Book Serendipity, April to May 2024
I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. Of course, the truer term would be synchronicity, but the branding has stuck. In Liz Jensen’s Your Wild and Precious Life, she mentions that Carl Jung coined the term “synchronicity” for what he described as “a meaningful coincidence of two or more events where something other than the probability of chance is involved.” I like thinking that it’s not just a matter of luck.
This is a regular feature of mine every couple of months. I would normally have waited until the end of June, but I had way too many coincidences stored up! Because I usually have 20–30 books on the go at once, I suppose I’m more prone to finding them. People frequently ask how I remember all of these incidents. The answer is: I jot them down on scraps of paper or input them immediately into a file on my PC desktop; otherwise, they would flit away.
The following are in roughly chronological order.
- Reading two King Lear updates at the same time: Private Rites by Julia Armfield and Daughter by Claudia Dey. The former has been specifically marketed as a “lesbian Lear,” but I had no idea that the latter also features two sisters plus a younger half-sister and their interactions with a larger-than-life father.
- Eating beans straight out of the tin in The Waterfall by Margaret Drabble and Of Mice and Men by John Steinbeck.
- Dead mice in Of Mice and Men by John Steinbeck and Stone Yard Devotional by Charlotte Wood.
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- Cloth holding the jaw of a corpse closed in one story from Barcelona by Mary Costello and A Woman’s Story by Annie Ernaux.
- Others see a character’s wife as a whore but the husband is oblivious in The Shipping News by E. Annie Proulx and Of Mice and Men by John Steinbeck.
Setting up a game of solitaire in The Snow Hare by Paula Lichtarowicz and Of Mice and Men by John Steinbeck.
- Main character called Mona in Daughter by Claudia Dey and Mona of the Manor by Armistead Maupin.
- Being surprised at an older man still having his natural hair colour in one story of Barcelona by Mary Costello (where he’s aged 76) and Life in the Balance by Jim Down (where it’s Alan Bennett, at 84!).
- A character named Anjali in Brotherless Night by V.V. Ganeshananthan and Moral Injuries by Christie Watson.
- A character named Cherry in Daughter by Claudia Dey and one story of This Is Why We Can’t Have Nice Things by Naomi Wood.
- My second memoir in two months in which a twentysomething son dies suddenly of a presumed heart problem: Fi by Alexandra Fuller, followed by Your Wild and Precious Life by Liz Jensen. (And a third in which his young friend died in the same way: The Uptown Local by Cory Leadbeater.) Also, Fuller and Jensen both see signs of their sons’ continued presence in bird sightings.
- Scratches on the inside of a coffin as proof of being buried alive in one story of Barcelona by Mary Costello and Life in the Balance by Jim Down.
- Surprise that one didn’t know the exact moment that a loved one died in one story of Barcelona by Mary Costello and Your Wild and Precious Life by Liz Jensen.
- Discussion of the meaning of brain stem death and a mention of meningococcal sepsis in Life in the Balance by Jim Down and Moral Injuries by Christie Watson.
- A scene set in a Denny’s diner in The Whole Staggering Mystery by Sylvia Brownrigg and After Dark by Haruki Murakami.
- A description of halal butchery in Barcelona by Mary Costello and Between Two Moons by Aisha Abdel Gawad.
- A mention of ballet choreographer George Balanchine in Dances by Nicole Cuffy and The Uptown Local by Cory Leadbeater.
- A woman has an affair with a female postal worker in Mona of the Manor by Armistead Maupin and The Shipping News by Annie Proulx, both of which I DNFed.
- A character named Magdalena in Cloistered by Catherine Coldstream and The Snow Hare by Paula Lichtarowicz. The latter goes by Lena, which is also the name of the main character in Jungle House by Julianne Pachico. And there’s a character named Lina in Between Two Moons by Aisha Abdel Gawad.
- Being presented with powdered milk in Cloistered by Catherine Coldstream and Whale Fall by Elizabeth O’Connor.
- First I read a novel about a convent plagued by mice (Stone Yard Devotional by Charlotte Wood). Then I read a memoir about a convent plagued by feral cats (Cloistered by Catherine Coldstream).
- Buffalo, New York as a setting in Consent by Jill Ciment and The Age of Loneliness by Laura Marris. It’s also mentioned in Enter Ghost by Isabella Hammad.
