Four for #WITMonth: Jansson, Lamarche, Lunde and Vogt
I’ve managed four novels for this year’s Women in Translation month: a nostalgic, bittersweet picture of island summers poised between childhood and old age; a brief, impressionistic account of domestic violence and rape; the third in a series looking at how climate change and species loss reverberate amid family situations; and a visceral meditation on women’s bodies and relationships. Two of these were review copies from the recently launched Héloïse Press, which “champions world-wide female talent”.
The Summer Book by Tove Jansson (1972; 1974)
[Translated from the Swedish by Thomas Teal]
It was just the same long summer, always, and everything lived and grew at its own pace.
This was only the second time I’ve read one of Jansson’s books aimed at adults (as opposed to five from the Moomins series). Whereas A Winter Book didn’t stand out to me when I read it in 2012 – though I will try it again this winter, having acquired a free copy from a neighbour – this was a lovely read, so evocative of childhood and of languid summers free from obligation. For two months, Sophia and Grandmother go for mini adventures on their tiny Finnish island. Each chapter is almost like a stand-alone story in a linked collection. They make believe and welcome visitors and weather storms and poke their noses into a new neighbour’s unwanted construction.
Six-year-old Sophia, based on Jansson’s niece of the same name, is precocious and opinionated, liable to change her mind in an instant. In “The Cat,” one of my favourite stand-alone bits, she’s fed up with their half-feral pet who kills lots of birds and swaps him for a friend’s soppy lap cat, but then regrets it. She’s learning that logic and emotion sometimes contradict each other, which becomes clearer as she peppers Grandmother with questions about religion and superstition.
As is common to Jansson’s books, there’s a melancholy undercurrent here.
Everything was fine, and yet everything was overshadowed by a great sadness. It was August, and the weather was sometimes stormy and sometimes nice, but for Grandmother, no matter what happened, it was only time on top of time, since everything is vanity and a chasing after the wind.
Sophia’s mother died, and although her grandmother has the greater presence, Papa is also around, dealing with practicalities in the background. Death stalks around the edges, reminding Grandmother of her mortality through bouts of vertigo that have her grabbing for her heart medication. On just the second page we have this memento mori:
“When are you going to die?” the child asked.
And Grandmother answered, “Soon. But that is not the least concern of yours.”
And so it doesn’t feel like our concern either; the focus is on the now, on these beautiful little moments of connection across the generations – like in “Playing Venice,” when Grandmother stays up all night rebuilding Sophia’s model city that was washed away by the rain. (Public library)
The Memory of the Air by Caroline Lamarche (2014; 2022)
[Winner of an English PEN Award; translated from the French by Katherine Gregor]
In a hypnotic monologue, a woman tells of her time with a violent partner (the man before, or “Manfore”) who thinks her reaction to him is disproportionate and all due to the fact that she has never processed being raped two decades ago. When she goes in for a routine breast scan, she shows the doctor her bruised arm, wanting there to be a definitive record of what she’s gone through. It’s a bracing echo of the moment she walked into a police station to report the sexual assault (and oh but the questions the male inspector asked her are horrible).
The novella opens with an image that returns in dreams but is almost more a future memory of what might have been: “I went down into a ravine and, at the bottom, found a dead woman. She was lying in a shroud, on a carpet of fallen leaves.” I read this in one sitting – er, yoga session – and it has stayed in my mind in intense flashes like that and the flounce of her red dress on the summer day that turned into a nightmare. At an intense 70 pages, this reminded me of Annie Ernaux’s concise autofiction (I’ve reviewed Happening and I Remain in Darkness). An introduction by Dr Dominique Carlini-Versini contextualizes the work by considering the treatment of rape in contemporary French women’s writing.
The Memory of the Air will be published on 26 September. With thanks to Héloïse Press for the proof copy for review.
The Last Wild Horses by Maja Lunde (2019; 2022)
[Translated from the Norwegian by Diane Oatley]
The third in Lunde’s “Climate Quartet,” with its recurring elements of migration, shortages and environmental collapse. Always, though, the overall theme is parent–child relationships and the love that might be the only thing that keeps us going in the face of unspeakable challenges. Here she returns to the tripartite structure of The History of Bees (much my favourite of the three): a historical strand, a near-contemporary one, and a dystopian future story line. The link between the three is Przewalski’s horses (aka takhi).
In the early 1880s, Mikhail Alexandrovich Kovrov, assistant director of St. Petersburg Zoo, is brought the hide and skull of an ancient horse species assumed extinct. Although a timorous man who still lives with his mother, he becomes part of an expedition to Mongolia to bring back live specimens. In 1992, Karin, who has been obsessed with Przewalski’s horses since encountering them as a child in Nazi Germany, spearheads a mission to return the takhi to Mongolia and set up a breeding population. With her is her son Matthias, tentatively sober after years of drug abuse. In 2064 Norway, Eva and her daughter Isa are caretakers of a decaying wildlife park that houses a couple of wild horses. When a climate migrant comes to stay with them and the electricity goes off once and for all, they have to decide what comes next. This future story line engaged me the most.
I appreciated some aspects: queer and middle-aged romances, the return of a character from The End of the Ocean, the consideration across all three plots of what makes a good mother. However, the horses seemed neither here nor there. There are also many, many animal deaths. Perhaps an unsentimental attitude is necessary to reflect past and future values, and the apparent cruelty of natural processes, but it limits the book’s appeal to animal lovers. Maybe the tone fits the Norwegian prose, which the translator describes as lean.
The fourth book of the quartet, publishing in Norway next month, is called something like The Dream of a Tree; a focus on trees would be a draw for me. After the disappointment of Books 2 and 3, I’m unsure whether I want to bother with the final volume, but it makes sense to do so, if only to grasp Lunde’s full vision. (Public library)
What Concerns Us by Laura Vogt (2020; 2022)
[Translated from the German by Caroline Waight]
Vogt’s Swiss-set second novel is about a tight-knit matriarchal family whose threads have started to unravel. For Rahel, motherhood has taken her away from her vocation as a singer. Boris stepped up when she was pregnant with another man’s baby and has been as much of a father to Rico as to Leni, the daughter they had together afterwards. But now Rahel’s postnatal depression is stopping her from bonding with the new baby, and she isn’t sure this quartet is going to make it in the long term.
Meanwhile, Rahel’s sister Fenna knows she’s pregnant but refuses a doctor’s care. When she comes to stay with Rahel, she confides that the encounter with her partner, Luc, that led to conception was odd, rough; maybe not consensual. And all this time, the women’s mother, Verena, has been undergoing treatment for breast cancer. All three characters appear to be matter-of-factly bisexual; Rahel and Fenna’s father has long been out of the picture, replaced in Verena’s affections by Inge.
