May Releases, Part II (Fiction): Le Blevennec, Lynch, Puchner, Stanley, Ullmann, and Wald
A cornucopia of May novels, ranging from novella to doorstopper and from Montana to Tunisia; less of a spread in time: only the 1980s to now. Just a paragraph on each to keep things simple. I’ll catch up soon with May nonfiction and poetry releases I read.
Friends and Lovers by Nolwenn Le Blevennec (2023; 2025)
[Translated from French by Madeleine Rogers]
Armelle, Rim, and Anna are best friends – the first two since childhood. They formed a trio a decade or so ago when they worked on the same magazine. Now in their mid-thirties, partnered and with children, they’re all gripped by a sexual “great awakening” and long to escape Paris and their domestic commitments – “we went through it, this mutiny, like three sisters,” poised to blow up the “perfectly executed choreography of work, relationships, children”. The friends travel to Tunisia together in December 2014, then several years later take a completely different holiday: a disaster-prone stay in a lighthouse-keeper’s cottage on an island off the coast of Brittany. They used to tolerate each other’s foibles and infidelities, but now resentment has sprouted up, especially as Armelle (the narrator) is writing a screenplay about female friendship that’s clearly inspired by Rim and Anna. Armelle is relatably neurotic (a hilarious French blurb for the author’s previous novel is not wrong: “Woody Allen meets Annie Ernaux”) and this is wise about intimacy and duplicity, yet I never felt invested in any of the three women or sufficiently knowledgeable about their lives.
With thanks to Peirene Press for the free copy for review.
A Family Matter by Claire Lynch
“The fluke of being born at a slightly different time, or in a slightly different place, all that might gift you or cost you.” At events for Small, Lynch’s terrific memoir about how she and her wife had children, women would speak up about how different their experience had been. Lesbians born just 10 or 20 years earlier didn’t have the same options. Often, they were in heterosexual marriages because that’s all they knew to do; certainly the only way they thought they could become mothers. In her research into divorce cases in the UK in the 1980s, Lynch learned that 90% of lesbian mothers lost custody of their children. Her aim with this earnest, delicate debut novel, which bounces between 2022 and 1982, is to imagine such a situation through close portraits of Heron, an ageing man with terminal cancer; his daughter, Maggie, who in her early forties bears responsibility for him and her own children; and Dawn, who loved Maggie desperately but felt when she met Hazel that she was “alive at last, at twenty-three.” How heartbreaking that Maggie knew only that her mother abandoned her when she was little; not until she comes across legal documents and newspaper clippings does she understand the circumstances. Lynch made the wise decision to invite sympathy for Heron from the start, so he doesn’t become the easy villain of the piece. Her compassion, and thus ours, is equal for all three characters. This confident, tender story of changing mores and steadfast love is the new Carol for our times. (Such a lovely but low-key novel was liable to make few ripples, so I’m delighted for Lynch that the U.S. release got a Read with Jenna endorsement.)
With thanks to Chatto & Windus (Penguin) for the proof copy for review.
Dream State by Eric Puchner
If it starts and ends with a wedding, it must be a comedy. If much of the in between is marked by heartbreak, betrayal, failure, and loss, it must be a tragedy. If it stretches towards 2050 and imagines a Western USA smothered in smoke from near-constant forest fires, it must be an environmental dystopian. Somehow, this novel is all three. The first 163 pages are pure delight: a glistening romantic comedy about the chaos surrounding Charlie and Cece’s wedding at his family’s Montana lake house in the summer of 2004. First half the wedding party falls ill with norovirus, then Charlie’s best friend, Garrett (who’s also the officiant), falls in love with the bride. Do I sound shallow if I admit this was the section I enjoyed the most? The rest of this Oprah’s Book Club doorstopper examines the fallout of this uneasy love triangle. Charlie is an anaesthesiologist, Cece a bookstore owner, and Garrett a wolverine researcher in Glacier National Park, which is steadily losing its wolverines and its glaciers. The next generation comes of age in a diminished world, turning to acting or addiction. There are still plenty of lighter moments: funny set-pieces, warm family interactions, private jokes and quirky descriptions. But this feels like an appropriately grown-up vision of idealism ceding to a reality we all must face. I struggled with a lack of engagement with the children, but loved Puchner’s writing so much on the sentence level that I will certainly seek out more of his work. Imagine this as a cross between Jonathan Franzen and Maggie Shipstead.
With thanks to Sceptre (Hodder) for the proof copy for review.
