Two Recommended March Releases
The Little Book of Feminist Saints by Julia Pierpont
[Coming from Random House (USA) and Virago (UK) on the 6th]
Like A Glorious Freedom, this is a celebration of women’s achievements, especially those that have been overlooked. Each “matron saint,” presented in chronological order by birthday, gets a two-page spread, with a full-color portrait on the left (by Manjitt Thapp, a young British artist), often featuring a halo, and a very short biographical essay on the right that highlights the person’s background and contributions towards greater opportunities for women. The first two subjects give you a sense of the range covered: Artemisia Gentileschi and Michelle Obama. There are about 90 profiles here, and while I recognized many of the figures, a lot of the mathematical/scientific pioneers and civil rights activists were new to me. This is the perfect little coffee table book to gift to the women in your life this year.
My rating:
E-ARC from Edelweiss.
The Italian Teacher by Tom Rachman
[Coming from Viking on the 20th]
Charles “Pinch” Bavinsky is just an Italian teacher, though as a boy in Rome in the 1950s–60s he believed he would follow in the footsteps of his sculptor mother and his moderately famous father, Bear Bavinsky, who paints close-ups of body parts. When his father shattered his dream, though, he turned to criticism, getting art history degrees and planning to preserve his father’s reputation by writing his authorized biography. But along the way something went wrong. We follow Pinch through the rest of his life, a sad one of estrangement, loss and misunderstandings – but ultimately there’s a sly triumph in store for the boy who was told that he’d never make it as an artist.
Like his previous book, The Rise and Fall of Great Powers, Rachman’s new one jets between lots of different places – Rome, New York City, Toronto, rural France, London – and ropes in quirky characters in the search for an identity and a place to belong. Although I preferred the early chapters when Pinch is a child – these have some of the free-wheeling energy of The Imperfectionists, Rachman’s first novel – this is a rewarding story about the desperation to please, or perhaps exceed, one’s parents, and the legacy of artists in a fickle market. Existing Rachman fans will certainly want to read this, but for those who are new to his work I’d particularly recommend it to fans of Daniel Kehlmann’s F and Dominic Smith’s The Last Painting of Sara de Vos.
My rating:
E-ARC from Edelweiss.
Plus one I’m a bit less enthusiastic in recommending, alas.
Anatomy of a Miracle by Jonathan Miles
[Coming from Hogarth on the 13th]
On August 23, 2014, wheelchair-bound veteran Cameron Harris stands up and walks outside the Biz-E-Bee convenience store in Biloxi, Mississippi. In the rest of the novel we find out how he got to this point and what others – ranging from his doctor to representatives of the Roman Catholic Church – will make of his recovery. Was it a miracle, or an explainable medical phenomenon? Miles has been rather sly in how he’s packaged this. On the title page he calls it a “True Story,” but an asterisk qualifies that with the phrase “a novel.” The style, reminiscent of journalistic reportage, is like what Dave Eggers uses in Zeitoun. He keeps up the pretense of the whole thing being based on interviews with the key players, all the way through to the acknowledgements. But early on I searched for information on a war veteran named Cameron Harris and found nothing. Miles made it all up.
It’s hard to reconcile the style with the fictional contents. That’s a shame, because there are interesting questions here that would be rewarding for a book club to discuss. What is the relationship between science and storytelling? How can we determine what “God’s will” is? Miles’s previous novel, Want Not, is one of the books I most wish I’d written, so it was perhaps inevitable this one would suffer in comparison. (Full review at The Bookbag.)
My rating:
Other March releases I’m planning to read:
- Happiness by Aminatta Forna (Grove Atlantic, 16th)
- The Friendship Cure, by Kate Leaver (Duckworth, 22nd) – for blog review
- The Long Forgotten by David Whitehouse (Picador, 22nd) – for blog tour
- The Parentations by Kate Mayfield (Oneworld, 29th) – for Shiny New Books review
What March books do you have on the docket?
Have you already read any that you can recommend?
Review: Salt Creek by Lucy Treloar
Salt Creek is one of the very best works of historical fiction I’ve read. All the harder, then, to believe that it’s Lucy Treloar’s debut novel. Since its initial release in Australia in 2015, it has gone on to be shortlisted for the Walter Scott Prize for historical fiction and the Miles Franklin Award for Australian novels. We have Claire McAlpine of Word by Word to thank for helping this book find a publisher in the UK. I can particularly recommend it to fans of The Essex Serpent and English Passengers, and there are also resonances with Rebecca Winterer’s Australia-set The Singing Ship.