As I was reading, I kept thinking of the declaration running through A Ghost in the Throat by Doireann Ní Ghríofa: “This is a female text.” Vogt’s vision is all breasts and eggs, genitals actual and metaphorical. I loved the use of food in the novel: growing up, the girls cherished “silly nights” when their mother prepared an egg feast and paired it with a feminist lecture on reproduction. Late on, there’s a wonderful scene when the three main characters gorge on preserved foodstuffs from the cellar and share their secrets. (Their language is so sexually frank; would anyone really talk to their mother and siblings in that way?!) As in the Lunde, the main question is what it means to be a mother, but negotiating their relationships with men stretches the bonds of this feminine trio. One for fans of Rachel Cusk and Sally Rooney.
With thanks to Héloïse Press for the proof copy for review.
Recommended April Releases by Amy Bloom, Sarah Manguso & Sara Rauch
Just two weeks until moving day – we’ve got a long weekend ahead of us of sanding, painting, packing and gardening. As busy as I am with house stuff, I’m endeavouring to keep up with the new releases publishers have been so good as to send me. Today I review three short works: the story of accompanying a beloved husband to Switzerland for an assisted suicide, a coolly perceptive novella of American girlhood, and a vivid memoir of two momentous relationships. (April was a big month for new books: I have another 6–8 on the go that I’ll be catching up on in the future.) All:
In Love: A Memoir of Love and Loss by Amy Bloom
“We’re not here for a long time, we’re here for a good time.”
(Ameche family saying)
Given the psychological astuteness of her fiction, it’s no surprise that Bloom is a practicing psychotherapist. She treats her own life with the same compassionate understanding, and even though the main events covered in this brilliantly understated memoir only occurred two and a bit years ago, she has remarkable perspective and avoids self-pity and mawkishness. Her husband, Brian Ameche, was diagnosed with early-onset Alzheimer’s in his mid-60s, having exhibited mild cognitive impairment for several years. Brian quickly resolved to make a dignified exit while he still, mostly, had his faculties. But he needed Bloom’s help.
“I worry, sometimes, that a better wife, certainly a different wife, would have said no, would have insisted on keeping her husband in this world until his body gave out. It seems to me that I’m doing the right thing, in supporting Brian in his decision, but it would feel better and easier if he could make all the arrangements himself and I could just be a dutiful duckling, following in his wake. Of course, if he could make all the arrangements himself, he wouldn’t have Alzheimer’s”
She achieves the perfect tone, mixing black humour with teeth-gritted practicality. Research into acquiring sodium pentobarbital via doctor friends soon hit a dead end and they settled instead on flying to Switzerland for an assisted suicide through Dignitas – a proven but bureaucracy-ridden and expensive method. The first quarter of the book is a day-by-day diary of their January 2020 trip to Zurich as they perform the farce of a couple on vacation. A long central section surveys their relationship – a second chance for both of them in midlife – and how Brian, a strapping Yale sportsman and accomplished architect, gradually descended into confusion and dependence. The assisted suicide itself, and the aftermath as she returns to the USA and organizes a memorial service, fill a matter-of-fact 20 pages towards the close.
Hard as parts of this are to read, there are so many lovely moments of kindness (the letter her psychotherapist writes about Brian’s condition to clinch their place at Dignitas!) and laughter, despite it all (Brian’s endless fishing stories!). While Bloom doesn’t spare herself here, diligently documenting times when she was impatient and petty, she doesn’t come across as impossibly brave or stoic. She was just doing what she felt she had to, to show her love for Brian, and weeping all the way. An essential, compelling read.
With thanks to Granta for the free copy for review.
Very Cold People by Sarah Manguso
I’ve read Manguso’s four nonfiction works and especially love her Wellcome Book Prize-shortlisted medical memoir The Two Kinds of Decay. The aphoristic style she developed in her two previous books continues here as discrete paragraphs and brief vignettes build to a gloomy portrait of Ruthie’s archetypical affection-starved childhood in the fictional Massachusetts town of Waitsfield in the 1980s and 90s. She’s an only child whose parents no doubt were doing their best after emotionally stunted upbringings but never managed to make her feel unconditionally loved. Praise is always qualified and stingily administered. Ruthie feels like a burden and escapes into her imaginings of how local Brahmins – Cabots and Emersons and Lowells – lived. Her family is cash-poor compared to their neighbours and loves nothing more than a trip to the dump: “My parents weren’t after shiny things or even beautiful things; they simply liked getting things that stupid people threw away.”
The depiction of Ruthie’s narcissistic mother is especially acute. She has to make everything about her; any minor success of her daughter’s is a blow to her own ego. I marked out an excruciating passage that made me feel so sorry for this character. A European friend of the family visits and Ruthie’s mother serves corn muffins that he seems to appreciate.
My mother brought up her triumph for years. … She’d believed his praise was genuine. She hadn’t noticed that he’d pegged her as a person who would snatch up any compliment into the maw of her unloved, throbbing little heart.
At school, as in her home life, Ruthie dissociates herself from every potentially traumatic situation. “My life felt unreal and I felt half-invested. I felt indistinct, like someone else’s dream.” Her friend circle is an abbreviated A–Z of girlhood: Amber, Bee, Charlie and Colleen. “Odd” men – meaning sexual predators – seem to be everywhere and these adolescent girls are horribly vulnerable. Molestation is such an open secret in the world of the novel that Ruthie assumes this is why her mother is the way she is.
While the #MeToo theme didn’t resonate with me personally, so much else did. Chemistry class, sleepovers, getting one’s first period, falling off a bike: this is the stuff of girlhood – if not universally, then certainly for the (largely pre-tech) American 1990s as I experienced them. I found myself inhabiting memories I hadn’t revisited for years, and a thought came that had perhaps never occurred to me before: for our time and area, my family was poor, too. I’m grateful for my ignorance: what scarred Ruthie passed me by; I was a purely happy child. But I think my sister, born seven years earlier, suffered more, in ways that she’d recognize here. This has something of the flavour of Eileen and My Name Is Lucy Barton and reads like autofiction even though it’s not presented as such. The style and contents may well be divisive. I’ll be curious to hear if other readers see themselves in its sketches of childhood.
With thanks to Picador for the proof copy for review.
XO by Sara Rauch
Sara Rauch won the Electric Book Award for her short story collection What Shines from It. This compact autobiographical parcel focuses on a point in her early thirties when she lived with a long-time female partner, “Piper”, and had an intense affair with “Liam”, a fellow writer she met at a residency.
“no one sets out in search of buried treasure when they’re content with life as it is”
“Longing isn’t cheating (of this I was certain), even when it brushes its whiskers against your cheek.”
Adultery is among the most ancient human stories we have, a fact Rauch acknowledges by braiding through the narrative her musings on religion and storytelling by way of her Catholic upbringing and interest in myths and fairy tales. She’s looking for the patterns of her own experience and how endings make way for new life. The title has multiple meanings: embraces, crossroads and coming full circle. Like a spider’s web, her narrative pulls in many threads to make an ordered whole. All through, bisexuality is a baseline, not something that needs to be interrogated.
This reminded me of a number of books I’ve read about short-lived affairs – Tides, The Instant – and about renegotiating relationships in a queer life – The Fixed Stars, In the Dream House – but felt most like reading a May Sarton journal for how intimately it recreates daily routines of writing, cooking, caring for cats, and weighing up past, present and future. Lovely stuff.
