Adventures in Rereading: The Sixteenth of June by Maya Lang
Last year I reviewed Tenth of December by George Saunders on its title date; this year I couldn’t resist rereading one of my favorites from 2014 for today’s date (which just so happens to be Bloomsday, made famous by James Joyce’s Ulysses), The Sixteenth of June.
I responded to the novel at length when it first came out. No point in reinventing the wheel, so here are mildly edited paragraphs of synopsis from my review for The Bookbag:
Maya Lang’s playful and exquisitely accomplished debut novel, set on the centenary of the original Bloomsday, transplants many characters and set pieces from Ulysses to near-contemporary Philadelphia. Don’t fret, though – even if, like me, you haven’t read Ulysses, you’ll have no trouble following the thread. In fact, Lang dedicates her book to “all the readers who never made it through Ulysses (or haven’t wanted to try).” (Though if you wish to spot parallels, pull up any online summary of Ulysses; there is also a page on Lang’s website listing her direct quotations from Joyce.)
On June 16, 2004, brothers Leopold and Stephen Portman have two major commitments: their grandmother Hannah’s funeral is happening at the local synagogue in the morning; and their parents’ annual Bloomsday party will take place at their opulent Delancey Street home in the evening. Around those two thematic poles – the genuine emotions of grief and regret on the one hand, and the realm of superficial entertainment on the other – the novel expands outward to provide a nuanced picture of three ambivalent twenty-something lives.
The third side of this atypical love triangle is Nora, Stephen’s best friend from Yale – and Leo’s fiancée. Nora, a trained opera singer, is still reeling from her mother’s death from cancer one year ago. She’s been engaging in self-harming behavior, and Leo – a macho, literal-minded IT consultant – just wants to fix her. Nora and Stephen, by contrast, are sensitive, artistic souls who seem better suited to each other. Stephen, too, is struggling to find a meaning in death, but also to finish his languishing dissertation on Virginia Woolf.
Literature is almost as potent a marker of upper-class status as money here: some of the Portmans might not have even read Joyce’s masterpiece, but that doesn’t stop them name-dropping and maintaining the pretense of being well-read. While Lang might not mimic the extremes of Joyce’s stream-of-consciousness style, she prioritizes interiority over external action by using a close third-person voice that shifts between her main characters’ points of view. Their histories and thoughts are revealed mostly through interior monologues and conversations. Lang’s writing is full of mordant shards of humor; one of my favorite lines was “No one in a eulogy ever said, She watched TV with the volume on too loud.”
During my rereading, I was captivated more by the portraits of grief than by the subtle intellectual and class differences. I appreciated the characterization and the Joycean peekaboo, and the dialogue and shifts between perspectives still felt fresh and effortless. I could relate to Stephen and Nora’s feelings of being stuck and unsure how to move on in life. And the ending, which I’d completely forgotten, was perfect. I didn’t enjoy this quite as much the second time around, but it’s still a treasured signed copy on my shelf.
My original rating (June 2014):
My rating now:
Readalikes: Writers & Lovers by Lily King and The Emperor’s Children by Claire Messud (my upcoming Doorstopper of the Month).
(See also my review of Lang’s recent memoir, What We Carry.)
Alas, I’ve also had a couple of failed rereading attempts recently…
Everything Is Illuminated by Jonathan Safran Foer (2002)
I remembered this as a zany family history quest turned into fiction. A Jewish-American character named Jonathan Safran Foer travels to (fictional) Trachimbrod, Ukraine to find the traces of his ancestors and, specifically, the woman who hid his grandfather from the Nazis. I had totally forgotten about the comic narration via letters from Jonathan’s translator/tour guide, Alexander, who fancies himself a ladies’ man and whose English is full of comic thesaurus use (e.g. “Do not dub me that,” “Guilelessly yours”). This was amusing, but got to be a bit much. I’d also forgotten about the dense magic realism of the historical sections. As with A Visit from the Goon Squad, what felt dazzlingly clever on a first read (in January 2011) failed to capture me a second time. [35 pages]
Interestingly, Foer’s mother, Esther, released a memoir earlier this year, I Want You to Know We’re Still Here. It’s about the family history her son turned into quirky autofiction: a largely fruitless trip he took to Ukraine to research his maternal grandfather’s life for his Princeton thesis, and a more productive follow-up trip she took with her older son in 2009. Esther Safran Foer was born in Poland and lived in a German displaced persons camp until she and her parents emigrated to Washington, D.C. in 1949. Her father committed suicide in 1954, making him almost a belated victim of the Holocaust. The stories she hears in Ukraine – of the slaughter of entire communities; of moments of good luck that allowed her parents to, separately, survive and find each other – are remarkable, but the book’s prose, while capable, never sings. Plus, she references her son’s novel so often that I wondered why someone would read her book when they could read his instead.