Hester Finch is looking back from the 1870s – when she is a widowed teacher settled in England – to the eight ill-fated years her family spent at Salt Creek, a small (fictional) outpost in South Australia, in the 1850s–60s. Her luckless father tried whaling in Adelaide before turning to cheese-making as his next far-fetched money-making venture. From Quaker stock, Papa believed the natives should be well treated and even all but adopted an aboriginal boy named Tully, getting him to bathe and wear clothes and educating him alongside his seven children. However, as Hester hints starting early on in the novel, having a white family monopolizing resources put an impossible strain on relations with the natives.
It seems an inevitable irony of reviewing – or maybe it’s just me? – that the books you love the most are the hardest to write about. However can I do this book justice? I wonder about lots of 5-star books. It’s easier to put together a review when you have some mixture of positive and negative things to say, but I have no faults to find with Salt Creek. It flawlessly evokes its time period and somewhat bleak setting. Hester’s narration is as lyrical as it is nostalgic and matter-of-fact, and I sympathized with her desperation not to be drawn into a Victorian housewife’s cycle of endless pregnancies. The characterization is spot on, especially for figures like Papa or Tully who could have easily been reduced to stereotypes.
Most of all, this is the piercing story of a clash of cultures and the secret prejudices that underpin our beliefs. You might think notions of dominion and looking after ‘poor natives’ are outdated, but just listen in to what particular groups have to say about the environment and intervention abroad and you’ll realize that this is as relevant as ever. Salt Creek comes with my highest recommendation.
Some favorite lines:
“Poor Papa. He pitted himself against the land, yet it was impervious to all his learning and effort and incantatory prayers. The land had its own drives and they ran against Papa’s, blunting all his purposes.”
“I would not have a baby or that would be my life. There would be another and another and nothing left of my self; my life being decided for me.”
“Memories are just the survivors of complete events and are not easy to interpret; in the recalling they can be used to create a story that is only partially true or not true at all.”
“It seemed as if every part of the lagoon had a name and a story and a meaning. The stories were all around us wherever we went. There was scarcely a place without one and it felt as if we were nothing but one more story inside this world and the stories were without number.”
“The longer I looked the more that impression of civilization seemed an illusion.”
With thanks to Gallic Books for the free copy for review.
My rating:
Some Early Recommendations for 2018
I took some time out this December to start reading the 2018 releases I was most looking forward to. In early January I’ll preview another 25 or 30 titles I’m interested in, but for now here are eight books coming out in the first half of next year that I can heartily recommend, with ~130-word mini reviews to give you a taste of them. (These are in alphabetical order by author, with the publication details noted beneath the title.)
Because We Are Bad: OCD and a Girl Lost in Thought by Lily Bailey
[Coming on March 15th from Canbury Press (UK) and on April 3rd from Harper Collins US]
“For as long as I could remember, I wasn’t me, I was we.” Lily Bailey had a sort of imaginary friend while she was growing up, but instead of a comforting presence it was a critical voice pushing her to be ultra-conscious of how her behavior appeared to others. This went on for years until she was finally diagnosed with severe Obsessive Compulsive Disorder. Despite Prozac and CBT, she later landed in a psychiatric unit. She captures this inpatient stay with great verve, recalling the chorus of other patients’ voices and different nurses’ strategies. This memoir tracks Bailey’s life up until age 20, but her recreation of childhood and the first-person plural sections are the strongest. I’d recommend this to readers interested in learning more about OCD and mental health issues in general. (Full blog review scheduled for March 15th.) 
The Immortalists by Chloe Benjamin
[Coming on January 9th from Tinder Press (UK) / G.P. Putnam’s (USA)]
Summer 1969: four young siblings escape a sweltering New York City morning by visiting a fortune teller who can tell you the day you’ll die. In the decades that follow, they have to decide what to do with this advance knowledge: will it spur them to live courageous lives, or drive them to desperation? This compelling family story lives up to the hype. I can imagine how much fun Benjamin had researching and writing it as she’s able to explore four distinct worlds: Daniel, a military doctor, examines Iraq War recruits; Klara becomes a magician in Las Vegas; Varya researches aging via primate studies; and Simon is a dancer in San Francisco. The settings, time periods, and career paths are so diverse that you get four novels’ worth of interesting background. (See my full review at The Bookbag.) 