With thanks to publicist Lori Hettler and Autofocus Books for the e-copy for review.
Will you seek out one or more of these books?
What other April releases can you recommend?
Reading Robertson Davies Week: Fifth Business
I’m grateful to Lory (of The Emerald City Book Review) for hosting this past week’s Robertson Davies readalong, which was my excuse to finally try him for the first time. Of course, Canadians have long recognized what a treasure he is, but he’s less known elsewhere. I do remember that Erica Wagner, one of my literary heroes (an American in England; former books editor of the London Times, etc.), has expressed great admiration for his work.
I started with what I had to hand: Fifth Business (1970), the first volume of The Deptford Trilogy. In the theatre world, the title phrase refers to a bit player who yet has importance to the outcome of a drama, and that’s how the narrator, Dunstan Ramsay, thinks of himself. I was reminded right away of the opening of Charles Dickens’s David Copperfield: “Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show.” In the first line Ramsay introduces himself in relation to another person: “My lifelong involvement with Mrs. Dempster began at 5.58 o’clock p.m. on 27 December 1908, at which time I was ten years and seven months old.”
Specifically, he dodged a snowball meant for him – thrown by his frenemy, Percy Boyd Staunton – and it hit Mrs. Dempster, wife of the local Baptist minister, in the back of the head, knocking her over and 1) sending her into early labor with Paul, who also plays a major role in the book; and 2) permanently compromising her mental health. Surprisingly, given his tepid Protestant upbringing, Ramsay becomes a historian of Christian saints, and comes to consider Mrs. Dempster part of his personal pantheon for a few incidents he thinks of as miracles – not least his survival during First World War service. And this is despite Mrs. Dempster being caught in a situation that seriously compromises her standing in Deptford.
The novel is presented as a long, confessional letter Ramsay writes, on the occasion of his retirement, to the headmaster of the boys’ school where he taught history for 45 years. Staunton, later known simply as “Boy,” becomes a sugar magnate and politician; Paul becomes a world-renowned illusionist known by various stage names. Both Paul and Ramsay are obsessed with the unexplained and impossible, but where Paul manipulates appearances and fictionalizes the past, Ramsay looks for miracles. The Fool, the Saint and the Devil are generic characters we’re invited to ponder; perhaps they also have incarnations in the novel?
Fifth Business ends with a mysterious death, and though there are clues that seem to point to whodunit, the fact that the story segues straight into a second volume, with a third to come, indicates that it’s all more complicated than it might seem. I was so intrigued that, thanks to my omnibus edition, I carried right on with the first chapter of The Manticore (1972), which is also in the first person but this time narrated by Staunton’s son, David, from Switzerland. Freudian versus Jungian psychology promises to be a major dichotomy in this one, and I’m sure that the themes of the complexity of human desire, the search for truth and goodness, and the difficulty of seeing oneself and others clearly will crop up once again.
This was a very rewarding reading experience. I’d recommend Davies to those who enjoy novels of ideas, such as Iris Murdoch’s. I’ll carry on with at least the second volume of the trilogy for now, and I’ve also acquired the first volume of another, later trilogy to try.
Some favorite lines:
“I cannot remember a time when I did not take it as understood that everybody has at least two, if not twenty-two, sides to him.”
“Forgive yourself for being a human creature, Ramezay. That is the beginning of wisdom; that is part of what is meant by the fear of God; and for you it is the only way to save your sanity.”
It’s also fascinating to see the contrast between how Ramsay sees himself, and how others do:
“it has been my luck to appear more literate than I really am, owing to a cadaverous and scowling cast of countenance, and a rather pedantic Scots voice”
“Good God, don’t you think the way you rootle in your ear with your little finger delights the boys? And the way you waggle your eyebrows … and those horrible Harris tweed suits you wear … And that disgusting trick of blowing your nose and looking into your handkerchief as if you expected to prophesy something from the mess. You look ten years older than your age.”
A Week in Italy and What I Read
We’re relieved to be back in the balmy UK after a sweltering week in northern Italy. Though our sixth-floor Airbnb apartment in Milan suited our needs perfectly, it was a challenge to keep it minimally comfortable. Eventually we worked out that it was essential to get up by 6:30 a.m. to close the balcony doors and shutter. The bedroom happened to be shaded, so I could set up my laptop in there and work until noon, when it was time to close out the heat of the day on that side. In the afternoons I read and napped on the divan, and then sometime between 6 and 10 p.m., depending on how sunny it had been during the day, we could fling the windows and doors wide open again. Fans helped, but we still passed some horribly muggy nights.
My husband was at his conference for four of the days, so we only braved the city centre itself on Monday morning, touring the Duomo and climbing the steps to the roof. This was well worth doing for views over the city. Afterwards we walked through the associated museum (mostly underground, and blissfully cool with air conditioning) and Galleria Vittorio Emanuele II, a luxurious nineteenth-century shopping arcade filled with designer fashions.
Two day trips by train got us out of the city and into slightly cooler temperatures: on Wednesday we explored Varenna and Bellagio on Lake Como, and on Saturday we took a bus and cable car from Lecco into the mountains at Piani d’Erna. We took full advantage of one-euro espressos and glasses of wine, and ate lots of pizza, pasta and gelato.
After much deliberation, this is the book stack I actually packed for our trip. I got through the first half of the Orwell, an excellent account of working as a dishwasher in Paris hotels and having to scrape together enough money to ward off starvation. I’ll be writing it up as my Classic of the Month in a couple of weeks. I also read Sunburn by Laura Lippman, which I’ll hold in reserve for a summer-themed post, and (on Kindle) So Many Rooms by Laura Scott, a debut poetry collection coming out in October that I’ll review here at a later date.
Two of my other Kindle reads ended up being perfect for the setting:
From Scratch: A Memoir of Love, Sicily, and Finding Home by Tembi Locke: This was the perfect book for me to read during the week in Italy. Not only is it set largely in Sicily, but it ticks a lot of boxes in terms of my reading interests: food, travel, bereavement, and the challenges of being an American overseas. During a semester abroad in Florence, Locke (an actress I was previously unfamiliar with) met and fell in love with Saro Gullo, an Italian chef. His parents could hardly accept him marrying someone from outside of Sicily, let alone a black woman from Texas, and refused to attend their wedding. But as the years passed they softened towards Locke, who gradually became accepted in Saro’s hometown of Aliminusa.
In fact, after Saro’s death from bone cancer in 2012, she became like a second daughter to Saro’s mother. The book focuses on the three summers in a row when she and her adopted daughter Zoela traveled to the family home in Sicily to stay with Nonna. I particularly appreciated the exploration of what it’s like to live between countries and cultures. This is one of three Reese Witherspoon book club books I’ve read so far (along with Where the Crawdads Sing and Daisy Jones and the Six), and all have been great – Reese’s recommendations are proving as reliable as Oprah’s.
