Love Your Library, January 2022
We’re now on the fourth month of the Love Your Library feature. First, my thanks to Mary R. of Bibliographic Manifestations for her post on the libraries she has known and loved, and Naomi M. of Consumed by Ink for her reviews of recent books she’s read from the library. Karen of Booker Talk let me share this photo she took of a beautifully refurbished chapel-turned-library local to her.
Rosemary of Scones and Chaises Longues also sent me a photo of her latest library book haul.
I’ve been back to my library volunteering this month and am starting to amass borrowed books and hold requests. In keeping with my goal of prioritizing backlist books over brand-new ones, I’ve been picking up whatever catches my eye, including some releases from last year that I missed, and some older stuff, too. All volunteers were recently given this tote bag as a thank-you.
As to what I’ve actually read from the library recently, it’s mostly selections from the Costa Awards shortlists. I read the full poetry shortlist, two as review copies and two from the library. My preferred title was Eat or We Both Starve, but The Kids (a mixed-race author’s memories of kids she’s taught, and her own coming of age, and a potential antidote to the Kate Clanchy debacle?) won. I also read Free by Lea Ypi, a delightful memoir about growing up in Albania in the 1980s and 90s that has scenes and dialogue worthy of fiction, and Fault Lines by Emily Itami, a debut novel wryly narrated by a Tokyo housewife having an affair. I’m currently halfway through Maggie Blue and the Dark World by Anna Goodall, an enjoyable middle grade novel reminiscent of classic Madeleine L’Engle and C.S. Lewis fantasy but updated to cover bullying, mental health issues and same-sex attraction.
Do share a link to your own post in the comments, and feel free to use the image below. I’ve co-opted a hashtag that is already popular on Twitter and Instagram: #LoveYourLibrary.
Here’s a reminder of my ideas of what you might choose to post (this list will stay up on the project page):
- Photos or a list of your latest library book haul
- An account of a visit to a new-to-you library
- Full-length or mini reviews of some recent library reads
- A description of a particular feature of your local library
- A screenshot of the state of play of your online account
- An opinion piece about library policies (e.g. Covid procedures or fines amnesties)
- A write-up of a library event you attended, such as an author reading or book club.
If it’s related to libraries, I want to hear about it!
Some 2022 Reading Goals
First of all, I need to give some proper attention to the books on my set-aside shelf (nearly 40 of them), preferably clearing this in January – while also catching up on review copies from last year and continuing with the January releases.
Thereafter, I’d like to concentrate on backlist books for the year. This may seem ironic given that I review new ones on the blog and for various other outlets, and that I’m going to be featuring my 20 most anticipated titles of 2022 in a post tomorrow, but I have a few reasons for wanting to focus on older material.
One is that backlist reading consistently produces new favourites. Another is that every time I shelve in the library’s back room rolling stacks, I see novels that I’ve always meant to read, or that look fantastic, and think, “I really should borrow more from in here” … then forget all about them and place holds on (sometimes disappointing) new books instead.
A final reason is that, as I pack up my library in preparation for moving and get a good look at the ~500 unread books all over again, I hope and expect that I will be inspired to read them – and also to revisit some long-neglected favourites. (Of course, I may also cull some before the move, which would be fine.) The plan is to eventually replace our fleet of white Billy bookcases with built-in shelving either side of the decorative fireplaces in a few rooms of the new house.
As always, I’d like to get to more classics, doorstoppers and literature in translation (I own hardly any translated titles, so most of this will have to be from the library). I’ll participate in all the usual annual blogger challenges plus any new ones I can fit in, including Annabel’s #NordicFINDS – I’m currently reading Sophie’s World by Jostein Gaarder to review later this month.
I’m sure to follow a similar set of literary prizes as last year, including the Young Writer of the Year Award, the Barbellion Prize, the Rathbones Folio Prize, the Wainwright Prize, and (to a lesser extent) the Dylan Thomas Prize, the Women’s Prize and the Booker Prize. And, of course, I’ll be carefully monitoring the later stages of the McKitterick Prize judging after sending off my own longlist for the unpublished manuscripts. These prize lists plus various review copies will ensure I have a regular influx of recent releases to counterbalance the backlist reads.
Brand new or backlist for you in 2022?
A Look Back at My 2021 Reading: Statistics and Superlatives
I hope everyone passed a lovely holiday week. We had house guests for a few days over New Year’s, so I haven’t had a chance to work up my statistics until now. Marcie sent me a spreadsheet template to keep track of my reading, and my tech whiz husband helped analyze the data. I look forward to catching up on everyone else’s best-of and stats posts, too.
How I did with my 2021 goals
My simple reading goals for 2021 were to read more biographies, classics, doorstoppers and travel books – genres that tend to sit on my shelves unread. I read one biography in graphic novel form (Orwell by Pierre Christin), but otherwise didn’t manage any. I only read three doorstoppers the whole year, but 29 classics – defining them is always a nebulous matter, but I’m going with books from before 1980 – a number I’m happy with.
