The Ones that Got Away: 2023’s DNFs, Most Anticipated Reads & More
Every time I list my DNFs the posts are absurdly popular, so if this is the permission you need to drop that book you’ve been struggling with, take it! If for any reason a book isn’t connecting with you, move onto something else; you can always try it another time. In rough chronological order:
Snowflake, AZ, Marcus Sedgwick – I wanted to try something else by the late Sedgwick (I’ve only read his nonfiction monograph, Snow) and this seemed like an ideal addition to a winter-themed post. I could have gotten onboard with the desert dystopia, but Ash’s narration was so unconvincing. Sedgwick was attempting a folksy American accent but all the “ain’t”s and “darned”s really don’t work from a teenage character. I only managed about 20 pages.
The Furrows, Namwali Serpell – I pushed myself through the first 78 pages for a buddy read with Laura, but once it didn’t advance in the Carol Shields Prize race there was no impetus to continue and it wasn’t compelling enough to finish. Magic realism, unreliable narrator … even when done well they can feel pretentious. I liked Serpell’s writing well enough. I marked out the line “Wayne’s absence in our lives had become the drain toward which everything ran.” I also noted neologisms like “splummeshing” and “spitz and thunk.” It’s always fun for me to read something set in familiar places (Baltimore area).
How Not to Drown in a Glass of Water by Angie Cruz – I read the first 40 pages. A voice-driven novel about a middle-aged immigrant re-entering the work force, it has a certain charm but also (the Spanglish!) a slightly irksome quality.
Corpse Beneath the Crocus by N.N. Nelson – Cliché-riddled and full of obvious sentiments and metaphors as it explores specific moments but mostly overall emotions. “Love Letter,” a prose piece, held the most promise, which suggests Nelson would have been better off attempting memoir. I slogged (hate-read, really) my way through to the halfway point but could bear it no longer.
Nothing Special by Nicole Flattery – The title is, unfortunately, apt. I read nearly half of this novel (109 pages!), waiting all the time for something to happen; something more than a disaffected teenager’s flat narration or her older self’s bitter remembrances. The premise of a typist working for Andy Warhol seemed promising, but here is the extent of his presence in what I read: “I never saw him come in but I felt the atmosphere change when he did” and Mae once approaching him to hand over a phone call.
All the Men I Never Married, Kim Moore – I hadn’t heard of the poet, and had never read anything from the publisher, but took a chance because I’ll read any new-to-me contemporary poetry that my library system acquires. I got to page 16. It’s fine: poems about former love interests, whether they be boyfriends or aggressors. There looks to be good variety of structure in the book. I just didn’t sense adequate weight. A stanza I liked: “I want to say to them now / though all we are to each other is ghosts / once you were all that I thought of”.
Music in the Dark, Sally Magnusson – I loved The Ninth Child, but have DNFed her other two novels, alas! I even got to page 122 in this, but I had so little interest in seeing how the two Scotland storylines fit together.
Tracks, Robyn Davidson – I got to page 93, hoping for adventure but finding only preamble, disturbing human behaviour, and cruelty to camels. It’s a shame, as I had in mind that this was an Australian classic and of course I was interested in an intrepid female travel writer’s perspective. Her thoughts about solitude were also valuable.
The Five Red Herrings by Dorothy L. Sayers – I’m awful about trying mystery series, usually DNFing or giving up after the first book. I just can’t care whodunnit.
The Other Side of Mrs Wood by Lucy Barker – I read the first 82 pages. This was capable hist fic but without the spark that would have kept me interested.
Study for Obedience by Sarah Bernstein – The first few pages seemed medieval; the next two 19th-century; the next several hyper-contemporary. Always, the vocabulary felt arcane and overblown. Feeling this was going to be one of those annoyingly vague fables of strangers and peculiar happenings, I gave up after the first 10 pages.
Weyward by Emilia Hart – I read the first 48 pages. The setup is EXACTLY the same as in The Bass Rock by Evie Wyld (three women characters connected in similar ways, and set at three almost identical time periods). Unfortunately, that one’s amazing whereas this was pedestrian. I could never be bothered to pick it up.
The Last Bookwanderer by Anna James – I read the first 36 pages and felt no impetus to read any more. The series went downhill after Book 3 in particular, but really never topped Book 1. Say no to series! Stand-alone books are fine!!
All In: Cancer, Near Death, New Life by Caitlin Breedlove – Unconnected and slightly pretentious thoughts. It didn’t seem like she had anything new to say about cancer.