A mudslide blocked the route we should have taken back from Milan to Paris, so we rebooked onto trains via Switzerland. This plus the sub-Alpine setting for our next-to-last day made the perfect context for racing through Where the Hornbeam Grows: A Journey in Search of a Garden by Beth Lynch in just two days. Lynch moved from England to Switzerland when her husband took a job in Zurich. Suddenly she had to navigate daily life, including frosty locals and convoluted bureaucracy, in a second language. The sense of displacement was exacerbated by her lack of access to a garden. Gardening had always been a whole-family passion, and after her parents’ death their Sussex garden was lost to her. Two years later she and her husband moved to a cottage in western Switzerland and cultivated a garden idyll, but it wasn’t enough to neutralize their loneliness.
Much of what Lynch has to say about trying to find genuine connections as an expatriate rang true for me. Paradise Lost provides an unexpected frame of reference as Lynch asks what it means for a person or a plant to be transplanted somewhere new, and what it takes to thrive. Her elegant writing reminded me of Diana Athill’s and Penelope Lively’s, and the exploration of the self through gardens is reminiscent of Allan Jenkins’s Plot 29.
Other successful reads:
Confessions of a Bookseller by Shaun Bythell: This picks up right where The Diary of a Bookseller left off and carries through the whole of 2015. Again it’s built on the daily routines of buying and selling books, including customers’ and colleagues’ quirks, and of being out and about in a small town. I wished I was in Wigtown instead of Milan! Because of where I was reading the book, I got particular enjoyment out of the characterization of Emanuela (soon known as “Granny” for her poor eyesight and myriad aches and gripes), who comes over from Italy to volunteer in the bookshop for the summer. Bythell’s break-up with “Anna” is a recurring theme in this volume, I suspect because his editor/publisher insisted on an injection of emotional drama.
City of Girls by Elizabeth Gilbert: There’s a fun, saucy feel to this novel set mostly in 1940s New York City. Twenty-year-old Vivian Morris comes to sew costumes for her Aunt Peg’s rundown theatre and falls in with a disreputable lot of actors and showgirls. When she does something bad enough to get her in the tabloids and jeopardize her future, she retreats in disgrace to her parents’ – but soon the war starts and she’s called back to help with Peg’s lunchtime propaganda shows at the Brooklyn Navy Yard. The quirky coming-of-age narrative reminded me a lot of classic John Irving, while the specifics of the setting made me think of Wise Children, All the Beautiful Girls and Manhattan Beach. The novel takes us to 2010, when Vivian is 90 and still brazenly independent. I was somewhat underwhelmed – while it’s a fairly touching story of how to absorb losses and make an unconventional family, I wondered if it had all meant much. I’ll be expanding this into a Shiny New Books review.
Judgment Day by Sandra M. Gilbert: English majors will know Gilbert best for her landmark work of criticism, The Madwoman in the Attic (co-written with Susan Gubar). I had no idea that she writes poetry. This latest collection has a lot of interesting reflections on religion, food and art, as well as elegies to those she’s lost. Raised Catholic, Gilbert married a Jew, and the traditions of Judaism still hold meaning for her after husband’s death even though she’s effectively an atheist. “Pompeii and After,” a series of poems describing food scenes in paintings, from da Vinci to Hopper, is particularly memorable.
Vintage 1954 by Antoine Laurain: Dreadful! I would say: avoid this sappy time-travel novel at all costs. I thought the setup promised a gentle dose of fantasy, and liked the fact that the characters could meet their ancestors and Paris celebrities during their temporary stay in 1954. But the characters are one-dimensional stereotypes, and the plot is far-fetched and silly. I know many others have found this delightful, so consider me in the minority…
As well as a few DNFs…
What Dementia Teaches Us about Love by Nicci Gerard: I’ve read a lot of books about dementia, both clinical and anecdotal, and this doesn’t add anything new. (11%)
The Great Railway Bazaar by Paul Theroux: I read the first 32 pages, up to when Theroux arrives in northern Italy. He mostly describes his fellow passengers, as well as the details of meals and sleeping arrangements on trains. The writing struck me as old-fashioned, and I couldn’t imagine getting through another nearly 350 pages of it.
Out of the Woods by Luke Turner: Attempts to fuse nature and sexuality in a way that’s reminiscent of Hidden Nature by Alys Fowler. The writing didn’t draw me in at all. (5%)
Book Serendipity Incidents of 2019 (So Far)
I’ve continued to post my occasional reading coincidences on Twitter and/or Instagram. This is when two or more books that I’m reading at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once – usually between 10 and 20 – I guess I’m more prone to such serendipitous incidents. (The following are in rough chronological order.)
What’s the weirdest coincidence you’ve had lately?
- Two titles that sound dubious about miracles: There Will Be No Miracles Here by Casey Gerald and The Unwinding of the Miracle: A Memoir of Life, Death, and Everything that Comes After by Julie Yip-Williams
- Two titles featuring light: A Light Song of Light by Kei Miller and The Age of Light by Whitney Scharer
- Grey Poupon mustard (and its snooty associations, as captured in the TV commercials) mentioned in There Will Be No Miracles Here by Casey Gerald and Drinking: A Love Story by Caroline Knapp
- “I Wanna Dance with Somebody” (the Whitney Houston song) referenced in There Will Be No Miracles Here by Casey Gerald and Don’t Call Us Dead by Danez Smith
- Two books have an on/off boyfriend named Julian: Drinking: A Love Story by Caroline Knapp and Extinctions by Josephine Wilson
- There’s an Aunt Marjorie in When I Had a Little Sister by Catherine Simpson and Extinctions by Josephine Wilson
- Set (at least partially) in a Swiss chalet: This Sunrise of Wonder by Michael Mayne and Crazy for God by Frank Schaeffer
- A character named Kiki in The Sacred and Profane Love Machine by Iris Murdoch, The Age of Light by Whitney Scharer, AND Improvement by Joan Silber
- Two books set (at least partially) in mental hospitals: Mind on Fire by Arnold Thomas Fanning and Faces in the Water by Janet Frame
- Two books in which a character thinks the saying is “It’s a doggy dog world” (rather than “dog-eat-dog”): The Friend by Sigrid Nunez and The Octopus Museum by Brenda Shaughnessy
- Reading a novel about Lee Miller (The Age of Light by Whitney Scharer), I find a metaphor involving her in My Year of Rest and Relaxation by Ottessa Moshfegh: (the narrator describes her mother) “I think she got away with so much because she was beautiful. She looked like Lee Miller if Lee Miller had been a bedroom drunk.” THEN I come across a poem in Clive James’s Injury Time entitled “Lee Miller in Hitler’s Bathtub”
- On the same night that I started Siri Hustvedt’s new novel, Memories of the Future, I also started a novel that had a Siri Hustvedt quote (from The Blindfold) as the epigraph: Besotted by Melissa Duclos
- In two books “elicit” was printed where the author meant “illicit” – I’m not going to name and shame, but one of these instances was in a finished copy! (the other in a proof, which is understandable)
- Three books in which the bibliography is in alphabetical order BY BOOK TITLE! Tell me this is not a thing; it will not do! (Vagina: A Re-education by Lynn Enright; Let’s Talk about Death (over Dinner) by Michael Hebb; Telling the Story: How to Write and Sell Narrative Nonfiction by Peter Rubie)
- References to Gerard Manley Hopkins in Another King, Another Country by Richard Holloway, This Sunrise of Wonder by Michael Mayne and The Point of Poetry by Joe Nutt (these last two also discuss his concept of the “inscape”)
- Creative placement of words on the page (different fonts; different type sizes, capitals, bold, etc.; looping around the page or at least not in traditional paragraphs) in When Death Takes Something from You Give It Back by Naja Marie Aidt [not pictured below], How Proust Can Change Your Life by Alain de Botton, Stubborn Archivist by Yara Rodrigues Fowler, Alice Iris Red Horse: Selected Poems of Yoshimasu Gozo and Lanny by Max Porter
- Twin brothers fall out over a girl in Cutting for Stone by Abraham Verghese and one story from the upcoming book Meteorites by Julie Paul
- Characters are described as being “away with the fairies” in Lanny by Max Porter and Away by Jane Urquhart
- Schindler’s Ark/List is mentioned in In the Beginning: A New Reading of the Book of Genesis by Karen Armstrong and Telling the Story: How to Write and Sell Narrative Nonfiction by Peter Rubie … makes me think that I should finally pick up my copy!