Surprisingly, I did the best with travel books, perhaps because I’ve started thinking about travel writing more broadly and not just as a white man going to the other side of the world and seeing exotic things, since I don’t often enjoy such narratives. Granted, I did read a few like that, and they were exceptional (The Glitter in the Green by Jon Dunn, The Shadow of the Sun by Ryszard Kapuściński and Kings of the Yukon by Adam Weymouth), but if I include essays, memoirs and poetry with significant place-based and migration themes, I was at 26.
The numbers
Exactly the same total as last year (2019 had my maximum-ever of 343). From those three years’ evidence, I’d say I’ve found my natural limit. Next year I will aim for 340 again.
(This is what my lifestyle allows; yours is likely very different. I have bookish friends who read 80 books a year, 120, 150, 180, 200, and so on. My very busy university lecturer/town councillor husband felt bad for ‘only’ reading 65 books this past year, but keep in mind that the average person reads just 12 per year. My message to you, no matter your numbers, is YOU READ LOADS!)
Fiction: 49.7% (6.5% graphic novels; 5.3% short stories)
Nonfiction: 35%
Poetry: 15.3%
(Fiction and nonfiction are usually just about equal for me; I’m surprised that fiction pulled well ahead this year. I also read a bit more poetry this year than last.)
Female author: 66.47%
Male author: 30%
Nonbinary author: 0.88% (Meg-John Barker, Alice Hattrick and Olivia Laing)
Multiple genders (in anthologies): 2.65%
(I’ve been reading more and more by women each year, but this is the first time that female + nonbinary authors have outnumbered men by more than 2:1. I mostly attribute this to my interest in women’s stories. There were also three trans authors on my list.)
BIPOC author: 18.5%
(The first time I have specifically tracked this figure. Not too bad, but I’d prefer 25% or higher.)
Work in translation: 5%
(A decline from last year’s 7.2%. Must try harder!)
E-books: 13.2%
Print books: 86.8%
(Slightly higher than last year because of my new reviewing gig for Shelf Awareness, for which I read almost exclusively e-books.)
2021 releases: 41.8% (add in the 2020 releases and it’s 54.4%)
Pre-release books: 20%
Rereads: 12 (3.5%)
Where my books came from for the whole year:
- Free print or e-copy from publisher: 31.8%
- Public library: 24.7%
- Secondhand purchase: 16.8%
- Free (The Book Thing of Baltimore, the free mall bookshop, a giveaway, Little Free Libraries, etc.): 9.4%
- Downloaded from NetGalley or Edelweiss: 5.9%
- New purchase (sometimes at a bargain price): 5.6%
- University library: 3.8%
- Gifts: 2%
(Decreased from last year: review copies, NetGalley/Edelweiss, gifts; increased from last year: library borrowing, new and secondhand purchases, free books.)
Additional statistics courtesy of Goodreads:
73,520 pages read
Average book length: 216 pages (thank you, novellas and poetry!)
Average rating for 2021: 3.7
Extra Superlatives
First book completed:
Last book completed (also the shortest, at 46 pages)
Longest book, at 628 pages:
Authors I read the most by: Anne Tyler (5), thanks to Liz’s readalong project; Jim Davis and Alice Oseman cartoons (4 volumes each); Jim Crumley nature books and Emily Rapp Black memoirs (3 each)
Publishers I read the most from: Carcanet (18), then Picador (17), then Bloomsbury and Faber (14 each); in overall first place was undoubtedly Penguin and its many imprints.
My top discovery of the year: the Heartstopper teen graphic novel series.
My proudest bookish achievement: being asked to be a judge for the McKitterick Prize.
The books that made me laugh the most: The Echo Chamber by John Boyne and Early Morning Riser by Katherine Heiny.
Best book club selections: The Light Years by Elizabeth Jane Howard, Woman on the Edge of Time by Marge Piercy, The Year of Living Danishly by Helen Russell.
Most genuinely helpful book: How to Talk to a Science Denier by Lee McIntyre.
Best last lines encountered: “So where are we gonna go? / I don’t know. Let’s just drive and find out.” (from Heartstopper, Volume 4 by Alice Oseman).
Best 2021 book title: Mrs Death Misses Death.
Shortest book title encountered: In (Will McPhail), followed by Lot (Bryan Washington).
Biggest disappointments: Some of my lowest ratings went to Indelicacy by Amina Cain, Klara and the Sun by Kazuo Ishiguro, and Ness by Robert Macfarlane.
A 2021 book that everyone loved but me: The Lincoln Highway by Amor Towles.
Themes that kept turning up in my reading: Covid-19, colours (thanks to my summer reading challenge), disability (thanks to shadowing the Barbellion Prize), the mental and physical health benefits of time in nature; perennial topics like friendship, parenting and sisterhood.