Everything Happens for a Reason: And Other Lies I’ve Loved by Kate Bowler
[Coming on February 6th from Random House (USA)]
This was the 2018 title I was most looking forward to reading. It combines two of my niche interests: medical (especially cancer) memoirs, and the prosperity gospel, which I grew up with in the church my parents attend in America. An assistant professor at Duke Divinity School, Bowler was fascinated by the idea that you can claim God’s blessings, financial and otherwise, as a reward for righteous behavior and generosity to the church. But if she’d been tempted to set store by this notion, that certainty was permanently fractured when she was diagnosed with stage IV colon cancer in her mid-thirties. Bowler writes tenderly about suffering and surrender, about living in the moment with her husband and son while being uncertain of the future. Her writing reminds me of Anne Lamott’s and Nina Riggs’s. 
The Reading Cure: How Books Restored My Appetite by Laura Freeman
[Coming on February 22nd from Weidenfeld & Nicolson (UK)]
A memoir with food, medical and literary themes and a bibliotherapy-affirming title – this debut ticks lots of boxes for me. As a teenager, Freeman suffered from anorexia. This is not an anorexia memoir, though; instead, it’s about the lifelong joy of reading and how books have helped her haltingly recover the joy of eating. Her voracious reading took in the whole of Charles Dickens’s oeuvre, war writers like Siegfried Sassoon and Robert Graves (boiled eggs and cocoa); travel writers Laurie Lee and Patrick Leigh Fermor and their enthusiastic acceptance of whatever food came their way on treks; and rediscovered children’s classics from The Secret Garden through to the Harry Potter series. This is about comfort reading as much as it is about rediscovering comfort eating, and it delicately balances optimism with reality. (Full blog review scheduled for February 1st.) 
Everything Here Is Beautiful by Mira T. Lee
[Coming on January 16th from Pamela Dorman Books (USA)]
Lucia Bok has been many people: a globe-trotting Chinese-American journalist, a shopkeeper’s wife in New York City, an illegal immigrant’s girlfriend, and a mother making the best of primitive conditions in Ecuador. Her schizophrenia means she throws herself wholeheartedly into each role but, as her mind turns against her, eventually finds herself unable to cope. We hear from Lucia herself as well as her older sister, ex-husband and boyfriend – in both first-person and third-person passages – over the course of 25 years to get an intimate picture of how mental illness strains families and how blame gets parceled out. Lucia’s first-person narration was most effective for me: “I take only one kind of medication now. They adjust the dosage. Sometimes I still slosh around, dense and slushy like a watermelon; other times I’m flat, defizzed.” 
Junk by Tommy Pico
[Coming on May 8th from Tin House Books (USA)]
Junk food, junk shops, junk mail; junk as in random stuff; junk as in genitals. These are the major elements of Pico’s run-on, stream-of-consciousness poem, the third in his Teebs trilogy (after IRL and Nature Poem). The overarching theme is being a homosexual Native American in Brooklyn. You might think of Pico as a latter-day Ginsberg. His text-speak and sexual explicitness might ordinarily be off-putting for me, but there’s something about Pico’s voice that I really like. He vacillates between flippant and heartfelt in a way that seems to capture something about the modern condition. 
Sample lines:
“the lights go low across the / multiplex Temple of // canoodling and Junk food”
“Haven’t figured out how to be NDN and not have / suspicion coursing thru me like cortisol”
Indecent by Corinne Sullivan
[Coming on March 6th from St. Martin’s Press (USA)]
Expect a cross between Prep (Curtis Sittenfeld) and Notes on a Scandal (Zoe Heller). Imogene Abney, 22, is an apprentice teacher at Vandenberg School for Boys in New York State. She’s young and pretty enough to be met with innuendo and disrespect from her high school charges; she’s insecure enough about her acne to feel rejected by other apprentices. But Adam Kipling, who goes by “Kip,” seems different from any of the other people she’s thrown together with at Vandenberg. A fourth-year student, he’s only five years younger than she is, and he really seems to appreciate her for who she is. Their relationship proceeds apace, but nothing stays a secret for long around here. Being in Imogene’s head can feel a little claustrophobic because of her obsessions, but this is a racy, pacey read. 
From Mother to Mother by Émilie Vast
[Coming on March 20th from Charlesbridge Publishing (USA)]
This sweet, simple picture book for very young children (it will actually be a board book, though I read it as an e-book) was originally published in French. Based on Russian nesting dolls, it introduces the idea of ancestry, specifically multiple generations of women. I imagine a mother with a child sitting on her knee. Holding this book in one hand and a photo album in the other, she points to all the family members who have passed down life and love. Each two-page spread has a different color motif and incorporates flora and fauna on the design of the doll. 
I’m also currently partway through, and enjoying, Educated by Tara Westover [Coming on February 20th from Random House (USA) and February 22nd from Hutchinson (UK)], a striking memoir about being raised off grid in Idaho as the youngest of seven children of religious/survivalist parents – and never going to a proper school.
