Tag Archives: Shane McCrae

Book Serendipity, Mid-February to Mid-April

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.

Last time, my biggest set of coincidences was around books set in or about Korea or by Korean authors; this time it was Ghana and Ghanaian authors:

  • Reading two books set in Ghana at the same time: Fledgling by Hannah Bourne-Taylor and His Only Wife by Peace Adzo Medie. I had also read a third book set in Ghana, What Napoleon Could Not Do by DK Nnuro, early in the year and then found its title phrase (i.e., “you have done what Napoleon could not do,” an expression of praise) quoted in the Medie! It must be a popular saying there.
  • Reading two books by young Ghanaian British authors at the same time: Quiet by Victoria Adukwei Bulley and Maame by Jessica George.

And the rest:

  • An overweight male character with gout in Where the God of Love Hangs Out by Amy Bloom and The Secret Diaries of Charles Ignatius Sancho by Paterson Joseph.

 

  • I’d never heard of “shoegaze music” before I saw it in Michelle Zauner’s bio at the back of Crying in H Mart, but then I also saw it mentioned in Pulling the Chariot of the Sun by Shane McCrae.

 

  • Sheila Heti’s writing on motherhood is quoted in Without Children by Peggy O’Donnell Heffington and In Vitro by Isabel Zapata. Before long I got back into her novel Pure Colour. A quote from another of her books (How Should a Person Be?) is one of the epigraphs to Lorrie Moore’s I Am Homeless If This Is Not My Home.
  • Reading two Mexican books about motherhood at the same time: Still Born by Guadalupe Nettel and In Vitro by Isabel Zapata.

 

  • Two coming-of-age novels set on the cusp of war in 1939: The Inner Circle by T.C. Boyle and Martha Quest by Doris Lessing.

 

  • A scene of looking at peculiar human behaviour and imagining how David Attenborough would narrate it in a documentary in Notes from a Small Island by Bill Bryson and I Have Some Questions for You by Rebecca Makkai.

 

  • The painter Caravaggio is mentioned in a novel (The Things We Do to Our Friends by Heather Darwent) plus two poetry books (The Fourth Sister by Laura Scott and Manorism by Yomi Sode) I was reading at the same time.
  • Characters are plagued by mosquitoes in The Last Animal by Ramona Ausubel and Through the Groves by Anne Hull.

 

  • Edinburgh’s history of grave robbing is mentioned in The Things We Do to Our Friends by Heather Darwent and Womb by Leah Hazard.

 

  • I read a chapter about mayflies in Lev Parikian’s book Taking Flight and then a poem about mayflies later the same day in Ephemeron by Fiona Benson.

 

  • Childhood reminiscences about playing the board game Operation and wetting the bed appear in Homesick by Jennifer Croft and Through the Groves by Anne Hull.
  • Fiddler on the Roof songs are mentioned in Through the Groves by Anne Hull and We All Want Impossible Things by Catherine Newman.

 

  • There’s a minor character named Frith in Shadow Girls by Carol Birch and Rebecca by Daphne du Maurier.

 

  • Scenes of a female couple snogging in a bar bathroom in Through the Groves by Anne Hull and The Garnett Girls by Georgina Moore.

  • The main character regrets not spending more time with her father before his sudden death in Maame by Jessica George and Pure Colour by Sheila Heti.

 

  • The main character is called Mira in Birnam Wood by Eleanor Catton and Pure Colour by Sheila Heti, and a Mira is briefly mentioned in one of the stories in Before You Suffocate Your Own Fool Self by Danielle Evans.

 

  • Macbeth references in Shadow Girls by Carol Birch and Birnam Wood by Eleanor Catton – my second Macbeth-sourced title in recent times, after Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin last year.
  • A ‘Goldilocks scenario’ is referred to in Womb by Leah Hazard (the ideal contraction strength) and Taking Flight by Lev Parikian (the ideal body weight for a bird).

 

  • Caribbean patois and mention of an ackee tree in the short story collection If I Survive You by Jonathan Escoffery and the poetry collection Cane, Corn & Gully by Safiya Kamaria Kinshasa.

 

  • The Japanese folktale “The Boy Who Drew Cats” appeared in Our Missing Hearts by Celeste Ng, which I read last year, and then also in Enchantment by Katherine May.
  • Chinese characters are mentioned to have taken part in the Tiananmen Square massacre/June 4th incident in Dear Chrysanthemums by Fiona Sze-Lorrain and Oh My Mother! by Connie Wang.

 

  • Endometriosis comes up in What My Bones Know by Stephanie Foo and Womb by Leah Hazard.

What’s the weirdest reading coincidence you’ve had lately?

Book Serendipity, Mid-December 2022 to Mid-February 2023

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every few months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.