Book Serendipity, November to December 2021
I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20–30), I suppose I’m more prone to such incidents. I’ve realized that, of course, synchronicity is really the more apt word, but this branding has stuck. This used to be a quarterly feature, but to keep the lists from getting too unwieldy I’ve shifted to bimonthly.
The following are in roughly chronological order.
- The received wisdom that, in a medical school interview, when asked why you want to become a doctor, you should NOT say “because I want to help people” turns up in The Cure for Good Intentions by Sophie Harrison and Head First by Alastair Santhouse.
- The fact that long-time couples don’t use each other’s first names anymore is mentioned in The Mystery of Henri Pick by David Foenkinos and The Cemetery in Barnes by Gabriel Josipovici.
- A rare and thus precious letter from a father in Generations by Lucille Clifton and The Mystery of Henri Pick by David Foenkinos.
- The fact that woodpeckers will eat songbird chicks was mentioned in Orchard by Benedict Macdonald and Nicholas Gates and Light Rains Sometimes Fall by Lev Parikian.
- Reading two books with covers featuring a partial head-on face at the same time: Taste by Stanley Tucci and Behind the Mask by Kate Walter.
- The fact that some of a baby’s cells remain within the mother even after she’s given birth is mentioned in The End We Start From by Megan Hunter and Frida Kahlo and My Left Leg by Emily Rapp Black.
- The author’s body is described as a conundrum in Conundrum by Jan Morris and Frida Kahlo and My Left Leg by Emily Rapp Black.
- The potoo (a bird like a nightjar) is the subject of an essay in World of Wonders by Aimee Nezhukumatathil and a poem in The Store-House of Wonder and Astonishment by Sherry Rind (coming out in January 2022).
- Reading a second memoir this year by an English woman whose partner works for Lego in Denmark: first was A Still Life by Josie George, then The Year of Living Danishly by Helen Russell.
- A mention of the disorienting experience of going into a cinema while it’s still light and then coming out to find it dark in Sorrow and Bliss by Meg Mason and then in the 2022 novel Our Wives Under the Sea by Julia Armfield.
- A detailed account of making a Christmas cake appears in Small Things Like These by Claire Keegan, read late in the year, and the Santa Rosa trilogy by Wendy McGrath, read early in the year.
- After Deborah Levy’s The Cost of Living in November, I read a proof copy of a February 2022 essay collection called Cost of Living, by Emily Maloney, in December.
- Surviving Home by Katerina Canyon has a poem entitled “No More Poems about My Father” while The Kids by Hannah Lowe has a poem (“The River”) that opens with the line “Not another poem about my father”.
What’s the weirdest reading coincidence you’ve had lately?
Love Your Library, December 2021
I hope everyone had a lovely Christmas! It’s the third month of the new Love Your Library feature. I’d like to start out by thanking Margaret and Rosemary for their recent posts. Margaret’s compares libraries then and now through her experiences as a teenage library assistant in the late 1960s versus as a volunteer these days. Rosemary’s is about rediscovering the joy of browsing her local library.
It’s been a quieter library month for me: I could only go in for volunteering a few times before I flew to the USA for Christmas, and I was focusing more on returning books than on borrowing them, though I do have this small stack awaiting me when I get back. Two from the Costa poetry shortlist (I’ve already read 1.5 of them, actually), a collection of short stories I’ve had recommended several times now, and a novella to reread for January’s book club.
Since last month, these are the library books I’ve read (three poetry books and a doctor’s memoir):
A Blood Condition by Kayo Chingonyi 
The Cure for Good Intentions by Sophie Harrison 
Conundrum by Jan Morris (a reread) 
The State of the Prisons by Sinéad Morrissey
The Moon Is Always Female by Marge Piercy
&
The Year of Living Danishly by Helen Russell
A book club read. Russell moved to rural Denmark when her husband got a job at the Lego headquarters and used her first year there as an excuse to investigate the Danish way of life and try to determine why everyone seemed so happy. My book club enjoyed the blend of information and experience and found this as light and entertaining as a novel. Although there must have been a lot of research and networking involved, Russell makes her discoveries seem effortless. A few of us felt the book was too long, or incorporated too many statistics, but there was a lot to admire about Denmark (the social safety net, the education system, childcare, clubs for adults across classes, etc.). And it made us laugh!
Do share a link to your own post in the comments, and feel free to use the above image. I’ve co-opted a hashtag that is already popular on Twitter and Instagram: #LoveYourLibrary.
Here’s a reminder of my ideas of what you might choose to post (this list will stay up on the project page):
- Photos or a list of your latest library book haul
- An account of a visit to a new-to-you library
- Full-length or mini reviews of some recent library reads
- A description of a particular feature of your local library
- A screenshot of the state of play of your online account
- An opinion piece about library policies (e.g. Covid procedures or fines amnesties)
- A write-up of a library event you attended, such as an author reading or book club.