The Three Best Books I’ve Read So Far This Year
I’m very stingy with my 5-star ratings, so when I give one out you can be assured that a book is truly special. These three are all backlist reads – look out for my Classic of the Month post next week for a fourth that merits 5 stars – that are well worth seeking out. Out of the 50 books I’ve read so far this year, these are far and away the best.
This Sunrise of Wonder: Letters for the Journey by Michael Mayne (1995)
I plucked this Wigtown purchase at random from my shelves and it ended up being just what I needed to lift me out of January’s funk. Mayne’s thesis is that experiencing wonder, “rare, life-changing moments of seeing or hearing things with heightened perception,” is what makes us human. Call it an epiphany (as Joyce did), call it a moment of vision (as Woolf did), call it a feeling of communion with the universe; whatever you call it, you know what he is talking about. It’s that fleeting sense that you are right where you should be, that you have tapped into some universal secret of how to be in the world.
Mayne believes poets, musicians and painters, in particular, reawaken us to wonder by encouraging us to pay close attention. His frame of reference is wide, with lots of quotations and poetry extracts; he has a special love for Turner, Monet and Van Gogh and for Rilke, Blake and Hopkins. Mayne was an Anglican priest and Dean of Westminster, so he comes at things from a Christian perspective, but most of his advice is generically spiritual and not limited to a particular religion. There are about 50 pages towards the end that are specifically about Jesus; one could skip those if desired.
The book is a series of letters written to his grandchildren from a chalet in the Swiss Alps one May to June. Especially with the frequent quotations and epigraphs, the effect is of a rich compendium of wisdom from the ages. I don’t often feel awake to life’s wonder – I get lost in its tedium and unfairness instead – but this book gave me something to aspire to.
A few of the many wonderful quotes:
“The mystery is that the created world exists. It is: I am. The mystery is life itself, together with the fact that however much we seek to explore and to penetrate them, the impenetrable shadows remain.”
“Once wonder goes; once mystery is dismissed; once the holy and the numinous count for nothing; then human life becomes cheap and it is possible with a single bullet to shatter that most miraculous thing, a human skull, with scarcely a second thought. Wonder and compassion go hand-in-hand.”
“this recognition of my true worth is something entirely different from selfishness, that turned-in-upon-myselfness of the egocentric. … It is a kind of blasphemy to view ourselves with so little compassion when God views us with so much.”
Body of Work: Meditations on Mortality from the Human Anatomy Lab by Christine Montross (2007)
When she was training to become a doctor in Rhode Island, Montross and her anatomy lab classmates were assigned an older female cadaver they named Eve. Eve taught her everything she knows about the human body. Montross is also a published poet, as evident in her lyrical exploration of the attraction and strangeness of working with the remnants of someone who was once alive. She sees the contrasts, the danger, the theatre, the wonder of it all:
“Stacked beside me on my sage green couch: this spinal column that wraps into a coil without muscle to hold it upright, hands and feet tied together with floss, this skull hinged and empty. A man’s teeth.”
“When I look at the tissues and organs responsible for keeping me alive, I am not reassured. The wall of the atrium is the thickness of an old T-shirt, and yet a tear in it means instant death. The aorta is something I have never thought about before, but if mine were punctured, I would exsanguinate, a deceptively beautiful word”
All through her training, Montross has to remind herself to preserve her empathy despite a junior doctor’s fatigue and the brutality of the work (“The force necessary in the dissections feels barbarous”), especially as the personal intrudes on her career through her grandparents’ decline and her plans to start a family with her wife – which I gather is more of a theme in her next book, Falling into the Fire, about her work as a psychiatrist. I get through a whole lot of medical reads, as any of my regular readers will know, but this one is an absolute stand-out for its lyrical language, clarity of vision, honesty and compassion.
There There by Tommy Orange (2018)
Had I finished this late last year instead of in the second week of January, it would have been vying with Lauren Groff’s Florida for the #1 spot on my Best Fiction of 2018 list.
The title – presumably inspired by both Gertrude Stein’s remark about Oakland, California (“There is no there there”) and the Radiohead song – is no soft pat of reassurance. It’s falsely lulling; if anything, it’s a warning that there is no consolation to be found here. Orange’s dozen main characters are urban Native Americans converging on the annual Oakland Powwow. Their lives have been difficult, to say the least, with alcoholism, teen pregnancy, and gang violence as recurring sources of trauma. They have ongoing struggles with grief, mental illness and the far-reaching effects of fetal alcohol syndrome.
The novel cycles through most of the characters multiple times, alternating between the first and third person (plus one second person chapter). As we see them preparing for the powwow, whether to dance and drum, meet estranged relatives, or get up to no good, we start to work out the links between everyone. I especially liked how Orange unobtrusively weaves in examples of modern technology like 3D printing and drones.
The writing in the action sequences is noticeably weaker, and I wasn’t fully convinced by the sentimentality-within-tragedy of the ending, but I was awfully impressed with this novel overall. I’d recommend it to readers of David Chariandy’s Brother and especially Sunil Yapa’s Your Heart Is a Muscle the Size of a Fist. It was my vote for the National Book Critics Circle’s John Leonard Prize (for the best first book, of any genre, published in 2018), and I was pleased that it went on to win.
No Place to Lay One’s Head by Françoise Frenkel (1945)
Fittingly, I finished reading this on Sunday, which was International Holocaust Remembrance Day. Even after seven decades, we’re still unearthing new Holocaust narratives, such as this one: rediscovered in a flea market in 2010, it was republished in French in 2015 and first became available in English translation in 2017.
Born Frymeta Idesa Frenkel in Poland, the author (1889–1975) was a Jew who opened the first French-language bookstore in Berlin in 1921. After Kristallnacht and the seizure of her stock and furniture, she left for France and a succession of makeshift situations, mostly in Avignon and Nice. She lived in a hotel, a chateau, and the spare room of a sewing machinist whose four cats generously shared their fleas. All along, the Mariuses, a pair of hairdressers, were like guardian angels she could go back to between emergency placements.
