Salt & Skin by Eliza Henry-Jones (Blog Tour)
I was drawn to Eliza Henry-Jones’s fifth novel, Salt & Skin (2022), by the setting: the remote (fictional) island of Seannay in the Orkneys. It tells the dark, intriguing story of an Australian family lured in by magic and motivated by environmentalism. History overshadows the present as they come to realize that witch hunts are not just a thing of the past. This was exactly the right evocative reading for me to take on my trip to some other Scottish islands late last month. The setup reminded me of The Last Animal by Ramona Ausubel, while the novel as a whole is reminiscent of The Night Ship by Jess Kidd and Night Waking by Sarah Moss.
Only a week after the Managans – photographer Luda, son Darcy, 16, and daughter Min, 14 – arrive on the island, they witness a hideous accident. A sudden rockfall crushes a little girl, and Luda happens to have captured it all. The photos fulfill her task of documenting how climate change is affecting the islands, but she earns the locals’ opprobrium for allowing them to be published. It’s not the family’s first brush with disaster. The kids’ father died recently; whether in an accident or by suicide is unclear. Nor is it the first time Luda’s camera has gotten her into trouble. Darcy is still angry at her for selling a photograph she took of him in a dry dam years before, even though it raised a lot of money and awareness about drought.

The family live in what has long been known as “the ghost house,” and hints of magic soon seep in. Luda’s archaeologist colleague wants to study the “witch marks” at the house, and Darcy is among the traumatized individuals who can see others’ invisible scars. Their fate becomes tied to that of Theo, a young man who washed up on the shore ten years ago as a web-fingered foundling rumoured to be a selkie. Luda becomes obsessed with studying the history of the island’s witches, who were said to lure in whales. Min collects marine rubbish on her deep dives, learning to hold her breath for improbable periods. And Darcy fixates on Theo, who also attracts the interest of a researcher seeking to write a book about his origins.
It’s striking how Henry-Jones juxtaposes the current and realistic with the timeless and mystical. While the climate crisis is important to the framework, it fades into the background as the novel continues, with the focus shifting to the insularity of communities and outlooks. All of the characters are memorable, including the Managans’ elderly relative, Cassandra (calling to mind a prophetic figure from Greek mythology), though I found Father Lee, the meddlesome priest, aligned too readily with clichés. While the plot starts to become overwrought in later chapters, I appreciated the bold exploration of grief and discrimination, the sensitive attention to issues such as addiction and domestic violence, and the frank depictions of a gay relationship and an ace character. I wouldn’t call this a cheerful read by any means, but its brooding atmosphere will stick with me. I’d be keen to read more from Henry-Jones.
With thanks to Random Things Tours and September Publishing for the free copy for review.
Buy Salt & Skin from the Bookshop UK site. [affiliate link]
or
Pre-order Salt & Skin (U.S. release: September 5) from Bookshop.org. [affiliate link]
I was delighted to help kick off the blog tour for Salt & Skin on its UK publication day. See below for details of where other reviews have appeared or will be appearing soon.

What Lies Hidden: Secrets of the Sea House & Night Waking
When I read Kay’s review of Sarah Maine’s The House Between Tides, the book seemed so familiar I did a double take. A Scottish island in the Outer Hebrides … dual contemporary and historical story lines … the discovery of a skeleton. It sounded just like Night Waking by Sarah Moss (another Sarah M.!), which I was already planning on rereading on our trip to the Outer Hebrides. Kay then suggested a readalike that ended up being even more similar, Elisabeth Gifford’s The Sea House (U.S. title), one of whose plots was Victorian and the skeleton in which was a baby’s. I passed on the Maine but couldn’t resist finding a copy of the Gifford from the library so I could compare it with the Moss. Both: 
Secrets of the Sea House by Elisabeth Gifford (2013)
Although nearly 130 years separate the two protagonists, they are linked by the specific setting – a manse on the island of Harris – and a belief that they are descended from selkies. In 1992, Ruth and her husband are converting the Sea House into a B&B and hoping to start a family. When they find the remains of a baby with skeletal deformities reminiscent of a mermaid under the floorboards, Ruth plunges into a search for the truth of what happened in their home. In 1860, Reverend Alexander Ferguson lived here and indulged his amateur naturalist curiosity about cetaceans and the dubious creatures announced as “mermaids” (often poor taxidermy crosses between a monkey and a fish, as in The Mermaid and Mrs. Hancock).