If it’s related to libraries, I want to hear about it!
The Ones that Got Away: 2021’s DNFs, Most Anticipated Reads & More
I’ve not been great about keeping track of my abandoned books this year, nor have I been consistent about writing justifications. I’m particularly wary about casting aspersions on books that I know others have loved (such as the latest novels by Jonathan Franzen, Lauren Groff and Elizabeth Strout). I don’t like to belabour the matter, but every time I list my DNFs I do find that the posts are absurdly popular, so if this is the permission you need to drop that book you’ve been struggling with for months, take it! If for any reason a book isn’t connecting with you, move onto something else; you can always try it again another time.
For most I’ve given the usual (horribly reductive and unfair) two-word summaries, with longer reactions then given to the DNFs that were on my “most anticipated” list. In rough chronological order:
The Dickens Boy by Thomas Keneally: Too dull.
A Fire in My Head: Poems for the Dawn by Ben Okri: Too unsubtle.
Nobody Told Me: Poetry and Parenthood by Hollie McNish: Too long.
A Burning by Megha Majumdar: Too amateurish.
A Crooked Tree by Una Mannion: Too 1980s.
The Lamplighters by Emma Stonex: Too suspense-less.
The Art of Falling by Danielle McLaughlin: Too slow.
Escape Routes by Naomi Ishiguro: Too undistinctive.
You Exist Too Much by Zaina Arafat: Too Creative-Writing-MA-alum.
The Last Migration by Charlotte McConaghy: Too overwrought.
Of Women and Salt by Gabriela Garcia: Too dispersed.
Bewilderness by Karen Tucker: Too Marlena-wannabe.
Drowning Ruth by Christina Schwarz: Too early-2000s-Oprah’s-book-club.
Will This House Last Forever? by Xanthi Barker: Too Featherhood-lite.
The Union of Synchronised Swimmers by Cristina Sandu: Too vague.
The Cape Doctor by E. J. Levy: Too plodding.
Fathoms by Rebecca Giggs: Too dense.
Crossroads by Jonathan Franzen: Too wordy.
Fox and I: An Uncommon Friendship by Catherine Raven: Too lyrical.
Oh William! by Elizabeth Strout: Too scatter-brained.
Dark Tourist: Essays by Hasanthika Sirisena: Too unfocused.
Darwin’s Dragons by Lindsay Galvin: Too non-Darwin.
Something Out of Place: Women and Disgust by Eimear McBride: Too researched.
The Art of Reassembly by Peg Conway: Too homespun.
Coming Clean: A true story of love, addiction and recovery by Liz Fraser: Too soon.
Beautiful Country: A Memoir by Qian Julie Wang: Too child-POV.
Deadheading and Other Stories by Beth Gilstrap: Too drifting-to-nowhere.
Malibu Rising by Taylor Jenkins Reid: Too soapy.
Philomath: Poems by Devon Walker-Figueroa: Too weird.
Taste: My Life through Food by Stanley Tucci: Too celebrity-rather-than-author.
Somewhere between 30 and 40 DNFs is not too bad for me, representing around 10% of the books I started this year, rather than my standard 15%.
In January, I highlighted the 20 releases that I was most looking forward to reading in 2021. Here’s how I did:
Read and loved: 7 (4 will be on my Best-of lists for the year)
Read and found disappointing (i.e., rated 3.5 stars or below): 4
Still have a review copy to read: 1
Haven’t managed to find yet: 3
DNFs: 5 (oh so poor! – is my “most anticipated” designation actually a kiss of death?)
These were:
Libertie by Kaitlyn Greenidge – I was a big fan of Greenidge’s debut novel, We Love You, Charlie Freeman, but this Reconstruction-era story of an African American doctor and her daughter/protégée bored me stiff. After two attempts I could barely get past page 30.
Matrix by Lauren Groff – It’s as if Groff set herself the challenge of applying the most modern style possible (present tense, no speech marks, pared-back prose, sexual frankness) to a medieval setting. The result is readable, which is more than I can say for most of what’s set in that time period, but I waited 75 pages for something to happen. All we’d had thus far was people commenting on how unsuitable ungainly six-foot Marie is to be an abbess and lots of detail about the privations of life at that time unless you have money as a cushion.
Hot Stew by Fiona Mozley – I read the first 110 pages and felt a bit puzzled by Mozley’s change in direction: This is the sort of state-of-the-nation (via London) novel that male authors were writing a decade ago, in the Dickensian mode of broad characterization and coincidental connection. The omniscient, present-tense narration does too much skating over the surface and not enough digging into characters’ individuality and motivation.