This memoir showcases the familiar continuum of uneasiness blooming into downright horror as people realized what was going on in Europe. To start with one could downplay the inconveniences of having belongings confiscated and work permits denied, of squeezing onto packed trains and being turned back at closed borders. Only gradually, as rumors spread of what was happening to deported Jews, did Frenkel understand how much danger she was in.
The second half of the book is more exciting than the first, especially after Frenkel is arrested at the Swiss border. (Even though you know she makes it out alive.) Her pen portraits of her fellow detainees show real empathy as well as writing talent. Strangely, Frenkel never mentions her husband, who went into exile in France in 1933 and died in Auschwitz in 1942. I would also have liked to hear more about her 17 years of normal bookselling life before everything kicked off. Still, this is a valuable glimpse into the events of the time, and a comparable read to Władysław Szpilman’s The Pianist.
No Place to Lay One’s Head (translated from the French by Stephanie Smee) is issued in paperback today, January 31st, by Pushkin Press. This edition includes a preface by Patrick Modiano and a dossier of documents and photos relating to Frenkel’s life. My thanks to the publisher for the free copy for review.
European Traveling and Reading
We’ve been back from our European trip for over a week already, but I haven’t been up to writing until now. Partially this is because I’ve had a mild stomach bug that has left me feeling yucky and like I don’t want to spend any more time at a computer than is absolutely necessary for my work; partially it’s because I’ve just been a bit blue. Granted, it’s nice to be back where all the signs and announcements are in English and I don’t have to worry about making myself understood. Still, gloom over Brexit has combined with the usual letdown of coming back from an amazing vacation and resuming normal life to make this a ho-hum sort of week. Nonetheless, I want to get back into the rhythm of blogging and give a quick rundown of the books I read while I was away.
But first, some of the highlights of the trip:
- the grand architecture of the center of Brussels; live jazz emanating from a side street café
- cycling to the zoo in Freiburg with our friends and their kids
- ascending into the mountains by cable car and then on foot to circle Switzerland’s Lake Oeschinensee
- traipsing through meadows of Alpine flowers
- exploring the Engadine Valley of southeast Switzerland, an off-the-beaten track, Romansh-speaking area where the stone buildings are covered in engravings, paintings and sayings
- our one big splurge of the trip (Switzerland is ridiculously expensive; we had to live off of supermarket food): a Swiss dessert buffet followed by a horse carriage ride
- spotting ibex and chamois at Oeschinensee and marmots in the Swiss National Park
- miming “The Hills Are Alive” in fields near our accommodation in Austria (very close to where scenes from The Sound of Music were filmed)
- the sun coming out for our afternoon in Salzburg
- daily coffee and cake in Austrian coffeehouses
- riding the underground and trams of Vienna’s public transport network
- finding famous musicians’ graves in Vienna’s Zentralfriedhof cemetery
- discovering tasty vegan food at a hole-in-the-wall Chinese restaurant in Vienna that makes its own noodles
- going to Slovakia for the afternoon on a whim (its capital, Bratislava, is only 1 hour from Vienna by train – why not?!)
We went to such a variety of places and had so many different experiences. Weather and language were hugely variable, too: it rained nine days in a row; some mornings in Switzerland I wore my winter coat and hat; in Bratislava it was 95 °F. Even in the ostensibly German-speaking countries of the trip, we found that greetings and farewells changed everywhere we went (doubly true in the Romansh-speaking Engadine). Most of the time we had no idea what shopkeepers were saying to us. Just smile and nod. It was more difficult at the farm where we stayed in Austria. Thanks to Google Translate, we had no idea that the owner spoke no English; her e-mails were all in unusual but serviceable English. We speak virtually no German, so fellow farm guests, including a Dutch couple, had to translate between us. (The rest of Europe puts us to shame with their knowledge of languages!)
Train travel was, for the most part, easy and stress-free. Especially enjoyable were the small lines through the Engadine, which include the highest regular-service station in Europe (Ospizia Bernina, where we found fresh snowfall). The little town where we stayed in an Airbnb cabin, Lavin, was a request stop on the line, meaning you always had to press a button to get the train to stop and then walk across the tracks (!) to board. Contrary to expectations, we found that nearly all of our European trains were running late. However, they were noticeably more comfortable than British trains, especially the German ones. Thanks to train rides of an hour or more on most days, I ended up getting a ton of reading done.
On the journey out I finished The Accidental Tourist by Anne Tyler. This is the first “classic” Tyler I’ve read, after her three most recent novels, and although I kept being plagued by odd feelings of ‘reverse déjà vu’, I really enjoyed it. This story of staid, reluctant traveler Macon Leary and how his life is turned upside down by a flighty dog trainer is all about the patterns of behavior we get stuck in. Tyler suggests that occasionally journeying into someone else’s unpredictable life might change ours for the good.
Diary of a Pilgrimage by Jerome K. Jerome was just what I expected: a very silly book about the travails of international travel. It’s much more about the luckless journey and the endurance of national stereotypes than it is about the Passion Play the travelers see once they get to Germany. It was amusing to see the ways in which some things have hardly changed in 125 years.
A Whole Life by Robert Seethaler, a novella set in the Austrian Alps, is the story of Andreas Egger – at various times a farmer, a prisoner of war, and a tourist guide. Various things happen to him, most of them bad. I have trouble pinpointing why Stoner is a masterpiece whereas this is just kind of boring. There’s a great avalanche scene, though.
The Book that Matters Most by Ann Hood releases on August 9th. A new book club helps Ava cope with her divorce, her daughter Maggie’s rebelliousness, and tragic events from her past. Each month one club member picks the book that has mattered most to them in life. I thought the choices were all pretty clichéd and Ava was unrealistically passive. Although what happens to her in Paris is rather melodramatic, I most enjoyed Maggie’s sections.
Me and Kaminski was my second novel from Daniel Kehlmann. Know-nothing art critic Sebastian Zöllner interviews reclusive artist Manuel Kaminski and then accompanies the older man on a road trip to find his lost sweetheart. Zöllner is an amusingly odious narrator, but I found the plot a bit thin. This is a rare case where I would argue the book needs to be 100 pages longer.
About midway through the trip I finished another I’d started earlier in the month, This Is Where You Belong by Melody Warnick. The average American moves 11.7 times in their life. I’m long past that already. The book collects an interesting set of ideas about how to feel at home wherever you are: things like learning the place on foot, shopping and eating locally, and getting to know your neighbors. I am bad about integrating into a new community every time we move, so I picked up some good tips. Warnick uses examples from all over (though mostly U.S. locations), but also makes it specific to her home of Blacksburg, Virginia.
“A cabinet of fantasies, a source of knowledge, a collection of lore from past and present, a place to dream… A bookshop can be so many things.” In A Very Special Year by Thomas Montasser, Valerie takes over Ringelnatz & Co. bookshop when the owner, her Aunt Charlotte, disappears. She has the entrepreneurial skills to run a business and gradually develops a love of books, too. The title book is a magical tome with blank pages that reveal the reader’s destination when the time is right. Twee but enjoyable; a quick read.