- Watching pigeons on one’s balcony in Keep by Jenny Haysom, Your Wild and Precious Life by Liz Jensen, and The Uptown Local by Cory Leadbeater.
The family’s pet chicken is cooked for dinner in Coleman Hill by Kim Coleman Foote and The Snow Hare by Paula Lichtarowicz.
- The mother is named Gloria in Consent by Jill Ciment and Cold Spring Harbor by Richard Yates (and The War for Gloria by Atticus Lish, a DNF).
- A character named Anton in The Snow Hare by Paula Lichtarowicz and Jungle House by Julianne Pachico.
- A cat named Dog in The Door-to-Door Bookstore by Carsten Henn and a dog named Tiger in Jungle House by Julianne Pachico.
- Two nature books that feature wild cold-water swimming (though don’t they all these days?!): In All Weathers by Matt Gaw and Your Wild and Precious Life by Liz Jensen.
- Two nature books that mention W.H. Hudson: In All Weathers by Matt Gaw and North with the Spring by Edwin Way Teale.
A large anonymous donation to a church in Slammerkin by Emma Donoghue and Excellent Women by Barbara Pym (£10–11, which was much more in the 18th century of the former than in the 1950s of the latter).
- A mention of Poughkeepsie, New York in Birdeye by Judith Heneghan and Woman of Interest by Tracy O’Neill.
- A 1950s scene of perusing a lipstick display in Recipe for a Perfect Wife by Karma Brown and Excellent Women by Barbara Pym.
- A woman with a broken leg worries about how her garden will fare in Recipe for a Perfect Wife by Karma Brown and Remarkably Bright Creatures by Shelby Van Pelt.
- The same silent film image of a spaceship entering the moon’s eye (from Georges Méliès’s A Trip to the Moon) appears in Knife by Salman Rushdie and The Invention of Hugo Cabret by Brian Selznick. (I think this is the uncanniest coincidence of all this time!)
- A cleric who wears a biretta in Excellent Women by Barbara Pym and Daughters of the House by Michèle Roberts.
- A Black single mother who believes in the power of crystals in Company by Shannon Sanders and Another Word for Love by Carvell Wallace.
- An older woman really doesn’t want to leave her home but is moving into a retirement facility in Keep by Jenny Haysom and Remarkably Bright Creatures by Shelby Van Pelt. (There’s also a young woman who refuses to leave her house in Recipe for a Perfect Wife by Karma Brown.)
A man throws his tie over his shoulder before eating in Recipe for a Perfect Wife by Karma Brown and Keep by Jenny Haysom.
- A mother writing a bad check becomes an important plot point in Remarkably Bright Creatures by Shelby Van Pelt and Another Word for Love by Carvell Wallace.
A scene of self-induced abortion in Recipe for a Perfect Wife by Karma Brown and Sleeping with Cats by Marge Piercy.
- The Yiddish word feh (an expression of disappointment) appears in Feh by Shalom Auslander (no surprise there!) but also in A Reason to See You Again by Jami Attenberg, both of which are pre-release books I am reading for Shelf Awareness reviews.
What’s the weirdest reading coincidence you’ve had lately?
Book Serendipity, March to April 2024
I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.
- I encountered quotes from “The Second Coming” by W.B. Yeats on the same day in Immanuel by Matthew McNaught and Waiting for the Monsoon by Rod Nordland. A week or so later, I found another allusion to it – a “rough _________ slouching toward ________” – in Mothership by Greg Wrenn.
- Reading my second memoir this year in which the author’s mother bathed them until they were age 17 (in other words, way past when it ceased to be appropriate): I’m Glad My Mom Died by Jennette McCurdy was followed by Mothership by Greg Wrenn.
- Quoting a poem with the word “riven” in it (by Christian Wiman) in Places I’ve Taken My Body by Molly McCully Brown and (by a character in the novel) in Bright and Tender Dark by Joanna Pearson. The word “riven” (which is really not a very common one, is it?) also showed up in Sleepless by Annabel Abbs. And then “riving” in one of the poems in The Intimacy of Spoons by Jim Minick.
- East Timor as a destination in Waiting for the Monsoon by Rod Nordland and Mothership by Greg Wrenn.