On Beauty by Zadie Smith (2005)
This was an all-time favorite when it first came out. I remembered a sophisticated homage to E.M. Forster’s Howards End, featuring a biracial family in Cambridge, Mass. I remembered no specifics beyond a giant music store and (embarrassingly) an awkward sex scene. Howard Belsey’s long-distance rivalry with a fellow Rembrandt scholar gets personal when the Kipps family relocates from London to the Boston suburbs for Monty to be the new celebrity lecturer at the same college. Howard is in the doghouse with his African-American wife, Kiki, after having an affair. The Belsey boy and Kipps girl have an awkward romantic history. Zora Belsey is smitten with a lower-class spoken word poet she meets after a classical concert in the park when they pick up each other’s Discmans by accident (so dated!). All of the portraits felt like stereotypes to me, and there was so much telling, so much backstory, so many unnecessary secondary characters. Before I would have said this was my obvious Women’s Prize winner of winners, but now I have no idea what I’ll vote for. [107 pages]
Currently rereading: Watership Down by Richard Adams, Ella Minnow Pea by Mark Dunn, Dreams from My Father by Barack Obama
To reread soon: Heaven’s Coast by Mark Doty & Animal, Vegetable, Miracle by Barbara Kingsolver
Done any rereading lately?
The Wellcome Book Prize 2019 Awards Ceremony
The winner of the 10th anniversary Wellcome Book Prize is Murmur, Will Eaves’s experimental novel about Alan Turing’s state of mind and body after being subjected to chemical castration for homosexuality. It is the third novel to win the Prize. Although it fell in the middle of the pack in our shadow panel voting because of drastically differing opinions, it was a personal favorite for Annabel and myself – though we won’t gloat (much) for predicting it as the winner!
Clare, Laura and I were there for the announcement at the Wellcome Collection in London. It was also lovely to meet Chloe Metzger, another book blogger who was on the blog tour, and to see UK book v/blogging legends Eric Karl Anderson and Simon Savidge again.
The judges’ chair, novelist Elif Shafak, said, “This prize is very special. It opens up new and vital conversations and creates bridges across disciplines.” At a time when we “are pushed into monolithic tribes and artificial categories, these interdisciplinary conversations can take us out of our comfort zones, encouraging cognitive flexibility.” She praised the six shortlisted books for their energy and the wide range of styles and subjects. “Each book, each author, from the beginning, has been treated with the utmost respect,” she reassured the audience, and the judges approached their task with “an open mind and an open heart,” arriving at an “inspiring, thought-provoking, but we believe also accessible, shortlist.”
The judges brought each of the five authors present (all but Thomas Page McBee) onto the stage one at a time for recognition. Shafak admired how Sandeep Jauhar weaves together his professional expertise with stories in Heart, and called Sarah Krasnostein’s The Trauma Cleaner a “strangely life-affirming and uplifting book about a remarkable woman. … It’s about transitions.”
Doctor and writer Kevin Fong championed Amateur, his answer to the question “which of these books, if I gave it to someone, would make them better.” McBee’s Canongate editor received the recognition/flowers on the author’s behalf.
Writer and broadcaster Rick Edwards chose Arnold Thomas Fanning’s Mind on Fire for its “pressability factor” – the book about which he kept saying to friends and family, “you must read this.” It’s an “uncomfortably honest” memoir, he remarked, “a vivid and unflinching window, and for me it was revelatory.”
