Category Archives: Reading habits

Other 2019 Superlatives and Some Statistics

 

My best discoveries of the year: The poetry of Tishani Doshi; Penelope Lively and Elizabeth Strout (whom I’d read before but not fully appreciated until this year); also, the classic nature writing of Edwin Way Teale.

The authors I read the most by this year: Margaret Atwood and Janet Frame (each: 2 whole books plus parts of 2 more), followed by Doris Lessing (2 whole books plus part of 1 more), followed by Miriam Darlington, Paul Gallico, Penelope Lively, Rachel Mann and Ben Smith (each: 2 books).

 

Debut authors whose next work I’m most looking forward to: John Englehardt, Elizabeth Macneal, Stephen Rutt, Gail Simmons and Lara Williams.

 

My proudest reading achievement: A 613-page novel in verse (Mary Ann Sate, Imbecile by Alice Jolly) + 2 more books of over 600 pages (East of Eden by John Steinbeck and Cutting for Stone by Abraham Verghese).

Best book club selection: Red Dust Road by Jackie Kay was our first nonfiction book and received our highest score ever.

 

Some best first lines encountered this year:

  • “What can you say about a twenty-five-year old girl who died?” (Love Story by Erich Segal)
  • “The women of this family leaned towards extremes” (Away by Jane Urquhart)
  • “The day I returned to Templeton steeped in disgrace, the fifty-foot corpse of a monster surfaced in Lake Glimmerglass.” (from The Monsters of Templeton by Lauren Groff)

 

The downright strangest book I read this year: Lanny by Max Porter

 

The 2019 books everybody else loved (or so it seems), but I didn’t: Fleishman Is in Trouble by Taffy Brodesser-Akner, The Topeka School by Ben Lerner, Underland by Robert Macfarlane, The Boy, The Mole, The Fox and The Horse by Charlie Mackesy, Three Women by Lisa Taddeo and The Nickel Boys by Colson Whitehead

 

The year’s major disappointments: Cape May by Chip Cheek, We Are the Weather: Saving the Planet Begins at Breakfast by Jonathan Safran Foer, Letters to the Earth: Writing to a Planet in Crisis, ed. Anna Hope et al., Bowlaway by Elizabeth McCracken, Rough Magic: Riding the World’s Loneliest Horse Race by Lara Prior-Palmer, The Lager Queen of Minnesota by J. Ryan Stradal, The Knife’s Edge by Stephen Westaby and Frankissstein by Jeanette Winterson

 

The worst book I read this year: Jonathan Livingston Seagull by Richard Bach

 

 

Some statistics on my 2019 reading:

 

Fiction: 45.4%

Nonfiction: 43.4%

Poetry: 11.2%

(As usual, fiction and nonfiction are neck and neck. I read a bit more poetry this year than last.)

 

Male author: 39.4%

Female author: 58.9%

Nonbinary author (the first time this category has been applicable for me): 0.85%

Multiple genders (anthologies): 0.85%

(I’ve said this the past three years: I find it interesting that female authors significantly outweigh male authors in my reading; I have never consciously set out to read more books by women.)

 

E-books: 10.3%

Print books: 89.7%

(My e-book reading has been declining year on year, partially because I’ve cut back on the reviewing gigs that involve only reading e-books and partially because I’ve done less traveling; also, increasingly, I find that I just prefer to sit down with a big stack of print books.)

 

Work in translation: 7.2%

(Lower than I’d like, but better than last year’s 4.8%.)

 

Where my books came from for the whole year:

 

  • Free print or e-copy from publisher: 36.8%
  • Public library: 21.3%
  • Secondhand purchase: 13.8%
  • Free (giveaways, The Book Thing of Baltimore, the free mall bookshop, etc.): 9.2%
  • Downloaded from NetGalley, Edelweiss or Project Gutenberg: 7.8%
  • Gifts: 4.3%
  • University library: 2.9%
  • New purchase (usually at a bargain price): 2.9%
  • Church theological library: 0.8%
  • Borrowed: 0.2%

(Review copies accounted for over a third of my reading; I’m going to scale way back on this next year. My library reading was similar to last year’s; my e-book reading decreased in general; I read more books that I either bought new or got for free.)

 

Number of unread print books in the house: 440

(Last thing I knew the figure was more like 300, so this is rather alarming. I blame the free mall bookshop, where I volunteer every Friday. Most weeks I end up bringing home at least a few books, but it’s often a whole stack. Surely you understand. Free books! No strings attached!)

A Report on My Most Anticipated Reads & The Ones that Got Away

Between my lists in January and June, I highlighted 45 of the 2019 releases I was most looking forward to reading. Here’s how I did:

Read: 28 [Disappointments (rated or ): 12]

Currently reading: 1

Abandoned partway through: 5

Lost interest in reading: 1

Haven’t managed to find yet: 9

Languishing on my Kindle; I still have vague intentions to read: 1

To my dismay, it appears I’m not very good at predicting which books I’ll love; I would have gladly given 43% of the ones I read a miss, and couldn’t finish another 11%. Too often, the blurb is tempting or I loved the author’s previous book(s), yet the book doesn’t live up to my expectations. And I still have 376 books published in 2019 on my TBR, which is well over a year’s reading. For the list to keep growing at that annual rate is simply unsustainable.

Thus, I’m gradually working out a 2020 strategy that involves many fewer review copies. For strings-free access to new releases I’m keen to read, I’ll go via my local library. I can still choose to review new and pre-release fiction for BookBrowse, and nonfiction for Kirkus and the TLS. If I’m desperate to read an intriguing-sounding new book and can’t find it elsewhere, there’s always NetGalley or Edelweiss, too. I predict my FOMO will rage, but I’m trying to do myself a favor by waiting most of the year to find out which are truly the most worthwhile books rather than prematurely grabbing at everything that might be interesting.