The Elegance of the Hedgehog by Muriel Barbery – I read the first 88 pages before giving up. This story of several residents of the same apartment building, their families and sadness and thoughts, was reminiscent of Sophie’s World and didn’t grip me.
The Pleasing Hour by Lily King – I read the first 75 pages. In theme and atmosphere this debut novel was most like her short stories (adolescents, travel, relationships). After giving up her baby to her sister, a young woman goes abroad to be an au pair for a family who live on a Paris houseboat. I failed to warm to any of the characters and the perspective seemed too diffuse for such a short book. Had this been my first taste of King’s work I would likely not have read anything else, because it seems quite ordinary.
Plus a handful more I didn’t keep notes on and barely remember, including:
- Ghost Apples by Katharine Coles
- Becky by Sarah May
- Industrial Roots by Lisa Pike
- I Laugh Me Broken by Bridget van der Zijpp
- A Terrible Kindness by Jo Browning Wroe
- The Premonition by Banana Yoshimoto
Overall, that feels like a lot fewer than in previous years, which I’ll call a win.
In January, I wrote about the 20 new releases I was most looking forward to reading in 2023. Here’s how I did with them:
Read and enjoyed: 7 (a few will appear on my Best-of list for the year)
Read and found disappointing (3 stars or below): 6
DNFed: 1
Currently reading: 1
Started but set aside and need to finish: 2
Haven’t managed to get hold of yet: 3
A pretty poor showing!
However, I did recently get the chance to go back and read one of my most anticipated books of 2019, the graphic memoir Good Talk by Mira Jacob, and really enjoyed it (my review is here). I found a secondhand copy at 2nd & Charles for $4 and bought it with my store credit for purchasing some gift vouchers. The lesson is that it’s never too late to catch up on a most anticipated book.
What are some of the ‘ones that got away’ from you this year?
Christmas Reading and Book Haul
I recently read two novels set in the week of Christmas. Both were good reminders to appreciate the family that you have because whatever your dysfunctional situation, it could probably be much worse.
Christmas Holiday by W. Somerset Maugham (1939): Twenty-three-year-old Charley Mason heads to Paris on Christmas Eve to see his old friend Simon and live it up in the big city. First thing, Simon takes him to a brothel, where Charley dances with topless Russian prostitute “Princess Olga.” Before things go any further, he ducks out to attend a Mass he happened to get tickets for, and she begs to accompany him. When Lydia (for that is her real name) starts weeping during the service, he takes her back to his hotel and listens with rapt horror as she tells him the sordid story of how her husband, a petty criminal named Robert Berger, murdered a man for fun and ended up in prison overseas. From here on, Charley’s primary feeling for Lydia is pity and any desire he had is neutralized. Simon, too, is fascinated with the Berger case for what it reveals about essential human egoism. The chaste relationship with Lydia and the intensity of the interactions with Simon made me wonder if there was covert homoeroticism here. It was interesting, shortly after my Paris trip, to read something about how sleazy it is rather than how magical. (Secondhand purchase) 
Flight by Lynn Steger Strong (2022): I couldn’t resist the setup: three grown-up siblings and their families meet at the one brother’s house in upstate New York to celebrate their first Christmas since their mother died. The novel takes place over just four days, the 22nd through Christmas Day, but Strong pumps in a lot of backstory about the sibling dynamic and the three marriages. The late Helen has already ascended into legend, and her coastal home in Florida is a bargaining chip. Tess, Martin’s lawyer wife, approaches the problem practically: sell it and split the profits three ways. Henry, an environmentalist artist, wants to sell the land to the state to be part of a nature preserve. Kate, the sentimental one, wants to live in the house herself but isn’t sure she and Josh can afford to buy her brothers out. At first I thought this was going to be a slightly irksome story of privileged white people and their ‘problems’, but there is a biracial character and an ex-heroin addict and her daughter also become key characters. As the family build igloos, bake pies and plan the perfect photo shoot, offences are simmering under the surface (“Mostly they resent each other from a comfortable enough distance that they might call it love”). These all fade, though, when a child goes missing. I was reminded subtly of Ann Patchett’s work, but more, with the environmental and parenting themes, of Ramona Ausubel and Megan Mayhew Bergman. I’d read more by Strong. (Public library) 
And now for the promised Christmas book haul.
Here’s what I bought with store credit at 2nd & Charles while in the States for my sister’s graduation with her bachelor’s in nursing.