Ruth and Alexander trade off as narrators, but we get a more rounded view of mid-19th-century life through additional chapters voiced by the reverend’s feisty maid, Moira, a Gaelic speaker whose backstory reveals the cruelty of the Clearances – she won’t forgive the laird for what happened to her family. Gifford’s rendering of period prose wasn’t altogether convincing and there are some melodramatic moments: this could be categorized under romance, and I was surprised by the focus on Ruth’s traumatic upbringing in a children’s home after her mother’s death by drowning. Still, this was an absorbing novel and I actually learned a lot, including the currently accepted explanation for where selkie myths come from.
I also was relieved that Gifford uses real place names instead of disguising them (as Bella Pollen and Sarah Moss did). We passed through the tiny town of Scarista, where the manse is meant to be, on our drive. If I’d known ahead of time that it was a real place, I would have been sure to stop for a photo op (it must be this B&B!). We also stopped in Tarbert, a frequent point of reference, to visit the Harris Gin distillery. (Public library)
Night Waking by Sarah Moss (2011)
This was my first of Moss’s books and I have always felt guilty that I didn’t appreciate it more. I found the voice more enjoyable this time, but was still frustrated by a couple of things. Dr Anna Bennet is a harried mum of two and an Oxford research fellow trying to finish her book (on Romantic visions of childhood versus the reality of residential institutions – a further link to the Gifford) while spending a summer with her family on the remote island of Colsay, which is similar to St. Kilda. Her husband, Giles Cassingham, inherited the island but is also there to monitor the puffin numbers and track the effects of climate change. Anna finds a baby’s skeleton in the garden while trying to plant some fruit trees. From now on, she’ll snatch every spare moment (and trace of Internet connection) away from her sons Raph and Moth – and the builders and the police – to write her book and research what might have happened on Colsay.
Each chapter opens with an epigraph from a classic work on childhood (e.g. by John Bowlby or Anna Freud). Anna also inserts excerpts from her manuscript in progress and fragments of texts she reads online. Adding to the epistolary setup is a series of letters dated 1878: May Moberley reports to her sister Allie and others on the conditions on Colsay, where she arrives to act as a nurse and address the island’s alarming infant mortality statistics. It took me the entire book to realize that Allie and May are the sisters from Moss’s 2014 novel Bodies of Light; I’m glad I didn’t remember, as there was a shock awaiting me.
According to Goodreads, I first read this over just four days in early 2012. (This was back in the days where I read only one book at a time, or at most two, one fiction and one nonfiction.) I remember feeling like I should have enjoyed its combination of topics – puffin fieldwork, a small island, historical research – much more, but I was irked by the constant intrusions of the precocious children. That is, of course, the point: they interrupt Anna’s life, sleep and research, and she longs for a ‘room of her own’ where she can be a person of intellect again instead of wiping bottoms and assembling sometimes disgusting meals. She loves her children, but hates the daily drudgery of motherhood. Thankfully, there’s hope at the end that she’ll get what she desires.
I had completely forgotten the subplot about the first family they rent out the new holiday cottage to (yet another tie-in to the Gifford, in which they’re preparing to open a guest house): a hot mess of alcoholic mother, workaholic father, and university-age daughter with an eating disorder. Zoe’s interactions with the boys, and Anna’s role as makeshift counsellor to her, are sweet, but honestly? I would have cut this story line entirely. Really, I longed for the novella length and precision of a later work like Ghost Wall. Still, I was happy to reread this, with Anna’s wry wit a particular highlight, and to discover for the first time (silly me!) that thread of connection with Bodies of Light / Signs for Lost Children. (Free from a neighbour)
Original rating: 
My rating now: 
I enjoyed the Gifford enough to immediately request the library’s copy of one of her newer novels, The Lost Lights of St. Kilda, so my connection to the Western Isles can at least continue through my reading. I also found a pair of children’s novels plus a mystery novel set on St. Kilda, and I was sent an upcoming novel set on an island off the west coast of Scotland, so I’ll be on this Scotland reading kick for a while!
Reading Ireland Month 2019: Jess Kidd and Jane Urquhart
Last month I picked out this exchange from East of Eden by John Steinbeck:
“But the Irish are said to be a happy people, full of jokes.”
