Late Summer Novels (Bamford, Ellis, Hornak, King) & Poetry Collections for the Transition into Autumn (Hurst, McNish, Plath)
It’s been feeling autumnal for a few weeks now with the drizzle, chilly mornings and evenings, honking of geese overhead, and harvesting our last garden apples – though it remains warm and summer only officially ended on Monday. I’ve recently finished off a summer-titled trilogy and the second entry in a seasonal quartet. I’m also throwing in a couple fun novels I bought earlier in the year.
Before and after Tuesday’s autumn equinox, a few poetry collections have been my fitting companions for the start of a new season.
Idle Grounds by Krystelle Bamford (2025)
“The following is an account of an afternoon in June in which we sallied forth, and then, for the most part, back.” I was drawn in by the mock-heroic first-person plural voice of a gaggle of cousins at a New England family get-together. It’s 1989 and they’re here for one of the adults’ birthdays, but that’s of no concern to the kids, who are a world unto themselves. In the first chapter, three-year-old Abi goes missing and the rest set out on a quest to rescue her. The shed, the woods, a driveway full of cars, the river: every setting seems to offer adventure, but maybe also danger. And then the oldest boy cousin, Travis, vanishes too. “Intermezzo” chapters offer snippets of family lore – about their grandmother Beezy’s awful novel, The Lilac Swing, and so on – that don’t add much of interest to this meandering novella. To deliver on the promise of the narrative voice, Bamford needed to give her debut a little more: more intrigue, more pivotal scenes, more closeness to a few characters rather than surface descriptions of a bunch, maybe more pages to make something of the not-so-momentous family secrets. As it is, I had to agree with this tongue-in-cheek line on p. 136: “in our depleted state, we thought the very thought you’re thinking now, which is enough already.” (New purchase with voucher – Hungerford Bookshop) 
Book 3 of The Summerhouse Trilogy
The Fly in the Ointment by Alice Thomas Ellis (1989)
{BEWARE SPOILERS!}
Following The Clothes in the Wardrobe (1987) and The Skeleton in the Cupboard (1988), this novella revisits the run-up to Margaret and Syl’s wedding from Lili’s perspective. It’s the shortest of the three books and adds no new plot details or real character insight, but Lili’s voice is alluring all the same. She’s an incorrigible flirt, or perhaps what we would now call a love (not necessarily sex) addict: “Sometimes I felt I would disappear if I couldn’t see the person opposite falling in love with me. I just wouldn’t be there.” Lili is pivotal to the narrative because of her well-meaning interventions: first, she falsely portrays the coming union as blessed by creating a fake (tissue paper) bloom for the cactus in the summerhouse; then, in agreement with other characters such as Mrs Monro that there shouldn’t be a wedding after all, she decides to sabotage it by ensuring that she and Syl be caught in flagrante in the summerhouse. While this was an interesting project for Ellis to undertake, the first volume was by far my favourite and I didn’t think the second and third wholly necessary. (Secondhand – Regent Books, Wantage) 
So Good to See You by Francesca Hornak (2025)
Daniel, Rosie and Serge were good friends at Oxford but since their graduation in 2004 they’ve drifted into indifference and resentment. Daniel is a Hollywood star but still can’t forgive filmmaker Serge for stealing his idea for a biopic of a working-class lad. Serge is on a break from his relationship with Isla, a younger movie makeup artist with whom he has twins. Rosie regrets that her on-again, off-again relationship with Serge meant she wasted prime years. In August 2019, they’re all brought together for Serge’s cousin Caspar’s big gay wedding in Provence. The Campbell cousins come from inherited wealth, but no one knows Serge’s production company is heavily in debt. As best man and “best woman,” Serge and Rosie have to write a joint speech; Daniel has to hide his dependency on alcohol and drugs.