We got to do some fun family Christmassy things while I was there for 10 days, then I flew back to the UK into Christmas Eve and got to do actual Christmas with my in-laws. It’s been a whirlwind of a month!
I had this book post waiting for me when I got back.

And received these for Christmas!

December Releases: Rebecca, Not Becky & You Bury the Birds in My Pelvis
The last month of the year is generally thin on the ground for new books, but here are two December U.S. releases I reviewed early for Shelf Awareness. One is a fun and timely novel about race relations and the other an autobiographical poetry collection about asexuality and chronic illness. Below are excerpts with a link to the full text for one. Both: ![]()
Rebecca, Not Becky by Christine Platt and Catherine Wigginton Greene
Two women navigate the nuances of racism in their affluent Northern Virginia community. Rebecca Myland shed the nickname “Becky” when it became cultural shorthand for clueless white ladies. She desperately wants to do the right thing, including making the perfect home for her husband and daughters and being a model white ally, leading the school’s diversity committee and antiracist book club.
De’Andrea Whitman reluctantly gave up her law career and Atlanta support system to move to Rolling Hills. It’s the best place for the family, given her husband Malik’s new job and the proximity to his mother’s top-notch dementia care facility. However, she is painfully aware that their daughter, Nina, may be the only Black student at the private school. De’Andrea’s therapist, Dr. Jones, challenges her to try to make one white friend.
The two protagonists have more in common than they realize. When the diversity committee’s controversial pet project of getting a statue of a Confederate general removed from the local park makes national news, the resulting ruckus threatens their fragile friendship. It’s a hugely enjoyable novel reminiscent of Terry McMillan and Curtis Sittenfeld that nonetheless takes a hard look at prejudice and performative allyship.
(And I love the title because my mother and one aunt always tried to call me Becky, but I hate that nickname!)
You Bury the Birds in My Pelvis by Kelly Weber
The poet feels marked by “failure to want” and by recurring medical complaints—severe Crohn’s disease and menorrhagia, initially dismissed by a doctor as menstrual cramps. In “Blood Firsts,” she compares her first period with the later coming-of-age moment of realizing she was asexual. She describes herself as a teenage wallflower, aware of a same-sex pull but unsure what, if anything, to do about it. The series of lyrical attempted definitions in “Queerplatonic” show her in love with a female friend. Anatomy and nature supply the book’s interlocking metaphors. Animals appear frequently, but often as roadkill or taxidermied trophies. The structure varies, with prose paragraphs, columns, and text moving up the page. The rich stylistic palette (rhetorical questions, footnotes, second person, a call-and-response format) and sonic arsenal (alliteration, wordplay, anaphora) make for a courageous, unforgettable collection. (Forthcoming)
Love Your Library, December 2023
Posting a week early so as not to bother you all on Christmas Day and make things easier for myself while I’m spending time in the States with family. My thanks, as always, go to Eleanor for her faithful participation in this monthly meme.
I spotted this “Happy Hour” library across from Saint Severin church in Paris.

Since last month:
READ
- Bodily Harm by Margaret Atwood

- Stone Mattress by Margaret Atwood (on audiobook!)

- Bright Young Women by Jessica Knoll

- The Cancer Journals by Audre Lorde


CHECKED OUT, TO BE READ
- Stories for Christmas and the Festive Season (British Library anthology)
- Death Valley by Melissa Broder
- Thunderclap by Laura Cumming
- King by Jonathan Eig
- Ordinary Human Failings by Megan Nolan
- Jungle House by Julianne Pachico
- Flight by Lynne Seger Strong

RETURNED UNREAD
- Water by John Boyne
- Barcode by Jordan Frith
- Orbital by Samantha Harvey
These were requested after me, or I missed my moment. I’ll try them again another time – for next year’s Novellas in November if not before.
What have you been reading or reviewing from the library recently?

Share a link to your own post in the comments. Feel free to use the above image. The hashtag is #LoveYourLibrary.
A Quick Look Back at Hamnet by Maggie O’Farrell for #LiteraryWives
I read Maggie O’Farrell’s Women’s Prize winner, Hamnet, at its release in 2020. Unfortunately, it has been my least favourite of her novels (I’ve read all but My Lover’s Lover now), and it turns out 3.5 years is too soon to reread and appreciate anew. But I had a quick skim back through, this time focusing on the central marriage and the question we ask for the Literary Wives online book club:
What does this book say about wives or about the experience of being a wife?