“They’re not. They’re a dark people with a gift for suffering way past their deserving. It’s said that without whisky to soak and soften the world, they’d kill themselves. But they tell jokes because it’s expected of them.”
There’s something about that mixture of darkness and humor, isn’t there? I also find that Irish art (music as well as literature) has a lot of heart. I only read two Ireland-related historical novels this month, but they both have that soulful blend of light and somber. Both: 
Things in Jars by Jess Kidd (2019)

In the autumn of 1863 Bridie Devine, female detective extraordinaire, is tasked with finding the six-year-old daughter of a baronet. Problem is, this missing girl is no ordinary child, and collectors of medical curiosities and circus masters alike are interested in acquiring her.
In its early chapters this delightful Victorian pastiche reminded me of a cross between Sarah Waters’s Fingersmith and Neil Gaiman’s The Graveyard Book, and that comparison played out pretty well in the remainder. Kidd paints a convincingly gritty picture of Dickensian London, focusing on an underworld of criminals and circus freaks: when Bridie first arrived in London from Dublin, she worked as an assistant to a resurrectionist; her maid is a 7-foot-tall bearded lady; and her would-be love interest, if only death didn’t separate them, is the ghost of a heavily tattooed boxer.
Medicine (surgery – before and after anesthesia) and mythology (mermaids and selkies) are intriguing subplots woven through, such that this is likely to appeal to fans of The Way of All Flesh and The Mermaid and Mrs Hancock. Kidd’s prose is spry and amusing, particularly in her compact descriptions of people (but also in her more expansive musings on the dirty, bustling city): “a joyless string of a woman, thin and pristine with a halibut pout,” “In Dr Prudhoe’s countenance, refinement meets rogue,” and “People are no more than punctuation from above.”
I’ll definitely go back and read Kidd’s two previous novels, Himself and The Hoarder. I didn’t even realize she was Irish, so I’m grateful to Cathy for making me aware of that in her preview of upcoming Irish fiction. [Trigger warnings: violence against women and animals.] (Out from Canongate on April 4th.)
Away by Jane Urquhart (1993)
I was enraptured from the first line: “The women of this family leaned towards extremes” – starting with Mary, who falls in love with a sailor who washes up on the Irish coast in the 1840s amid the cabbages, silver teapots and whiskey barrels of a shipwreck and dies in her arms. Due to her continued communion with the dead man, people speak of her being “away with the fairies,” even after she marries the local schoolteacher, Brian O’Malley.
With their young son, Liam, they join the first wave of emigration to Canada during the Potato Famine, funded by their landlords, the Sedgewick brothers of Puffin Court (amateur naturalist Osbert and poet Granville). No sooner have the O’Malleys settled and had their second child, Eileen, than Mary disappears. As she grows, Eileen takes after her mother, mystically attuned to portents and prone to flightiness, while Liam is a happily rooted Great Lakes farmer. Like Mary, Eileen has her own forbidden romance, with a political revolutionary who dances like a dream.
I’ve been underwhelmed by other Urquhart novels, Sanctuary Line and The Whirlpool, but here she gets it just right, wrapping her unfailingly gorgeous language around an absorbing plot – which is what I felt was lacking in the others. The Ireland and Canada settings are equally strong, and the spirit of Ireland – the people, the stories, the folk music – is kept alive abroad. I recommend this to readers of historical fiction by Margaret Atwood, A.S. Byatt and Hannah Kent.
Some favorite lines:
Osbert says of Mary: “There’s this light in her, you see, and it must not be put out.”
“When summer was finished the family was visited by a series of overstated seasons. In September, they awakened after night frosts to a woods awash with floating gold leaves and a sky frantic with migrating birds – sometimes so great in number that they covered completely with their shadows the acre of light and air that Brian had managed to create.”
“There are five hundred and forty different kinds of weather out there, and I respect every one of them. White squalls, green fogs, black ice, and the dreaded yellow cyclone, just to mention a few.”
It’s my second time participating in Reading Ireland Month, run each March by Cathy of 746 Books and Niall of Raging Fluff.