Consider Yourself Kissed by Jessica Stanley
Coralie is nearing 30 when her ad agency job transfers her from Australia to London in 2013. Within a few pages, she meets Adam when she rescues his four-year-old, Zora, from a lake. That Adam and Coralie will be together is never really in question. But over the next decade of personal and political events, we wonder whether they have staying power – and whether Coralie, a would-be writer, will lose herself in soul-destroying work and motherhood. Adam’s job as a political journalist and biographer means close coverage of each UK election and referendum. As I’ve thought about some recent Jonathan Coe novels: These events were so depressing to live through, who would want to relive them through fiction? I also found this overlong and drowning in exclamation points. Still, it’s so likable, what with Coralie’s love of literature (the title is from The Group) and adjustment to expat life without her mother; and secondary characters such as Coralie’s brother Daniel and his husband, Adam’s prickly mother and her wife, and the mums Coralie meets through NCT classes. Best of all, though, is her relationship with Zora. This falls solidly between literary fiction and popular/women’s fiction. Given that I was expecting a lighter romance-led read, it surprised me with its depth. It may well be for you if you’re a fan of Meg Mason and David Nicholls.
With thanks to Hutchinson Heinemann for the proof copy for review.
Girl, 1983 by Linn Ullmann (2021; 2025)
[Translated from Norwegian by Martin Aitken]
Ullmann is the daughter of actress Liv Ullmann and film director Ingmar Bergman. That pedigree perhaps accounts for why she got the opportunity to travel to Paris in the winter of 1983 to model for a renowned photographer. She was 16 at the time and spent the whole trip disoriented: cold, hungry, lost. Unable to retrace the way to her hotel and wearing a blue coat and red hat, she went to the only address she knew – that of the photographer, K, who was in his mid-forties. Their sexual relationship is short-lived and unsurprising, at least in these days of #MeToo revelations. Its specifics would barely fill a page, yet the novel loops around and through the affair for more than 250. Ullmann mostly pulls this off thanks to the language of retrospection. She splits herself both psychically and chronologically. There’s a “you” she keeps addressing, a childhood imaginary friend who morphs into a critical voice of conscience and then the self dissociated from trauma. And there’s the 55-year-old writer looking back with empathy yet still suffering the effects. The repetition made this something of a sombre slog, though. It slots into a feminist autofiction tradition but is not among my favourite examples.
With thanks to Hamish Hamilton (Penguin) for the proof copy for review.
The Bayrose Files by Diane Wald
In the 1980s, Boston journalist Violet Maris infiltrates the Provincetown Home for Artists and Writers, intending to write a juicy insider’s exposé of what goes on at this artists’ colony. But to get there she has to commit a deception. Her gay friend Spencer Bayrose has a whole sheaf of unpublished short stories drawing on his Louisiana upbringing, and he offers to let her submit them as her own work to get a place at PHAW. Here Violet finds eccentrics aplenty, and even romance, but when news comes that Spence has AIDS, she has to decide how far she’ll go for a story and what she owes her friend. At barely over 100 pages, this feels more like a long short story, one with a promising setting and a sound plot arc, but not enough time to get to know or particularly care about the characters. I was reminded of books I’ve read by Julia Glass and Sara Maitland. It’s offbeat and good-natured but not top tier.
Published by Regal House Publishing. With thanks to publicist Jackie Karneth of Books Forward for the advanced e-copy for review.
A Family Matter was the best of the bunch for me, followed closely by Dream State.
Which of these do you fancy reading?
Booker Prize 2020: Longlist Progress & Shortlist Predictions
The 2020 Booker Prize shortlist will be announced tomorrow, September 15th. Following on from my initial thoughts … I’ve only managed to read one more book from the longlist, reviewed in brief below along with some thoughts on a few other nominees I’ve sampled.
Burnt Sugar by Avni Doshi
This short, intense novel is about two women locked into resentful competition. Tara and Antara also happen to be mother and daughter. When the long-divorced Tara shows signs of dementia, artist Antara and her American-born husband Dilip take her into their home in Pune, India. Her mother’s criticism and strange behavior stir up flashbacks to the 1980s and 1990s, when Antara felt abandoned by Tara during the four years they lived in an ashram and then her time at boarding school. Emotional turmoil led to medical manifestations like excretory issues and an eating disorder, and both women fell in love in turn with a homeless photographer named Reza Pine.