From my original review: O’Farrell imagines the context of the death of William Shakespeare’s son Hamnet and the effect it had on the playwright’s work – including, four years later, Hamlet. Curiously, she has decided never to mention Shakespeare by name in her novel, so he remains a passive, shadowy figure seen only in relation to his wife and children – he’s referred to as “the father,” “the Latin tutor” or “her husband.” Instead, the key characters are his wife, Agnes (most will know her as Anne, but Agnes was the name her father, Richard Hathaway, used for her in his will), and Hamnet himself.
It is refreshing, especially for the time period, to have the wife’s experience and perspective be primary, and the husband in the background to the extent of being unnamed. Both, however, blame themselves for not being there when 11-year-old Hamnet fell ill with what O’Farrell posits was the Plague. Shakespeare was away in London with his theatre company; Agnes was off tending her bees. Shakespeare is only present in flashbacks – in which he morphs from eager tutor to melancholy drinker – until three-quarters of the way through the novel, when he returns to Stratford, too late. All he can do then is carry his son’s corpse.
I have heard it said many times that few marriages survive the death of a child. And for a while that looks like it will be the case here, too:
Her husband takes her arm as they reach the gate; she turns to look at him and it is as if she has never seen him before, so odd and distorted and old do his features seem. Is it their long separation, is it grief, is it all the tears? she wonders, as she regards him. Who is this person next to her, claiming her arm, holding it to him?
How were they to know that Hamnet was the pin holding them together? That without him they would all fragment and fall apart, like a cup shattered on the floor?
With his earnings, Shakespeare buys the family a new house, but never moves them to London as he once intended. He continues to stay away for long periods at a time, leaving Agnes to her grief. When, four years after Hamnet’s death, Agnes and their daughters learn that he has written a play about a character called Hamlet, they feel betrayed, but Agnes goes to a performance and her anger melts as she recognizes her son. “It is him. It is not him. … grown into a near-man, as he would be now, had he lived, on the stage, walking with her son’s gait, talking in her son’s voice, speaking words written for him by her son’s father.”
Although O’Farrell leaves it there, creating uncertainty about the couple’s future, she implies that the play has been the saving of both of them. For Shakespeare, it was the outlet for his grief. For Agnes, it was the proof she needed that he loved their son, grieved him as bitterly as she did, and still remembers him. That seems to be enough to hold them together.
While her next novel, The Marriage Portrait, which I liked a lot more as historical fiction goes, might seem on the surface better suited for this club, Hamnet was in fact perfect for the prompt, revealing an aspect I don’t recall looking at before: the strain that a child’s illness and death can place on a marriage. At my first reading I found the prose flat and detached, to the point of vagueness, and thought there was anachronistic language and unsubtle insertion of research. This time, I was more aware of how the deliberate evenness softens the emotion, making it more bearable – though, still, I have a friend who gave up reading this partway because she found it too raw.
See also Kay’s and Naomi’s responses!
The next book, for March 2024, will be Mrs. March by Virginia Feito.
Novellas in November 2023: That’s a Wrap!
This was Cathy’s and my fourth year co-hosting Novellas in November. We’ve done our best to keep up with your posts, collected via four Inlinkz post parties. We had 52 bloggers take part this year, contributing a total of 175 posts. You can look back at them all here. See also Cathy’s wrap-up post.

Claire Keegan continued to get lots of love this year, and it was great to see people engaging with our weekly prompts and buddy reads, and cleverly combining challenges with German Lit Month, Nonfiction November and Beryl Bainbridge Reading Week. Other books highlighted more than once included Cheri by Jo Ann Beard, They by Kay Dick, Train Dreams by Denis Johnson and Two Lives by William Trevor.

We’d love to get your feedback about what worked well or less well this month…
- Did you like having the prompts? Or would you rather go back to themes?
- Was it good to have a choice of buddy reads? Or do you prefer having just one?
- Did Inlinkz work okay for hosting the link-up?

Thank you all for being so engaged with #NovNov23! We’ll see you back here next year.
Theophanies by Sarah Ghazal Ali [Jan. 16, Alice James Books]: In this poised debut collection by a Muslim poet, spiritual enlightenment is a female, embodied experience, mediated by matriarchs. Ali’s ambivalence towards faith is clear in alliteration-laden verse that recalls Kaveh Akbar’s. Wordplay, floral metaphors, and multiple ghazals make for dazzling language. 