Coming tomorrow (my last post of the year): Some year-end statistics and 2018 reading goals.
December’s Doorstopper: The Heart’s Invisible Furies by John Boyne
The more I examined the architecture of my life, the more I realized how fraudulent were its foundations.
This is a book that wasn’t even on my radar until fairly late on in the year, when I noticed just how many of my Goodreads friends had read it and rated it – almost without fail – 5 stars. I knew John Boyne’s name only through the movie version of his Holocaust-set novel for younger readers, The Boy in the Striped Pajamas, and didn’t think I’d be interested in his work. But the fact that The Heart’s Invisible Furies was written in homage to John Irving (Boyne’s dedicatee) piqued my interest, and I’m so glad I gave it a try. It distills all the best of Irving’s tendencies while eschewing some of his more off-putting ones. Of the Irving novels I’ve read, this is most like The World According to Garp and In One Person, with which it shares, respectively, a strong mother–son relationship and a fairly explicit sexual theme.
A wonderful seam of humor tempers the awfulness of much of what befalls Cyril Avery, starting with his indifferent adoptive parents, Charles and Maude. Charles is a wealthy banker and incorrigible philanderer occasionally imprisoned for tax evasion, while Maude is a chain-smoking author whose novels, to her great disgust, are earning her a taste of celebrity. Both are cold and preoccupied, always quick to remind Cyril that since he’s adopted he’s “not a real Avery”. The first bright spot in Cyril’s life comes when, at age seven, he meets Julian Woodbead, the son of his father’s lawyer. They become lifelong friends, though Cyril’s feelings are complicated by an unrequited crush. Julian is as ardent a heterosexual as Cyril is a homosexual, and sex drives them apart in unexpected and ironic ways in the years to come.
For Cyril, born in Dublin in 1945, homosexuality seems a terrible curse. It was illegal in Ireland until 1993, so assignations had to be kept top-secret to avoid police persecution and general prejudice. Only when he leaves for Amsterdam and the USA is Cyril able to live the life he wants. The structure of the novel works very well: Boyne checks in on Cyril every seven years, starting with the year of his birth and ending in the year of his death. In every chapter we quickly adjust to a new time period, deftly and subtly marked out by a few details, and catch up on Cyril’s life. Sometimes we don’t see the most climactic moments; instead, we see what happened just before and then Cyril remembers the aftermath for us years later. It’s an effective tour through much of the twentieth century and beyond, punctuated by the AIDS crisis and focusing on the status of homosexuals in Ireland – in 2015 same-sex marriage was legalized, which would have seemed unimaginable a few short decades before.
Boyne also sustains a dramatic irony that kept me reading eagerly: the book opens with the story Cyril’s birth mother told him of her predicament in 1945, and in later chapters Cyril keeps running into this wonderfully indomitable woman in Dublin – but neither of them realizes how intimately they’re connected. Thanks to the first chapter we know they eventually meet and all will be revealed, but exactly when and how is a delicious mystery.
Along with Irving, Dickens must have been a major influence on Boyne. I spotted traces of David Copperfield and Great Expectations in minor characters’ quirks as well as in Cyril’s orphan status, excessive admiration of a romantic interest, and frequent maddening failures to do the right thing. But there are several other recent novels – all doorstoppers – that are remarkably similar in their central themes and questions. In Donna Tartt’s The Goldfinch, Hanya Yanagihara’s A Little Life and Nathan Hill’s The Nix we also have absent or estranged mothers; friends, lovers and adoptive family who help cut through a life of sadness and pain; and the struggle against a fate that seems to force one to live a lie. Given a span of 500 pages or more, it’s easy to become thoroughly engrossed in the life of a flawed character.
The Heart’s Invisible Furies – a phrase Hannah Arendt used to describe the way W.H. Auden wore his experiences on his face – is an alternately heartbreaking and heartening portrait of a life lived in defiance of intolerance and tragedy. A very Irish sense of humor runs all through the dialogue and especially Maude’s stubborn objection to fame. I loved Boyne’s little in-jokes about the writer’s life (“It’s a hideous profession. Entered into by narcissists who think their pathetic little imaginations will be of interest to people they’ve never met”) and thanks to my recent travels I was able to picture a lot of the Dublin and Amsterdam settings. Although it’s been well reviewed on both sides of the Atlantic, I’m baffled that this novel doesn’t have the high profile it deserves. I am especially grateful to Sarah of Sarah’s Book Shelves for naming this her book of the year: knowing her discriminating tastes, I could tell I’d be in for something special. Look out for it on my Best Fiction of 2017 list tomorrow.
