Tag Archives: Antonia White

#NovNov25 Catch-Up: Dodge, Garner, O’Collins, Sagan and A. White

As promised, I’m catching up on five novella-length works I finished in November. In fiction, I have an odd duck of a family story, a piece of autofiction about caring for a friend with cancer, a record of an affair, and a tale of settling two new cats into home life in the 1950s. And in nonfiction, a short book about the religious approach to midlife crisis.

Fup by Jim Dodge (1983)

I’d never heard of this but picked it up because of my low-key project of reading books from my birth year. After his daughter died in a freak accident, Grandaddy Jake Santee adopted his grandson “Tiny.” With that touch of backstory dabbed in, we’re in the northern California hills in 1978 with grandfather and grandson – now 99 and 22, respectively. Tiny builds fences, while Grandaddy is famous for his incredibly strong, home-distilled whiskey, “Ol’ Death Whisper.” One day, Tiny rescues a filthy creature from a posthole where it’s been chased by their nemesis, Lockjaw the wild boar. It turns out to be a duckling that grows into a hen mallard named Fup Duck (it’s a spoonerism…) who eats so much she’s too heavy to fly. Grandaddy plans to continue drinking and gambling indefinitely, but the hunt for Lockjaw – who he thinks may be a reincarnation of his Native American friend, Seven Moons – breaks the household apart. This was very weird: it starts out a mixture of grit (those grotesque Harry Horse drawings!) and Homer Hickam schmaltz and then goes full Jonathan Livingston Seagull. (Secondhand – Community Furniture Project, Newbury) [89 pages]

 

The Spare Room by Helen Garner (2008)

Who knew there was such a market for novels about helping a friend through cancer treatment? Or maybe it’s just that I love them so much I home right in on them. As a work of autofiction – the no-nonsense narrator, Helen, gives her old friend Nicola a place to stay in Melbourne for several weeks while she undergoes experimental procedures – this is most like What Are You Going Through by Sigrid Nunez (but I also had in mind Talk Before Sleep by Elizabeth Berg, We All Want Impossible Things by Catherine Newman, and Some Bright Nowhere by Ann Packer). Helen thinks The Theodore Institute peddles quack medicine, whereas Nicola is willing to shell out thousands of dollars for its coffee enemas and vitamin C infusions, even though they leave her terrifyingly fragile. Nicola is the only character who doesn’t acknowledge that her case is terminal. The pages turn effortlessly as Helen covers her frustration with Nicola, Nicola’s essential optimism, and the realities of  living while dying. “Oh, I loved her for the way she made me laugh. She was the least self-important person I knew, the kindest, the least bitchy. I couldn’t imagine the world without her.” I’ll read more by Garner for sure. (Secondhand – Awesomebooks.com) [195 pages]

 

Second Journey: Spiritual Awareness and the Mid-Life Crisis by Gerald O’Collins SJ (1978; 1995)

O’Collins, a Jesuit priest, sought a more constructive term than “midlife crisis” for the unease and difficult decisions that many face in their forties. He chooses instead the language of journeys, specifically one embarked upon because a previous way of life was no longer working. There are several types of triggers that O’Collins illustrates through brief case studies of famous individuals or anonymous acquaintances. The shift might be prompted by a sense of failure (John Wesley, Jimmy Carter), by literal exile (Dante), by falling in love (someone who left the priesthood to marry), by experiencing severe illness (John Henry Newman) or fighting in a war (Ignatius of Loyola), or simply by a longing for “something more” (Mother Teresa). But there are only two end points, O’Collins offers: a new place or situation; or a fresh appreciation of the old one – he quotes Eliot’s “to arrive where we started / And know the place for the first time.” This is practical and relatable, but light on actual advice. It also pales by comparison to Richard Rohr’s more recent work on spirituality in the different stages of life (especially in Falling Upward). (Free from a church member’s donations) [100 pages]

 

A Certain Smile by Françoise Sagan (1956)

[Translated from French by Irene Ash]

Law student Dominique is lukewarm on her boyfriend Bertrand and starts seeing his married uncle, Luc, instead. The high point is when they manage to go on a ‘honeymoon’ trip of several weeks to Avignon. Both Bertrand and Luc’s wife, Françoise, eventually find out, but everyone is very grown-up about it. The struggle is never external so much as within Dominique to accept that she doesn’t mean as much to Luc as he does to her, and that the relationship will only be a little blip in her early adulthood. I found this a disappointment compared to Bonjour Tristesse and Aimez-Vous Brahms – it really is just the story of an affair; nothing more – but Sagan is always highly readable. I read this in two days, a big section of it on a chilly beach in Devon. In its frank, cool assessment of relationship dynamics, this felt like a model for Sally Rooney. I had to laugh at the righteously angry and rather ungrammatical marginalia below (“To hate Avignon is unpossible”). (University library) [112 pages]

