Reading Ireland Month 2019: Jess Kidd and Jane Urquhart
Last month I picked out this exchange from East of Eden by John Steinbeck:
“But the Irish are said to be a happy people, full of jokes.”
“They’re not. They’re a dark people with a gift for suffering way past their deserving. It’s said that without whisky to soak and soften the world, they’d kill themselves. But they tell jokes because it’s expected of them.”
There’s something about that mixture of darkness and humor, isn’t there? I also find that Irish art (music as well as literature) has a lot of heart. I only read two Ireland-related historical novels this month, but they both have that soulful blend of light and somber. Both: 
Things in Jars by Jess Kidd (2019)

In the autumn of 1863 Bridie Devine, female detective extraordinaire, is tasked with finding the six-year-old daughter of a baronet. Problem is, this missing girl is no ordinary child, and collectors of medical curiosities and circus masters alike are interested in acquiring her.
In its early chapters this delightful Victorian pastiche reminded me of a cross between Sarah Waters’s Fingersmith and Neil Gaiman’s The Graveyard Book, and that comparison played out pretty well in the remainder. Kidd paints a convincingly gritty picture of Dickensian London, focusing on an underworld of criminals and circus freaks: when Bridie first arrived in London from Dublin, she worked as an assistant to a resurrectionist; her maid is a 7-foot-tall bearded lady; and her would-be love interest, if only death didn’t separate them, is the ghost of a heavily tattooed boxer.
Medicine (surgery – before and after anesthesia) and mythology (mermaids and selkies) are intriguing subplots woven through, such that this is likely to appeal to fans of The Way of All Flesh and The Mermaid and Mrs Hancock. Kidd’s prose is spry and amusing, particularly in her compact descriptions of people (but also in her more expansive musings on the dirty, bustling city): “a joyless string of a woman, thin and pristine with a halibut pout,” “In Dr Prudhoe’s countenance, refinement meets rogue,” and “People are no more than punctuation from above.”
I’ll definitely go back and read Kidd’s two previous novels, Himself and The Hoarder. I didn’t even realize she was Irish, so I’m grateful to Cathy for making me aware of that in her preview of upcoming Irish fiction. [Trigger warnings: violence against women and animals.] (Out from Canongate on April 4th.)
Away by Jane Urquhart (1993)
I was enraptured from the first line: “The women of this family leaned towards extremes” – starting with Mary, who falls in love with a sailor who washes up on the Irish coast in the 1840s amid the cabbages, silver teapots and whiskey barrels of a shipwreck and dies in her arms. Due to her continued communion with the dead man, people speak of her being “away with the fairies,” even after she marries the local schoolteacher, Brian O’Malley.
With their young son, Liam, they join the first wave of emigration to Canada during the Potato Famine, funded by their landlords, the Sedgewick brothers of Puffin Court (amateur naturalist Osbert and poet Granville). No sooner have the O’Malleys settled and had their second child, Eileen, than Mary disappears. As she grows, Eileen takes after her mother, mystically attuned to portents and prone to flightiness, while Liam is a happily rooted Great Lakes farmer. Like Mary, Eileen has her own forbidden romance, with a political revolutionary who dances like a dream.
I’ve been underwhelmed by other Urquhart novels, Sanctuary Line and The Whirlpool, but here she gets it just right, wrapping her unfailingly gorgeous language around an absorbing plot – which is what I felt was lacking in the others. The Ireland and Canada settings are equally strong, and the spirit of Ireland – the people, the stories, the folk music – is kept alive abroad. I recommend this to readers of historical fiction by Margaret Atwood, A.S. Byatt and Hannah Kent.
Some favorite lines:
Osbert says of Mary: “There’s this light in her, you see, and it must not be put out.”
“When summer was finished the family was visited by a series of overstated seasons. In September, they awakened after night frosts to a woods awash with floating gold leaves and a sky frantic with migrating birds – sometimes so great in number that they covered completely with their shadows the acre of light and air that Brian had managed to create.”
“There are five hundred and forty different kinds of weather out there, and I respect every one of them. White squalls, green fogs, black ice, and the dreaded yellow cyclone, just to mention a few.”
It’s my second time participating in Reading Ireland Month, run each March by Cathy of 746 Books and Niall of Raging Fluff.
Did you manage to read any Irish literature this month?
The Winter Soldier by Daniel Mason
Though I’m often wary of war fiction – can anything new still be written about World War I? – I was drawn to The Winter Soldier by the enthusiastic American reviews and the medical theme. The protagonist of psychiatrist Daniel Mason’s third novel, Lucius Krzelewski, comes from southern Polish nobility. In the 1910s medicine was a path for those seeking social mobility, but for Lucius neurology study is a way out of his stifling aristocratic household. Under Herr Doktor Zimmer’s tutelage in Vienna, he experiments on ways to make blood vessels visible. Dismayed to learn that Zimmer believes the “mermaid” in the medical school’s anatomical museum is real, he hurries to enlist when war begins in 1914.
As a 22-year-old medical lieutenant he’s stationed at a church turned into a regimental hospital at Lemnowice. Here Sister Margarete has been making do without a doctor in charge for two months. She’s been performing amputations and setting fractures in a lice-ridden building where hunger and typhoid are never far away. Lucius is ashamed of his ignorance compared to this skilled nurse; though he has textbook knowledge, he has no practical experience and has to learn on the job.