My biggest overall coincidence set this time was around Korean culture, especially food:

  • A demanding Korean/American mother (“Umma”) in Sea Change by Gina Chung, Camp Zero by Michelle Min Sterling, and Crying in H Mart by Michelle Zauner.
  • In the Chung and Zauner, she has eyebrows tattooed on.
  • In the Chung and Sterling, there’s also a mall setting.
  • Winter in Sokcho by Elisa Shua Dusapin was set in South Korea and mentioned a lot of the same cultural factors and foods. KIMCHI (which I’ve never had) was inescapable in these four books.

And the rest…

  • The concept of Satan as “the enemy” in God’s Ex-Girlfriend by Gloria Beth Amodeo and All of Us Together in the End by Matthew Vollmer, two 2023 memoirs I reviewed for Foreword Reviews.

 

  • A mention of the Newsboys (my favourite Christian rock band when I was a teenager) in God’s Ex-Girlfriend by Gloria Beth Amodeo and, of all places, Animal Life by Auður Ava Ólafsdóttir (the context: a list of songs with “Born” in the title; theirs is called – you guessed it! – “Born Again”).
  • Two Moores in my stack at once: Birds of America by Lorrie Moore and The Distance from Slaughter County by Steven Moore.

 

  • A chapter in The Distance from Slaughter County by Steven Moore is called “Fight Night” and I was reading the early pages of Fight Night by Miriam Toews at the same time.

 

  • A story in Birds of America by Lorrie Moore is called “Real Estate” and I was reading Real Estate by Deborah Levy at the same time.
  • The Virgil quote “there are tears at the heart of things” and the theme of melancholy link Bittersweet by Susan Cain and The Heart of Things by Richard Holloway.

 

  • A character who stutters in Bournville by Jonathan Coe and A Place Called Winter by Patrick Gale.
  • (Werther’s) butterscotch candies are mentioned in Leila and the Blue Fox by Kiran Millwood Hargrave, Our Missing Hearts by Celeste Ng, What Napoleon Could Not Do by DK Nnuro, and How to Be Sad by Helen Russell.

 

  • A mother who loves going to church in Bournville by Jonathan Coe and Born a Crime by Trevor Noah.

 

  • The metaphor of a girl trapped in a block of marble ready to have her identity carved out in Sea Change by Gina Chung and Everything’s Changing by Chelsea Stickle.

  • When I read a short story about a landmine-detecting rat in Everything’s Changing by Chelsea Stickle, I knew it wasn’t the first time I’d encountered that very specific setup. It took some digging, but I found out the other was in Attrib. by Eley Williams.

 

  • Shane McCrae, whose forthcoming memoir Pulling the Chariot of the Sun I was also reading, is a named poetic influence/source in More Sky by Joe Varrick-Carty.
  • I’m sure that after the one in Margaret Atwood’s The Door I encountered another poem about a frozen cat … but can’t now find it for the life of me.

 

  • A character named Marnie in Martha Quest by Doris Lessing and City of Friends by Joanna Trollope.

 

  • Cape Verdean immigrants in the Boston area, then and now, in Daughters of Nantucket by Julie Gerstenblatt and The War for Gloria by Atticus Lish.
  • Someone swaps green tea for coffee in Bittersweet by Susan Cain and City of Friends by Joanna Trollope.

 

  • A half-French, half-Asian protagonist in a novella translated from the French: A Single Rose by Muriel Barbery and Winter in Sokcho by Elisa Shua Dusapin.

 

  • A (semi-)historical lesbian couple as a subject of historical fiction in Daughters of Nantucket by Julie Gerstenblatt and Chase of the Wild Goose by Mary Gordon.

  • A lesbian couple with a ten-year age gap breaks up because the one partner wants a baby and the other does not in My Mother Says by Stine Pilgaard and City of Friends by Joanna Trollope.

 

  • After I specifically read three Frost Fairs books … 18th-century frolics on the frozen Thames were mentioned in The Secret Diaries of Charles Ignatius Sancho by Paterson Joseph.

  • As I was reading The Secret Diaries of Charles Ignatius Sancho by Paterson Joseph, I saw him briefly mentioned in How to Be Sad by Helen Russell.

 

  • From one 139-page book about a foreigner’s wanderings in Kyoto (often taking in temples) to another: I followed up A Single Rose by Muriel Barbery with How Kyoto Breaks Your Heart by Florentyna Leow.
  • Persimmon jam is mentioned in Winter in Sokcho by Elisa Shua Dusapin and How Kyoto Breaks Your Heart by Florentyna Leow.

 

  • A brave post-tragedy trip to a mothers and babies group ends abruptly when people are awkward or rude in All My Wild Mothers by Victoria Bennett and How to Be Sad by Helen Russell.
  • As I was reading What We Talk about when We Talk about Love by Raymond Carver, I encountered a snippet from his poetry as a chapter epigraph in Bittersweet by Susan Cain.

 

  • Sexologist Havelock Ellis inspired one of the main characters in The New Life by Tom Crewe and is mentioned in passing in Martha Quest by Doris Lessing.

 

What’s the weirdest reading coincidence you’ve had lately?