My rating:
I got just four books for Christmas this year, but they’re all ones I’m very excited to read. I looked back at last year’s Christmas book haul photo and am impressed that I’ve actually read seven out of eight of them now – and the eighth is a cocktail cookbook one wouldn’t read all the way through anyway. All too often I let books sit around for years unread, but I will try to keep up this trend of reading books fairly soon after they enter my collection.


April 1945: Franklin D. Roosevelt is dead. His widow Eleanor goes to New York City to spend a long weekend with her lover, former White House reporter Lorena Hickok. Lorena, our feisty narrator, recalls her abusive upbringing in South Dakota, her early days as a reporter, and the flirtation that arose when she interviewed Eleanor about her governor husband’s presidential campaign. The open secret of FDR’s affair with his secretary, Missy LeHand, is contrasted with Eleanor and Lorena’s relationship – and with the situation of Eleanor’s cousin Parker Fiske, a closeted homosexual. Lorena’s voice is enjoyable, but I felt I gained no particular insight into Eleanor or Franklin Roosevelt. Bloom aims to reconcile Eleanor’s frumpy image with her passionate secret self, but for me that never fully happened. The most interesting scenes are from Lorena’s time working for a circus freak show on her way to Chicago (presumably completely made up). While Bloom had access to letters that passed between Lorena and Eleanor, she emphasizes that this is a work of fiction.
I may be showing my political colors with this choice. However, in my defense, I have also read memoirs by Laura Bush and Sarah Palin, both of which, like this, are rumored to have been ghostwritten. (In her acknowledgments Clinton mentions Lissa Muscatine as “Responsible for many of the words in my speeches as First Lady and in this book”.) The first few chapters, about Clinton’s early years and college days, are rather plodding, but once she meets Bill at Yale Law School in 1971 things pick up, and I found the whole informative and diverting. I hadn’t realized that Clinton was an accomplished lawyer in her own right, focusing on women’s and children’s rights and family law. She was also a researcher on the Nixon impeachment case – an experience that, ironically, came in handy three decades later.
Roland Mesnier was the White House pastry chef for 25 years. After training in France and Germany, he worked at the Savoy in London and then as head pastry chef at the Princess Hotel, Bermuda – all by age 20. His specialty was intricate sugar sculptures, for which he won international competitions. He also worked in Paris and Virginia before hearing that Rosalynn Carter was looking for a White House pastry chef. Fast-tracked to U.S. citizenship, he made elaborate desserts for presidential family occasions and state dinners. The latter were always based on research into a particular country’s culture, products, taste and traditions. These impressive constructions included molded sorbets, petits fours and marzipan figures, and were often feats of logistics and timing. The memoir is undoubtedly more interesting for what it tells about the First Families (Nancy Reagan was a hard taskmistress; Barbara Bush was his personal #1) than for its author’s life. An appendix includes 15 fairly simple (i.e., replicable at home!) recipes from his 2004 cookbook Dessert University, such as pecan bourbon pie and baked apple soufflé.
(I must also marvel at the journey that this particular book has been on. It is signed by the English translator and inscribed to her mother: “Mum, with all love, Louise – 8 May 2007”. This hardback copy somehow made it all the way to the £1 bargain shelves outside the upper level of the castle in Hay-on-Wye, Wales, where my husband snatched it up last spring.)
U.S. history has never been so much fun! There’s nothing Sarah Vowell loves more than a presidential plaque, monument, home or grave, and her enthusiasm is infectious. Over half of this book is about Abraham Lincoln’s assassination; the rest goes to those of James Garfield and William McKinley (attempts on T. Roosevelt and Reagan get a brief mention, but she pretty much avoids JFK – presumably because that would fill a book of its own). If all you remember about these last two assassins is that one was a disgruntled civil servant and the other was an anarchist with a funny name, let Vowell enlighten you with her mixture of travel and trivia. She follows John Wilkes Booth’s escape route from the nation’s capital, traces Charles Guiteau back to upstate New York’s Oneida community, and sympathizes with Leon Czolgosz’s hard early life. The book came out in 2005, and what with Vowell’s outrage over the Dubya administration, it does feel a little dated. But if the rest of her books are this nerdy-cool, I’ll be reading them all.
Druckerman travels from France (where she lives) to the United States, Russia, Japan, South Africa, Indonesia and China, interviewing professionals and anonymous adulterers and pondering what makes people cheat and what difference country of origin makes. Boiling it down, people in poor countries, even in parts of Africa where AIDS is a huge threat, are more likely to have multiple sexual partners than those in wealthy countries. Statistically speaking, there’s also a slight bias towards adultery in warmer countries. However, some factors that you might expect to have a big effect on the adultery rate, like religiosity (e.g. America vs. France), actually hardly do. What does differ is the level of guilt experienced over infidelity and its concomitant offense, lying. In places like France and Japan she discovers more of a don’t-ask-don’t-tell attitude: as long as the straying partner is discreet enough not to be caught, the other turns a blind eye.
