Dylan Thomas & Folio Prize Lists and a Book Launch
Literary prize season is upon us! I sometimes find it overwhelming, but mostly I love it. Last month I submitted a longlist of my top five manuscripts to be considered for the McKitterick Prize. In the past week the Dylan Thomas Prize longlist and Folio Prize shortlists have been announced. The press release for the former notes “an even split of debut and established names, with African diaspora and female voices dominating.”
- Limberlost by Robbie Arnott (Atlantic Books) – novel (Australia)
- Seven Steeples by Sara Baume (Tramp Press) – novel (Ireland)
- God’s Children Are Little Broken Things by Arinze Ifeakandu (Orion, Weidenfeld & Nicolson) – short story collection (Nigeria)
- Maps of Our Spectacular Bodies by Maddie Mortimer (Picador, Pan Macmillan) – novel (UK)
- Phantom Gang by Ciarán O’Rourke (The Irish Pages Press) – poetry collection (Ireland)
- Things They Lost by Okwiri Oduor (Oneworld) – novel (Kenya)
- Losing the Plot by Derek Owusu (Canongate Books) – novel (UK)
- I’m a Fan by Sheena Patel (Rough Trade Books) – novel (UK)
- Send Nudes by Saba Sams (Bloomsbury Publishing) – short story collection (UK)
- Bless the Daughter Raised by a Voice in Her Head by Warsan Shire (Chatto & Windus) – poetry collection (Somalia-UK)
- Briefly, A Delicious Life by Nell Stevens (Picador, Pan Macmillan) – novel (UK)
- No Land to Light On by Yara Zgheib (Atlantic Books, Allen & Unwin) – novel (Lebanon)
I happen to have already read Warsan Shire’s poetry collection and Nell Stevens’ debut novel (my review), which I loved and am delighted to see get more attention. I had Seven Steeples as an unsolicited review copy on my e-reader so have started reading that, and Maps of Our Spectacular Bodies is one of the books I treated myself to with Christmas money. There’s a possibility of a longlist blog tour, so for that I’ve requested the poetry book Phantom Gang. The shortlist will be announced on 23 March and the winner on 11 May.
This is the first year of the new Rathbones Folio Prize format: as in the defunct Costa Awards, the judges will choose a winner in each of three categories and then the category winners will go on to compete for an overall prize.
- The Passengers by Will Ashon
- In Love by Amy Bloom
- The Escape Artist by Jonathan Freedland
- Constructing a Nervous System by Margo Jefferson
- The Social Distance Between Us by Darren McGarvey
- Quiet by Victoria Adukwei Bulley
- Ephemeron by Fiona Benson
- Cane, Corn & Gully by Safiya Kamaria Kinshasa
- England’s Green by Zaffar Kunial
- Manorism by Yomi Ṣode
- Glory by NoViolet Bulawayo
- Scary Monsters by Michelle de Kretser
- Pure Colour by Sheila Heti
- Emergency by Daisy Hildyard
- Lucy by the Sea by Elizabeth Strout
Amy Bloom’s memoir In Love was one of my favourites last year, but I’m unfamiliar with the rest of the nonfiction shortlist and all the poetry collections are new to me (though I’ve read Zaffar Kunial’s Us). From the fiction list, I’m currently reading Elizabeth Strout’s Lucy by the Sea and I’ve read part of Sheila Heti’s bizarre Pure Colour and will try to get back into it on my Kindle at some point. In 2021 I was sent the entire Folio Prize shortlist to feature on my blog, but last year there was no contact from the publicists. I’ve expressed interest in receiving the poetry nominees, if nothing else.
The Women’s Prize longlist is always announced on International Women’s Day (8 March). Very unusually for me, I have already put together a list of novels we might see on that. I actually started compiling the list in 2022, and then last month spent some bookish procrastination time scouring the web for what I might have missed. There are 124 books on my list. Before cutting that down by 90% I have to decide if I want to be really thorough and check the publisher for each one (bar some exceptions, each publisher can only submit two books). I’ll work on that a bit more and post it in the next couple of weeks.
Last night I attended an online book launch (throwback to 2020!) via Sam Read Bookseller in Grasmere, for All My Wild Mothers by Victoria Bennett. Vik saw me express interest in her book on Twitter and had her publisher, Two Roads, send me a copy. I knew I had to attend the launch event because the Bookshop Band wrote a song about the book and premiered it as a music video partway through the evening. I’ve read the first 50 pages so far and it’s a lovely book I’ll review in full later in the month.
The brief autobiographical essays, each titled after a wildflower and headed by a woodcut of it, sit somewhere between creative nonfiction and nature writing, with Bennett reflecting on her sister’s sudden accidental death, her years caring for elderly parents and an ill son, and the process of creating an “apothecary garden” from scratch on a social housing estate in Cumbria. Interviewed by Catherine Simpson (author of When I Had a Little Sister), she said that the book is about “what grows not in spite of brokenness, but because of it.” The format is such in part because it was written over the course of 10 years and Bennett could only steal moments at a time from full-time caregiving. She has also previously published poetry, but this is her prose debut.