- Quoting John Donne in Places I’ve Taken My Body by Molly McCully Brown and The Bee Sting by Paul Murray (to which a Donne line is the epigraph); mimicking Donne in one poem of Fields Away by Sarah Wardle.
- “Who do you think you are?” as a question an abusive adult asks of a child in The Beggar Maid (aka Who Do You Think You Are?) by Alice Munro and Mothership by Greg Wrenn.
- Sylvia Plath is mentioned in Sleepless by Annabel Abbs and The Bee Sting by Paul Murray … and Katherine Mansfield in Sleepless by Annabel Abbs and The Beggar Maid by Alice Munro.
- Mosquitoes are mentioned in a poem in Rapture’s Road by Seán Hewitt and Divisible by Itself and One by Kae Tempest.
- Reading two memoirs that quote a Rumi poem (and that released on 9 April and that I reviewed for Shelf Awareness): Fi: A Memoir of My Son by Alexandra Fuller and Somehow: Thoughts on Love by Anne Lamott. (Rumi was also quoted as an epigraph in Viv Fogel’s poetry collection Imperfect Beginnings.)
- Bereavement memoirs that seek significance in eagle sightings (i.e. as visitations from the dead): Sleepless by Annabel Abbs and Fi: A Memoir of My Son by Alexandra Fuller.
- Snyder’s pretzels as a snack in Somehow: Thoughts on Love by Anne Lamott and Come and Get It by Kiley Reid.
- Reading two C-PTSD memoirs at the same time: A Flat Place by Noreen Masud and Mothership by Greg Wrenn.
Information about coral reefs dying in Martyr! by Kaveh Akbar and Mothership by Greg Wrenn.
- The gay slang term “twink” appears in The Bee Sting by Paul Murray and Mothership by Greg Wrenn.
- Assisting a mother who reads tarot cards in Intervals by Marianne Brooker and The Year of the Cat by Rhiannon Lucy Cosslett. (Tarot is also read in First Love by Lilly Dancyger and The Future by Catherine Leroux.)
- An Asian American character who plays poker in a graphic novel: Advocate by Eddie Ahn and Lunar New Year Love Story by Gene Luen Yang.
- Vivian Gornick’s Fierce Attachments, which I was also reading at the time, is mentioned in Intervals by Marianne Brooker.
An Uncle Frank in an Irish novel with no speech marks: Trespasses by Louise Kennedy and The Bee Sting by Paul Murray.
- Martin Luther King’s “I Have a Dream” speech is quoted in Some Kids I Taught & What They Taught Me by Kate Clanchy and How to Raise a Viking by Helen Russell.
- Using quarters for laundry in Come and Get It by Kiley Reid and one story from Dressing Up for the Carnival by Carol Shields.
- A scene of someone watching from a lawn chair as someone else splits wood in Martyr! by Kaveh Akbar and Becoming Little Shell by Chris La Tray.
Quotes from cultural theorist Sara Ahmed in Intervals by Marianne Brooker and A Flat Place by Noreen Masud.
- I read about windows being blocked up because of high taxes on the same evening in Trespasses by Louise Kennedy and one story from Dressing Up for the Carnival by Carol Shields.
- I saw Quink ink mentioned in The Silence by Gillian Clarke and Trespasses by Louise Kennedy on the same evening.
- The song “It’s a Long Way to Tipperary” is mentioned in You’re on Your Own, Snoopy by Charles M. Schulz and Welcome to Glorious Tuga by Francesca Segal.
- A pet magpie in George by Frieda Hughes and A Council of Dolls by Mona Susan Power.
- A character tests to see what will happen (will God strike them down?) when they mess with the Host (by stealing the ciborium or dropping a wafer on the floor, respectively) in A Council of Dolls by Mona Susan Power and one story from Dressing Up for the Carnival by Carol Shields.
- Marrying the ‘wrong’ brother in The Bee Sting by Paul Murray and A Council of Dolls by Mona Susan Power.
Indigenous author, Native versus Catholic religion, and descriptions of abuse and cultural suppression at residential schools in Becoming Little Shell by Chris La Tray and A Council of Dolls by Mona Susan Power.
- Teen girls obsessed with ‘sad girl’ poetry, especially by Sylvia Plath, in First Love by Lilly Dancyger and The Bee Sting by Paul Murray.