An Ordinary Wonder by Buki Papillon – I read 25 pages or so. Adebayo/Adichie vibes but not the writing chops or the interesting story. Too bad, as I was interested in another intersex narrative to compare with Middlesex et al.
Great Circle by Maggie Shipstead – I tried this twice and found it bloated and slow; such a disappointment. Perhaps I’ll find the right moment in the future. In the meantime, I look forward to reading Shipstead’s first short story collection next year instead. Here’s hoping that her short-form storytelling will work out better for me!
Not a great showing, then, but I can’t seem to resist getting my hopes up each year. (My Most Anticipated Books of 2022 post will be coming up early in January!)
I regret running out of time in 2021 to finish The Final Revival of Opal and Nev by Dawnie Walton or read my review copy of Build Your House Around My Body by Violet Kupersmith. The other 2021 releases I’m most keen to get hold of are Radiant Fugitives by Nawaaz Ahmed, The Secret to Superhuman Strength by Alison Bechdel, Seeing Ghosts by Kat Chow, The War for Gloria by Atticus Lish, What Doesn’t Kill You by Tessa Miller, On Freedom by Maggie Nelson, Names of the Women by Jeet Thayil and O Beautiful by Jung Yun.
What are some of the ‘ones that got away’ from you this year?
December Reading Plans
Blogging, and especially hosting Novellas in November – which was a roaring success, for which I am grateful! – has felt like a full-time job at points over the past month.
It was a record-breaking month in terms of my reading total, and I also wrote 24 blog posts. What with all the novellas, a focus on nonfiction review books, and a few rereads, I was able to contribute to several challenges in addition to #NovNov, such as Nonfiction November, German Literature Month, and Margaret Atwood Reading Month.
November was extra stressful for me because of trying to buy a house, starting my McKitterick Prize judging, and my mother being in and out of hospital since September. I know I’m not the only one feeling burnt out after a busy month. I now need to focus on paid work so I can take my upcoming two weeks in the USA off.
So, for December’s reading, the plan is mostly to finish a good number of 2021 releases and review copies currently on the go. Here’s my planned set:
I will also likely slip in a few novella-length Christmas or winter books; my first is An Advent Calendar by Shena Mackay.
Meanwhile, the books keep coming in. This was my belated birthday and early Christmas haul from a holiday get-together with family over here:
I actually contemplated taking a complete break from blogging in December, but I still have a number of review copies I owe feedback on, as well as other ideas for themed posts that I want to fit in. Plus drawing up the Best-of lists and statistics is my favourite task of the blogging year, so I wouldn’t want to miss out on the fun. But I will definitely be scaling back this month, especially during our time in the States.
In other news, today it’s off to London for my first time since December 2019 (and only my second time on a train since then). We will have a nice chilly walk along the river from Richmond to Ham House and then grab a meal at a vegan diner before at last getting to go to our several-times-delayed Bell X1 gig at Union Chapel.
Lots of other good stuff coming up in the next week and a half, too, including a few Christmas concerts, a book club get-together, and the Barbellion Prize longlist, which is due out on the 13th.
Happy December reading!
Love Your Library, November 2021
It’s the second month of the new Love Your Library feature.
I’d like to start out by thanking all those who have taken part since last month’s post:
Adrian shared lovely stories about the libraries he’s used in Ireland, from childhood onwards.
Laila, Lori and Margaret highlighted their recent loans and reads.
Laura sent a photo of her shiny new library copy of Sally Rooney’s latest novel.
Finally, Marcie contributed this TikTok video of her library stacks!
As for my recent library experiences…
A stand-out read:
The Performance by Claire Thomas: What a terrific setup: three women are in a Melbourne theatre watching a performance of Samuel Beckett’s Happy Days. Margot is a veteran professor whose husband is developing dementia. Ivy is a new mother whose wealth hardly makes up for the devastating losses of her earlier life. Summer is a mixed-race usher concerned about her girlfriend during the fires rampaging outside the city. In rotating close third person sections, Thomas takes us into these characters’ inner worlds, contrasting their personal worries with wider issues of women’s and indigenous people’s rights and the environmental crisis, as well as with the increasingly claustrophobic scene on stage. In “The Interval,” written as a script, the main characters interact with each other, with the “forced intimacy between strangers” creating opportunities for chance meetings and fateful decisions.
Doorstoppers: A problem
Aware that I’m heading to the States for Christmas on the 14th of December (only a couple of weeks from now!), I’ve started culling my library stacks, returning any books that I’m not super-keen to read before the end of the year. A few I’ll borrow another time, but most I decided weren’t actually for me, even if raved about elsewhere.