 

Minka and Curdy by Antonia White; illus. Janet and Anne Johnstone (1957)

After Mrs Bell’s formidable cat Victoria dies, she hankers to get a new kitten to keep her company – she works at home as a writer. She finds herself greeting all the neighbourhood cats and, in her enthusiasm to help a ‘stray’, accidentally overfeeds someone else’s pet with fresh fish. Her heart is set on a marmalade kitten, so she reserves one from an impending litter in Kent. But then the opportunity to take on a beautiful young Siamese female cat, for free, comes her way, and though she feels guilty about the ginger tom she’s been promised, she adopts Minka anyway. When Coeur de Lion (“Curdy”) arrives a few weeks later, her challenge is to get the kitties to coexist peacefully in her London flat. This reminded me so much of myself back in February and March, when I was so glum over losing Alfie that we rushed into adopting a giant kitten who has been a bit much for us. But we’re already contemplating getting Benny a little sister or two, so I read with interest to see how she made it happen. Well, this is fiction, so it starts out fraught but then is somewhat magically fine. No matter – White writes about cats’ antics and personalities with all the warmth and delight of Derek Tangye, Doreen Tovey and the like, and this 2023 Virago reprint is adorable. (Secondhand – Awesomebooks.com) [113 pages]

I also had a few DNFs last month:

  • The Book of Colour by Julia Blackburn (1995) seemed a good bet because I’ve enjoyed some of Blackburn’s nonfiction and it was on the Orange Prize shortlist. But after 60 pages I still had no idea what was going on amid the Mauritius-set welter of family history and magic realism. (Secondhand – Bas Books charity shop, 2022)

 

  • A Single Man by Christopher Isherwood (1964) lured me because I’d so loved Goodbye to Berlin and I remember liking the Colin Firth film. But this story of an Englishman secretly mourning his dead partner while trying to carry on as normal as a professor in Los Angeles was so dreary I couldn’t persist. (Public library)

 

  • Night Life: Walking Britain’s Wild Landscapes after Dark by John Lewis-Stempel (2025) – JLS could write one of these mini nature volumes in his sleep. (Maybe he did with this one, actually?) I’d rather one full-length book from him every few years than bitty, redundant ones annually. (Public library)

 

  • Aunts Aren’t Gentlemen by P.G. Wodehouse (1974) – I’ve read one Jeeves & Wooster book before and enjoyed it well enough. This felt inconsequential, so as I already had way too many novellas on the go I sent it back whence it came. (Little Free Library)

 

Final statistics for #NovNov25 coming up tomorrow!

Book Serendipity, September through Mid-November

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. People frequently ask how I remember all of these coincidences. The answer is: I jot them down on scraps of paper or input them immediately into a file on my PC desktop; otherwise, they would flit away.

Thanks to Emma and Kay for posting their own Book Serendipity moments! (Liz is always good about mentioning them as she goes along, in the text of her reviews.)

The following are in roughly chronological order.

 

  • An obsession with Judy Garland in My Judy Garland Life by Susie Boyt (no surprise there), which I read back in January, and then again in Beard: A Memoir of a Marriage by Kelly Foster Lundquist.
  • Leaving a suicide note hinting at drowning oneself before disappearing in World War II Berlin; and pretending to be Jewish to gain better treatment in Aimée and Jaguar by Erica Fischer and The Lilac People by Milo Todd.

 

  • Leaving one’s clothes on a bank to suggest drowning in The Covenant of Water by Abraham Verghese, read over the summer, and then Benbecula by Graeme Macrae Burnet.
  • A man expecting his wife to ‘save’ him in Amanda by H.S. Cross and Beard: A Memoir of a Marriage by Kelly Foster Lundquist.

 

  • A man tells his story of being bullied as a child in Goodbye to Berlin by Christopher Isherwood and Beard by Kelly Foster Lundquist.

 

  • References to Vincent Minnelli and Walt Whitman in a story from Touchy Subjects by Emma Donoghue and Beard by Kelly Foster Lundquist.

 

  • The prospect of having one’s grandparents’ dining table in a tiny city apartment in Beard by Kelly Foster Lundquist and Wreck by Catherine Newman.

