Filling One Last Bookcase
Earlier this week I inherited a beautiful antique bookcase from an online friend* who, we learned only recently, lived just 20 minutes away. She has to shed some furniture to move to London, and very kindly thought of me. This is the last major item we could possibly fit in our house, but I was happy to accept because it’s so much nicer than any of our Ikea shelving units. It has the kind of mahogany detail that looks like it could belong on a ship’s wheel.
My goals for the extra shelving space were to be able to keep genres together, to eliminate double stacking where possible, to put all books out on display instead of having some away in an overflow crate, and perhaps to free up the tops of a couple units for knick knacks, etc.
It was a multi-step process undertaken with military precision. Can you tell I used to work in a library?
- Reincorporate Short Stories into General Fiction
- Double-stack the already-read Fiction in the bedroom, leaving the more presentable books at the front; create a Signed Copies area
- Move Poetry in with Classics, double-stacking and putting some books on their sides to make more space; create a Classics priority area, with one book per month chosen for the rest of 2018
- Move oversize Science and Nature, Graphic Novels, Children’s Books, and Coffee Table Books (which, because they’re buried under magazines and newspapers on the coffee table shelf, we never look at) onto the bottom shelf of the new bookcase
- Move all Life Writing (biographies/memoirs), which had been split across a few rooms, onto one bookcase in my study
- Add a selection of Travel and Literary Reference to fill the built-in shelves of my desk, joining Reference and Humor
- Integrate Science and Nature, previously kept separate, into one bookcase
Unread fiction is mostly on the hall bookcase, with an area on the bottom shelf for upcoming projects so I can see what’s awaiting me. I’m keeping these in rough date order from left to right: bibliotherapy prescriptions, possibilities for Reading Ireland month, novellas for November, etc.
However, there are a handful of annoying hardback and trade paperback novels that are just that little bit too tall to fit here, so these have formed a partial shelf on the antique case. I’ve also set aside there the book(s) that I think might be included in my Best of 2018 list and a growing stash of Wellcome Book Prize 2019 hopefuls.
You would never believe it, but I think I need more books! Good thing we have a trip planned to Wigtown, Scotland’s Book Town, for the first week of April. In any case, it’s better to have room to grow into than to already be at capacity or overfull. I can always reshuffle as time goes on if I decide I don’t want any double stacking upstairs or if we ever manage to bring back more of my library from America.
From Book Riot I got the idea of making a personal “hold shelf” of books you own and have been meaning to read. So far I only have four books set aside, arranged as a sort of buffet atop the hall bookcase. Perhaps later I’ll replace this with a full shelf on the antique bookcase. Other ideas for the empty space there would be showcasing my most presentable fiction, or creating a favorites shelf. This was suggested by Paul and corroborated by The Novel Cure, which suggests pulling out the 10 books you love most and are likely to turn to for inspiration.
*If you’re on Instagram, you must check her out. She is a #bookstagram pro: @beth.bonini.
How do you organize your bookshelves?
I Do Love a Good Book List
In the same way that I love following literary prize races (see my post on that topic from a couple weeks ago), I adore a good book list. This includes everything from an inspirational lifetime reading menu such as 1001 Books You Must Read Before You Die to those gimmicky “5 Novels About…” or “10 Books for People Who Like…” lists you get on websites like BuzzFeed and the Huffington Post.
Every time a new ‘Best Books Ever’ type of checklist comes out, I gleefully scan through to figure out how many I’ve already read. Usually the disappointing results smack me back and remind me that for all my voracious reading, I still haven’t read many of the classics everyone’s supposed to have read by my age.