I mentioned in a post last week that I’ve had a hard time finding the concentration for doorstoppers lately, which is ironic giving how many high-profile ones there have been this year – or even just this autumn. (For example, seven of BookPage’s top 20 fiction releases of 2021 are over 450 pages.) I gave up twice on Great Circle by Maggie Shipstead, swiftly abandoned Cloud Cuckoo Land by Anthony Doerr (a silly bookish attempt at something like Cloud Atlas), didn’t have time to attempt Tenderness by Alison Macleod and The Magician by Colm Tóibín, and recently returned The Morning Star by Karl Ove Knausgaard unread.
Why so many chunky reads this year, and this season in particular? I’ve wondered if it has had something to do with the lockdown mentality – for authors or readers, or both. It can be awfully cozy, especially as winter advances (in this hemisphere), to sink into a big book. But I find that I’m always looking for an excuse to not engage with a doorstopper.
I generally enjoy the scope, detail and moral commentary of Jonathan Franzen’s novels; his previous two, Freedom and Purity, which also numbered 500+ pages, were fantastic. But Crossroads wasn’t happening for me, at least not right now. I only got to page 23 on this attempt. The Chicago setting was promising, and I’m there for the doubt and hypocrisy of church-bound characters. But with text this dense, it feels like it takes SO MANY WORDS to convey just one scene or conversation. I was finding the prose a little obnoxious, too, e.g.
Of Santa the Hildebrandts had always said, Bah, humbug. And yet somehow, long past the age of understanding that presents don’t just buy and wrap themselves, he’d accepted their sudden annual appearance as, if not a miraculous provision, then a phenomenon like his bladder filling with urine, part of the normal course of things. How had he not grasped at nine a truth so obvious to him at ten? The epistemological disjunction was absolute.
Problems here: How many extra words do you need to say “He stopped believing in Santa at age 10”? When is the phrase “epistemological disjunction” ever anything other than showing off? And why did micturition present itself as an apt metaphor?
But anyway, I’ve hardly given this a fair shake yet. I daresay I’ll read it another time; it’ll be my eighth book by Franzen.
Do share a link to your own post in the comments, and feel free to use the above image. I’ve co-opted a hashtag that is already popular on Twitter and Instagram: #LoveYourLibrary.
Here’s a reminder of my ideas of what you might choose to post (this list will stay up on the project page):
- Photos or a list of your latest library book haul
- An account of a visit to a new-to-you library
- Full-length or mini reviews of some recent library reads
- A description of a particular feature of your local library
- A screenshot of the state of play of your online account
- An opinion piece about library policies (e.g. Covid procedures or fines amnesties)
- A write-up of a library event you attended, such as an author reading or book club.
If it’s related to libraries, I want to hear about it!
Book Serendipity, September to October 2021
I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20–30), I suppose I’m more prone to such incidents. I’ve realized that, of course, synchronicity is really the more apt word, but this branding has stuck. This used to be a quarterly feature, but to keep the lists from getting too unwieldy I’ve shifted to bimonthly.
The following are in roughly chronological order.
- Young people studying An Inspector Calls in Somebody Loves You by Mona Arshi and Heartstoppers, Volume 4 by Alice Oseman.
- China Room (Sunjeev Sahota) was immediately followed by The China Factory (Mary Costello).
- A mention of acorn production being connected to the weather earlier in the year in Light Rains Sometimes Fall by Lev Parikian and Noah’s Compass by Anne Tyler.
- The experience of being lost and disoriented in Amsterdam features in Flesh & Blood by N. West Moss and Yearbook by Seth Rogen.
- Reading a book about ravens (A Shadow Above by Joe Shute) and one by a Raven (Fox & I by Catherine Raven) at the same time.
- Speaking of ravens, they’re also mentioned in The Elements by Kat Lister, and the Edgar Allan Poe poem “The Raven” was referred to and/or quoted in both of those books plus 100 Poets by John Carey.
- A trip to Mexico as a way to come to terms with the death of a loved one in This Party’s Dead by Erica Buist (read back in February–March) and The Elements by Kat Lister.
- Reading from two Carcanet Press releases that are Covid-19 diaries and have plague masks on the cover at the same time: Year of Plagues by Fred D’Aguiar and 100 Days by Gabriel Josipovici. (Reviews of both coming up soon.)
- Descriptions of whaling and whale processing and a summary of the Jonah and the Whale story in Fathoms by Rebecca Giggs and The Woodcock by Richard Smyth.
An Irish short story featuring an elderly mother with dementia AND a particular mention of her slippers in The China Factory by Mary Costello and Blank Pages and Other Stories by Bernard MacLaverty.
- After having read two whole nature memoirs set in England’s New Forest (Goshawk Summer by James Aldred and The Circling Sky by Neil Ansell), I encountered it again in one chapter of A Shadow Above by Joe Shute.
- Cranford is mentioned in Corduroy by Adrian Bell and Cut Out by Michèle Roberts.
- Kenneth Grahame’s life story and The Wind in the Willows are discussed in On Gallows Down by Nicola Chester and The Elements by Kat Lister.
