Tag Archives: Angie Kim

Love Your Library, August 2024

It’s a Bank Holiday today here in the UK – if you have the day off, I hope you’re spending it a fun way. We’re on a day trip to Windsor Castle with friends who got free tickets through her work. Otherwise, there’s no way we would ever have gone: it’s very expensive, plus down with the monarchy and all that.

Thanks so much to Eleanor (here, here and here), Laura (the two images below) and Marcie for posting about their recent library reading!

Marina Sofia has posted a couple of relevant blogs, one a review of an Alberto Manguel book about his home library and the other a series of tempting photos of world libraries.

In the media: I loved this anti-censorship George Bernard Shaw quote posted by Book Riot on Instagram…

…and my heart was warmed by the story of Minnesota governor and current vice-presidential candidate Tim Walz installing a Little Free Library in the state capitol earlier this year. He gets my vote!

One volunteering day, a staff member told the strange-but-true story of an e-mail just received to the general libraries account. A solicitor presiding over an estate clearance let us know about a West Berkshire Libraries book found among their client’s effects, borrowed in early 1969 and never returned. Did we want it back? The consensus was that, as we’ve been doing fine without this book since BEFORE THE MOON LANDING, we will drop the issue.

Not exactly library related, but in other fun book news, I took a couple of online quizzes and got intriguing results:

My suggestion (for Angie Kim’s Happiness Falls) featured in the recent Faber Members’ summer reading recommendation round-up. And here’s that blog post I wrote for Foreword Reviews about the Bookshop Band’s new album and tour.

I’m hosting book club a week on Wednesday. Although it’s felt for a while like it might be doomed, the group has had a stay of execution at least until January. We took a break for the summer and at our July social everyone made enthusiastic noises about joining in with the four autumn and winter reads we voted on – plus we have two prospective new members who we hope will join us for the September meeting. So we’ll see how it goes.

 

My library use over the last month:

 

READ

 SKIMMED

  • Nature’s Ghosts: A History – and Future – of the Natural World by Sophie Yeo

CURRENTLY READING

  • One Garden against the World: In Search of Hope in a Changing Climate by Kate Bradbury
  • Clear by Carys Davies (for September book club)
  • Moominpappa at Sea by Tove Jansson
  • The Garden against Time: In Search of a Common Paradise by Olivia Laing
  • The Burial Plot by Elizabeth Macneal
  • Late Light: Finding Home in the West Country by Michael Malay
  • The Song of the Whole Wide World: On Motherhood, Grief, and Poetry by Tamarin Norwood
  • The Echoes by Evie Wyld

CHECKED OUT, TO BE READ

  • Wasteland: The Dirty Truth about What We Throw Away, Where It Goes, and Why It Matters by Oliver Franklin-Wallis
  • This Is My Sea by Miriam Mulcahy

 

IN THE RESERVATION QUEUE

  • The Glassmaker by Tracy Chevalier
  • James by Percival Everett
  • Small Rain by Garth Greenwell
  • Bothy: In Search of Simple Shelter by Kat Hill
  • The Painter’s Daughters by Emily Howes
  • Dispersals: On Plants, Borders and Belonging by Jessica J. Lee
  • Held by Anne Michaels
  • Playground by Richard Powers
  • Intermezzo by Sally Rooney

 

ON HOLD, TO BE PICKED UP

  • The Accidental Garden: The Plot Thickens by Richard Mabey

 

RETURNED UNFINISHED

  • The Cove: A Cornish Haunting by Beth Lynch – I enjoyed her previous memoir, and her writing is evocative, but this memoir about her return to the beloved site of childhood holidays lacks narrative drive. If you’re more familiar with the specific places, or can read it on location, you might be tempted to read the whole thing. I read 30 pages.

 

What have you been reading or reviewing from the library recently?

Share a link to your own post in the comments. Feel free to use the above image. The hashtag is #LoveYourLibrary.