- “Hyacinth” is a poem in Solutions for the Problem of Bodies in Space by Catherine Barnett, and “Hyacinth Girl” a story in Cocktail by Lisa Alward. (Hyacinths are also mentioned in a poem in The Iron Bridge by Rebecca Hurst.)
- A character named Sissy in A Council of Dolls by Mona Susan Power and Stone Yard Devotional by Charlotte Wood.
- Harming amphibians, whether deliberately or accidentally, in a story in Barcelona by Mary Costello, a poem in Baby Schema by Isabel Galleymore, and Mothership by Greg Wrenn.
- A significant character called Paul in Dances by Nicole Cuffy, Daughter by Claudia Dey (those two were both longlisted for the Carol Shields Prize), and Moral Injuries by Christie Watson.
- Out of Africa (the film and then the book), which I was looking through for the #1937Club, is mentioned in The Whole Staggering Mystery by Sylvia Brownrigg – her writer grandfather lived in Nairobi’s “Happy Valley” in the 1930s.
- Reading two novels at the same time in which a teen girl’s plans to study medicine are derailed by war: Brotherless Night by V.V. Ganeshananthan and The Snow Hare by Paula Lichtarowicz.
What’s the weirdest reading coincidence you’ve had lately?
Three on a Theme: Novels of Female Friendship
Friendship is a fairly common theme in my reading and, like sisterhood, it’s an element I can rarely resist. When I picked up a secondhand copy of Female Friends (below) in a charity shop in Hexham over the summer, I spied a chance for another thematic roundup. I limited myself to novels I’d read recently and to groups of women friends.
Before Everything by Victoria Redel (2017)
I found out about this one from Susan’s review at A life in books (and she included it in her own thematic roundup of novels on friendship). “The Old Friends” have known each other for decades, since elementary school. Anna, Caroline, Helen, Ming and Molly. Their lives have gone in different directions – painter, psychiatrist, singer in a rock band and so on – but in March 2013 they’re huddling together because Anna is terminally ill. Over the years she’s had four remissions, but it’s clear the lymphoma won’t go away this time. Some of Anna’s friends and family want her to keep fighting, but the core group of pals is going to have to learn to let her die on her own terms. Before that, though, they aim for one more adventure.
Through the short, titled sections, some of them pages in length but others only a sentence or two, you piece together the friends’ history and separate struggles. Here’s an example of one such fragment, striking for the frankness and intimacy; how coyly those bald numbers conceal such joyful and wrenching moments:
Actually, for What It’s Worth
Between them there were twelve delivered babies. Three six- to eight-week abortions. Three miscarriages. One post-amniocentesis selective abortion. That’s just for the record.
While I didn’t like this quite as much as Talk Before Sleep by Elizabeth Berg, which is similar in setup, it’s a must-read on the theme. It’s sweet and sombre by turns, and has bite. I also appreciated how Redel contrasts the love between old friends with marital love and the companionship of new neighbourly friends. I hadn’t heard of Redel before, but she’s published another four novels and three poetry collections. It’d be worth finding more by her. The cover image is inspired by a moment late in a book when they find a photograph of the five of them doing handstands in a sprinkler the summer before seventh grade. (Public library) 
Female Friends by Fay Weldon (1974)
Like a cross between The Orchard on Fire by Shena Mackay and The Pumpkin Eater by Penelope Mortimer; this is the darkly funny story of Marjorie, Chloe and Grace: three Londoners who have stayed friends ever since their turbulent childhood during the Second World War, when Marjorie was sent to live with Grace and her mother. They have a nebulous brood of children between them, some fathered by a shared lover (a slovenly painter named Patrick). Chloe’s husband is trying to make her jealous with his sexual attentions to their French nanny. Marjorie, who works for the BBC, is the only one without children; she has a gynaecological condition and is engaged in a desultory search for her father.
The book is mostly in the third person, but some chapters are voiced by Chloe and occasional dialogues are set out like a film script. I enjoyed the glimpses I got into women’s lives in the mid-20th century via the three protagonists and their mothers. All are more beholden to men than they’d like to be. But there’s an overall grimness to this short novel that left me wincing. I’d expected more nostalgia (“they are nostalgic, all the same, for those days of innocence and growth and noise. The post-war world is drab and grey and middle-aged. No excitement, only shortages and work”) and warmth, but this friendship trio is characterized by jealousy and resentment. (Secondhand copy) 
The Weekend by Charlotte Wood (2019)
“It was exhausting, being friends. Had they ever been able to tell each other the truth?”