- Reading two books by a Jenn at the same time: Ghosted by Jenn Ashworth and The Other Mothers by Jenn Berney.
- A metaphor of nature giving a V sign (that’s equivalent to the middle finger for you American readers) in On Gallows Down by Nicola Chester and Light Rains Sometimes Fall by Lev Parikian.
- Quince preserves are mentioned in The Book of Difficult Fruit by Kate Lebo and Light Rains Sometimes Fall by Lev Parikian.
- There’s a gooseberry pie in Talking to the Dead by Helen Dunmore and The Book of Difficult Fruit by Kate Lebo.
- The ominous taste of herbicide in the throat post-spraying shows up in On Gallows Down by Nicola Chester and Damnation Spring by Ash Davidson.
- People’s rude questioning about gay dads and surrogacy turns up in The Echo Chamber by John Boyne and the DAD anthology from Music.Football.Fatherhood.
- A young woman dresses in unattractive secondhand clothes in The Echo Chamber by John Boyne and Beautiful World, Where Are You by Sally Rooney.
- A mention of the bounty placed on crop-eating birds in medieval England in Orchard by Benedict Macdonald and Nicholas Gates and A Shadow Above by Joe Shute.
- Hedgerows being decimated, and an account of how mistletoe is spread, in On Gallows Down by Nicola Chester and Orchard by Benedict Macdonald and Nicholas Gates.
Ukrainian secondary characters in Ghosted by Jenn Ashworth and The Echo Chamber by John Boyne; minor characters named Aidan in the Boyne and Beautiful World, Where Are You by Sally Rooney.
- Listening to a dual-language presentation and observing that the people who know the original language laugh before the rest of the audience in The Book of Difficult Fruit by Kate Lebo and Beautiful World, Where Are You by Sally Rooney.
- A character imagines his heart being taken out of his chest in Tender Is the Flesh by Agustina Bazterrica and The Book of Form and Emptiness by Ruth Ozeki.
- A younger sister named Nina in Talking to the Dead by Helen Dunmore and Sex Cult Nun by Faith Jones.
- Adulatory words about George H.W. Bush in The Echo Chamber by John Boyne and Thinking Again by Jan Morris.
- Reading three novels by Australian women at the same time (and it’s rare for me to read even one – availability in the UK can be an issue): Sorrow and Bliss by Meg Mason, The Performance by Claire Thomas, and The Weekend by Charlotte Wood.
- There’s a couple who met as family friends as teenagers and are still (on again, off again) together in Sorrow and Bliss by Meg Mason and Beautiful World, Where Are You by Sally Rooney.
- The Performance by Claire Thomas is set during a performance of the Samuel Beckett play Happy Days, which is mentioned in 100 Days by Gabriel Josipovici.
Human ashes are dumped and a funerary urn refilled with dirt in Tender Is the Flesh by Agustina Bazterrica and Public Library and Other Stories by Ali Smith.
- Nicholas Royle (whose White Spines I was also reading at the time) turns up on a Zoom session in 100 Days by Gabriel Josipovici.
- Richard Brautigan is mentioned in both The Mystery of Henri Pick by David Foenkinos and White Spines by Nicholas Royle.
- The Wizard of Oz and The Railway Children are part of the plot in The Book Smugglers (Pages & Co., #4) by Anna James and mentioned in Public Library and Other Stories by Ali Smith.
What’s the weirdest reading coincidence you’ve had lately?
Love Your Library Begins: October 2021
It’s the opening month of my new Love Your Library meme! I hope some of you will join me in writing about the libraries you use and what you’ve borrowed from them recently. I plan to treat these monthly posts as a sort of miscellany.
Although I likely won’t do thorough Library Checkout rundowns anymore, I’ll show photos of what I’ve borrowed, give links to reviews of a few recent reads, and then feature something random, such as a reading theme or library policy or display.
Do share a link to your own post in the comments, and feel free to use the above image. I’m co-opting a hashtag that is already popular on Twitter and Instagram: #LoveYourLibrary.
Here’s a reminder of my ideas of what you might choose to post (this list will stay up on the project page):
- Photos or a list of your latest library book haul
- An account of a visit to a new-to-you library
- Full-length or mini reviews of some recent library reads
- A description of a particular feature of your local library
- A screenshot of the state of play of your online account
- An opinion piece about library policies (e.g. Covid procedures or fines amnesties)
- A write-up of a library event you attended, such as an author reading or book club.
If it’s related to libraries, I want to hear about it!