The Best Books from the First Half of 2024

Hard to believe, but it’s that time of year already! It’s the eighth year in a row that I’ve been making a first-half superlatives list. It remains to be seen how many of these will make it onto my overall best-of year rundown, but for now, these are my 18 favourite 2024 releases that I’ve read so far (representing the top 20% of my current-year reading). One is a bonus in that it won’t actually be published until August; six happen to be books I reviewed for Shelf Awareness. Pictured below are the ones I read in print; all the others were e-copies. Links are to my full reviews where available.

 

Fiction

The Ministry of Time by Kaliane Bradley: This nuanced debut novel alternately goes along with and flouts the tropes of spy fiction and time travel sci-fi, making clever observations about how we frame stories of empire and progress. The narrator is a “bridge” helping to resettle a Victorian polar explorer in near-future London. You just have to suspend disbelief and go with it. Bradley’s descriptive prose is memorable but never quirky for the sake of it. I haven’t had so much fun with a book since Romantic Comedy. A witty, sexy, off-kilter gem.

 

Behind You Is the Sea by Susan Muaddi Darraj: Darraj’s second novel-in-stories is a shimmering composite portrait of a Palestinian American community in Baltimore. Across nine stellar linked stories, she explores the complex relationships between characters divided by—or connected despite—class, language, and traditional values. Each of the stories (four in the first person, five in the third person) spotlights a particular character. The book depicts the variety of immigrant and second-generation experience, especially women’s.

 

Piglet by Lottie Hazell: The protagonist works for a cookbook publisher, loves to cook, and has a history of overeating during psychological distress. When her fiancé blindsides her with a confession 13 days before their wedding, she returns to binge eating, dress fittings be damned. Food is also a sign of her education and class pretensions. Uncomfortable themes, but I kept reading in fascinated horror because Hazell writes absolutely incredible scenes. This is also about what women are allowed to want, and how they are expected to settle.

 

Wellness by Nathan Hill: A state-of-the-nation novel filtered through one Chicago family experiencing midlife and marital crises: underperforming academic Jack; his wife Elizabeth, a placebo researcher at Wellness; and their YouTube-obsessed son Toby. They’ve recently invested their life savings in a new condo. The addictive and spot-on novel asks questions about authenticity, purpose, and nurture. Is love itself a placebo? Hill is clearly fascinated with psychological experimentation but also turns it to humorous effect.

 

Happiness Falls by Angie Kim: Over 2.5 days in June 2020, a Korean American family (mother Hannah and 20-year-old twins Mia and John, home from college for the lockdown) investigates, on their own and with the help of police and tip-offs, what happened to the father, Adam, who’d been at River Falls Park with the severely disabled 14-year-old son, Eugene, who is autistic and has mosaic Angelman syndrome. Mia narrates, and it’s a pleasure spending time with her quick, systematic brain as she considers each theory and red herring.

 

Company by Shannon Sanders: This energetic debut novel in 13 linked stories traces several generations of the Collins clan, whose experiences at once exemplify African American gentrification and evoke timeless patterns of parental legacy and sibling jealousy. Sisters Cassandra, Fay, Lee and Suzette grew up at their parents’ Atlantic City jazz club before going their separate ways. We revisit relatives at different points in their lives, mostly between the 1990s and the present day. Celebration scenes make for memorable moments.

 

Lunar New Year Love Story by Gene Luen Yang (illus. LeUyen Pham): A super-cute teen story with gorgeous illustrations, including lots of pink and red to suit the theme. We follow Vietnamese-American Valentina through high school as she plays host to an internal debate between cynicism and romanticism. Ever since her mother left, she’s longed to believe in romance but feared that love is a doomed prospect for her family. The Asian community of Oakland, California and a new hobby of lion dancing provide engrossing cultural detail.

 

Nonfiction

Intervals by Marianne Brooker: An extended essay about her mother’s protracted death with multiple sclerosis and the issues it brought up around disability, poverty, and inequality of access to medical care and services. Brooker decries the injustice of the wealthy having the option of travelling to Dignitas in Switzerland for an assisted death, whereas her single mother had so such relief in sight. Brooker’s description of the vigil of the last days, like her account of her vivacious mother’s life, is both tender and unflinching.