 


I regret not having time to finish two 2019 novels I’m currently reading that are so promising they likely would have made at least my runners-up list had I finished them in time. I’m only a couple of chapters into The Confessions of Frannie Langton by Sara Collins (on the Costa Awards debut shortlist), a Gothic pastiche about a Jamaican maidservant on trial for killing her master and mistress (doubly intended) in Georgian London, but enjoying it very much. I’m halfway through The Dearly Beloved by Cara Wall, a quiet character study of co-pastors and their wives and how they came to faith (or not); it is lovely and simply cannot be rushed.

The additional 2019 releases I most wished I’d found time for before the end of this year are:

All This Could Be Yours by Jami Attenberg

Your House Will Pay by Steph Cha

Dominicana by Angie Cruz

&

In the Dream House by Carmen Maria Machado: I’ve heard that this is an amazing memoir of a same-sex abusive relationship, written in an experimental style. It was personally recommended to me by Yara Rodrigues Fowler at the Young Writer of the Year Award ceremony, and also made Carolyn Oliver’s list of nonfiction recommendations.

Luckily, I have another chance at these four since they’re all coming out in the UK in January; I have one as a print proof (Cruz) and the others as NetGalley downloads. I also plan to skim Invisible Women: Exposing Data Bias in a World Designed for Men by Caroline Criado Perez, a very important new release, before it’s due back at the library.

The biggest release of 2019 is another that will have to wait until 2020: I know I made a lot of noise about boycotting The Testaments, but I’ve gradually come round to the idea of reading it, and was offered a free hardback to read as a part of an online book club starting on the 13th, so I’m currently rereading Handmaid’s to be ready to start the sequel in the new year.

 


Here’s the books I’m packing for the roughly 48 hours we’ll spend at my in-laws’ over Christmas. (Excessive, I know, but I’m a dabbler, and like to keep my options open!) A mixture of current reads, including a fair bit of suspense and cozy holiday stuff, with two lengthy autobiographies, an enormous Victorian pastiche, and an atmospheric nature/travel book waiting in the wings. I find that the holidays can be a good time to start some big ol’ books I’ve meant to read for ages.

Left stack: to start and read gradually over the next couple of months; right stack: from the currently reading pile.

I’ll be back on the 26th to start the countdown of my favorite books of the year, starting with fiction.

 

Merry Christmas!

Library Checkout: December 2019

One final chance to get through the rest of the 2019 releases I was most interested in reading. At the last minute, a bunch of my reservations on Costa Awards shortlisted books (one from the Novel category, one from the First Novel category, one from the Biography category, and the entire poetry shortlist) arrived. I’m pushing myself to get through at least the poetry.

I give links to reviews of any books I haven’t already featured, as well as ratings. What have you been reading from your local libraries? Use this image and leave a link to your blog in the comments if you’ve taken part.

READ

SKIMMED

  • Five Ingredient Vegan: 100 Simple, Fast, Modern Recipes by Katy Beskow – I made the banana pecan bars, above, for a quick snack.
  • Afloat: A Memoir by Danie Couchman
  • The School of Life: An Emotional Education by Alain de Botton
  • Happy Ever After: Escaping the Myth of the Perfect Life by Paul Dolan
  • Diary of a Lone Twin by David Loftus
  • The Making of Poetry: Coleridge, the Wordsworths and Their Year of Marvels by Adam Nicolson
  • The Five: The Untold Lives of the Women Killed by Jack the Ripper by Hallie Rubenhold
  • The Christmas Chronicles by Nigel Slater

CURRENTLY READING

  • The Body Lies by Jo Baker
  • Surge by Jay Bernard [poetry]
  • Flèche by Mary Jean Chan [poetry]
  • The Confessions of Frannie Langton by Sara Collins
  • Reckless Paper Birds by John McCullough [poetry]
  • Under the Camelthorn Tree: Raising a Family among Lions by Kate Nicholls
  • Mr Dickens and His Carol by Samantha Silva
  • A Good Enough Mother by Bev Thomas

CURRENTLY SKIMMING

  • Invisible Women: Exposing Data Bias in a World Designed for Men by Caroline Criado Perez

CHECKED OUT, TO BE READ

  • The Botanist’s Daughter by Kayte Nunn
  • Frost by Holly Webb
  • Everything, Everything by Nicola Yoon [for February book club]

PLUS an exciting new batch of university library books! (I keep hoping no one notices the odd selection of books my husband borrows in addition to his standard bird biology stuff…)

  • The New York Trilogy by Paul Auster
  • Literary Values by John Burroughs
  • Short Short Stories by Dave Eggers
  • You Are Now Entering the Human Heart: Stories by Janet Frame
  • The Trick Is to Keep Breathing by Janice Galloway
  • Oleander, Jacaranda: A Childhood Perceived by Penelope Lively
  • Jazz by Toni Morrison
  • Woman on the Edge of Time by Marge Piercy
  • My Own Country: A Doctor’s Story by Abraham Verghese

ON HOLD, TO BE PICKED UP

  • Winter Garden by Kristin Hannah
  • Confession with Blue Horses by Sophie Hardach
  • The Ice by Laline Paull

IN THE RESERVATION QUEUE

  • The Handmaid’s Tale [graphic novel] by Margaret Atwood; illustrated by Renée Nault
  • Whatever Happened to Margo? by Margaret Durrell
  • This Is How It Always Is by Laurie Frankel
  • The Night Brother by Rosie Garland
  • When All Is Said by Anne Griffin
  • Speak No Evil by Uzodinma Iweala
  • The Boy, the Mole, the Fox and the Horse by Charlie Mackesy
  • The Giver of Stars by Jojo Moyes
  • The Imitation Game: Alan Turing Decoded by Jim Ottaviani [graphic novel]
  • Feel Free: Essays by Zadie Smith
  • Blood Orange by Harriet Tyce

RETURNED UNFINISHED

RETURNED UNREAD

  • Ducks, Newburyport, Lucy Ellmann – 1000+ pages. It just wasn’t going to happen. Not even a skim.
  • Early Riser by Jasper Fforde – The blurb appealed to me, but I quickly remembered that I don’t actually like Fforde’s writing (I read The Eyre Affair many a year ago).