Writer, critic and academic Jon Day spoke up for Murmur, “a novel of great power and astonishing achievement,” about “what it means to know another person.”
Lastly, writer, comedian and presenter Viv Groskop spoke about Ottessa Moshfegh’s My Year of Rest and Relaxation, which she described as “Jane Eyre meets Prozac Nation.” The judges “had a lot of fun” with this novel, she noted; it’s “caustic, feminist … original, playful, [and] strangely profound.”
But only one book could win the £30,000 10th anniversary prize, and it was one that Shafak predicted will be “a future classic,” Murmur. Will Eaves thanked Charles Boyle of CB Editions for taking a chance on his work. He also acknowledged Alan Turing, who, like him, attended King’s College, Cambridge. As he read Turing’s papers, Eaves reported, he was gripped by the quality of the writing – “there’s a voice there.” Finally, in a clearly emotional moment, he thanked his mother, who died several years ago and grew up in relative poverty. She was a passionate believer in education, and Eaves encouraged the audience to bear in mind the value of a state education when going to the polls.

Photo by Eric Karl Anderson.
After the announcement we found Sarah Krasnostein, our shadow panel winner, and got a photo and a signature. She gave us the scoop on her work-in-progress, which examines six case studies, three from Australia and three from the USA, of people with extreme religious or superstitious beliefs, such as a widow who believes her husband was abducted by aliens. She’s exploring the “cognitive dissonance” that goes on in these situations, she said. Can’t wait for the new book!

Laura, Sarah Krasnostein, me, Clare.
I also congratulated Will Eaves, whose book I’d covered for the blog tour, and got a signature. Other ‘celebrities’ spotted: Suzanne O’Sullivan, Ruth Padel and Robin Robertson. (Also a couple of familiar faces from Twitter that I couldn’t place, one of whom I later identified as Katya Taylor.)
I again acquired a Wellcome goody bag: this year’s limited-edition David Shrigley tote (I now have two so will pass one on to Annabel, who couldn’t be there) with an extra copy of The Trauma Cleaner to give to my sister.
Another great year of Wellcome festivities! Thanks to Midas PR, the Wellcome Book Prize and my shadow panel. Looking forward to next year already – I have a growing list of 2020 hopefuls I’ve read or intend to read.
See also: Laura’s post on the ceremony and the 5×15 event that took place the night before.
The Wellcome Book Prize 2018 Awards Ceremony
Hey, we got it right! Mark O’Connell’s To Be a Machine, our shadow panel’s pick, won the Wellcome Book Prize 2018 last night. Of the three shadow panels I’ve participated in and the many others I’ve observed, this is the only time I remember the shadow winner matching the official one. Clare, Paul and I were there in person for the announcement at the Wellcome Collection in London. When we briefly spoke to the judges’ chair, Edmund de Waal, later in the evening, he said he was “relieved” that their decision matched ours – but I think it was definitely the other way around!
Simon Chaplin, Director of Culture & Society at the Wellcome Trust, said that each year more and more books are being considered for the prize. De Waal revealed that the judges read 169 books over nine months in what was for him his most frightening book club ever. “To bring the worlds of medicine and health into urgent conversation” requires a “lyrical and disciplined choreography,” he said, and “how we shape stories of science … is crucial.” He characterized the judges’ discussions as both “personal and passionate.” The Wellcome-shortlisted books make a space for public debate, he insisted.

Judges Gordon, Paul-Choudhury, Critchlow, Ratcliffe and de Waal. Photo by Clare Rowland.
The judges brought each of the five authors present onto the stage one at a time for recognition. De Waal praised Ayobami Adebayo’s “narrative of hope and fear and anxiety” and Meredith Wadman’s “beautifully researched and paced thriller.” Dr Hannah Critchlow of Magdalene College, Cambridge called Lindsey Fitzharris’s The Butchering Art “gruesome yet fascinating.” Oxford English professor Sophie Ratcliffe applauded Kathryn Mannix’s book and its mission. New Scientist editor-in-chief Sumit Paul-Choudhury said Mark O’Connell’s book is about the future “just as much as what it means to be human in the twenty-first century.” Journalist and mental health campaigner Bryony Gordon thanked Sigrid Rausing for her “great honesty and stunning prose.”