 

Grief Is for People by Sloane Crosley: A bereavement memoir like no other. Heart-wrenching yet witty, it bears a unique structure and offers fascinating glimpses into the New York City publishing world. Crosley’s Manhattan apartment was burgled exactly a month before the suicide of her best friend and former boss, Russell. Throughout the book, the whereabouts of her family jewelry is as much of a mystery as the reason for Russell’s death, and investigating the stolen goods in parallel serves as a displacement activity for her.

 

First Love: Essays on Friendship by Lilly Dancyger: Poignant interlocking essays about female friendship. Love and death coexist here. Dancyger’s first best friend was her cousin Sabina, who was raped and murdered at age 20. “Sad Girls” takes on Sylvia Plath fandom. Dancyger also maps her bisexuality and ponders whether to have a child. She is nostalgic for the freedom of being young and unsupervised in New York City and Europe. A sensitive interrogation of women’s relationships, perfect for fans of Melissa Febos and Emma Straub.

 

Alphabetical Diaries by Sheila Heti: Heti put 10 years of diary contents into a spreadsheet, alphabetizing each sentence, and then ruthlessly culled the results. The recurring topics are familiar from the rest of her oeuvre: obsessive cogitating about relationships, art and identity, but also the practicalities of trying to make a living as a woman in a creative profession. Heti transcends the quotidian by exploding chronology. Remarkably, the collage approach produces a genuine, crystalline vision of the self. A sui generis work of life writing.

 

Others Like Me: The Lives of Women without Children by Nicole Louie: This impassioned auto/biographical collage combines the strengths of oral history, group biography and a fragmented memoir. “Motherhood as the epicentre of women’s lives was all I’d ever witnessed” via her mother and grandmother, Louie writes, so finding examples of women living differently was key. As readers, we watch her life, her thinking and the book all take shape. It’s intimate and empathetic, with layers of stories that reflect diversity of experience.

 

The Age of Loneliness: Essays by Laura Marris: A perceptive, moving collection of nine braided essays linking personal experience of loss with the climate crisis. “Cancerine” is a strong example. Cancer, the sign of the crab, was her father’s cause of death; horseshoe crabs were ground into fertilizer in the 19th century, and their blood is still harvested for biomedical testing. Driven by curiosity and environmental conscience, these reflective pieces reminiscent of Helen Macdonald’s longform journalism ponder human responsibility and resilience. [Graywolf Press, 6 August]

 

Knife: Meditations after an Attempted Murder by Salman Rushdie: I’ve not had much success with Rushdie’s fiction, but this is excellent, with intriguing side tendrils and lots of quotable lines. It traces lead-up and aftermath; unexpected echoes, symbolism and ironies. Although Rushdie goes into some medical detail about his recovery, you get the sense of him more as an unchanging mind and a resolute will. The most remarkable section imagines dialogues between him and his imprisoned assailant, probing his beliefs and motivations.

 

Poetry

Theophanies by Sarah Ghazal Ali: In this poised debut collection by a Muslim poet, spiritual enlightenment is a female, embodied experience, mediated by the matriarchs of the Abrahamic faiths. Ali’s poems hymn women’s bodies, desire, and motherhood. She blurs the line between human and divine with her allusions to the Quran. Ambivalence towards faith is clear in the alliteration-laden verse that recalls Kaveh Akbar’s. Wordplay, floral metaphors, and multiple ghazals make for dazzling language.

 

Baby Schema by Isabel Galleymore: A slant-wise look at environmental crisis and an impending decision about motherhood. The title comes from Konrad Lorenz’s identification of features that invite nurture. Galleymore edges towards the satirical fantasies of Caroline Bird or Patricia Lockwood as she imagines alternative scenarios of caregiving. What is worthy of maternal concern? Does cuteness merit survival? Extinction and eco-grief on the one hand, yes, but the implacability of biological cycles on the other. Sardonic yet humane.