Even if you don’t have any particular interest in architect Frank Lloyd Wright, this carefully crafted and lovingly written historical novel is well worth reading. Mamah (“May-muh”) Borthwick Cheney and her husband Edwin hired Wright to design their suburban Chicago home in 1903, and in 1907 she and Wright embarked on an affair. The novel covers roughly the next seven years of their lives, and is particularly illuminating about relationships, the rights of women and the morality code of the time. Through Mamah’s eyes Horan shows just why this affair was irresistible: “Frank Lloyd Wright was a life force. He seemed to fill whatever space he occupied with a pulsing energy that was spiritual, sexual, and intellectual all at once.” But in the eyes of the public, and of their families, it was a selfish choice that left her two children adrift. Beside Mamah, Catherine Wright was held up as a paragon of fidelity, waiting patiently for Frank to come back to her and their seven children.
This is one of the stranger novels I’ve ever read. It’s December 1994 and failed filmmaker Chris Kraus, 39, and her husband, 56-year-old professor Sylvère Lotringer, spend a night at the home of Dick, one of his California colleagues, to mark the end of Sylvère’s sabbatical. When they wake up the next morning Dick is gone, but he’s made a huge impression on Chris. She decides she and Dick have had something like D.H. Lawrence’s ‘sex in the head’, and becomes obsessed with him. Chris and Sylvère address reams of letters and journal entries to Dick. Some they send and some they don’t; Dick is a total blank, which allows the couple to build fantasies around him. It’s a chance for Chris to reimagine a life that’s gotten away from her and regain her voice.
Last year I unwittingly read the 1949 sequel, Love in a Cold Climate, first. I rather enjoyed that one, but somehow wasn’t in the mood for Mitford this time around, and ended up just skimming this one. Once again Fanny traces the love life of one of her posh cousins. This time it’s Linda Radlett, whose two marriages – to a Conservative and a Communist – are doomed to failure. Then she finds her true love, too late. I liked the ball scene, and the image of Uncle Matthew using his bloodhounds to hunt down his children. Mitford mixes the lighthearted and the caustic in an amusing way. The last two pages of this novel turn particularly nasty, though, which made me wonder how people can call this a comfort read.

I Am, I Am, I Am: Seventeen Brushes with Death by Maggie O’Farrell: O’Farrell captures fragments of her life through essays on life-threatening illnesses and other narrow escapes she’s experienced. The pieces aren’t in chronological order and aren’t intended to be comprehensive. Instead, they crystallize the fear and pain of particular moments in time, and are rendered with the detail you’d expect from her novels. She’s been mugged at machete point, nearly drowned several times, had a risky first labor, and was almost the victim of a serial killer. (My life feels awfully uneventful by comparison!) But the best section of the book is its final quarter: an essay about her childhood encephalitis and its lasting effects, followed by another about her daughter’s extreme allergies.
History of Wolves by Emily Fridlund: Fridlund’s Minnesota-set debut novel is haunted by a dead child. From the second page readers know four-year-old Paul is dead; a trial is also mentioned early on, but not until halfway does Madeline Furston divulge how her charge died. This becomes a familiar narrative pattern: careful withholding followed by tossed-off revelations that muddy the question of complicity. The novel’s simplicity is deceptive; it’s not merely a slow-building coming-of-age story with Paul’s untimely death at its climax. For after a first part entitled “Science”, there’s still half the book to go – a second section of equal length, somewhat ironically labeled “Health”. (Reviewed for the TLS.)
Modern Death: How Medicine Changed the End of Life by Haider Warraich: A learned but engaging book that intersperses science, history, medicine and personal stories. The first half is about death as a medical reality, while the second focuses on social aspects of death: religious beliefs, the burden on families and other caregivers, the debate over euthanasia and physician-assisted suicide, and the pros and cons of using social media to share one’s journey towards death. (See
This Is Going to Hurt: Secret Diaries of a Junior Doctor by Adam Kay
No Apparent Distress: A Doctor’s Coming-of-Age on the Front Lines of American Medicine by Rachel Pearson: Pearson describes her Texas upbringing and the many different hands-on stages involved in her training: a prison hospital, gynecology, general surgery, rural family medicine, neurology, dermatology. Each comes with memorable stories, but it’s her experience at St. Vincent’s Student-Run Free Clinic on Galveston Island that stands out most. Pearson speaks out boldly about the divide between rich and poor Americans (often mirrored by the racial gap) in terms of what medical care they can get. A clear-eyed insider’s glimpse into American health care.