The Ritual Effect by Michael Norton [April 9, Scribner]: Many use the words “habit” and “ritual” interchangeably, but the Harvard Business School behavioral scientist argues convincingly that they are very different. While a habit is an automatic, routine action, rituals are “emotional catalysts that energize, inspire, and elevate us.” He presents an engaging and commonsense précis of his research, making a strong case for rituals’ importance in the personal and professional spheres as people mark milestones, form relationships, or simply “savor the experiences of everyday life.”
House Cat by Paul Barbera [Jan. 2, Thames & Hudson]: The Australian photographer Paul Barbera’s lavish art book showcases eye-catching architecture and the pets inhabiting these stylish spaces. Whether in a Revolutionary War-era restoration or a modernist show home, these cats preside with a befitting dignity. (Shelf Awareness review forthcoming) 

The Only Way Through Is Out by Suzette Mullen [Feb. 13, University of Wisconsin Press]: A candid, inspirational memoir traces the events leading to her midlife acceptance of her lesbian identity and explores the aftermath of her decision to leave her marriage and build “a life where I would choose desire over safety.” The book ends on a perfect note as Mullen attends her first Pride festival aged 56. “It’s never too late” is the triumphant final line. (Foreword review forthcoming)
36 Ways of Writing a Vietnamese Poem by Nam Le [March 5, Knopf]: A fearless poetry debut prioritizes language and voice to explore inherited wartime trauma and expose anti-Asian racism. Each poem is titled after a rhetorical strategy or analytical mode. Anaphora is one sonic technique used to emphasize the points. Language and race are intertwined. This is a prophet’s fervent truth-telling. High-concept and unapologetic, this collection from a Dylan Thomas Prize winner pulsates. (Shelf Awareness review forthcoming)
God Gave Rock and Roll to You: A History of Contemporary Christian Music by Leah Payne [Jan. 4, Oxford University Press]: “traces the history and trajectory of CCM in America and, in the process, demonstrates how the industry, its artists, and its fans shaped—and continue to shape—conservative, (mostly) white, evangelical Protestantism.”
Raised by Wolves: Fifty Poets on Fifty Poems, A Graywolf Anthology [Jan. 23, Graywolf Press]: “Graywolf poets have selected fifty poems by Graywolf poets, offering insightful prose reflections on their selections. What arises is a choral arrangement of voices and lineages across decades, languages, styles, and divergences, inspiring a shared vision for the future.”
The Paris Novel by Ruth Reichl [April 30, Random House]: “When her estranged mother dies, Stella is left with an unusual gift: a one-way plane ticket, and a note reading ‘Go to Paris’. But Stella is hardly cut out for adventure … When her boss encourages her to take time off, Stella resigns herself to honoring her mother’s last wishes.”







































I’d read one memoir of working and living in Shakespeare and Company, Books, Baguettes and Bedbugs by Jeremy Mercer (original title: Time Was Soft There), back in 2017. I don’t remember it being particularly special as bookish memoirs go, but if you want an insider’s look at the bookshop that’s one option. Founder Sylvia Beach herself also wrote a memoir. The best part of any trip is preparing what books to take and read. I had had hardly any time to plan what else to pack, and ended up unprepared for the cold, but I had my shelf of potential reads ready weeks in advance. I took The Elegance of the Hedgehog by Muriel Barbery and read the first 88 pages before giving up. This story of several residents of the same apartment building, their families and sadness and thoughts, was reminiscent of
After a dinner party, Marji helps her grandmother serve tea from a samovar to their female family friends, and the eight Iranian women swap stories about their love lives. These are sometimes funny, but mostly sad and slightly shocking tales about arranged marriages, betrayals, and going to great lengths to entrap or keep a man. They range from a woman who has birthed four children but never seen a penis to a mistress who tried to use mild witchcraft to get a marriage proposal. What is most striking is how standards of beauty and purity have endured in this culture, leading women to despair over their loss of youth and virginity.
We both read this, keeping two bookmarks in and trading it off on Metro journeys. The short thematic chapters, interspersed with recipes, were perfect for short bursts of reading, and the places and meals he described often presaged what we experienced. His observations on the French, too, rang true for us. Why no shower curtains? Why so much barging and cutting in line? Parisians are notoriously rude and selfish, and France’s bureaucracy is something I’ve read about in multiple places this year, including John Lewis-Stempel’s
This was consciously based on George Orwell’s
I forgot to start it while I was there, but did soon afterwards: The Paris Novel by Ruth Reichl, forthcoming in early 2024. When Stella’s elegant, aloof mother Celia dies, she leaves her $8,000 – and instructions to go to Paris and not return to New York until she’s spent it all. At 2nd & Charles yesterday, I also picked up a clearance copy of A Paris All Your Own, an autobiographical essay collection edited by Eleanor Brown, to reread. I like to keep the spirit of a vacation alive a little longer, and books are one of the best ways to do that.