 

Inconsolable Objects by Nancy Miller Gomez: This debut collection recalls a Midwest girlhood of fairground rides and lake swimming, tornadoes and cicadas. But her Kansas isn’t all rose-tinted nostalgia; there’s an edge of sadness and danger. “Missing History” notes how women’s stories, such as her grandmother’s, are lost to time. In “Tilt-A-Whirl,” her older sister’s harmless flirtation with a ride operator turns sinister. She also takes inspiration from headlines. The alliteration and slant rhymes are to die for. (Full review to come.)

 

Egg/Shell by Victoria Kennefick: Motherhood and the body are overarching themes. The speaker experiences multiple miscarriages and names her lost children after plants. Becoming a mother is a metamorphosis all its own, while the second long section is about her husband transitioning. Bird metaphors are inescapable. The structure varies throughout: columns, stanzas; a list, a recipe. Amid the sadness, there is dark humour and one-line rejoinders. If you’re wondering how life can be captured in achingly beautiful poetry, look no further.

 


Two of the novels above were among my Most Anticipated books of the year. I’ve now read 10 of the 12 on that list and DNFed another (the Sarah Perry), which just leaves Memory Piece by Lisa Ko to find – though others’ responses make me think it might not be worthwhile to do so. I sometimes wonder if designating a book as anticipated or a priority is a kiss of death, as I was at least somewhat disappointed with over half of my choices this time.

In the second part of the year, I’m looking forward to new releases from Rachel Clarke, Sarah Manguso, Charlotte Mendelson, Richard Powers, Sally Rooney, Elizabeth Strout and Evie Wyld.

What 2024 releases should I catch up on? What’s in your sights for the rest of the year?

Women’s Prize 2024: Longlist Predictions vs. Wishes

This is the fourth year in a row that I’ve made predictions for the Women’s Prize longlist (the real thing comes out on Tuesday, 6 p.m. GMT). It shows how invested I’ve become in this prize in recent years. Like I did last year, I’ll give predictions, then wishes (no overlap this time!). My wishes are based on what I have already read and want to read. Although I kept tabs on publishers and ‘free entries’ for previous winners and shortlistees, I didn’t let quotas determine my selections. And while I kept in mind that there are two novelists on the judging panel, I don’t know enough about any of these judges’ taste to be able to tailor my predictions. My only thought was that they will probably appreciate good old-fashioned storytelling … but also innovative storytelling.

(There are two books – The List of Suspicious Things by Jennie Godfrey (= Joanna Cannon?) and Jaded by Ela Lee (this year’s Queenie) – that I only heard about as I was preparing this post and seem pretty likely, but I felt that it would be cheating for me to include them.)

Predictions

The Three of Us, Ore Agbaje-Williams

The Future, Naomi Alderman

The Storm We Made, Vanessa Chan

Penance, Eliza Clark

The Wren, The Wren, Anne Enright

A House for Alice, Diana Evans

Piglet, Lottie Hazell

Pineapple Street, Jenny Jackson

Yellowface, R. F. Kuang

Biography of X, Catherine Lacey

Julia, Sandra Newman

The Vulnerables, Sigrid Nunez

Tom Lake, Ann Patchett

In Memory of Us, Jacqueline Roy

The Fraud, Zadie Smith

Land of Milk and Honey, C. Pam Zhang

 

Wish List

Family Lore, Elizabeth Acevedo

The Sleep Watcher, Rowan Hisayo Buchanan

The Unfortunates, J. K. Chukwu

The Three Graces, Amanda Craig

Learned by Heart, Emma Donoghue

Service, Sarah Gilmartin

The Vaster Wilds, Lauren Groff

Reproduction, Louisa Hall

Happiness Falls, Angie Kim

Bright Young Women, Jessica Knoll

A Sign of Her Own, Sarah Marsh

The Fetishist, Katherine Min

Hello Beautiful, Ann Napolitano

Mrs S, K Patrick

Romantic Comedy, Curtis Sittenfeld

Absolutely and Forever, Rose Tremain

 

If I’m lucky, I’ll get a few right from across these two lists; no doubt I’ll be kicking myself over the ones I considered but didn’t include, and marvelling at the ones I’ve never heard of…

 

What would you like to see on the longlist?