What appeals from my stacks?

Reading Fail: The Remainder of the 2019 DNFs

Yipes, 97 DNFs this year – that’s roughly 22% of the books I started. Higher than my usual 15% average, suggesting that I’ve had trouble getting on with books that appealed for their subject matter or hype but didn’t live up to my expectations. (In the latter category, I’m thinking of It books of the year like The Man Who Saw Everything, The Starless Sea, Three Women, Trick Mirror and On Earth We Are Briefly Gorgeous.)

Following on from June’s post on the books I’d abandoned so far in 2019, here’s a list of the other DNFs I haven’t already written about, perhaps in a monthly Library Checkout post. No cover images, tags, links or full reviews here; just a text dump. Titles are in chronological order; the number of pages or percentage I read is generally given in brackets at the end.

Note: I encourage readers to give up on books they are not enjoying – at any time, but as early on as possible. You owe it to yourself to devote your limited, precious time to the books you’ll love and find worthwhile.

 

Stroke: A 5% Chance of Survival by Ricky Monahan Brown: Brown, a Scot in New York City, suffered a hemorrhagic stroke at age 38. I’m pretty oversaturated with medical memoirs; despite the breezy style and accessible details, this one doesn’t stand out. (104 pp.)

 

How to Catch a Mole: And Find Yourself in Nature by Marc Hamer: Hamer is a gardener and former molecatcher. This is a gentle natural history of the mole, as well as a meditation on our connections with a nature and a memoir of a life lived largely outdoors. But is it about atonement or not? (103 pp.)

 

The Great Railway Bazaar by Paul Theroux: I read up to when Theroux arrives in northern Italy. He mostly describes his fellow passengers, as well as the details of meals and sleeping arrangements on trains. The writing struck me as old-fashioned. (32 pp.)

 

What Dementia Teaches Us about Love by Nicci Gerard: I’ve read a lot of books about dementia, both clinical and anecdotal, and this doesn’t add anything new. (11%)

 

The Music Room by William Fiennes: Time to accept that I just don’t get on with Fiennes’s writing, even when the subjects seem tailor-made for me. (10 pp.)

 

Tisala by Richard Seward Newton: I guess I read a blurb and thought this was unmissable, but I should have tried to read a sample or some more reviews of it. I couldn’t imagine reading another 560+ pages. (6 pp.)

 

The Days of Abandonment by Elena Ferrante: Alas, I do not appreciate Elena Ferrante’s work; this is a third try. I enjoyed the narrator’s voice well enough, and loved the scene in which her errant husband finds broken glass in his dinner, but had no interest in how this seemingly predictable story of the end of a marriage might play out. (25 pp.)

 

Breaking and Mending: A Junior Doctor’s Stories of Compassion and Burnout by Joanna Cannon: I’ve read so many doctors’ memoirs now, and this one doesn’t really cut the mustard: the writing is undistinguished and the tone as sentimental as I’ve come to expect from her fiction. (30 pp.)

 

Dunedin by Shena Mackay: After loving The Orchard on Fire, I thought I’d try another Mackay novel, and I was intrigued by the dual timeline of 1909 New Zealand and 1989 London. I kept thinking we were going to get links back to the historical chapter; I got bored of waiting. (189 pp.)

 

Skyfaring: A Journey with a Pilot by Mark Vanhoenacker: I thought it would be fascinating to read about flying from the perspective of a British Airways pilot. But this is more of an academic and philosophical study of flight and the modern condition of dislocation than a memoir of what it’s like to train to fly planes. (28 pp.)

 

Night Boat to Tangier by Kevin Barry: At first these ageing Irish gangsters seem like harmless drunks, but gradually you come to realize just how dangerous they are. I loved the voices and if this was a short story it would have gotten a top rating, but I found I had no interest in the backstory of how these men got involved in heroin smuggling. (76 pp.)

 

The Country Ahead of Us, the Country Behind by David Guterson: I read “Angels in the Snow” (last Christmas) and “Wood Grouse on a High Promontory Overlooking Canada.” Both were fine but not memorable; a glance at the rest suggests they’ll all be about baseball and hunting. If I want to read stories about dudes hunting I’ll turn to Hemingway or David Vann.

 

The Man Who Saw Everything by Deborah Levy: There’s a lot of repetition and random details that seem deliberately placed to be clues. I’m sure there’s a clever story in here somewhere, but apart from a few intriguing anachronisms, there is not a lot of plot or character to latch onto. (35 pp.)

 

Inland by Téa Obreht: I made two attempts to get into this Western, but found it excruciatingly slow and couldn’t warm to any of the characters or convince myself of the accuracy of the period speech. This was disappointing as it was one of my most anticipated titles of the second half of the year and I loved The Tiger’s Wife. (37 pp.)

 

Our Place: Can We Save Britain’s Wildlife before It Is Too Late?, by Mark Cocker: I simply didn’t need this level of detail on the history of nature conservation in Britain. The personal writing about his patch of Norfolk engaged me a bit more. (60 pp.)

 

Better Off Bald: A Life in 147 Days by Andrea Wilson Woods: When Woods’s 13-years-younger sister Adrienne was diagnosed with liver cancer, it hit her hard. This didn’t pull me in, despite strong recreated dialogue and an extraordinary memory for events. I think it’s a combination of it being far too long and detailed, and feeling dated. (12%)

 

The Grassling: A Geological Memoir by Elizabeth-Jane Burnett: Burnett’s roots are in Ide, Devon and in Kenya. She has previously published poetry and is going for extreme lyricism in her nature writing, which at times makes it feel overwritten, especially in the prologue. (55 pp.)