But there can only be one winner, and it was Mark O’Connell, who couldn’t be there as his wife is/was giving birth to their second child imminently. The general feeling in the room was that he’d made the right call by deciding to stay with his family. He must be feeling like the luckiest man on earth right now, to have a baby plus £30,000! Max Porter, O’Connell’s editor at Granta and the author of Grief Is the Thing with Feathers, received the award on his behalf and read out the extremely witty speech he’d written in advance.
Afterwards we spoke to three of the shortlisted authors. Kathryn Mannix said she’d so enjoyed following our shadow panel reviews and that it was for the best that O’Connell won, as any other outcome might have spoiled the lovely girls’ club the others had going on during the weekend’s events. I got two signatures and we nabbed a quick photo with Lindsey Fitzharris. It was also great to meet Simon Savidge, the king of U.K. book blogging, and author and vlogger Jen Campbell. Other ‘celebrities’ spotted: Sarah Bakewell and Ben Goldacre.
This time I stayed long enough for pudding canapés to come around – raspberry cake pops and mini meringues with strawberries. What a great idea! On the way out I again acquired a Wellcome goody bag: this year’s tote with a copy of The Butchering Art, which I only had on Kindle before. I’d also treated myself to this brainy necklace from the Wellcome shop and wore it to the ceremony. An all-round great evening. I’m looking forward to next year’s prize season already!

Paul, Lindsey Fitzharris, Clare and me.
My (Tiny) Collection of Signed Copies
The other day I discovered a pencil-written recipe in the back of a secondhand book I got for Christmas. It got me thinking about handwriting in books: signatures, inscriptions, previous owners’ names, marginalia, and so on. If I can find enough examples of all those in my personal library, I might turn this into a low-key series. For now, though, I’ve rounded up my signed copies for a little photo gallery.
I’ve never placed particular value on owning signed copies of books. I’m just as likely to resell a signed book or give it away to a friend as I am a standard copy. The signed books I do have on my shelves are usually a result of having gone to an author event and figuring I may as well stick around for the signing. A few were totally accidental in secondhand purchases.
Though I’ve had personal correspondence with Paulette Bates Alden and love the three books of hers that I’ve read, this signature is entirely coincidental, in a used copy from Amazon. Shame on Patti for getting rid of it after Paulette’s book club visit in 2000!
I love Karen Armstrong’s work, especially her two memoirs about deciding not to be a nun, and A History of God. I’ve seen her speak twice and am always impressed by her clear reasoning. (Tell you a secret, though: I couldn’t get through this particular book.)
While my husband worked at Royal Holloway we saw Alain de Botton speak at the Runnymede Literary Festival and I had him sign a copy of my favorite of his books.
Krista Detor is one of our favorite singer-songwriters. We’ll be seeing her play for the fourth time in March. Luckily for us (but unluckily for the world, and for her coffers), this folk songstress from Indiana is unknown enough to play folk clubs and house concerts on both sides of the Atlantic. She wrote a book documenting the creative process behind her next-to-last album; when I saw her in Maryland she signed it with “Maybe see you across the pond!”
I have yet to read one of Melissa Harrison’s books, though I’m interested in her novels and her book on British weather. However, she edited the Seasons anthologies issued by the Wildlife Trusts last year – two of which my husband’s writing appeared in. When she spoke on the University of Reading campus about notions of the countryside in literature, my husband went along to meet her and bought a paperback of her second novel for her to sign.
I’ve seen David Lodge speak twice, both times at the London Review Bookshop. He’s one of my favorite authors ever but, alas, isn’t all that funny or personable live; his autobiography is similarly humorless compared to his novels. Deaf Sentence was a return to his usual comic style after his first stab at historical fiction (Author, Author, about Henry James’s later life). The second time I saw him he was promoting A Man of Parts, which again imagines the inner life of a famous author – this time H.G. Wells.