Rightly likened to Of Mice and Men, this is an engrossing short novel about two brothers, Neil and Calum, tasked with climbing trees and gathering the pinecones of a wealthy Scottish estate. They will be used to replant the many woodlands being cut down to fuel the war effort. Calum, the younger brother, is physically and intellectually disabled but has a deep well of compassion for living creatures. He has unwittingly made an enemy of the estate’s gamekeeper, Duror, by releasing wounded rabbits from his traps. Much of the story is taken up with Duror’s seemingly baseless feud against the brothers – though we’re meant to understand that his bedbound wife’s obesity and his subsequent sexual frustration may have something to do with it – as well as with Lady Runcie-Campbell’s class prejudice. Her son, Roderick, is an unexpected would-be hero and voice of pure empathy. I read this quickly, with grim fascination, knowing tragedy was coming but not quite how things would play out. The introduction to Canongate’s Canons Collection edition is by actor Paul Giamatti, of all people. (Secondhand – Community Furniture Project, Newbury)





Eric and Mabel moved from the Midlands to run a hotel on a remote Scottish island. He places an advertisement in select London periodicals to lure in some Christmas-haters for the holidays and attracts a motley group: a bereaved former soldier writing a biography of General Gordon, a pair of actors known only for commercials, a psychoanalyst, and a department store buyer looking for a novel sweater pattern. Mabel decides she’s had enough and flees the island just as the guests start arriving. One guest is stalking another; one has history on the island. And all along, there are hints that this is a site of major selkie activity. I found it jarring how the novella moved from Shena Mackay-like social comedy into magic realism and doubt I’ll read more by Ellis (I’d already read one volume of 
The many Gaelic phrases, defined in footnotes, help to create the atmosphere. The chapter epigraphs from the legend of Oisín (son of Fionn Mac Cumhaill) and Tír Na nÓg, the land of eternal youth, heighten the contrast between Colin’s idealism and the reality of this life-changing season. I think this is the first book I’ve read that was originally published in Gaelic and I hope it will find readers far beyond its island niche. (BookSirens)
1) Our transit through Edinburgh was brief and muggy, but we made sure to leave just enough time to queue for cones at Mary’s Milk Bar, which has the most interesting flavours you’ll find anywhere. Pictured, though half eaten, are my one scoop of Earl Grey and peach sorbet and one scoop of fig and cardamom ice cream. When we returned to Edinburgh to return the car at the end of our trip, I took the train home by myself but C stayed on for a conference, during which he treated himself to another round at Mary’s.




A quaint short memoir set in the 1950s on the island of Mull (which we sailed past on our way to and from the Outer Hebrides). It’s narrated in tongue-in-cheek fashion by Nicholas the Cat, who pals around with the farm’s dogs, horse and goats and comments on the doings of its human inhabitants, such as “Puddy” (Carothers), a war widow, and her daughter Fionna, who goes away to school. “We understand so much about them, yet they understand so little about us,” he opines. Indeed, the animals are all observant and can communicate with each other. Corrieshellach is a fine horse taken to compete in shows. The goats are lucky to escape with their lives after a local outbreak of foot-and-mouth disease among livestock. Nicholas grows fat on rabbits and fathers several litters. He voices some traditional views (the Clearances: bad but the Empire: good; crows: bad); then again, cats would certainly be C/conservatives. A sweet Blyton-esque read for precocious children or sentimental adults, this passed the time nicely on a long drive. It could do with a better title, though; the ducks only play a tiny role. (Favourite aside: “that beverage which humans find so comforting when things aren’t right. Tea.”) (Secondhand – Benbecula thrift shop)
I read half of this large-format paperback before our trip and the rest afterward. It collects four of Hedderwick’s picture books, which are all set on the Isle of Struay, a kind of Hebridean composite that reproduces the islands’ wildlife and scenery beautifully. Katie Morag’s parents run the shop and post office and her mother always seems to be producing another little brother. In Katie Morag Delivers the Mail, the little red-haired girl causes chaos by delivering parcels at random. Sophisticated Granma Mainland and practical Grannie Island are the stars of Katie Morag and the Two Grandmothers. Katie Morag learns to deal with her anger and with being punished, respectively, in …and the Tiresome Ted and …and the Big Boy Cousins. Cute stories with useful lessons, but the illustrations are the main attraction. I’ll get the rest of the books out from the library. (Little Free Library) 