The Tincture of Time: A Memoir of (Medical) Uncertainty by Elizabeth L. Silver: 
In this second book of the Farthing Wood series, the animals endure a harsh winter in their new home, the White Deer Park. When Badger falls down a slope and injures his leg, he’s nursed back to health at the Warden’s cottage, where Ginger Cat tempts him to join in a life of comfort and plenty. Meanwhile, Fox, Tawny Owl and the others are near starvation, and resort to leaving the park and stealing food from farms and rubbish bins. They have to band together and use their cunning to survive. This was a sweet book that reminded me of my childhood love of anthropomorphized animal stories (like Watership Down and the Redwall series). I doubt I’ll read another from the series, but this was a quaint read for the season.
Once a year or so I encounter a book that’s so flawlessly written you could pick out just about any sentence and marvel at its construction. That’s certainly the case here. I never want to go to Greenland; English winters are quite dark and cold enough for me, and I don’t know if I could stomach seal meat at all, let alone for most meals and often raw. But that’s okay: I don’t need to book a flight to Qaanaaq, because through reading this I’ve already been in Greenland in every season, and I thoroughly enjoyed my armchair trek. Impressively, Ehrlich is always describing the same sorts of scenery, and yet every time finds a fresh way to write about ice and sun glare and frigid temperatures. I’ll be looking into her other books for sure.
This short novel from 2005 deserves to be better known. It reminded me of
This is my favorite of the three Knausgaard books I’ve read so far, and miles better than his Autumn. These short essays successfully evoke the sensations of winter and the conflicting emotions elicited by family life and childhood memories. The series is, loosely speaking, a set of instruction manuals for his unborn daughter, who is born a month premature in the course of this volume. So in the first book he starts with the basics of bodily existence – orifices, bodily fluids and clothing – and now he’s moving on to slightly more advanced but still everyday things she’ll encounter, like coins, stuffed animals, a messy house, toothbrushes, and the moon. I’ll see out this series, and see afterwards if I have the nerve to return to My Struggle.
Many poetry volumes get a middling rating from me because some of the poems are memorable but others do nothing for me. This is on the longer side for a collection at 120+ pages, but only a handful of its poems fell flat. The subjects are diverse: travels in Europe (my cover depicts the Avebury stone circle in the gloom), menstruation, identifying as a Jew as well as a feminist, scattering her father’s ashes, the stresses of daily life, and being in love. The title poem, which appears first, has a slightly melancholy tone with its focus on the short days of winter, but the poet defiantly asserts meaning despite the mood: “Even the dead of winter: it seethes with more / than I can ever live to name and speak.” Piercy was a great discovery, and I’ll be trying lots more of her books from various genres.
The Bear and the Nightingale by Katherine Arden: Some striking turns of phrase, an enchanting wintry atmosphere … but a little Disney-fied for me. I got this free for Kindle so may come back to it at some point.



Midwinter Break by Bernard MacLaverty: In MacLaverty’s quietly beautiful fifth novel, a retired couple faces up to past trauma and present incompatibility during a short vacation in Amsterdam. My overall response was one of admiration for what this couple has survived and sympathy for their current situation – with hope that they’ll make it through this, too. (Reviewed for 
Lincoln in the Bardo by George Saunders: The residents of Georgetown cemetery limbo don’t know they’re dead – or at least won’t accept it. An entertaining and truly original treatment of life’s transience; I know it’s on every other best-of-year list out there, but it really is a must-read.
A Life of My Own by Claire Tomalin: Tomalin is best known as a biographer of literary figures including Mary Wollstonecraft, Samuel Pepys and Charles Dickens, but her memoir is especially revealing about the social and cultural history of the earlier decades her life covers. A dignified but slightly aloof book – well worth reading for anyone interested in spending time in London’s world of letters in the second half of the twentieth century.
Sing, Unburied, Sing by Jesmyn Ward: The story of a mixed-race family haunted – both literally and figuratively – by the effects of racism, drug abuse and incarceration in Bois Sauvage, a fictional Mississippi town. Beautiful language; perfect for fans of Toni Morrison and Cynthia Bond.