Here for your delectation (if you like this sort of thing) is a sampling of the book lists I’ve bookmarked over the years, with my running total noted in brackets after each:
THE BEST OF THE BEST
The 100 Greatest Novels of All Time, as chosen by the Guardian in 2003 [33]
1000 novels everyone must read, as chosen by the Guardian in 2009 (interestingly, they divide it up by genre: Love Stories, Crime Fiction, Comedy, Family & Self, State of the Nation, Science Fiction & Fantasy, and War & Travel) [155 + 2 in progress]
The 100 greatest non-fiction books, as chosen by the Guardian in 2011 [7]
Vintage 21, a set of 21 modern classics chosen in 2011 [14]
100 novels everyone should read, as chosen by the Telegraph in April [29]
The 100 best novels written in English, as chosen by Robert McCrum in the Guardian last week [34]
PARTICULAR TIMES OF LIFE
65 Books You Need To Read in Your 20s, from BuzzFeed (alas, it’s too late for many of us) [13, 12 of which I think I read in my 20s]
25 Books to Help You Survive Your Mid-20s, from Bustle (ditto) [9, all read in my 20s, I think]
Conversely, here’s 15 Books You Should Definitely Not Read in Your 20s from Flavorwire (well, that’s alright, then) [I disobeyed them on 4 counts]
21 Books Every Woman Should Read By 35, from Bustle (I’ve got 3.13 years to work on it) [5; I left The Flamethrowers unfinished]
11 Novels That Expectant Parents Should Read Instead of Parenting Books, from Electric Literature (my mother may be reading this, so I must hastily add that THIS SITUATION DOES NOT APPLY TO ME!) [6]
SPECIFIC AUTHORS
The Best Hemingway Novels, on Publishers Weekly [2 out of 6, but A Moveable Feast is my favorite from him]
The 13 Best John Steinbeck Books, on Publishers Weekly [3]
The 10 Best Mark Twain Books, on Publishers Weekly [just 1!]
23 Contemporary Writers You Should Have Read by Now, on Reader’s Digest [I’ve read 3, Elizabeth Spencer, Percival Everett and Pamela Erens]
Beyond Murakami: 7 Japanese Authors to Read, on Book Riot [none so far]
SPECIFIC GENRES
20 Classic Novels You’ve Never Heard of, from QwikLit [I’ve heard of plenty of these, but only read 1]
12 Fiction Books That Will Shape Your Theology, from RELEVANT Magazine [3]
The 10 Best Books Shorter Than 150 Pages, on Publishers Weekly [2]
10 Best Southern Gothic Books, on Publishers Weekly [none so far]
10 Novels with Multiple Narratives, on Publishers Weekly [2]
The 10 Best Short Story Collections You’ve Never Read, on Publishers Weekly [they got that right; none so far]
The top 10 novels about childbirth, on the Guardian (again, NOT APPLICABLE TO ME!) [7]
I also highly recommend Nancy Pearl’s Book Lust series of four books, each one divided into themes.
ONE LAST LIST
Not a book list, but it may be useful for all you bibliophiles:
The 25 Best Websites for Literature Lovers, by Flavorwire
Do you love book lists as much as I do? Are you addicted to counting how many you’ve read from a checklist?
How do you fare on the lists above?
Spillover: Animal Infections and the Next Human Pandemic by David Quammen: This is top-notch scientific journalism: pacey, well-structured, and gripping. The best chapters are on Ebola and SARS; the SARS chapter, in particular, reads like a film screenplay, if this were a far superior version of Contagion. It’s a sobering subject, with some quite alarming anecdotes and statistics, but this is not scare-mongering for the sake of it; Quammen is frank about the fact that we’re still all more likely to get heart disease or be in a fatal car crash. 




Infinite Home by Kathleen Alcott: “Edith is a widowed landlady who rents apartments in her Brooklyn brownstone to an unlikely collection of humans, all deeply in need of shelter.” (I haven’t read it, but I do have a copy; now would seem like the time to read it!)


I love the sound of A Journey Around My Room by Xavier de Maistre: “Finding himself locked in his room for six weeks, a young officer journeys around his room in his imagination, using the various objects it contains as inspiration for a delightful parody of contemporary travel writing and an exercise in Sternean picaresque.”