 

  • Ezra Pound’s dodgy ideology was an element in The Dime Museum by Joyce Hinnefeld, which I reviewed over the summer, and recurs in Swann by Carol Shields.
  • A character has heart palpitations in Andrew Miller’s story from The BBC National Short Story Award 2025 anthology and Endling by Maria Reva.

 

  • A (semi-)nude man sees a worker outside the window and closes the curtains in one story of Cathedral by Raymond Carver and one from Good and Evil and Other Stories by Samanta Schweblin.
  • The call of the cuckoo is mentioned in The Edge of Silence by Neil Ansell and Of All that Ends by Günter Grass.

 

  • A couple in Italy who have a Fiat in Of All that Ends by Günter Grass and Caoilinn Hughes’s story from The BBC National Short Story Award 2025 anthology.

 

  • Balzac’s excessive coffee consumption was mentioned in Au Revoir, Tristesse by Viv Groskop, one of my 20 Books of Summer, and then again in The Writer’s Table by Valerie Stivers.
  • The main character is rescued from her suicide plan by a madcap idea in The Wedding People by Alison Espach and Endling by Maria Reva.

 

  • The protagonist is taking methotrexate in Sea, Poison by Caren Beilin and Wreck by Catherine Newman.
  • A man wears a top hat in Benbecula by Graeme Macrae Burnet and one story of Cathedral by Raymond Carver.

 

  • A man named Angus is the murderer in Benbecula by Graeme Macrae Burnet and Swann by Carol Shields.

 

  • The thing most noticed about a woman is a hair on her chin in the story “Pluck” in Touchy Subjects by Emma Donoghue and Swann by Carol Shields.

 

  • The female main character makes a point of saying she doesn’t wear a bra in Sea, Poison by Caren Beilin and Find Him! by Elaine Kraf.

 

  • A home hairdressing business in one story of Cathedral by Raymond Carver and Emil & the Detectives by Erich Kästner.

 

  • Painting a bathroom fixture red: a bathtub in The Diary of a Nobody by George Grossmith, one of my 20 Books of Summer; and a toilet in Find Him! by Elaine Kraf.
  • A teenager who loses a leg in a road accident in individual stories from A Wild Swan by Michael Cunningham and the Racket anthology (ed. Lisa Moore).

 

  • Digging up the casket of a loved one in the wee hours features in Pet Sematary by Stephen King, one of my 20 Books of Summer; and one story of Pretty Monsters by Kelly Link.
  • A character named Dani in the story “The St. Alwynn Girls at Sea” by Sheila Heti and The Silver Book by Olivia Laing; later, author Dani Netherclift (Vessel).

 

  • Obsessive cultivation of potatoes in Benbecula by Graeme Macrae Burnet and The Martian by Andy Weir.

 

  • The story of Dante Gabriel Rossetti digging up the poems he buried with his love is recounted in Sharon Bala’s story in the Racket anthology (ed. Lisa Moore) and one of the stories in Pretty Monsters by Kelly Link.

 

  • Putting French word labels on objects in Alone in the Classroom by Elizabeth Hay and Find Him! by Elaine Kraf.

  • A man with part of his finger missing in Find Him! by Elaine Kraf and Lessons from My Teachers by Sarah Ruhl.

 

  • In Minor Black Figures by Brandon Taylor, I came across a mention of the Italian film director Pier Paolo Pasolini, who is a character in The Silver Book by Olivia Laing.

 

  • A character who works in an Ohio hardware store in Flashlight by Susan Choi and Buckeye by Patrick Ryan (two one-word-titled doorstoppers I skimmed from the library). There’s also a family-owned hardware store in Alone in the Classroom by Elizabeth Hay.

 

  • A drowned father – I feel like drownings in general happen much more often in fiction than they do in real life – in The Homecoming by Zoë Apostolides, Flashlight by Susan Choi, and Vessel by Dani Netherclift (as well as multiple drownings in The Covenant of Water by Abraham Verghese, one of my 20 Books of Summer).
  • A memoir by a British man who’s hard of hearing but has resisted wearing hearing aids in the past: first The Quiet Ear by Raymond Antrobus over the summer, then The Edge of Silence by Neil Ansell.

 

  • A loved one is given a six-month cancer prognosis but lives another (nearly) two years in All the Way to the River by Elizabeth Gilbert and Lessons from My Teachers by Sarah Ruhl.