When Antara learns she is pregnant, the whole cycle of guilt and maternal ambivalence looks set to start again. Memory is precarious and full of potential hurt here, and Antara’s impassive narration is perfectly suited to the story of a toxic relationship. Neither the UK title nor the one for the original Indian publication (Girl in White Cotton) seems quite right to me; I might have chosen something related to the cover and endpaper image of the aloe plant: something that is as spiky as a cactus yet holds out hope of balm. This was a good fictional follow-up to a memoir I read earlier in the year about dementia’s effect on an Indian-American mother–daughter pair, What We Carry by Maya Shanbhag Lang.
Favorite passages:
It seems to me now that this forgetting is convenient, that she doesn’t want to remember the things she has said and done. It feels unfair that she can put away the past from her mind while I’m brimming with it all the time. I fill papers, drawers, entire rooms with records, notes, thoughts, while she grows foggier with each passing day.
I will never be free of her. She’s in my marrow and I’ll never be immune.
My rating: 
My thanks to Hamish Hamilton for the free copy for review.
DNFed:
Apeirogon by Colum McCann
Reminiscent of the work of David Grossman, this is the story of two fathers, one Israeli and one Palestinian, who lost their daughters to the ongoing conflict between their nations: Rami Elhanan’s 13-year-old daughter Smadar was killed by a Palestinian suicide bomber, while Bassam Aramin’s 10-year-old daughter Abir was shot by Israeli border police. The two men become unlikely friends through their work with a peacemaking organization, with Bassam also expanding his sense of compassion through his studies of the Holocaust.
It doesn’t take long to piece the men’s basic stories together. But the novel just keeps going. It’s in numbered vignettes ranging in length from one line to a few pages, and McCann brings in many tangentially related topics such as politics, anatomy, and religious history. Bird migration is frequently used as a metaphor. Word association means some lines feel arbitrary and throwaway. Looking ahead, I could see the numbering goes up to 500, at which point there is a long central section narrated in turn by the two main characters, and then goes back down to 1, mimicking the structure of the One Thousand and One Nights, mentioned in #101.
The narrative sags under the challenge McCann has set for himself. At 200 pages, this might have been a masterpiece. Though still powerful, it sprawls into repetition and pretension. (I read the first 150 pages.)
My rating: 
Set aside temporarily:
The New Wilderness by Diane Cook: The blurb promised an interesting mother–daughter relationship, but so far this is dystopia by numbers. A wilderness living experiment started with 20 volunteers, but illnesses and accidents have reduced their number. Bea was an interior decorator and her partner, Glen, a professor of anthropology – their packing list and habits echo primitive human culture. I loved the rituals around a porcelain teacup, but in general the plot and characters weren’t promising. I read Part I (47 pages) and would only resume if this makes the shortlist, which seems unlikely. (See this extraordinarily detailed 1-star Goodreads review from someone who DNFed the novel near where I am now.)
Shuggie Bain by Douglas Stuart: Dialect + depressing subject matter = a hard slog. Poverty and alcoholism make life in 1980s Glasgow a grim prospect for Agnes Bain and her three children. So far, the novel is sticking with the parents and the older children, with the title character barely getting a mention. I did love the scene where Catherine goes to Leek’s den in the pallet factory. This is a lot like the account Damian Barr gives of his childhood in Maggie & Me. I left off on page 82 but will go back to this if it makes the shortlist.
So that makes a total of 2 read, 4 DNFed, 2 set aside (and might yet DNF), 2 I still hope to read (one of which I’m awaiting from the library; the other is on my birthday wish list), and 3 I don’t intend to read. Not a great showing at all this year!
Still, I can never resist an opportunity to make predictions about a prize shortlist, so here’s what I expect to still be in the running after tomorrow. Weighty, diverse; a mixture of historical and contemporary.
- The Mirror & The Light by Hilary Mantel (will win)
- Apeirogon by Colum McCann
- The Shadow King by Maaza Mengiste
- Shuggie Bain by Douglas Stuart
- Real Life by Brandon Taylor
- How Much of These Hills Is Gold by C. Pam Zhang
What have you read from the longlist? What do you expect to be shortlisted?
Three Recommended July Releases: Starling Days, Hungry, Supper Club
While very different, these three books tie together nicely with their themes of the hunger for food, adventure and/or love.