 

The Man in the Red Coat by Julian Barnes: I completely misjudged this: I thought it would be historical fiction, but it’s actually narrative nonfiction about an obscure historical figure. I found it dull and impenetrable. A shame, as Barnes is a favorite author of mine. (9 pp.)

 

Loop by Brenda Lozano: The narrator, waiting for her boyfriend to come back from Spain, is explicitly likened to Penelope. She lets her mind wander at random, which leads to unrelated paragraphs about dwarves, David Bowie songs, her choice of notebooks, tiny things that happened to her, and so on. Not enough narrative to keep me interested. (35 pp.)

 

The Dream Life of Balso Snell by Nathanael West: I’m not sure I even made it past the second page. It’s even more bizarre and crass than I’m used to from him.

 

Whiskey When We’re Dry by John Larison: Larison has done a good job of approximating the voice of an unlettered young woman in the 1880s, but I found this quite slow and feel like I’ve read too many Westerns in the last few years. (50 pp.)

 

Dust Falls on Eugene Schlumburger / Toddler on the Run by Shena Mackay: Argh, another Mackay DNF! She wrote these two novellas when she was SEVENTEEN. I only managed a few pages of Dust, but got 40 pages into Toddler. It has an amusing premise but was only okay.

 

The Voyage Out by Virginia Woolf: I couldn’t even tell you the basics of what happened. Some posh English people on a boat to South America? I could see that there were keen psychological insights, but no plot to speak of. (Did you know Mrs Dalloway is a character?!) Perhaps I’ll try this again someday, but it will require a concerted effort. (110 pp.)

 

Shelf Life by Livia Franchini: Reminiscent of Eleanor Oliphant: readable but blah. (40%)

 

The Complete Stories of Saki by Hector Hugh Munro: This was a follow-up bibliotherapy prescription for reading aloud. My husband and I read “Tobermory,” “Sredni Vashtar,” “The Easter Egg,” “Laura,” and “Tea.” The stories are very short and quite witty, but the language so advanced/old-fashioned that I found them rather like tongue-twisters.

 

The Starless Sea by Erin Morgenstern: Like most of the rest of the world, I was enraptured with The Night Circus. This, however, felt like a knockoff of A Discovery of Witches and The Thirteenth Tale, with added geek and queer stylings. Passages from the book within a book failed to draw me in. (44 pp.)

 

The Glass Woman by Caroline Lea: I don’t know if it’s the time period and setting (17th-century Iceland), or the writing style, but I couldn’t get through Sally Magnusson’s The Sealwoman’s Gift either. The challenging names add to a feeling of foreignness that’s more bewildering than entrancing. (8 pp.)

 

Ghostwalk by Rebecca Stott: The idea of a ghostwriter being almost literally haunted by her subject is appealing, and I did find the writing atmospheric. However, the Isaac Newton and animal rights activism plots didn’t capture my attention. (126 pp.)

 

Three Flames by Alan Lightman: I’d enjoyed several Lightman books before, fiction and non-, but despite his nonprofit work with women in Southeast Asia, he doesn’t seem like the person to write this novel about women’s lives in post-Khmer Rouge Cambodia. (50 pp.)

 

Bowlaway by Elizabeth McCracken: Quirk for quirk’s sake. Characters are found alive in a cemetery, killed by a flow of molasses, or expire by spontaneous combustion. What is supposed to unite this 19th-century community – a bowling alley – never comes to life. Another disappointment from my most anticipated titles of the year list. (153 pp.)

 

Trick Mirror by Jia Tolentino: I read part of “Ecstasy,” her essay on belonging to a Texas megachurch in her high school years. The other topics, and the writing in general, didn’t interest me enough.

 

Idiot Wind by Peter Kaldheim: I requested this purely on the basis of an enthusiastic NPR review from an acquaintance. While there’s a lot of energy to this memoir of the author’s time as a New York City drug dealer/addict taking off on a cross-country road trip in the late 1980s, I should have known it wouldn’t be for me. (14 pp.)

Final Book Serendipity Incidents to Close out 2019

Just a short post this time. I call it serendipitous when two or more books that I’m reading at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once – usually between 10 and 20 – I guess I’m more prone to such incidents. I post these occasional reading coincidences on Twitter. What’s the weirdest one you’ve had lately? (The following are in rough chronological order.)


[Previous 2019 Book Serendipity posts covered April, July and October.]

 

  • Characters sit for a portrait in The Confession by Jessie Burton and The Hoarder by Jess Kidd.

 

  • An obsession with saints in Fifth Business by Robertson Davies and The Hoarder by Jess Kidd.
  • A mention of the urban myth regarding why our fingertips prune in water (something about an outdated evolutionary strategy for gripping underwater) in The Body by Bill Bryson and Humiliation: Stories by Paulina Flores.

 

  • Memories of childhood trips to Martha’s Vineyard in Chances Are by Richard Russo and The Dearly Beloved by Cara Wall.

 

  • The River Thames is the setting for Mudlarking by Lara Maiklem and Once Upon a River by Diane Setterfield.
  • Mentions of pelicans being clubbed to death in God Unbound: Theology in the Wild by Brian McLaren and Autumn Across America by Edwin Way Teale.

 

  • A character who speaks and writes backwards words in The Poisonwood Bible and The Robber Bride.

 

  • Epigraphs containing folk names for the hare, and soon enough a dead hare, in Ring the Hill by Tom Cox and Starve Acre by Andrew Michael Hurley.
  • An unexpected THIRD set of conjoined twins encountered this year (after Cutting for Stone and The Girls) in Fall on Your Knees by Ann-Marie Macdonald.

 

  • The song “Oh My Darling, Clementine” is quoted in The Robber Bride and Fall on Your Knees.

 

  • Warming an orphaned lamb in a low oven in Moral Disorder by Margaret Atwood and The Dig by Cynan Jones.