An obscene bargain from Amazon that just happened to be signed. I’m looking forward to starting this one soon: books about book are (almost) always such a cozy delight.
- You can tell she enjoys her S’s.
Plus three signed copies languishing in boxes in America:
- Blue Shoe by Anne Lamott: I love Lamott’s nonfiction but have never tried one of her novels. I found this one at a library book sale, going for $1; I guess nobody noticed the signature.
- The Sixteenth of June by Maya Lang: I originally read the book via NetGalley, but it quickly became a favorite. After she saw my five-star review, Maya asked me to help her out with word-of-mouth promotion and was kind enough to send me a signed copy as thanks.
- The Life of D.H. Lawrence: An Illustrated Biography by Keith M. Sagar: Sagar was one of the keynote speakers at the D.H. Lawrence Society of North America conference I attended in the summer of 2005.
Do you deliberately buy signed copies? What are some of the jewels in your collection?
Library Checkout: October 2016
I continue to power through public library books at the same time as I keep acquiring books – including the ones below that I bought with birthday money from my sister: two novels I’ve been keen to read, a book of poetry, and two bibliomemoirs (one of them a signed copy but still stupidly cheap!).
I also have this gorgeous trio of blue-hued books to be reviewing for The Bookbag.
I’ve given ratings for all the books I finished, and added links to reviews for those I managed to write about.
LIBRARY BOOKS READ
- Ozone Journal by Peter Balakian (poetry)
- Thrice the Brinded Cat Hath Mew’d by Alan Bradley
- The Crime Writer by Jill Dawson
- The Library of Unrequited Love by Sophie Divry
- Let Me Tell You about a Man I Knew by Susan Fletcher
- The Man Who Wouldn’t Get Up and Other Stories by David Lodge
- Nutshell by Ian McEwan
- The Many by Wyl Menmuir
- Do Not Say We Have Nothing by Madeleine Thien
CURRENTLY READING
- Keeping an Eye Open: Essays on Art by Julian Barnes
- Open City by Teju Cole
CHECKED OUT, TO BE READ
Many familiar titles still hanging around from last month, plus a few new ones…
- A Chinese street food cookbook to browse for ideas
- Hag-Seed: The Tempest Retold by Margaret Atwood
- The Course of Love by Alain de Botton
- Mend the Living by Maylis de Kerangal
- The Lie Tree by Frances Hardinge
- Man Walks into a Room by Nicole Krauss
- Thirteen Ways of Looking by Colum McCann
- The Tobacconist by Robert Seethaler
- The Painted Bridge by Wendy Wallace
IN THE RESERVATION QUEUE
- Poetry Notebook, 2006–2014 by Clive James
- Dear Mr. M by Herman Koch
- Squirrel Pie by Elisabeth Luard
- Cure: A Journey into the Science of Mind over Body by Jo Marchant
- Autumn by Ali Smith
- The Pursuit of Happiness: Why Are We Driving Ourselves Crazy and How Can We Stop? by Ruth Whippman
RETURNED UNREAD
- Two for Joy by Dannie Abse – I read about a third of these poems; not a single one stuck out for me.
- The Most Perfect Thing: Inside (and Outside) a Bird’s Egg by Tim Birkhead – requested; I’ll have to get it back out another time.
- Citizen: An American Lyric by Claudia Rankine – Skimmed. Kudos to Rankine for revealing overt/casual racism in America – Lord knows we still need it in the public eye. (Ditto to Paul Beatty’s The Sellout winning the Booker Prize.) But is this poetry? Not even a quarter of the book is composed of what I would call poems, even prose poems. It’s more like a book of essays, which I wasn’t in the mood for. Best lines: “because white men can’t / police their imagination / black men are dying.”
- The House at the Edge of the World by Julia Rochester – also requested.
(Thanks, as always, go to Shannon of River City Reading for the great blog idea and template!)