What It Means when a Man Falls from the Sky by Lesley Nneka Arimah (Reviewed for
The Education of a Coroner by John Bateson: The coroner’s career is eventful no matter what, but Marin County, California has its fair share of special interest, what with Golden Gate Bridge suicides, misdeeds at San Quentin Prison, and various cases involving celebrities (e.g. Harvey Milk, Jerry Garcia and Tupac) in addition to your everyday sordid homicides. Ken Holmes was a death investigator and coroner in Marin County for 36 years; Bateson successfully recreates Holmes’ cases with plenty of (sometimes gory) details.
Cork Dork by Bianca Bosker: Tasting notes: gleeful, ebullient, learned, self-deprecating; suggested pairings: Sweetbitter by Stephanie Danler; Top Chef, The Great British Bake Off. A delightful blend of science, memoir and encounters with people who are deadly serious about wine.
A Paris All Your Own: Bestselling Women Writers on the City of Light, edited by Eleanor Brown: A highly enjoyable set of 18 autobiographical essays that celebrate what’s wonderful about the place but also acknowledge disillusionment; highlights are from Maggie Shipstead, Paula McLain, Therese Anne Fowler, Jennifer Coburn, Julie Powell and Michelle Gable. If you have a special love for Paris, have always wanted to visit, or just enjoy armchair traveling, this collection won’t disappoint you.
Ashland & Vine by John Burnside: Essentially, it’s about the American story, individual American stories, and how these are constructed out of the chaos and violence of the past – all filtered through a random friendship that forms between a film student and an older woman in the Midwest. This captivated me from the first page.
Tragic Shores: A Memoir of Dark Travel, Thomas H. Cook: In 28 non-chronological chapters, Cook documents journeys he’s made to places associated with war, massacres, doomed lovers, suicides and other evidence of human suffering. This is by no means your average travel book and it won’t suit those who seek high adventure and/or tropical escapism; instead, it’s a meditative and often melancholy picture of humanity at its best and worst. (Reviewed for
The Valentine House by Emma Henderson: This is a highly enjoyable family saga set mostly between 1914 and 1976 at an English clan’s summer chalet in the French Alps near Geneva, with events seen from the perspective of a local servant girl. You can really imagine yourself into all the mountain scenes and the book moves quickly –a great one to take on vacation.
The 2017 Book Everybody Else Loved but I Didn’t: Eleanor Oliphant Is Completely Fine by Gail Honeyman. (See
The Downright Strangest Book I Read This Year: An English Guide to Birdwatching by Nicholas Royle.
The Best First Line of the Year: “History has failed us, but no matter.” (Pachinko, Min Jin Lee)
Swimming Lessons by Claire Fuller: This atmospheric novel reminiscent of Iris Murdoch is no happy family story; it’s full of betrayals and sadness, of failures to connect and communicate, yet it’s beautifully written, with all its scenes and dialogue just right. I recently caught up on Fuller’s acclaimed 2015 debut, Our Endless Numbered Days, and collectively I’m so impressed with her work, specifically the elegant way she alternates between time periods to gradually reveal the extent of family secrets and the faultiness of memory.







All the Spectral Fractures: New and Selected Poems, Mary A. Hood: There is so much substance and variety to this poetry collection spanning the whole of Hood’s career. A professor emerita of microbiology at the University of West Florida and a former poet laureate of Pensacola, Florida, she takes inspiration from the ordinary folk of the state, the world of academic scientists, flora and fauna, and the minutiae of everyday life.
To Say Nothing of the Dog by Connie Willis: Time travel would normally be a turnoff for me, but Willis manages it perfectly in this uproarious blend of science fiction and pitch-perfect Victorian pastiche (boating, séances and sentimentality, oh my!).
Homegoing by Yaa Gyasi: Brings together so many facets of the African and African-American experience; full of clear-eyed observations about the ongoing role race plays in American life.


Signs for Lost Children by Sarah Moss: Simply superb in the way it juxtaposes England and Japan in the 1880s and comments on mental illness, the place of women, and the difficulty of navigating a marriage whether the partners are thousands of miles apart or in the same room.
Dinner at the Homesick Restaurant by Anne Tyler: I’ve been lukewarm on Anne Tyler’s novels before – this is my sixth from her – but this instantly leapt onto my list of absolute favorite books. Its chapters are like perfectly crafted short stories focusing on different members of the Tull family. These vignettes masterfully convey the common joys and tragedies of a fractured family’s life. After Beck Tull leaves with little warning, Pearl must raise Cody, Ezra and Jenny on her own and struggle to keep her anger in check. Cody is a vicious prankster who always has to get the better of good-natured Ezra; Jenny longs for love but keeps making bad choices. Despite their flaws, I adored these characters and yearned for them to sit down, even just the once, to an uninterrupted family dinner of comfort food.