 

  • A character is presumed incapable of laughter in Agatha by Anne Cathrine Bomann and Bowlaway by Elizabeth McCracken.
  • Marilynne Robinson’s Housekeeping is mentioned in The River Capture by Mary Costello and Surrender by Joanna Pocock.

Library Checkout: November 2019

I’ve been desperately trying to get through the final handful of 2019 releases on my docket, whether they’re review copies or available from the library. So I recently made a last-minute flurry of requests on the 2019 titles I still intend to read, and will do my darndest to get through them all – though I’m definitely being brutal at this point and DNFing anything that doesn’t grab me within the first chapter.

I give links to reviews of any books I haven’t already featured, as well as ratings for all. What have you been reading from your local libraries? Library Checkout runs on the last Monday of every month. I don’t have an official link-up system, but feel free to use this image in your post and to leave a link to your blog in the comments if you’ve taken part.

 

READ

  • Starve Acre by Andrew Michael Hurley
  • The Dig by Cynan Jones
  • Mudlarking: Lost and Found on the River Thames by Lara Maiklem
  • “Birthday Girl” by Haruki Murakami
  • A Half Baked Idea: How Grief, Love and Cake Took Me from the Courtroom to Le Cordon Bleu by Olivia Potts
  • Chances Are by Richard Russo
  • The Poetry Pharmacy Returns: More Prescriptions for Courage, Healing and Hope by William Sieghart
  • Baker Cat by Posy Simmonds
  • Rain Falling by the River: New and Selected Poems of the Spirit, Christopher Southgate [from my church’s theological library]

SKIMMED

  • Critical: Science and Stories from the Brink of Human Life by Dr Matt Morgan

CURRENTLY READING

  • Ring the Hill by Tom Cox
  • The Glass Woman by Caroline Lea
  • The Starless Sea by Erin Morgenstern
  • The Heavens by Sandra Newman
  • My Name Is Why: A Memoir by Lemn Sissay

CURRENTLY SKIMMING

  • Afloat: A Memoir by Danie Couchman
  • The School of Life: An Emotional Education by Alain de Botton
  • Happy Ever After: Escaping the Myth of the Perfect Life by Paul Dolan
  • Diary of a Lone Twin by David Loftus

CHECKED OUT, TO BE READ

  • The Snow Goose by Paul Gallico

ON HOLD, TO BE PICKED UP

  • Ducks, Newburyport by Lucy Ellmann (I only plan to skim it!)

IN THE RESERVATION QUEUE

  • The Body Lies by Jo Baker
  • Five Ingredient Vegan: 100 Simple, Fast, Modern Recipes by Katy Beskow
  • The Easternmost House: A Year of Life on the Edge of England by Juliet Blaxland
  • Invisible Women: Exposing Data Bias in a World Designed for Men by Caroline Criado Perez
  • Early Riser by Jasper Fforde
  • Under the Camelthorn Tree: Raising a Family among Lions by Kate Nicholls
  • The Botanist’s Daughter by Kayte Nunn
  • The Five: The Untold Lives of the Women Killed by Jack the Ripper by Hallie Rubenhold
  • Mr Dickens and his Carol by Samantha Silva
  • The Christmas Chronicles by Nigel Slater
  • Feel Free: Essays by Zadie Smith

RETURNED UNFINISHED

  • Live a Little by Howard Jacobson – It’s been a while since I tried a Jacobson novel; the idea of a comic romance between 90-somethings appealed to me. The first chapter, about Beryl and her morbid cross-stitch sayings, was entertaining enough, but the second chapter quickly lost me.
  • After the End by Clare Mackintosh – I thought this might be a bit like a Jodi Picoult book: a gripping, heartwarming issues book with a medical theme. That might indeed be the case, but the first 10 pages were awfully dull.
  • Grand Union: Stories by Zadie Smith – I read the first and last (title) stories, and started on the second. Two out of three were so bad that if they didn’t have the famous name attached I’m not sure they could have gotten published. In “The Dialectic” Smith attempts to cross Elena Ferrante with Jonathan Safran Foer for a thin tale of a mother and daughter arguing about the treatment of animals on a beach. Main problem: no one speaks like the daughter speaks here, no matter her age or upbringing (“I dislike this place”). The title story, about mothers and daughters in a diverse area of London, is fine, but nothing special. And then the first five pages of “Sentimental Education” were sexually explicit just for the sake of it and too reminiscent of On Beauty. I skimmed through the rest to see if any other story jumped out at me, but decided to move on to something else instead.

RETURNED UNREAD

  • Nightingales in November: A Year in the Lives of Twelve British Birds by Mike Dilger – The writing is very dry: a set of list-like, month-by-month observations.

Does anything appeal from my stacks?

Getting Real about My “Set Aside Temporarily” Shelf

Mid-November, and I’ve been thinking about how many of the books I currently have on the go I will be able to finish before the end of the year – not to mention whether I can squeeze in any more 2019 releases, or get a jump on early 2020 releases (ha!).

In the back of my mind, however, is some mild, self-induced anxiety. You see, the other year I started an exclusive Goodreads shelf (i.e., one that doesn’t fall into one of the three standard categories, “Read,” “Currently Reading” or “Want to Read”) called “Set Aside Temporarily,” on which I place a book I have put on hiatus for whatever reason, whether I’d read a handful of pages or 200. Maybe a few library holds came in that I needed to finish before a strict due date, or I took on a last-minute review assignment and needed to focus on that book instead.

Usually, though, it’s just a case of having started too many books at once. I’m addicted to finishing books, but also to starting them – often a fresh stack of four or five in one sitting, to add to my 10 or more already on the go. I always used to say that I read 10‒15 books at a time, but in the latter half of this year that has crept up to 20‒25. Sometimes I can manage it; other times it feels like too much, and a few books from the stack fall by the wayside and get stuck with that polite label of “set aside.” It doesn’t necessarily mean that I wasn’t enjoying them, just that they were less compelling than some other reads.