It’s the day before Christmas Eve as seventysomethings Jude, Wendy and Adele gather to clear out their late friend’s Sylvie’s house in a fictional coastal town in New South Wales. This being Australia, that means blazing hot weather and a beach barbecue rather than a cosy winter scene. Jude is a bristly former restaurateur who has been the mistress of a married man for many years. Wendy is a widowed academic who brings her decrepit dog, Finn, along with her. Adele is a washed-up actress who carefully maintains her appearance but still can’t find meaningful work.
They know each other so well, faults and all. Things they think they’ve hidden are beyond obvious to the others. And for as much as they miss Sylvie, they are angry at her, too. But there is also a fierce affection in the mix that I didn’t sense in the Weldon: “[Adele] remembered them from long ago, two girls alive with purpose and beauty. Her love for them was inexplicable. It was almost bodily.” Yet Wendy compares their tenuous friendship to the Great Barrier Reef coral, at risk of being bleached.
It’s rare to see so concerted a look at women in later life, as the characters think back and wonder if they’ve made the right choices. There are plenty of secrets and self-esteem struggles, but it’s all encased in an acerbic wit that reminded me of Emma Straub and Elizabeth Strout. Terrific stuff. (Twitter giveaway win) 
Some favourite lines:
“The past was striated through you, through your body, leaching into the present and the future.”
“Was this what getting old was made of? Routines and evasions, boring yourself to death with your own rigid judgements?”
On this theme, I have also read: The Other’s Gold by Elizabeth Ames, Catch the Rabbit by Lana Bastašić, The Group by Lara Feigel (and Mary McCarthy), My Brilliant Friend by Elena Ferrante, Expectation by Anna Hope, Conversations with Friends by Sally Rooney, and The Animators by Kayla Rae Whitaker.
If you read just one … The Weekend was the best of this bunch for me.
Have you read much on this topic?
Book Serendipity, September to October 2021
I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20–30), I suppose I’m more prone to such incidents. I’ve realized that, of course, synchronicity is really the more apt word, but this branding has stuck. This used to be a quarterly feature, but to keep the lists from getting too unwieldy I’ve shifted to bimonthly.
The following are in roughly chronological order.
- Young people studying An Inspector Calls in Somebody Loves You by Mona Arshi and Heartstoppers, Volume 4 by Alice Oseman.
- China Room (Sunjeev Sahota) was immediately followed by The China Factory (Mary Costello).
- A mention of acorn production being connected to the weather earlier in the year in Light Rains Sometimes Fall by Lev Parikian and Noah’s Compass by Anne Tyler.
- The experience of being lost and disoriented in Amsterdam features in Flesh & Blood by N. West Moss and Yearbook by Seth Rogen.
- Reading a book about ravens (A Shadow Above by Joe Shute) and one by a Raven (Fox & I by Catherine Raven) at the same time.
- Speaking of ravens, they’re also mentioned in The Elements by Kat Lister, and the Edgar Allan Poe poem “The Raven” was referred to and/or quoted in both of those books plus 100 Poets by John Carey.
- A trip to Mexico as a way to come to terms with the death of a loved one in This Party’s Dead by Erica Buist (read back in February–March) and The Elements by Kat Lister.
- Reading from two Carcanet Press releases that are Covid-19 diaries and have plague masks on the cover at the same time: Year of Plagues by Fred D’Aguiar and 100 Days by Gabriel Josipovici. (Reviews of both coming up soon.)
- Descriptions of whaling and whale processing and a summary of the Jonah and the Whale story in Fathoms by Rebecca Giggs and The Woodcock by Richard Smyth.
An Irish short story featuring an elderly mother with dementia AND a particular mention of her slippers in The China Factory by Mary Costello and Blank Pages and Other Stories by Bernard MacLaverty.
- After having read two whole nature memoirs set in England’s New Forest (Goshawk Summer by James Aldred and The Circling Sky by Neil Ansell), I encountered it again in one chapter of A Shadow Above by Joe Shute.
