and The Colour by Rose Tremain.

 

  • A mention of Melanie Griffith’s role in Working Girl in I’m Mostly Here to Enjoy Myself by Glynnis MacNicol and Happy Death Club by Naomi Westerman.

 

  • Ermentrude/Ermyntrude as an imagined alternate name in Greta & Valdin by Rebecca K Reilly and a pet’s name in Stowaway by Joe Shute.

 

  • A poet with a collection that was published on 6 August mentions a constant ringing in the ears: Joshua Jennifer Espinoza (I Don’t Want to Be Understood) and Keith Taylor (What Can the Matter Be?).

 

  • A discussion of the original meaning of “slut” (a slovenly housekeeper) vs. its current sexualized meaning in Girlhood by Melissa Febos and Sandi Toksvig’s introduction to the story anthology Furies.
  • An odalisque (a concubine in a harem, often depicted in art) is mentioned in I’m Mostly Here to Enjoy Myself by Glynnis MacNicol and The Shark Nursery by Mary O’Malley.

 

  • Reading my second historical novel of the year in which there’s a disintegrating beached whale in the background of the story: first was Whale Fall by Elizabeth O’Connor, then Come to the Window by Howard Norman.

 

  • A short story in which a woman gets a job in online trolling in Because I Don’t Know What You Mean and What You Don’t by Josie Long and in the Virago Furies anthology (Helen Oyeyemi’s story).

 

  • Her partner, a lawyer, is working long hours and often missing dinner, leading the protagonist to assume that he’s having an affair with a female colleague, in Recipe for a Perfect Wife by Karma Brown and Summer Fridays by Suzanne Rindell.

 

  • A fierce boss named Jo(h)anna in Summer Fridays by Suzanne Rindell and Test Kitchen by Neil D.A. Stewart.
  • An OTT rendering of a Scottish accent in Greta & Valdin by Rebecca K Reilly and Test Kitchen by Neil D.A. Stewart.

 

  • A Padstow setting and a mention of Puffin Island (Cornwall) in The Cove by Beth Lynch and England as You Like It by Susan Allen Toth.

 

  • A mention of the Big and Little Dipper (U.S. names for constellations) in Directions to Myself by Heidi Julavits and How We Named the Stars by Andrés N. Ordorica.
  • A mention of Binghamton, New York and its university in We Are Animals by Jennifer Case and We Would Never by Tova Mirvis.

 

  • A character accidentally drinks a soapy liquid in We Would Never by Tova Mirvis and one story of The Man in the Banana Trees by Marguerite Sheffer.

 

  • The mother (of the bride or groom) takes over the wedding planning in We Would Never by Tova Mirvis and Summer Fridays by Suzanne Rindell.

 

  • The ex-husband’s name is Jonah in The Mourner’s Bestiary by Eiren Caffall and We Would Never by Tova Mirvis.

 

  • The husband’s name is John in Dot in the Universe by Lucy Ellmann and Liars by Sarah Manguso.
  • An affair is discovered through restaurant receipts in Summer Fridays by Suzanne Rindell and Test Kitchen by Neil D.A. Stewart.

 

  • A mention of eating fermented shark in The Museum of Whales You Will Never See by A. Kendra Greene and Test Kitchen by Neil D.A. Stewart.

 

  • A mention of using one’s own urine as a remedy in Thunderstone by Nancy Campbell and Terminal Maladies by Okwudili Nebeolisa.
  • The main character tries to get pregnant by a man even though one of the partners is gay in Mammoth by Eva Baltasar and Until the Real Thing Comes Along by Elizabeth Berg.

 

  • Motherhood is for women what war is for men: this analogy is presented in We Are Animals by Jennifer Case, Parade by Rachel Cusk, and Want, the Lake by Jenny Factor.

 

  • Childcare is presented as a lifesaver for new mothers in We Are Animals by Jennifer Case and Liars by Sarah Manguso.

 

  • A woman bakes bread for the first time in Mammoth by Eva Baltasar and A Year of Biblical Womanhood by Rachel Held Evans.

 

  • A gay couple adopts a Latino boy in Greta & Valdin by Rebecca K Reilly and one story of There Is a Rio Grande in Heaven by Ruben Reyes, Jr.

 

  • A husband who works on film projects in A Year of Biblical Womanhood by Rachel Held Evans and Liars by Sarah Manguso.

 

  • A man is haunted by things his father said to him years ago in Parade by Rachel Cusk and one story in There Is a Rio Grande in Heaven by Ruben Reyes, Jr.

 

  • Two short story collections in a row in which a character is a puppet (thank you, magic realism!): The Man in the Banana Trees by Marguerite Sheffer, followed by There Is a Rio Grande in Heaven by Ruben Reyes, Jr.
  • A farm is described as having woodworm in Mammoth by Eva Baltasar and Parade by Rachel Cusk.

 

  • Sebastian as a proposed or actual name for a baby in Signs, Music by Raymond Antrobus and Birdeye by Judith Heneghan.

 

What’s the weirdest reading coincidence you’ve had lately?