Some of my “set aside” reads, stacked up next to my reading armchair.

So as I contemplated this virtual shelf, which as of the 12th had 33 titles on it, I figured I have the following alternatives for each book: pick it back up immediately and finish it as soon as possible, ideally this year (especially if it’s a 2019 release, so it can be in the running for my Best Of lists); regretfully mark it as a DNF; put it back on the shelf, with or without a place marker, to read some other time; skim to the end if I wasn’t getting on with it particularly well yet want to know what happens; or keep it in limbo for now and maybe read it in 2020.

I told myself it was decision time on all of these. Here’s how it played out:

(* = 2019 release)

 

Currently reading:

  • Let’s Hope for the Best by Carolina Setterwall*
  • Savage Pilgrims: On the Road to Santa Fe by Henry Shukman

 

To resume soon:

  • The Easternmost House by Juliet Blaxland* (as soon as my library hold comes in)
  • Fleishman Is in Trouble by Taffy Brodesser-Akner*
  • The Spirit of Christmas: Stories, Poems, Essays by G.K. Chesterton
  • The River Capture by Mary Costello*
  • The Scar by Mary Cregan*
  • The Envoy from Mirror City by Janet Frame
  • Deep Creek: Finding Hope in the High Country by Pam Houston*
  • Two-Part Invention: The Story of a Marriage by Madeleine L’Engle
  • The Way through the Woods: Of Mushrooms and Mourning by Long Litt Woon*
  • Kinds of Love by May Sarton
  • All the Lives We Ever Lived: Seeking Solace in Virginia Woolf by Katharine Smyth*
  • Dancing with Bees by Brigit Strawbridge Howard*
  • A Three Dog Life by Abigail Thomas (a re-read)
  • The Dearly Beloved by Cara Wall*

 

DNFed:

  • The Manticore by Robertson Davies – A different perspective isn’t enough to keep me interested in a recounting of the events from Fifth Business.
  • The Dovekeepers by Alice Hoffman (even though I’d read 250 pages of the danged thing) – Painstaking but worthy historical fiction.
  • Then She Found Me by Elinor Lipman – The first 100 or so pages were pleasant reading during a beer festival, but I had no impetus to pick it up afterwards.
  • A Door in the Earth by Amy Waldman* – The first 12% didn’t grab me. Never say never, but I don’t plan on picking it back up soon. Sad, as this was one of my most anticipated releases of the year.
  • The Voyage Out by Virginia Woolf – I really tried. It was the third Woolf novel I’d picked up (and put down) in quick succession this year. She’s just such hard work.

 

Returned to the shelf for another time:

  • Ship Fever by Andrea Barrett
  • Emerald City by Jennifer Egan
  • The Liars’ Club by Mary Karr
  • Cider with Rosie by Laurie Lee
  • Wait Till I Tell You by Candia McWilliam
  • The Seven Storey Mountain by Thomas Merton
  • Full Tilt: Ireland to India with a Bicycle by Dervla Murphy
  • A Few Short Notes on Tropical Butterflies by John Murray
  • Saint Maybe by Anne Tyler

 

To skim:

  • The Yellow House by Sarah M. Broom* – Although very well written, this is dense with family detail, more than I really need.

 

Still set aside:

  • In the Springtime of the Year by Susan Hill – to finish off next spring!
  • Bodies in Motion and at Rest: On Metaphor and Mortality by Thomas Lynch (a university library book) – It’s in discrete essays so can be picked up and put down at will.

 

Some general observations: Recently I’ve lacked staying power with short story collections. However, I find it’s not usually a problem to read a few stories (or essays) and then return to a collection some months later. Memoirs, travel books and quiet fiction can also withstand an interruption. If I’ve put aside a plotty or style-heavy novel, however, that’s a bad sign that I will probably end up DNFing it.

 

Do you have a physical or virtual shelf of books that are partly read and languishing? How have you tackled it in the past?

November Plans: Novellas, Margaret Atwood Reading Month & More

This is my fourth year joining Laura Frey and others in reading mostly novellas in November. Last year Laura put together a history of the challenge (here); it has had various incarnations but has no particular host or rules. Join us if you like! (#NovNov and #NovellasinNovember) The definition of a novella is loose – it’s based more on the word count than the number of pages – so it’s up to you what you’d like to classify as one. I generally limit myself to books of 150 pages or fewer, though I might go as high as 180-some if there aren’t that many words on a page. Some, including Laura and Susan, would be as generous as 200.

I’ve trawled my shelves for fiction and nonfiction stacks to select from, as well as a few volumes that include several novellas (I’d plan on reading at least the first one) and some slightly longer novels (150–190 pages) for backups. [From the N. West volume, I just have the 52-page novella The Dream Life of Balso Snell, his debut, to read. The Tangye book with the faded cover is Lama.] Also available on my Kindle are The Therapist by Nial Giacomelli*, Record of a Night too Brief by Hiromi Kawakami, Childhood: Two Novellas by Gerard Reve, and Milton in Purgatory by Edward Vass* (both *Fairlight Moderns Novellas, as is Atlantic Winds by William Prendiville).

 

 

Other November reading plans…

 

Margaret Atwood Reading Month

This is the second year of #MARM, hosted by Canadian bloggers extraordinaires Marcie of Buried in Print and Naomi of Consumed by Ink. This year they’re having a special The Handmaid’s Tale/The Testaments theme, but even if you’re avoiding the sequel, join us in reading one or more Atwood works of your choice. She has so much to choose from! Last year I read The Edible Woman and Surfacing. This year I’ve earmarked copies of the novel The Robber Bride (1993) and Moral Disorder (2006), a linked short story collection, both of which I got for free – the former from the free bookshop where I volunteer, and the latter from a neighbor who was giving it away.