- Cranford is mentioned in Corduroy by Adrian Bell and Cut Out by Michèle Roberts.
- Kenneth Grahame’s life story and The Wind in the Willows are discussed in On Gallows Down by Nicola Chester and The Elements by Kat Lister.
- Reading two books by a Jenn at the same time: Ghosted by Jenn Ashworth and The Other Mothers by Jenn Berney.
- A metaphor of nature giving a V sign (that’s equivalent to the middle finger for you American readers) in On Gallows Down by Nicola Chester and Light Rains Sometimes Fall by Lev Parikian.
- Quince preserves are mentioned in The Book of Difficult Fruit by Kate Lebo and Light Rains Sometimes Fall by Lev Parikian.
- There’s a gooseberry pie in Talking to the Dead by Helen Dunmore and The Book of Difficult Fruit by Kate Lebo.
- The ominous taste of herbicide in the throat post-spraying shows up in On Gallows Down by Nicola Chester and Damnation Spring by Ash Davidson.
- People’s rude questioning about gay dads and surrogacy turns up in The Echo Chamber by John Boyne and the DAD anthology from Music.Football.Fatherhood.
- A young woman dresses in unattractive secondhand clothes in The Echo Chamber by John Boyne and Beautiful World, Where Are You by Sally Rooney.
- A mention of the bounty placed on crop-eating birds in medieval England in Orchard by Benedict Macdonald and Nicholas Gates and A Shadow Above by Joe Shute.
- Hedgerows being decimated, and an account of how mistletoe is spread, in On Gallows Down by Nicola Chester and Orchard by Benedict Macdonald and Nicholas Gates.
Ukrainian secondary characters in Ghosted by Jenn Ashworth and The Echo Chamber by John Boyne; minor characters named Aidan in the Boyne and Beautiful World, Where Are You by Sally Rooney.
- Listening to a dual-language presentation and observing that the people who know the original language laugh before the rest of the audience in The Book of Difficult Fruit by Kate Lebo and Beautiful World, Where Are You by Sally Rooney.
- A character imagines his heart being taken out of his chest in Tender Is the Flesh by Agustina Bazterrica and The Book of Form and Emptiness by Ruth Ozeki.
- A younger sister named Nina in Talking to the Dead by Helen Dunmore and Sex Cult Nun by Faith Jones.
- Adulatory words about George H.W. Bush in The Echo Chamber by John Boyne and Thinking Again by Jan Morris.
- Reading three novels by Australian women at the same time (and it’s rare for me to read even one – availability in the UK can be an issue): Sorrow and Bliss by Meg Mason, The Performance by Claire Thomas, and The Weekend by Charlotte Wood.
- There’s a couple who met as family friends as teenagers and are still (on again, off again) together in Sorrow and Bliss by Meg Mason and Beautiful World, Where Are You by Sally Rooney.
- The Performance by Claire Thomas is set during a performance of the Samuel Beckett play Happy Days, which is mentioned in 100 Days by Gabriel Josipovici.
Human ashes are dumped and a funerary urn refilled with dirt in Tender Is the Flesh by Agustina Bazterrica and Public Library and Other Stories by Ali Smith.
- Nicholas Royle (whose White Spines I was also reading at the time) turns up on a Zoom session in 100 Days by Gabriel Josipovici.
- Richard Brautigan is mentioned in both The Mystery of Henri Pick by David Foenkinos and White Spines by Nicholas Royle.
- The Wizard of Oz and The Railway Children are part of the plot in The Book Smugglers (Pages & Co., #4) by Anna James and mentioned in Public Library and Other Stories by Ali Smith.
What’s the weirdest reading coincidence you’ve had lately?
Book Serendipity, July to August 2021
I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20–30), I suppose I’m more prone to such incidents. I’ve realized that, of course, synchronicity is really the more apt word, but this branding has stuck. This used to be a quarterly feature, but to keep the lists from getting too unwieldy I’ve shifted to bimonthly.
The following are in roughly chronological order.
- I read two novels about the disappearance of a 15-year-old girl at the same time: Heatstroke by Hazel Barkworth and When the Stars Go Dark by Paula McLain.
- Two novels in a row were set on a holiday in Spain: Nothing but Blue Sky by Kathleen MacMahon and The Vacationers by Emma Straub.