 

Appendix

(A further 50 novels that were on my radar but didn’t make the cut. Like last year, I made things easy for myself by keeping an ongoing list of eligible novels in a file on my desktop.)

Everything Is Not Enough, Lola Akinmade Akerstrom

The Wind Knows My Name, Isabel Allende

Swanna in Love, Jennifer Belle

The Sisterhood, Katherine Bradley

The Fox Wife, Yangsze Choo

The Guest, Emma Cline

Speak to Me, Paula Cocozza

Talking at Night, Claire Daverley

Clear, Carys Davies

Bellies, Nicola Dinan

The Happy Couple, Naoise Dolan

In Such Tremendous Heat, Kehinde Fadipe

The Memory of Animals, Claire Fuller

Anita de Monte Laughs Last, Xochitl Gonzalez

Normal Women, Ainslie Hogarth

Sunburn, Chloe Michelle Howarth

Loot, Tania James

The Half Moon, Mary Beth Keane

Morgan Is My Name, Sophie Keetch

Soldier Sailor, Claire Kilroy

8 Lives of a Century-Old Trickster, Mirinae Lee

August Blue, Deborah Levy

Winter Animals, Ashani Lewis

Rosewater, Liv Little

The Couples, Lauren Mackenzie

Tell Me What I Am, Una Mannion

She’s a Killer, Kirsten McDougall

The Misadventures of Margaret Finch, Claire McGlasson

Nightbloom, Peace Adzo Medie

I Am Homeless If This Is Not My Home, Lorrie Moore

The Lost Wife, Susanna Moore

Okay Days, Jenny Mustard

Parasol against the Axe, Helen Oyeyemi

The Human Origins of Beatrice Porter and Other Essential Ghosts, Soraya Palmer

The Lodgers, Holly Pester

Night Wherever We Go, Tracey Rose Peyton

The Mars House, Natasha Pulley

Playing Games, Huma Qureshi

Come and Get It, Kiley Reid

High Time, Hannah Rothschild

Commitment, Mona Simpson

Death of a Bookseller, Alice Slater

Bird Life, Anna Smail

Stealing, Margaret Verble

Help Wanted, Adelle Waldman

Temper, Phoebe Walker

Hang the Moon, Jeannette Walls

Moral Injuries, Christie Watson

Ghost Girl, Banana, Wiz Wharton

Speak of the Devil, Rose Wilding

February Releases by Hess, Kim, Sides (#ReadIndies); Atwood and Shah

I’m pleased to have, between this post and yesterday’s review catch-up, featured 9 books from 8 independent publishers for Read Indies this month. (I have also done some indie reading from my shelves, which I’ll summarize early in March.) Three of the books in my February review stacks were indie releases. I’ve got a hybrid memoir that blends poetic exploration of scripture with personal psychological reflections; an out-of-the-ordinary mystery about a father’s disappearance that comments on disability, racism and much more; and a terrific set of fabulist short stories. My two bonus (non-indie) February books are an unconvincing collaborative novel and a counselling-focussed bibliotherapy guide.

When Fragments Make a Whole: A Personal Journey through Healing Stories in the Bible by Lory Widmer Hess

Some of you may know Lory, who is training as a spiritual director, from her blog, Enter Enchanted. It was so kind of her to get in touch offering her first book for review. It’s a unique combination of poetry, scriptural exegesis, and fragments of memoir. Each chapter considers a different healing story from the Gospels. As in the lectio divina I learned from college Christian fellowships, the idea with the verse retellings from the Bible is to imagine oneself into a character’s position and consider the crises that led to seeking Jesus’ help. I especially liked the poem “Talitha, Koum,” which links the stories of the woman with the issue of blood and the resurrection of Jairus’ daughter. In both, faith reverses a seemingly hopeless situation.