 

Nonfiction November

I don’t usually participate in this challenge because nonfiction makes up at least 40% of my reading anyway, but last year I enjoyed putting together some fiction and nonfiction pairings and ‘being the expert’ on women’s religious memoirs, a subgenre I have a couple of books to add to this year. So I will probably end up doing at least one post. The full schedule is here.

 

Young Writer of the Year Award

Being on the shadow panel for the Sunday Times/PFD Young Writer of the Year Award was a highlight of 2017 for me. I was sad to not be able to attend any of the events last year. I’m excited for this year’s shadow panelists, a couple of whom are blogging friends (one I’ve met IRL), and I look forward to following along with the nominated books and attending the prize ceremony at the London Library on December 5th.

With any luck I will already have read at least one or two books from the shortlist, which is to be announced on November 3rd. I have my fingers crossed for Yara Rodrigues Fowler, Daisy Johnson, Elizabeth Macneal, Stephen Rutt and Lara Williams; I expect we may also see repeat appearances from one of the poets recognized by the Forward Prizes and Guy Gunaratne, the winner of the 2019 Dylan Thomas Prize.

 

Any reading plans for November? Will you be joining in with novellas, Margaret Atwood’s books or Nonfiction November?

Library Checkout: October 2019

The R.I.P. challenge plus a bunch of in-demand reservations coming in for me at around the same time meant that I had a lot to read from the library this month. I give links to reviews of any books I haven’t already featured, as well as ratings for all.

What have you been reading from your local libraries? Library Checkout runs on the last Monday of every month. I don’t have an official link-up system, but feel free to use this image in your post and to leave a link to your blog in the comments if you’ve taken part.

READ

SKIMMED

  • The Prison Doctor: My time inside Britain’s most notorious jails by Dr Amanda Brown with Ruth Kelly
  • Life Lessons from a Brain Surgeon: The New Science and Stories of the Brain by Rahul Jandial

CURRENTLY READING

  • A Half Baked Idea: How Grief, Love and Cake Took Me from the Courtroom to Le Cordon Bleu by Olivia Potts
  • Chances Are by Richard Russo
  • The Poetry Pharmacy Returns: More Prescriptions for Courage, Healing and Hope by William Sieghart

CHECKED OUT, TO BE READ

  • Nightingales in November: A Year in the Lives of Twelve British Birds by Mike Dilger
  • Owls Do Cry by Janet Frame [university library]
  • Mudlarking: Lost and Found on the River Thames by Lara Maiklem
  • Critical: Science and Stories from the Brink of Human Life by Dr Matt Morgan
  • Grand Union: Stories by Zadie Smith

IN THE RESERVATION QUEUE

  • Five Ingredient Vegan: 100 Simple, Fast, Modern Recipes by Katy Beskow
  • The Easternmost House: A Year of Life on the Edge of England by Juliet Blaxland
  • Ring the Hill by Tom Cox
  • Invisible Women: Exposing Data Bias in a World Designed for Men by Caroline Criado Perez
  • The School of Life: An Emotional Education by Alain de Botton
  • Starve Acre by Andrew Michael Hurley
  • My Name Is Why: A Memoir by Lemn Sissay
  • Feel Free: Essays by Zadie Smith
  • The Burgess Boys by Elizabeth Strout

RETURNED UNFINISHED

  • The Hoarder by Jess Kidd
  • The Silent Companions by Laura Purcell
  • On Earth We’re Briefly Gorgeous by Ocean Vuong – I read the first chapter (11 pages), which, had it been a short story, would have been a 5-star stand-alone. But I felt that this was a novel that would be characterized more for its beautiful language and observations than for its plot, and as such the reading experience might be akin to eating a three-course meal made up entirely of toffee – just too much. I’d be happy to stand corrected and try this again another time, though.

Does anything appeal from my stacks?

My (Not the) Booker Prize Reading

A week from today, on the 14th (my birthday, as well as Susan’s – be sure to wish her a happy one!), this year’s Booker Prize will be announced. The Prize’s longlist didn’t contain much that piqued my interest this time around; I read one book from it and didn’t get on with it well at all, and I also DNFed another three.

 

Read

Frankissstein by Jeanette Winterson

Winterson does her darndest to write like Ali Smith here (no speech marks, short chapters and sections, random pop culture references). Cross Smith’s Seasons quartet with the vague aims of the Hogarth Shakespeare project and Margaret Atwood’s The Heart Goes Last and you get this odd jumble of a novel that tries to combine the themes and composition of Frankenstein with the modern possibilities of transcending bodily limitations. Her contemporary narrator is Ry Shelley, a transgender doctor sponsored by the Wellcome Trust who supplies researcher Victor Stein with body parts for his experiments in Manchester. In Memphis for a tech expo, Ry meets Ron Lord, a tactless purveyor of sexbots.

Their interactions alternate with chapters narrated by Mary Shelley in the 1810s; I found this strand much more engaging and original, perhaps because I haven’t read that much about Shelley and her milieu, whereas it feels like I’ve read a lot about machine intelligence and transhumanism recently (To Be a Machine, Murmur, Machines Like Me). I think Winterson’s aim was to link the two time periods through notions of hybridness and resistance to death. It never really came together for me.

 

DNFed

Night Boat to Tangier by Kevin Barry – I read the first 76 pages. The other week two grizzled Welsh guys came to deliver my new fridge. Their barely comprehensible banter reminded me of that between Maurice and Charlie, two ageing Irish gangsters. The long first chapter is terrific. At first these fellas seem like harmless drunks, but gradually you come to realize just how dangerous they are. Maurice’s daughter Dilly is missing, and they’ll do whatever is necessary to find her. Threatening to decapitate someone’s dog is just the beginning – and you know they could do it. “I don’t know if you’re getting the sense of this yet, Ben. But you’re dealing with truly dreadful fucken men here,” Charlie warns at one point. I loved the voices; if this was just a short story it would have gotten a top rating, but I found I had no interest in the backstory of how these men got involved in heroin smuggling.