Sourdough by Robin Sloan: Lois Clary, a Bay Area robot programmer, becomes obsessed with baking. “I needed a more interesting life. I could start by learning something. I could start with the starter.” She attempts to link her job and her hobby by teaching a robot arm to knead the bread she makes for a farmer’s market. Madcap adventures ensue. It’s a funny and original novel and it makes you think, too – particularly about the extent to which we should allow technology to take over our food production. 
The Egg & I by Betty Macdonald: MacDonald and her husband started a rural Washington State chicken farm in the 1940s. Her account of her failure to become the perfect farm wife is hilarious. The voice reminded me of Doreen Tovey’s: mild exasperation at the drama caused by household animals, neighbors, and inanimate objects. “I really tried to like chickens. But I couldn’t get close to the hen either physically or spiritually, and by the end of the second spring I hated everything about the chicken but the egg.” Perfect pre-Easter reading. 
Anything by Bill Bryson


Almost Everything: Notes on Hope by Anne Lamott
This was my first taste of Baldwin’s fiction, and it was very good indeed. David, a penniless American, came to Paris to find himself. His second year there he meets Giovanni, an Italian barman. They fall in love and move in together. There’s a problem, though: David has a fiancée – Hella, who’s traveling in Spain. It seems that David had bisexual tendencies but went off women after Giovanni. “Much has been written of love turning to hatred, of the heart growing cold with the death of love.” We know from the first pages that David has fled to the south of France and Giovanni faces the guillotine in the morning, but all through Baldwin maintains the tension as we wait to hear why he is sentenced to death. Deeply sad, but also powerful and brave. I’ll make Go Tell It on the Mountain my next one by Baldwin.
Garfield, Why Do You Hate Mondays? by Jim Davis (1982)

This is a collected comic strip that appeared on Instagram between 2016 and 2018 (you can view it in full 
I was curious about this bestselling fable, but wish I’d left it to its 1970s oblivion. The title seagull stands out from the flock for his desire to fly higher and faster than seen before. He’s not content to be like all the rest; once he arrives in birdie heaven he starts teaching other gulls how to live out their perfect freedom. “We can lift ourselves out of ignorance, we can find ourselves as creatures of excellence and intelligence and skill.” Gradually comes the sinking realization that JLS is a Messiah figure. I repeat, the seagull is Jesus. (“They are saying in the Flock that if you are not the Son of the Great Gull Himself … then you are a thousand years ahead of your time.”) An obvious allegory, unlikely dialogue, dated metaphors (“like a streamlined feathered computer”), cringe-worthy New Age sentiments and loads of poor-quality soft-focus photographs: This was utterly atrocious. 
In late-1940s Paris, a psychiatrist counts down the days and appointments until his retirement. He’s so jaded that he barely listens to his patients anymore. “Was I just lazy, or was I genuinely so arrogant that I’d become bored by other people’s misery?” he asks himself. A few experiences awaken him from his apathy: learning that his longtime secretary’s husband has terminal cancer and visiting the man for some straight talk about death; discovering that the neighbor he’s never met, but only known via piano playing through the wall, is deaf, and striking up a friendship with him; and meeting Agatha, a new German patient with a history of self-harm, and vowing to get to the bottom of her trauma. This debut novel by a psychologist (and table tennis champion) is a touching, subtle and gently funny story of rediscovering one’s purpose late in life.
Daniel is a recently widowed farmer in rural Wales. On his own for the challenges of lambing, he hates who he’s become. “She would not have liked this anger in me. I was not an angry man.” In the meantime, a badger-baiter worries the police are getting wise to his nocturnal misdemeanors and looks for a new, remote locale to dig for badgers. I kept waiting for these two story lines to meet explosively, but instead they just fizzle out. I should have been prepared for the animal cruelty I’d encounter here, but it still bothered me. Even the descriptions of lambing, and of Daniel’s wife’s death, are brutal. Jones’s writing reminded me of Andrew Michael Hurley’s; while I did appreciate the observation that violence begets more violence in groups of men (“It was the gangness of it”), this was a tough read for me.