The short sections of commentary draw in a lot of context as well as etymology from the Greek. The autobiographical essays chart a history of physical and mental challenges, including dissociation, low self-esteem and shame, and offer openness to healing as its own miracle when there are no easy answers. They are notable for their vulnerability, especially when discussing marital problems. The outlook is intellectual and psychological rather than the spiritualizing I’m used to from my evangelical background – Lory comes from the anthroposophy tradition, which I don’t claim to fully understand but (I think) eschews dogma like original sin and atonement and instead makes the spiritual journey a matter of human reconnection with God through free will and the intellect. This is nicely balanced, though, by her work with developmentally disabled adults in residential homes in New England and Switzerland, which reminds her “there is a truth beyond intellectual knowledge, a language beyond words”. It is a calm, honest, methodical book that will intrigue anyone interested in thinking through how the Bible is applicable to the challenges of daily life.

With thanks to the author and Floris Books (Edinburgh) for the free copy for review.

 

Happiness Falls by Angie Kim

Buzz from across the pond about Kim’s novels led me to request this even though I don’t typically read mysteries. The bulk is set over 2.5 days in June 2020 as the Korean American Parkson family investigates, on their own and with the help of police and various local tip-offs, what happened to the father, Adam, who’d been at River Falls Park with the severely disabled 14-year-old son, Eugene, who is autistic and has mosaic Angelman syndrome. Mother Hannah and 20-year-old twins Mia and John, home from college for the lockdown, quickly realise something is wrong when Eugene, who has blood on his shirt and under his nails, stumbles home on his own and Adam is unreachable by phone. There’s more to the setup than that, and many complicated side-tracks to the investigation, but the basic questions remain for 300+ pages: What happened to Adam? and What was Eugene’s part in it?

Mia narrates, and it’s a pleasure spending time with her quick, systematic brain as she runs through all the options and deals with each new theory and red herring. She clearly gets it from her father, whose recovered notebook is full of amateur experimentation on the “Happiness Quotient”. Her wit and garrulousness (sample aside: “I’m sorry, but I don’t care how much you love fun fonts—you cannot talk about prison rape in Comic Sans”) spills over into footnotes as if in effusive counterpoint to Eugene, who is nonspeaking.

The pandemic setting places interesting constraints on the official proceedings, and the prospect of a new communication method (involving painstaking spelling with a letter stencil) revolutionizes this family as they grasp that Eugene is far from nonverbal and has been ‘locked in’ all along. The account a therapist elicits from him seems to clinch the case, but uncertainty lingers.

This is like a blend of Celeste Ng’s Everything I Never Told You, Rebecca Makkai’s I Have Some Questions for You, and Naoki Higashida’s The Reason I Jump; if you’ve liked one or more of these, I would strongly recommend it. Mystery readers may lack patience for the digressions. The solution is eclipsed by the many issues – prejudice based on race and disability, how one’s circumstances affect contentment, nuances of communication, sibling relationships and twin ESP – explored along the way. Because I am not a crime reader, the pace was no problem for me. My annoyances were with the preponderance of hindsight (“I wish I’d said something,” “It didn’t occur to me until much later”) and the fact that Mia says “begs the question” for raising a question (misuse of a rhetorical term) several times. I found personal meaning in the book because of the Washington, DC-area locales and my severely disabled, nonverbal goddaughter. What if there really is something going on in her mind, and we could find out what it was… I mused. I’ll be keen to read Kim’s debut, Miracle Creek.

With thanks to Faber for the free copy for review.