The Wall by John Lanchester – I lost interest in it and wasn’t drawn in by the first pages.

The Man Who Saw Everything by Deborah Levy – I read the first 35 pages. There’s a lot of repetition; random details seem deliberately placed as clues. I’m sure there’s a clever story in here somewhere, but apart from a few intriguing anachronisms (in 1988 a smartphone is just “A small, flat, rectangular object … lying in the road. … The object was speaking. There was definitely a voice inside it”) there is not much plot or character to latch onto. I suspect there will be many readers who, like me, can’t be bothered to follow Saul Adler from London’s Abbey Road, where he’s hit by a car in the first paragraph, to East Berlin.

 


There’s only one title from the Booker shortlist that I’m interested in reading: Girl, Woman, Other by Bernardine Evaristo. I’ll be reviewing it later this month as part of a blog tour celebrating the Aké Book Festival, but as a copy hasn’t yet arrived from either the publisher or the library I won’t have gotten far into it before the Prize announcement.

 

As for the other five on the shortlist…

  • I’m a conscientious objector to Margaret Atwood’s The Testaments. I haven’t appreciated her previous dystopian sequels, and I’ve never really understood all the hype around The Handmaid’s Tale.
  • I don’t plan on reading Lucy Ellmann’s Ducks, Newburyport – unless some enterprising soul produces an abridged version of no more than 250 pages.*

Ducks, Newbury

  • I didn’t rate The Fishermen highly enough to give Chigozie Obioma’s An Orchestra of Minorities a try.
  • I forced myself through Midnight’s Children some years back. What a pointless slog! Lukewarm reviews of his recent work mean I’m now doubly determined to avoid Salman Rushdie’s Quichotte.
  • Although the setup appeals to me (a prostitute’s whole life spooling out in front of her in the moments before her death) and I enjoyed her previous novel well enough, I’ve not heard enough good things to pick up Elif Shafak’s 10 Minutes 38 Seconds in this Strange World.

 

*However, I was delighted to find a copy of her 1991 novel, Varying Degrees of Hopelessness (just 182 pages, with short chapters often no longer than a paragraph and pithy sentences) in a 3-for-£1 sale at our local charity warehouse. Isabel, a 31-year-old virgin whose ideas of love come straight from the romance novels of ‘Babs Cartwheel’, hopes to find Mr. Right while studying art history at the Catafalque Institute in London (a thinly veiled Courtauld, where Ellmann studied). She’s immediately taken with one of her professors, Lionel Syms, whom she dubs “The Splendid Young Man.” Isabel’s desperately unsexy description of him had me snorting into my tea:

He had a masculinity.

His broad shoulders and narrow hips gave him a distinctive physique.

He held seminars and wore red socks.

To hold seminars seemed to indicate a wish to develop a rapport with his students.

The red socks seemed to indicate testosterone.

I swooned in admiration of him.

Unfortunately, the Splendid Young Man is more interested in Isabel’s portly flatmate, Pol. There’s a screwball charm to this campus novel full of love triangles and preposterous minor characters. I laughed at many of Ellmann’s deadpan lines, and would recommend this to fans of David Lodge’s academic comedies. But if you wish to, you could read this as a cautionary tale about the dangers of romantic fantasies. Ellmann even offers two alternate endings, one melodramatic and one more prosaic but believable. I’ll seek out the rest of her back catalogue – so thanks to the Booker for putting her on my radar.

 

 

In the meantime, I did a bit better with the “Not the Booker Prize” (administered by the Guardian) shortlist, reading three out of their six:

 

Flames by Robbie Arnott

This strange and somewhat entrancing debut novel is set in Arnott’s native Tasmania. The women of the McAllister family are known to return to life – even after a cremation, as happened briefly with Charlotte and Levi’s mother. Levi is determined to stop this from happening again, and decides to have a coffin built to ensure his 23-year-old sister can’t ever come back from the flames once she’s dead. The letters that pass between him and the ill-tempered woodworker he hires to do the job were my favorite part of the book. In other strands, we see Charlotte traveling down to work at a wombat farm in Melaleuca, a female investigator lighting out after her, and Karl forming a close relationship with a seal. This reminded me somewhat of The Bus on Thursday by Shirley Barrett and Orkney by Amy Sackville. At times I had trouble following the POV and setting shifts involved in this work of magic realism, though Arnott’s writing is certainly striking.

A favorite passage:

“The Midlands droned on, denuded hill after denuded hill, until I rolled into sprawling suburbs around noon. Here’s a list of the places I’d choose to visit before the capital: hell, anywhere tropical, the Mariana Trench, a deeper pit of hell, my mother’s house.”

 


My thanks to Atlantic Books for the free paperback copy for review.

See Susan’s review for a more enthusiastic response.

 

 

The Unauthorised Biography of Ezra Maas by Daniel James: A twisty, clever meta novel about “Daniel James” trying to write a biography of Ezra Maas, an enigmatic artist who grew up a child prodigy in Oxford and attracted a cult following in 1960s New York City, where he was a friend of Warhol et al. (See my full review.)

 

Supper Club by Lara Williams: A great debut novel with strong themes of female friendship and food. The Supper Club Roberta and Stevie create is performance art, but it’s also about creating personal meaning when family and romance have failed you. (See my full review.)

 

The other three books on the shortlist are:

  • Skin by Liam Brown: A dystopian novel in which people become allergic to human contact. I think I’ll pass on this one.
  • Please Read This Leaflet Carefully by Karen Havelin: A debut novel by a Norwegian author that proceeds backwards to examine the life of a woman struggling with endometriosis and raising a young daughter. I’m very keen to read this one.
  • Spring by Ali Smith: I’ve basically given up on Ali Smith – and certainly on the Seasons quartet, after DNFing Winter.

(The Not the Booker Prize will be announced on the Guardian website this Friday the 11th.)

 

Have you read something from the (Not the) Booker shortlist(s)? Any predictions for next week?