This seems destined to be in many a bibliophile’s Christmas stocking this year. It’s a collection of mini-essays, quotations and listicles on topics such as DNFing, merging your book collection with a new partner’s, famous bibliophiles and bookshelves from history, and how you choose to organize your library. It’s full of fun trivia. Two of my favorite factoids: Bill Clinton keeps track of his books via a computerized database, and the original title of Hemingway’s A Farewell to Arms was “I Have Committed Fornication but that Was in Another Country” (really?!). It’s scattered and shallow, but fun in the same way that Book Riot articles generally are. (I almost always click through to 2–5 articles in my Book Riot e-newsletters, so that’s no problem in my book.) I couldn’t find a single piece of information on ‘Annie Austen’, not even a photo – I sincerely doubt she’s that Kansas City lifestyle blogger, for instance – so I suspect she’s actually a collective of interns. 
This posthumous collection brings together essays Broyard wrote for the New York Times after being diagnosed with metastatic prostate cancer in 1989, journal entries, a piece he’d written after his father’s death from bladder cancer in 1954, and essays from the early 1980s about “the literature of death.” He writes to impose a narrative on his illness, expatiating on what he expects of his doctor and how he plans to live with style even as he’s dying. “If you have to die, and I hope you don’t, I think you should try to die the most beautiful death you can,” he charmingly suggests. It’s ironic that he laments a dearth of literature (apart from Susan Sontag) about illness and dying – if only he could have seen the flourishing of cancer memoirs in the last two decades! [An interesting footnote: in 2007 Broyard’s daughter Bliss published a memoir, One Drop: My Father’s Hidden Life—A Story of Race and Family Secrets, about finding out that her father was in fact black but had passed as white his whole life. I’ll be keen to read that.]
This was a random 50p find at the Hay-on-Wye market on our last trip. In July 1940 Kipps adopted a house sparrow that had fallen out of the nest – or, perhaps, been thrown out for having a deformed wing and foot. Clarence became her beloved pet, living for just over 12 years until dying of old age. A former professional musician, Kipps served as an air-raid warden during the war; she and Clarence had a couple of close shaves and had to evacuate London at one point. Clarence sang more beautifully than the average sparrow and could do a card trick and play dead. He loved to nestle inside Kipps’s blouse and join her for naps under the duvet. At age 11 he had a stroke, but vet attention (and champagne) kept him going for another year, though with less vitality. This is sweet but not saccharine, and holds interest for its window onto domesticated birds’ behavior. With photos, and a foreword by Julian Huxley. 
Mayne was vicar at the university church in Cambridge when he came down with a mysterious, debilitating illness, only later diagnosed as myalgic encephalomyelitis or post-viral fatigue syndrome. During his illness he was offered the job of Dean of Westminster, and accepted the post even though he worried about his ability to carry out his duties. He writes of his frustration at not getting better and receiving no answers from doctors, but much of this short memoir is – unsurprisingly, I suppose – given over to theological musings on the nature of suffering, with lots of quotations (too many) from theologians and poets. Curiously, he also uses Broyard’s word, speaking of the “intoxication of convalescence.”
The author has a PhD in religion and art and produced sculptures for a Benedictine abbey in British Columbia and the Peace Museum in Hiroshima. I worried this would be too New Agey for me, but at 20p from a closing-down charity shop, it was worth taking a chance on. Nerburn feels we are often too “busy with our daily obligations … to surround our hearts with the quiet that is necessary to hear life’s softer songs.” He tells pleasant stories of moments when he stopped to appreciate meaning and connection, like watching a man in a wheelchair fly a kite, setting aside his to-do list to have coffee with an ailing friend, and attending the funeral of a Native American man he once taught.