 

Crocodile Tears Didn’t Cause the Flood by Bradley Sides

These 17 flash fiction stories fully embrace the possibilities of magic and weirdness, particularly to help us reconnect with the dead. Brad and I are literary acquaintances from our time working on (the now defunct) Bookkaholic web magazine in 2014–15. I liked this even more than his first book, Those Fantastic Lives (2021), although the contours are very similar. Young people, animals and monsters abound – and sometimes the lines between those identities are unclear. There’s a lot of experimentation with form: a choose-your-own-adventure narrative, a police transcript, a two-truths-and-a-lie challenge, a story all in questions, an English exam, and a letter. A few of my favorite stories were “The Guide to King George,” about an amusement farm’s resident pond monster; “Claire & Hank,” in which a paleontologist’s unearthed Pteranodon becomes a sister to his motherless son; and “Dying at Allium Farm,” whose sassy undead owners think they’re fooling their Tennessee customers. And can you imagine a better title and cover combination?!

With thanks to Montag Press and publicist Lori Hettler for the e-copy for review.

 


And a couple of bonus February releases that are not from indie publishers:

 

Fourteen Days, ed. Margaret Atwood and Douglas Preston

This Authors Guild Foundation collaborative project is a Covid-era Decameron update in which the residents of an increasingly derelict New York City apartment complex meet on the rooftop every evening for two early lockdown weeks to clap for healthcare workers, indulge in adult beverages, and swap random stories. The tenants all go by nicknames like “Hello Kitty,” “Florida” and “Vinegar.” The frame narrative has the building superintendent (Yessie, a lesbian of Romanian heritage) worrying over her father’s wellbeing in a care home and surreptitiously recording the oral stories on her phone to later transcribe into the “bible” kept by the previous super. We’re told up front that the manuscript ends up in police custody.

I had a misconception that each chapter would be written by a different author. I think that would actually have been the more interesting approach. Instead, each character is voiced by a different author, and sometimes by multiple authors across the 14 chapters (one per day) – a total of 36 authors took part. I soon wearied of the guess-who game. I most enjoyed the frame story, which was the work of Douglas Preston, a thriller author I don’t otherwise know.

There was a promising idea here, but problems with the execution. One is that, for the most part, the stories are pointless. The characters get hung up on whether they’re ‘true’ or not, but for readers it’s all made up and, while one or two individual tales might be amusing, they do nothing to build a plot and so I found myself mostly skipping over them to get back to the interactions on the roof and the super’s commentary. Another is that, to stand out from an ensemble cast, a voice needs to be really distinctive, and only “Eurovision” (flamboyantly gay) was that for me – based on my love for his rabbit story in particular, I should be reading Joseph Cassara. And finally, the book culminates with an annoying twist that made me cross.

With thanks to Chatto & Windus (Penguin) for the proof copy for review.

 

Bibliotherapy: The Healing Power of Reading by Bijal Shah

Bibliotherapy is one of my niche bookish interests (see my write-up of my bibliotherapy appointment with Ella Berthoud at the School of Life), so I was delighted to be offered a copy of another relevant book. Bijal Shah grew up in an East African Indian community before moving to the UK with her family as a teenager. When she was in training as a psychodynamic counsellor and attended therapy sessions herself, she realised how helpful literature was in helping her think through traumatic experiences from her past, such as sexism, colourism and a painful break-up. “I have lived half my life in the pages of books,” she observes, “relying on them to put my real life into perspective.” I feel the same way.

The emphasis is very much on therapy here, as Shah elaborates on practices such as literary journaling, recording audio notes, writing poetry, and focusing on gratitude. About half of the book is given over to anonymized sample case studies where she looks at the reasons why a client might come to her for bibliotherapy, the books and exercises she prescribed them, and the sorts of realizations people came to when reflecting on their own lives in relation to what they read. I suspect that the majority of readers, unless they have a vested interest in counselling, will, like me, most enjoy browsing the A–Z list of book prescriptions in the final 20% of the book (with more on Shah’s website). There is good variety to these in terms of author diversity, new vs. backlist reads, and both YA and adult fiction, though most of the recommendations are nonfiction, particularly psychology and self-help: these are much more literal (and, generally, obvious) prescriptions than Berthoud and Elderkin’s playful take.

With thanks to the author and Piatkus (Hachette) for the free copy for review.