Starling Days by Rowan Hisayo Buchanan
(Coming on July 11th from Sceptre [UK])
Buchanan’s second novel reprises many of the themes from her first, Harmless Like You, including art, mental illness, and having one’s loyalties split across countries and cultures. Oscar and Mina have been together for over a decade, but their marriage got off to a bad start six months ago: on their wedding night Mina took an overdose, and Oscar was lucky to find her in time. The novel begins and ends with her contemplating suicide again; in between, Oscar takes her from New York City to England, where he grew up, for a change of scenery and to work on getting his father’s London flats ready to sell. For Mina, an adjunct professor and Classics tutor, it will be labeled a period of research on her monograph about the rare women who survive in Greek and Roman myth. But when work for his father’s Japanese import company takes Oscar back to New York, Mina is free to pursue her fascination with Phoebe, the sister of Oscar’s childhood friend.
Both Oscar and Mina have Asian ancestry and complicated, dysfunctional family histories. For Oscar, his father’s health scare is a wake-up call, reminding him that everything he has taken for granted is fleeting, and Mina’s uncertain mental and reproductive health force him to face the fact that they might never have children. Although I found this less original and compelling than Buchanan’s debut, I felt true sympathy for the central couple. It’s a realistic picture of marriage: you have to keep readjusting your expectations for a relationship the longer you’re together, and your family situation is inevitably going to have an impact on how you envision your future. I also admired the metaphors and the use of color.
The title is, I think, meant to refer to a sort of time outside of time when wishes can come true; in Mina’s case that’s these few months in London. Bisexuality is something you don’t encounter too often in fiction, so I guess that’s reason enough for it to be included here as a part of Mina’s story, though I wouldn’t say it adds much to the narrative. If it had been up to me, instead of birds I would have picked up on the repeated peony images (Mina has them tattooed up her arms, for instance) for the title and cover.
Hungry: Eating, Road-Tripping, and Risking It All with the Greatest Chef in the World by Jeff Gordinier
(Coming on July 9th from Tim Duggan Books [USA] and on October 3rd from Icon Books [UK])
Noma, René Redzepi’s restaurant in Copenhagen, Denmark, has widely been considered the best in the world. In 2013, though, it suffered a fall from grace when some bad mussels led to a norovirus outbreak that affected dozens of customers. Redzepi wanted to shake things up and rebuild Noma’s reputation for culinary innovation, so in the four years that followed he also opened pop-up restaurants in Tulum, Mexico and Sydney, Australia. Journalist Jeff Gordinier, food and drinks editor at Esquire magazine, went along for the ride and reports on the Noma team’s adventures, painting a portrait of a charismatic, driven chef. For foodies and newbies alike, it’s a brisk, delightful tour through world cuisine as well as a shrewd character study. (Full review coming soon to BookBrowse.) 
Supper Club by Lara Williams
(Coming on July 9th from G.P. Putnam’s Sons [USA] and July 4th from Hamish Hamilton [UK])
“What could violate social convention more than women coming together to indulge their hunger and take up space?” Roberta and Stevie become instant besties when Stevie is hired as an intern at the fashion website where Roberta has been a writer for four years. Stevie is a would-be artist and Roberta loves to cook; they decide to combine their talents and host Supper Clubs that allow emotionally damaged women to indulge their appetites. The pop-ups take place at down-at-heel or not-strictly-legal locations, the food is foraged from dumpsters, and there are sometimes elaborate themes and costumes. These bacchanalian events tend to devolve into drunkenness, drug-taking, partial nudity and food fights.
The central two-thirds of the book alternates chapters between the present day, when Roberta is 28–30, and her uni days. I don’t think it can be coincidental that Roberta and Stevie are both feminized male names; rather, we are meant to ask to what extent all the characters have defined themselves in terms of the men in their lives. For Roberta, this includes the father who left when she was seven and now thinks he can send her chatty e-mails whenever he wants; the fellow student who raped her at uni; and the philosophy professor she dated for ages even though he treated her like an inconvenient child. Supper Club is performance art, but it’s also about creating personal meaning when family and romance have failed you.
I was slightly disappointed that Supper Club itself becomes less important as time goes on, and that we never get closure about Roberta’s father. I also found it difficult to keep the secondary characters’ backstories straight. But overall this is a great debut novel with strong themes of female friendship and food. Roberta opens most chapters with cooking lore and tips, and there are some terrific scenes set in cafés. I suspect this will mean a lot to a lot of young women. Particularly if you’ve liked Sweetbitter (Stephanie Danler) and Friendship (Emily Gould), give it a taste.
With thanks to Sapphire Rees of Penguin for the proof copy for review.
Bookish Beck = Rebecca Foster. American transplant to England. Freelance proofreader and book reviewer.
Bookish Beck 