The following winter a Hungarian soldier suffering from “nervous shock” but no visible wounds is brought in, a sheaf of accomplished drawings padding his coat. For Lucius and Margarete, Sergeant József Horváth poses a particular challenge, which makes his recovery seem more like a resurrection: “they were both falling a little bit in love with their silent visitor or, more, with the cure that they had wrought.” Even as Lucius and Margarete fall in love and steal moments alone, they regret they couldn’t do more for Horváth. When Lucius and Margarete are separated, he vows to find her again – and make things right with Horváth.
I loved the novel’s first half, with its gallows humor, memorable scenes of gruesome medical procedures, and bleak conditions so convincing you’ll find yourself itching right along with the lice-plagued patients. But at about the halfway point the pace changes dramatically. Years pass and Lucius has various deployments and hospital positions. Curiously, although so much is happening to him outwardly, he’s stalled internally – haunted by thoughts of Margarete and Horváth. Perhaps this is why I felt the narrative slowed to a crawl. I could barely force myself to read more than five or 10 pages in a sitting, and the novel as a whole took me much longer to read than normal. Or maybe I was just missing Margarete, the most vibrant character.
Early on I was reminded of Julie Orringer’s The Invisible Bridge and Hubert Mingarelli’s A Meal in Winter, lesser-known war novels in which the stark beauty of the writing tempers the somber subject matter. Partway through I started thinking of Ambrose Parry’s The Way of All Flesh, in which an unqualified female outshines a male in medical knowledge. By the end I was recalling epic separation-filled romances like The English Patient and Birdsong.
Though the novel’s second half never matched the strength of the first, I was at least pleased that Mason avoided a clichéd, Hollywood-ready ending in favor of a more fitting one that, while still somewhat far-fetched, makes sense of the title’s emphasis. This is a moving story of the physical and psychological effects of war, and I would certainly read more by Mason.
My rating: 
The Winter Soldier was published in the UK by Mantle on October 18th. With thanks to the publisher for the free copy for review.

In Shock by Rana Awdish: The doctor became the patient when Awdish, seven months pregnant, was rushed into emergency surgery with excruciating pain due to severe hemorrhaging into the space around her liver, later explained by a ruptured tumor. Having experienced brusque, cursory treatment, even from colleagues at her Detroit-area hospital, she was convinced that doctors needed to do better. This memoir is a gripping story of her own medical journey and a fervent plea for compassion from medical professionals.
Doctor by Andrew Bomback: Part of the Bloomsbury Object Lessons series, this is a wide-ranging look at what it’s like to be a doctor. Bomback is a kidney specialist; his wife is also a doctor, and his father, fast approaching retirement, is the kind of old-fashioned, reassuring pediatrician who knows everything. Even the author’s young daughter likes playing with a stethoscope and deciding what’s wrong with her dolls. In a sense, then, Bomback uses fragments of family memoir to compare the past, present and likely future of medicine. 
A Moment of Grace by Patrick Dillon [skimmed]: A touching short memoir of the last year of his wife Nicola Thorold’s life, in which she battled acute myeloid leukemia. Dillon doesn’t shy away from the pain and difficulties, but is also able to summon up some gratitude.
Get Well Soon: Adventures in Alternative Healthcare by Nick Duerden: British journalist Nick Duerden had severe post-viral fatigue after a run-in with possible avian flu in 2009 and was falsely diagnosed with ME / CFS. He spent a year wholeheartedly investigating alternative therapies, including yoga, massage, mindfulness and meditation, visualization, talk therapy and more. He never comes across as bitter or sorry for himself. Instead, he considered fatigue a fact of his new life and asked what he could do about it. So this ends up being quite a pleasant amble through the options, some of them more bizarre than others.
*Sight by Jessie Greengrass [skimmed]: I wanted to enjoy this, but ended up frustrated. As a set of themes (losing a parent, choosing motherhood, the ways in which medical science has learned to look into human bodies and minds), it’s appealing; as a novel, it’s off-putting. Had this been presented as a set of autobiographical essays, perhaps I would have loved it. But instead it’s in the coy autofiction mold where you know the author has pulled some observations straight from life, gussied up others, and then, in this case, thrown in a bunch of irrelevant medical material dredged up during research at the Wellcome Library. 
*Brainstorm: Detective Stories From the World of Neurology by Suzanne O’Sullivan: Epilepsy affects 600,000 people in the UK and 50 million worldwide, so it’s an important condition to know about. It is fascinating to see the range of behaviors seizures can be associated with. The guesswork is in determining precisely what is going wrong in the brain, and where, as well as how medicines or surgery could address the fault. “There are still far more unknowns than knowns where the brain is concerned,” O’Sullivan writes; “The brain has a mind of its own,” she wryly adds later on. (O’Sullivan won the Prize in 2016 for It’s All in Your Head.)
I’m also currently reading and enjoying two witty medical books, The Mystery of the Exploding Teeth and Other Curiosities from the History of Medicine by Thomas Morris, and Chicken Unga Fever by Phil Whitaker, his collected New Statesman columns on being a GP.
The Beautiful Cure: Harnessing Your Body’s Natural Defences by Daniel M. Davis