Eleven Hours by Pamela Erens is a taut thriller set during one woman’s experience of childbirth in New York City in 2004. Flashbacks to how the patient and her Caribbean nurse got where they are now add emotional depth. Another very quick read.
Burning Secret by Stefan Zweig is a psychologically astute novella in which a 12-year-old tries to interpret what’s happening between his mother and a fellow hotel guest, a baron he looks up to. For this naïve boy, many things come as a shock, including the threat of sex and the possibility of deception. This reminded me most of Thomas Mann’s Death in Venice. (On a hill above Salzburg we discovered a strange disembodied bust of Stefan Zweig, along with a plaque and a road sign.)
Playing Dead by Elizabeth Greenwood (releases August 9th) was great fun. Thinking of the six-figure education debt weighing on her shoulders, she surveys various cases of people who faked their own death or simply tried to disappear. Death fraud/“pseudocide” is not as easy to get away with as you might think. Fake drownings are especially suspect. I found most ironic the case of a man who lived successfully for 20 years under an assumed name but was caught when police stopped him for having a license plate light out. I particularly liked the chapter in which Greenwood travels to the Philippines, a great place to fake your death, and comes back with a copy of her own death certificate.
Miss Jane by Brad Watson (releases July 12th) is a historical novel loosely based on the story of the author’s great-aunt. Born in Mississippi in 1915, she had malformed genitals, which led to lifelong incontinence. Jane is a wonderfully plucky protagonist, and her friendship with her doctor, Ed Thompson, is particularly touching. “You would not think someone so afflicted would or could be cheerful, not prone to melancholy or the miseries.” This reminded me most of What Is Visible by Kimberly Elkins, an excellent novel about living a full life and finding romance in spite of disability.
I also left two novels unfinished (that’ll be for another post) and made progress in two other nonfiction titles. All in all, a great set of reading!
I’m supposed to be making my way through just the books we already own for the rest of the summer, but when I got back of course I couldn’t resist volunteering for a few new books available through Nudge and The Bookbag. Apart from a few blog reviews I’m bound to, my summer plan will be to give the occasional quick roundup of what I’ve read of late.
What have you been reading recently?
European Holiday Reading – A (Temporary) Farewell
Tomorrow we’re off to continental Europe for two weeks of train travel, making stops in Brussels, Freiburg (Germany), two towns in Switzerland, and Salzburg and Vienna in Austria. This will be some of the most extensive travel I’ve done in Europe in the 11 or so years that I’ve lived here – and the first time I’ve been to Switzerland or Austria – so I’m excited. I’ve been working like a fiend recently to catch up and/or get ahead on reviews and blogs, so it will be particularly good to spend two weeks away from a computer. It’s also nice that our adventure doesn’t have to start with going to an airport.
Here’s what I’ve packed:
- Setting Free the Bears by John Irving (his first novel; set in Vienna)
- Diary of a Pilgrimage by Jerome K. Jerome (about a train journey from England to Germany)
- Me and Kaminski by Daniel Kehlmann (the author is Austrian)
- A Whole Life by Robert Seethaler (a novella set in the Austrian Alps)
+ Enchanting Alpine Flowers & the Rough Guide to Vienna
Also on the e-readers, downloaded from Project Gutenberg:
- Three Men on the Bummel by Jerome K. Jerome (further humorous antics in Germany)
- Burning Secret by Stefan Zweig (a novella; the author is Austrian)
+ another 250+ Kindle books from a wide variety of genres and topics – I’ll certainly have no shortage of reading material!
(Looking back now, it occurs to me that this all skews rather towards Austria! Oh well. Vienna is one of our longer stops.)
I’m supposed to be making my way through the books we already own, but on Saturday I was overcome with temptation at our local charity shop when I saw that all paperbacks were on sale – 5 for £1. I’m in the middle of one of the novels I bought that day, June by Gerbrand Bakker, along with The Accidental Tourist by Anne Tyler, and need to decide whether to put them on hold while I’m away or take one or both with me. Either way I’ll try to finish June this month; it’s just too appropriate not to!
I was also overcome with temptation at the thought of a new Eowyn Ivey novel coming out in August, so requested a copy for review.
It’s an odd time here in the UK. Readers from North America or elsewhere might be unaware that we’re gearing up for a referendum to decide whether to remain in the European Union. By the time we pass back through Brussels (‘capital’ of the European Union) on the 24th, there’s every chance the UK might no longer be an official member of Europe. I haven’t taken British citizenship so am ineligible to cast a vote; I won’t court debate by elaborating on a comparison of “Brexit” with the specter of Trump in the States. My husband has sent in his postal vote, so collectively we’ve done all we can do and now just have to wait and see.
We’re not back until late on the 24th, but I’ve scheduled a few posts for while we’re away. I will only have sporadic Internet access during these weeks, so won’t be replying to blog comments or reading fellow bloggers’ posts, but I promise to catch up when we get back.
Happy June reading!
Reviews Roundup, March–April
One of my goals with this blog is to have one convenient place where I can gather together all my writing that has appeared in disparate online locations. To that end, once a month – or maybe more often – I’ll provide links to all the book reviews I’ve published elsewhere, with a short taster and a rating (below) so you can decide whether to click to read more. (A couple of exceptions: I won’t point out my Kirkus Indie or BlueInk reviews since I don’t get a byline.)
The Animals by Christian Kiefer [BookBrowse is a subscription service, but an excerpt is available for free on the website]: Kiefer’s second novel contrasts wildness and civilization through the story of a man who runs an animal refuge to escape from his criminal past.
The Sunlit Night by Rebecca Dinerstein: A debut novel as charming as it is quirky. Two young adults from Brooklyn meet in the far north of Norway, where one is an artist’s apprentice and the other is burying a beloved father. Bittersweet family backstories and burgeoning romance make this a winner.
Beauty and Chaos: Slices and Morsels of Tokyo Life by Michael Pronko (& interview): The pleasant and diverse travel essays in this collection draw on Pronko’s 15 years living in Japan. A long-term resident but still an outsider, he is perfectly placed to notice the many odd and wonderful aspects of Tokyo life.
The Blind Man of Hoy: A True Story by Red Szell: Red Széll started losing his sight at age 19. In 2013 he became the first blind person to climb the Old Man of Hoy, off the Orkney Islands. An inspirational rock-climbing adventure.
Adeline: A Novel of Virginia Woolf by Norah Vincent: Set in 1925–1941 and focusing on Virginia Woolf’s marriage and later career, this is a remarkable picture of mental illness from the inside. For the depth of its literary reference and psychological insight, this is my favorite novel of 2015 so far.
On Immunity: An Inoculation by Eula Biss: This wide-ranging work of nonfiction explores the facts, myths and metaphors of vaccination. Biss powerfully captures the modern phenomenon of feeling simultaneously responsible and powerless.