- I encountered mentions of the removal of the Edward Colston statue in God Is Not a White Man by Chine McDonald and I Belong Here by Anita Sethi on the same evening.
- Characters have the habit of making up names and backstories for strangers in Ruby by Ann Hood and Nothing but Blue Sky by Kathleen MacMahon.
- The main female character says she works out what she thinks by talking in Second Place by Rachel Cusk and The Amateur Marriage by Anne Tyler.
- A passive mother is bullied by her controlling husband in Nothing but Blue Sky by Kathleen MacMahon and Female Friends by Fay Weldon.
- Two reads in a row were a slim volume on the necessity of giving up denial: What White People Can Do Next by Emma Dabiri (re: racism) and What If We Stopped Pretending by Jonathan Franzen (re: climate change).
- Expressions of a strange sense of relief at disaster in Forecast by Joe Shute (re: flooding) and The Amateur Marriage by Anne Tyler (re: a car accident).
- The biomass ratios of livestock to humans to other mammals are cited in Silent Earth by Dave Goulson, The Anthropocene Reviewed by John Green, and Bewilderment by Richard Powers.
- Two Booker nominees referencing china crockery: An Island by Karen Jennings and China Room by Sunjeev Sahota (yep, it’s talking about the plates rather than the country).
- Teens sneak vodka in Heartstopper, Volume 3 by Alice Oseman and The Interestings by Meg Wolitzer.
- Robert FitzRoy appears in The Glitter in the Green by Jon Dunn and Forecast by Joe Shute, and is the main subject of This Thing of Darkness by Harry Thompson, a doorstopper that has been languishing on my set-aside pile.
- Dave Goulson’s bumblebee research is mentioned in The Glitter in the Green by Jon Dunn, which I was reading at the same time as Goulson’s new book, Silent Earth.
- Reading two cancer memoirs that mention bucket lists at the same time: No Cure for Being Human by Kate Bowler and Year of Plagues by Fred D’Aguiar.
- Mentions of the damaging practice of clearing forest to plant eucalyptus in The Glitter in the Green by Jon Dunn and Forecast by Joe Shute.
- Mentions of mosquito coils being used (in Borneo or Australia) in Small Bodies of Water by Nina Mingya Powles and The Weekend by Charlotte Wood.
- Different words to the tune of Leonard Cohen’s “Hallelujah” in In Every Mirror She’s Black by Lola Akinmade Åkerström and How We Do Family by Trystan Reese.
A brief mention of China and Japan’s 72 mini-seasons in Small Bodies of Water by Nina Mingya Powles: this will then be the setup for Light Rains Sometimes Fall by Lev Parikian, which I’ll be reading later in September.
- Beached whales feature in Fathoms by Rebecca Giggs and Small Bodies of Water by Nina Mingya Powles.
- A chapter in No Cure for Being Human by Kate Bowler is entitled “Flesh & Blood,” which is the title of the whole memoir by N. West Moss that I picked up next – and both are for Shelf Awareness reviews.
- A description of a sonogram appointment where the nurse calls the doctor in to interpret the results and they know right away that means the pregnancy is unviable, followed by an account of a miscarriage, in Flesh & Blood by N. West Moss and How We Do Family by Trystan Reese.
- Robin Wall Kimmerer and Robert Macfarlane quoted in Church of the Wild by Victoria Loorz and Small Bodies of Water by Nina Mingya Powles.
What’s the weirdest reading coincidence you’ve had lately?
Margaret Atwood Reading Month: Wilderness Tips and CWWA Symposium
For this third annual Margaret Atwood Reading Month (#MARM), hosted by Canadian bloggers extraordinaires Marcie of Buried in Print and Naomi of Consumed by Ink, I picked up Wilderness Tips, a short story collection I’m not sure I’d even heard of before I liberated this battered paperback from the Hay-on-Wye Airbnb where we stayed in September (shhhhhh!).
I also listened in to one of the papers given at the Contemporary Women’s Writing Association’s mini online symposium held to mark her 81st birthday yesterday.