 

  • A man’s brain tumour is diagnosed by accident while he’s in hospital after an unrelated accident in Flashlight by Susan Choi and Saltwash by Andrew Michael Hurley.

 

  • Famous lost poems in What We Can Know by Ian McEwan and Swann by Carol Shields.

 

  • A description of the anatomy of the ear and how sound vibrates against tiny bones in The Edge of Silence by Neil Ansell and What Stalks the Deep by T. Kingfisher.
  • Notes on how to make decadent mashed potatoes in Beard by Kelly Foster Lundquist, Death of an Ordinary Man by Sarah Perry, and Lessons from My Teachers by Sarah Ruhl.

 

  • Transplant surgery on a dog in Russia and trepanning appear in The Heart of a Dog by Mikhail Bulgakov and the poetry collection Common Disaster by M. Cynthia Cheung.
  • Audre Lorde, whose Sister Outsider I was reading at the time, is mentioned in Lessons from My Teachers by Sarah Ruhl. Lorde’s line about the master’s tools never dismantling the master’s house is also paraphrased in Spent by Alison Bechdel.

  • An adult appears as if fully formed in a man’s apartment but needs to be taught everything, including language and toilet training, in The Heart of a Dog by Mikhail Bulgakov and Find Him! by Elaine Kraf.

 

  • Two sisters who each wrote a memoir about their upbringing in Spent by Alison Bechdel and Vessel by Dani Netherclift.

 

  • The fact that ragwort is bad for horses if it gets mixed up into their feed was mentioned in Ghosts of the Farm by Nicola Chester and Understorey by Anna Chapman Parker.

 

  • The Sylvia Plath line “the O-gape of complete despair” was mentioned in Vessel by Dani Netherclift, then I read it in its original place in Ariel later the same day.

  • A mention of the Baba Yaga folk tale (an old woman who lives in the forest in a hut on chicken legs) in Common Disaster by M. Cynthia Cheung and Woman, Eating by Claire Kohda. [There was a copy of Sophie Anderson’s children’s book The House with Chicken Legs in the Little Free Library around that time, too.]

 

  • Coming across a bird that seems to have simply dropped dead in Victorian Psycho by Virginia Feito, Vessel by Dani Netherclift, and Rainforest by Michelle Paver.
  • Contemplating a mound of hair in Vessel by Dani Netherclift (at Auschwitz) and Year of the Water Horse by Janice Page (at a hairdresser’s).

 

  • Family members are warned that they should not see the body of their loved one in Vessel by Dani Netherclift and Rainforest by Michelle Paver.

 

  • A father(-in-law)’s swift death from oesophageal cancer in Year of the Water Horse by Janice Page and Death of an Ordinary Man by Sarah Perry.
  • I saw John Keats’s concept of negative capability discussed first in My Little Donkey by Martha Cooley and then in Understorey by Anna Chapman Parker.

 

  • I started two books with an Anne Sexton epigraph on the same day: A Portable Shelter by Kirsty Logan and Slags by Emma Jane Unsworth.
  • Mentions of Martin Luther King, Jr.’s assassination in Q’s Legacy by Helene Hanff and Sister Outsider for Audre Lorde, both of which I was reading for Novellas in November.

 

  • Mentions of specific incidents from Samuel Pepys’s diary in Q’s Legacy by Helene Hanff and Gin by Shonna Milliken Humphrey, both of which I was reading for Nonfiction November/Novellas in November.
  • Starseed (aliens living on earth in human form) in Beautyland by Marie-Helene Bertino and The Conspiracists by Noelle Cook.

 

  • Reading nonfiction by two long-time New Yorker writers at the same time: Life on a Little-Known Planet by Elizabeth Kolbert and Joyride by Susan Orlean.
  • The breaking of a mirror seems like a bad omen in The Spare Room by Helen Garner and The Bell Jar by Sylvia Plath.

 

  • The author’s husband (who has a name beginning with P) is having an affair with a lawyer in Catching Sight by Deni Elliott and Joyride by Susan Orlean.

 

  • Mentions of Lewis Hyde’s book The Gift in Lessons from My Teachers by Sarah Ruhl and The Serviceberry by Robin Wall Kimmerer; I promptly ordered the Hyde secondhand!

 

  • The protagonist fears being/is accused of trying to steal someone else’s cat in Minka and Curdy by Antonia White and Aunts Aren’t Gentlemen by P.G. Wodehouse, both of which I was reading for Novellas in November. 

What’s the weirdest reading coincidence you’ve had lately?