Recently borrowed
Stand-out reads
The Echo Chamber by John Boyne
John Boyne is such a literary chameleon. He’s been John Irving (The Heart’s Invisible Furies), Patricia Highsmith (A Ladder to the Sky) and David Mitchell (A Traveller at the Gates of Wisdom). Now, with this Internet-age state-of-the-nation satire featuring variously abhorrent characters, he’s channelling the likes of Jamie Attenberg, Jonathan Coe, Patricia Lockwood, Lionel Shriver and Emma Straub. Every member of the Cleverley family is a morally compromised fake. Boyne gives his characters amusing tics, and there are also some tremendously funny set pieces, such as Nelson’s speed dating escapade and George’s public outbursts. He links several storylines through the Ukrainian dancer Pylyp, who’s slept with almost every character in the book and has Beverley petsit for his tortoise.
What is Boyne spoofing here? Mostly smartphone addiction, but also cancel culture. I imagined George as Hugh Bonneville throughout; indeed, the novel would lend itself very well to screen adaptation. And I loved how Beverley’s new ghostwriter, never given any name beyond “the ghost,” feels like the most real and perceptive character of all. Surely one of the funniest books I will read this year. (Full review).
Beautiful World, Where Are You by Sally Rooney
I was one of those rare readers who didn’t think so much of Normal People, so to me this felt like a return to form. Conversations with Friends was a surprise hit with me back in 2017 when I read it as part of the Sunday Times Young Writer of the Year Award shadow panel the year she won. The themes here are much the same: friendship, nostalgia, sex, communication and the search for meaning. BWWAY is that little bit more existential: through the long-form e-mail correspondence between two friends from college, novelist Alice and literary magazine editor Eileen, we imbibe a lot of philosophizing about history, aesthetics and culture, and musings on the purpose of an individual life against the backdrop of the potential extinction of the species.
Through their relationships with Felix (a rough-around-the-edges warehouse worker) and Simon (slightly older and involved in politics), Rooney explores the question of whether lasting bonds can be formed despite perceived differences of class and intelligence. The background of Alice’s nervous breakdown and Simon’s Catholicism also bring in sensitive treatments of mental illness and faith. (Full review).
This month’s feature
I spotted a few of these during my volunteer shelving and then sought out a couple more. All five are picture books composed by authors not known for their writing for children.
Islandborn by Junot Díaz (illus. Leo Espinosa): “Every kid in Lola’s school was from somewhere else.” When the teacher asks them all to draw a picture of the country they came from, plucky Lola doesn’t know how to depict the Island. Since she left as a baby, she has to interview relatives and neighbours for their lasting impressions. For one man it’s mangoes so sweet they make you cry; for her grandmother it’s dolphins near the beach. She gathers the memories into a vibrant booklet. The 2D cut-paper style reminded me of Ezra Jack Keats. 
The Islanders by Helen Dunmore (illus. Rebecca Cobb): Robbie and his family are back in Cornwall to visit Tamsin and her family. These two are the best of friends and explore along the beach together, creating their own little island by digging a channel and making a dam. As the week’s holiday comes toward an end, a magical night-time journey makes them wonder if their wish to make their island life their real life forever could come true. The brightly coloured paint and crayon illustrations are a little bit Charlie and Lola and very cute.
Rose Blanche by Ian McEwan (illus. Roberto Innocenti): Patriotism is assumed for the title character and her mother as they cheer German soldiers heading off to war. There’s dramatic irony in Rose being our innocent witness to deprivations and abductions. One day she follows a truck out of town and past barriers and fences and stumbles onto a concentration camp. Seeing hungry children’s suffering, she starts bringing them food. Unfortunately, this gets pretty mawkish and, while I liked some of the tableau scenes – reminiscent of Brueghel or Stanley Spencer – the faces are awful. (Based on a story by Christophe Gallaz.) 
Where Snow Angels Go by Maggie O’Farrell (illus. Daniela Jaglenka Terrazzini): The snow angel Sylvie made last winter comes back to her to serve as her guardian angel, saving her from illness and accident risks. If you’re familiar with O’Farrell’s memoir I Am, I Am, I Am, this presents a similar catalogue of near-misses. For a picture book, it has a lot of words – several paragraphs’ worth on most of its 70 pages – so I imagine it’s more suitable for ages seven and up. I loved the fairy tale atmosphere, touches of humour, and drawing style.
Weirdo by Zadie Smith and Nick Laird (illus. Magenta Fox): Kit’s birthday present is Maud, a guinea pig in a judo uniform. None of the other household pets – Derrick the cockatoo, Dora the cat, and Bob the pug – know what to make of her. Like in The Secret Life of Pets, the pets take over, interacting while everyone’s out at school and work. At first Maud tries making herself like the others, but after she spends an afternoon with an eccentric neighbour she realizes all she needs to be is herself. It’s not the first time married couple Smith and Laird have published an in-joke (their 2018 releases – an essay collection and a book of poems, respectively – are both entitled Feel Free): Kit is their daughter’s name and Maud is their pug’s. But this was cute enough to let them off. 
Bookish Beck = Rebecca Foster. American transplant to England. Freelance proofreader and book reviewer.
Bookish Beck 