Simpson asked if she found the writing of All My Wild Mothers cathartic and Bennett replied that she went to therapy for that purpose, but that time and words have indeed helped to mellow anger and self-pity. She found that she was close enough in time to the events she writes about to remember them, but not so close as to get lost in grief. The Bookshop Band’s song “Keeping the Magic,” mostly on cello and guitar, has imagery of wildflowers and trees and dwells on the maternal and muddling through. (You can watch a performance of it here.)
Yesterday was a day of bad family news for me, both a diagnosis and another sudden death, so this was a message I needed, of beauty and hope alongside the grief. It’s why I’m so earnestly seeking warmth and spring flowers this season. I found snowdrops in the park the other day, and crocuses in a neighbour’s garden today.
Which literary prize races will you follow this year?
What’s bringing joy into your life these days?
Book Serendipity, March to April 2022
This is a bimonthly feature of mine. I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. Because I usually 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.
(I always like hearing about your bookish coincidences, too! Laura had what she thought must be the ultimate Book Serendipity when she reviewed two novels with the same setup: Groundskeeping by Lee Cole and Last Resort by Andrew Lipstein.)
- The same sans serif font is on Sea State by Tabitha Lasley and Lean Fall Stand by Jon McGregor – both released by 4th Estate. I never would have noticed had they not ended up next to each other in my stack one day. (Then a font-alike showed up in my TBR pile, this time from different publishers, later on: What Strange Paradise by Omar El Akkad and When We Were Birds by Ayanna Lloyd Banwo.)
- Kraftwerk is mentioned in The Facebook of the Dead by Valerie Laws and How High We Go in the Dark by Sequoia Nagamatsu.
- The fact that bacteria sometimes form biofilms is mentioned in Hybrid Humans by Harry Parker and Slime by Susanne Wedlich.
- The idea that when someone dies, it’s like a library burning is repeated in The Reactor by Nick Blackburn and In the River of Songs by Susan Jackson.
- Espresso martinis are consumed in If Not for You by Georgina Lucas and Wahala by Nikki May.
- Prosthetic limbs turn up in Groundskeeping by Lee Cole, The Book of Form and Emptiness by Ruth Ozeki, and Hybrid Humans by Harry Parker.
- A character incurs a bad cut to the palm of the hand in After You’d Gone by Maggie O’Farrell and The Book of Form and Emptiness by Ruth Ozeki – I read the two scenes on the same day.
- Catfish is on the menu in Groundskeeping by Lee Cole and in one story of Antipodes by Holly Goddard Jones.
- Reading two novels with “Paradise” in the title (and as the last word) at the same time: Paradise by Toni Morrison and To Paradise by Hanya Yanagihara.
- Reading two books by a Davidson at once: Damnation Spring by Ash and Tracks by Robyn.
- There’s a character named Elwin in The Five Wounds by Kirstin Valdez Quade and one called Elvin in The Two Lives of Sara by Catherine Adel West.
- Tea is served with lemon in The Beginning of Spring by Penelope Fitzgerald and The Two Lives of Sara by Catherine Adel West.
- There’s a Florence (or Flo) in Go Tell It on the Mountain by James Baldwin, These Days by Lucy Caldwell and Pictures from an Institution by Randall Jarrell. (Not to mention a Flora in The Sentence by Louise Erdrich.)
- There’s a hoarder character in Olga Dies Dreaming by Xóchitl González and The Book of Form and Emptiness by Ruth Ozeki.
- Reading at the same time two memoirs by New Yorker writers releasing within two weeks of each other (in the UK at least) and blurbed by Jia Tolentino: Home/Land by Rebecca Mead and Lost & Found by Kathryn Schulz.
- Three children play in a graveyard in Falling Angels by Tracy Chevalier and Build Your House Around My Body by Violet Kupersmith.
- Shalimar perfume is worn in These Days by Lucy Caldwell and The Five Wounds by Kirstin Valdez Quade.
- A relative is described as “very cold” and it’s wondered what made her that way in Very Cold People by Sarah Manguso and one of the testimonies in Regrets of the Dying by Georgina Scull.
- Cherie Dimaline’s Empire of Wild is mentioned in The Sentence by Louise Erdrich, which I was reading at around the same time. (As is The Beginning of Spring by Penelope Fitzgerald, which I’d recently finished.)
- From one poetry collection with references to Islam (Bless the Daughter Raised by a Voice in Her Head by Warsan Shire) to another (Auguries of a Minor God by Nidhi Zak/Aria Eipe).
- Two children’s books featuring a building that is revealed to be a theatre: Moominsummer Madness by Tove Jansson and The Unadoptables by Hana Tooke.
- Reading two “braid” books at once: Braiding Sweetgrass by Robin Wall Kimmerer and French Braid by Anne Tyler.
- Protests and teargas in The Sentence by Louise Erdrich and The Book of Form and Emptiness by Ruth Ozeki.
- Jellyfish poems in Honorifics by Cynthia Miller and Love Poems in Quarantine by Sarah Ruhl.
- George Floyd’s murder is a major element in The Sentence by Louise Erdrich and Love Poems in Quarantine by Sarah Ruhl.
What’s the weirdest reading coincidence you’ve had lately?