Chaplin and Company by Mave Fellowes: An aspiring mime buys a London canal boat and finds her father in this debut novel. Fellowes writes good descriptive passages and handles past and present capably. However, I was unsure whether Chaplin and Company overall has much narrative verve. What I will take away is an offbeat, bittersweet coming-of-age story.
Gorsky by Vesna Goldsworthy: An updated version of The Great Gatsby set amongst contemporary London’s über-rich Russians. The novel is wise about the implications of class and immigration. However, as a whole it doesn’t work as well as some updated classics, such as The Innocents (Francesca Segal). In a sense, Goldsworthy’s literary debt is too obvious.
Quite a Good Time to Be Born: A Memoir, 1935-1975 by David Lodge [more personal musings and an overview of the book’s content]: David Lodge, one of Britain’s most celebrated comic novelists, surveys 40 years of personal and social change.
Better Than Before: Mastering the Habits of Our Everyday Lives by Gretchen Rubin: The author of The Happiness Project returns with a thorough guide to making and breaking habits, offering different strategies for different personality types.
Dear Committee Members by Julie Schumacher: A very funny epistolary novel in the form of letters of recommendation written by a grouchy English professor. English graduates and teachers in particular will get a kick out of this, but I daresay anyone who has ever been fed up with bureaucracy at work will sympathize with Fitger.
The Last Asylum: A Memoir of Madness in Our Time by Barbara Taylor: Taylor was once a mental patient at Friern Hospital. This is an arresting vision of madness from the inside, as well as a history of England’s asylum system.
We Love This Book
It’s What I Do: A Photographer’s Life of Love and War by Lynsey Addario: Photojournalist Lynsey Addario remembers a decade on the frontline of conflicts in the Middle East and Africa and strives for balance in her work and personal life. Journalists face real danger every day. It’s all here: bombs, car accidents, dehydration, beatings, and sexual assault. Yet all the risks over the years have been worth it “to convey beauty in war.”
Hausfrau by Jill Alexander Essbaum: Essbaum’s arresting debut novel reads like a modern retelling of Madame Bovary, with its main character a desperate housewife in Zurich. As deplorable as Anna’s actions may be, she is an entirely sympathetic tragic heroine. Watch her trajectory with horror but you cannot deny there is a little of Anna in you.
The Wild Beyond by Piers Torday: the suspenseful finale to “The Last Wild,” a fantasy trilogy for younger readers. The environmentalist message is not subtle but it is powerful and should inspire older children. Blending hints of Pullman and Tolkien with up-to-the-minute dystopian themes, this is an inventive take on the classic quest narrative.
The Time in Between: A Memoir of Hunger and Hope by Nancy Tucker: Nancy Tucker suffered from anorexia and bulimia for nearly a decade. Written in an original blend of styles, her eating disorder memoir is wrenching but utterly absorbing. You won’t find epiphanies or happy endings here, just a messy, ongoing recovery process – but 21-year-old Tucker narrates it exquisitely.
Quadrapheme literary magazine
Quite a Good Time to Be Born: A Memoir, 1935-1975 by David Lodge [more of an essay about the context and sociological themes]: Even readers less familiar with Lodge’s work may be interested in the book’s insights into the social changes of post-war Britain. Lodge has not had a conventionally exciting life, and he knows it. From the title onward, his focus is more on his time period than his own uniqueness. He appears as an Everyman who superseded his working-class origins and expectations through hard work and luck.
Shiny New Books
Reading the World: Confessions of a Literary Explorer by Ann Morgan: Not just another bibliomemoir. A better balance could have been struck between recycled blog content and academic musings on postcolonial literature and censorship. An interest in the politics of literature in translation would be a boon to anyone attempting this.
Foreword Reviews (self-published titles)
The Woman in the Movie Star Dress by Praveen Asthana: In this carefully plotted novel, a young Native American finds self-assurance and explores her sexuality by trying on the clothing – and personae – of Hollywood actresses. Spirited characters and dialogue make this an enjoyable read for classic film lovers.
Silence by Deborah Lytton: Lytton’s second novel for young adults concerns the unlikely match between a Broadway-bound singer who experiences temporary deafness after an accident and a pianist with a speech impediment and a traumatic past. It is a touching story about the forces that so often threaten us into silence and the struggle to find a voice anyway.
Woody Allen: Reel to Real by Alex Sheremet: Woody Allen fans will prize this comprehensive, readable rundown of his oeuvre. This is an exhaustive study, ideal for established Allen enthusiasts and film students rather than the average moviegoer looking for an introduction.
I also post reviews of most of my casual reading on Goodreads.
The Mermaid’s Child by Jo Baker: This was Baker’s second novel, originally published in 2004. It doesn’t nearly live up to Longbourn, but it’s a fairly intriguing blend of historical fiction and fantasy. Malin’s father was a ferryman; her absent mother, so he swears, was a mermaid. Curiously timeless and placeless.
The Dream Lover: A Novel of George Sand by Elizabeth Berg: This historical novel about George Sand is a real slow burner. Berg makes the mistake of trying to be too comprehensive about Sand’s life; it would be better to just choose illustrative vignettes or representative love affairs (e.g. with Chopin) rather than include them all. There are two different timelines, 1831–1876 and 1804–1831, but together they’re still just a chronological slog.
The Year My Mother Came Back by Alice Eve Cohen: There’s some gentle magic realism to this mother-daughter memoir. In the difficult year that forms the kernel of the memoir, Cohen’s younger daughter, Eliana, had a leg-lengthening surgery; her adopted older daughter, Julia, met her birth mother, Zoe; and Cohen herself underwent a lumpectomy and radiation for breast cancer. During radiation sessions, when she had to lie face-down, perfectly still, for 10 minutes at a time, her mother – dead for 20 years – would appear and talk to her.
A Sting in the Tale: My Adventures with Bumblebees by Dave Goulson: A wholly engaging tour through everything we know and are still trying to learn about bumblebees. I saw Goulson, founder of the UK’s Bumblebee Conservation Trust, speak at a nature conference in November and found him to be just as enthusiastic and well-informed in person. His occasional anthropomorphisms are unfailingly endearing.
Black River by S.M. Hulse: Back in the town of Black River, Montana after his wife’s agonizing death, Wesley Carver must face the trauma he experienced as a prison guard when he was held hostage and tortured during an inmate riot. Now his attacker is up for parole, and Wes plans to attend the hearing and discourage the jury. At first you might think you’re reading a revenge story, but this is something subtler and sweeter than that. (What a shame that Hulse had to go by her initials, rather than Sarah, to be taken seriously in this genre, even though she’s on a level with Philipp Meyer.)
Trumbull Ave. by Michael Lauchlan: I didn’t like this quite as much as the other Made in Michigan books I’ve read, but Lauchlan does a good job of contrasting pastoral and post-industrial views of Detroit through free verse, as in “Detroit Pheasant,” the poem that gives the collection its cover image.
What Ridiculous Things We Could Ask of Each Other by Jeffrey Schultz: I enjoyed these poems set in a seemingly post-apocalyptic urban wasteland. They’re full of black humor, sarcasm and realistically pessimistic views of the American future. They’re very densely structured, usually in complete sentences of free verse.