Wilderness Tips (1991)
If pressed to give a one-line summary, I would say the overall theme of this collection is the power that women have (or do not have) in relationships – this is often a question of sex, but not always. Much of the collection falls neatly into pairs: “True Trash” and “Death by Landscape” are about summer camp and the effects that experiences had there still have decades later; “The Bog Man” and “The Age of Lead” both use the discovery of a preserved corpse (one a bog body, the other a member of the Franklin Expedition) as a metaphor for a frozen relationship; and “Hairball” and “Weight” are about a mistress’s power plays. I actually made myself a key on the table of contents page, assigning A, B, and C to those topics. The title story I labeled [A/C] because it’s set at a family’s lake house but the foreign spouse of one of the sisters has history with or designs on all three.
“Uncles,” a standout, didn’t fit into my framework. Susanna’s three uncles played a major role in her life, so when she got a job with a Toronto newspaper she welcomed her colleague Percy’s avuncular attentions. To her surprise, though, his tell-all autobiography reveals he wasn’t so happy about his protégée’s success after all. Two overall favorites were “Hairball,” about a mistress’s superbly executed act of revenge, and the final story, “Hack Wednesday,” in which Marcia takes stock of her life as she prepares for her children coming home for Christmas. Swap the Berlin Wall and Noriega for, I don’t know, Syria and Trump or suchlike, and it would be absolutely current, what with her partner Eric’s eco-warrior escapades (and hypocrisy) and her wish to situate herself in the context of history but also transcend it. I marked out the most passages in this one, and so many made me laugh:
Time is going faster and faster; the days of the week whisk by like panties. The panties she’s thinking about are the kind she had when was a little girl, in pastels, with ‘Monday,’ ‘Tuesday,’ ‘Wednesday’ embroidered on them. Ever since then the days of the week have had colours for her: Monday is blue, Tuesday is cream, Wednesday is lilac. You counted your way through each week by panty, fresh on each day, then dirtied and thrown into the bin. Marcia’s mother used to tell her that she should always wear clean panties in case a bus ran over her, because other people might see them as her corpse was being toted off to the morgue. It wasn’t Marcia’s potential death that loomed uppermost in her mind, it was the state of her panties.
“One of these days I’m going to kill that beast,” says Eric. … “You poor baby!” says Marcia, scooping up the cat, which is overweight. It’s on a diet, but mooches in secret from the neighbours. Marcia sympathizes. “I just let the damn thing out. In, out, in, out. It can’t make up its mind,” says Eric. “It’s confused,” says Marcia.
Marcia will get a little drunk on the eggnog, and later, after the dishes are done, she will cry silently to herself, shut into the bathroom and hugging in her festive arms the grumbling cat, which she will have dragged out from under a bed for this purpose. She will cry because the children are no longer children, or because she herself is not a child any more, or because there are children who have never been children, or because she can’t have a child any more, ever gone. Her body has gone past too quickly for her.
My rating:
CWWA Symposium
To open the afternoon program, Dr. Fiona Tolan of Liverpool John Moores University spoke on “21st-century Gileads: Feminist Dystopian Fiction after Atwood.” She noted that The Handmaid’s Tale casts a long shadow; it’s entered into our cultural lexicon and isn’t going anywhere. She showed covers of three fairly recent books that take up the Handmaid’s red: The Power, Vox, and Red Clocks. However, the two novels she chose to focus on do not have comparable covers: The Water Cure by Sophie Mackintosh (my review) and The Natural Way of Things by Charlotte Wood. I was unfamiliar with the premise of the Wood. Ten young women who have been involved in public sex scandals (e.g. with politicians) are kidnapped and imprisoned in a compound in the Outback; their heads are shaven and they are forced to undertake hard labor. Although it’s a female-dominated space, the patriarchy is perpetuated. Is sisterhood a possibility here?
Atwood has said, “Some books haunt the reader and some haunt the writer.” Tolan argued that Handmaid’s clearly does both, since Atwood chose to return to Gilead with The Testaments. While Tolan believes Atwood’s overall emphasis has always been on liberty, she notes that the author has been reluctant to be associated with feminism as a movement.
I feel like my #MARM participation has been somewhat half-hearted this year – I won’t be getting a Bingo on this chart! – but I always enjoy engaging with Atwood’s writing and thinking. With any luck, I’ll still get to read her new poetry collection, Dearly, for review in 2020, and before long I can start planning what I’ll read for this challenge next November.
Bookish Beck = Rebecca Foster. American transplant to England. Freelance proofreader and book reviewer.
Bookish Beck 