This is a light, Taylor Jenkins Reid-esque soap opera that I swallowed in big gulps. I’d enjoyed Hornak’s Christmas-set debut, Seven Days of Us (2017), but when I looked back at it I realised how identikit the two are: set mostly over a matter of days, with each chapter marked by a precise place and time stamp. I guess she hit on a winning formula and decided to repeat it, but I was disappointed to notice the similarity. In this case, zooming in slows the action and makes the book feel overlong, though it’s perceptive about class, privilege, disappointment, the longing for parenthood, and loyalty among family and friends. (Her previous novel now seems almost prescient with its depiction of a Christmas in quarantine! Perhaps I’ll reread it.) (New purchase with voucher – Hungerford Bookshop) 
Apt Pupil by Stephen King (1982)
(Novella published in Different Seasons under the heading “Summer of Corruption”)
{BEWARE SPOILERS!}
Thirteen-year-old Todd Bowden becomes obsessed with his elderly neighbour, whom he has identified as German concentration camp officer Kurt Dussander, in the summer of 1974. His parents think that he goes over to read to “Mr. Denker,” but in fact he’s extorting sordid war stories out of the old man. When Todd’s grades nosedive, Dussander agrees to impersonate his grandfather at a conference with the school counsellor so his parents remain oblivious. Now each has dirt on the other; blackmail goes both ways. The book suggests Dussander’s ongoing sadism sparks something inexorable in the young man, and both engage in further senseless carnage. I wasn’t sure if it was respectful of King to treat the Holocaust like a contagious sin. As Todd’s (real) grandfather says, “Sometimes the past don’t rest so easy. Why else do people study history?” I don’t think an editor would have let the story stand today. This is not as full-on horror as others I’ve read by King (Misery and Pet Sematary), but still gruesome and – for an animal lover like me – Dussander’s torture of cats and dogs was harder to read about than the murders of unhoused people. A neat connection back to Rita Hayworth and Shawshank Redemption, which I read back in the spring: Dussander mentions that “The banker who bought [the stocks] for me went to jail for murdering his wife a year” later in Maine. (Little Free Library) 
Three on a Theme: Autumnal Poetry
Keats described autumn as the season of “mellow fruitfulness,” as I was reminded by Kate Mosse’s Autumn. Fruit and feminism are themes that link these three collections. All:
The Fox’s Wedding by Rebecca Hurst (2022)
I’ve read Hurst’s debut full-length collection, The Iron Bridge, and jumped at the chance to catch up on her previous chapbook. Its hint of fairy tale menace feels appropriate for early spooky season. A witch turns into a hare and flees in “Familiar.” The girl who will win the hand of “The Frog Prince” spends her evenings “squashing worms and slugs and snails beneath / the crêpe soles of her black school shoes.” Needlecraft recurs: “Once there was a child/ who woke alone in the forest. … S/he took the path of needles / to ask needle-sharp questions.” There are folktale rhythms to “Brothers,” which also mentions gingerbread men. The woods morph with the advance of the year (“let the seasons pleat / folding one year to the next”) and hide creatures real and imagined. “Now it is Michaelmas: the land sun-warm, / fields shorn, blackberries ripe to bursting.” The atmosphere of this pamphlet – defiant, magical, mischievous – casts a spell. (New purchase from The Emma Press)
Plum by Hollie McNish (2017)
A late tree-shaped poem captures a treasured ritual with her daughter. But if I tell you that “plum” is also the last in a long string of euphemisms for female genitalia in “Voldemort,” that will give a better sense of McNish’s tone, which is often cheeky and snarky. She includes poems she wrote as a child and teenager but also remembers her adolescence from adulthood, pinpointing moments of peer pressure and misogyny that she experienced. She wishes she and her friends had been less obsessed with what boys thought of them and hopes to teach her daughter to stand firm in her own identity. McNish has local roots and is known for her conversational memoirs and her spoken word poetry. Like Harry Baker, Jay Bernard and Kae Tempest’s works, it’s probably not best encountered in print. In performance, fairly simple and repetitive phrasing can come to life. (Secondhand – Library book sale)
I spend the summer months watching like a hawk for when wild and waste-ground plums ripen and fall so I can scurry around gathering them to eat or freeze for autumn and winter desserts. Our cherry plum tree produced its first fruits this year, too (below).
Crossing the Water by Sylvia Plath (1971)
I got less out of this posthumous collection than I did from Ariel and Winter Trees, but there are still striking turns of phrase: “The future is a grey seagull / Tattling in its cat-voice of departure, departure” (from “A Life”) and “At our feet, the weed-moustachioed sea / Exhibits its glaucous silks” (from “Whitsun”). Canada, age, sleep, surgery: the imagery feels a little all over the place. The stand-out poems for me were “Small Hours,” in which marble statues metaphorically watch over the speaker’s troubled insomnia, and “Mirror,” which reflects the unstoppable advance of age and contrasts true self with appearances. Most redolent of autumn were a poem about pheasant hunting and “Blackberrying”:
Nobody in the lane, and nothing, nothing but blackberries,
Blackberries on either side, …
A blackberry alley, going down in hooks, and a sea
Somewhere at the end of it, heaving. Blackberries
Big as the ball of my thumb
The Devon lanes aren’t so empty these days, I can attest! A line from “Last Words” ties in perfectly and is a good resolution for us all: “I should sugar and preserve my days like fruit!” (University library)
I started my preserving late and will not do as much as I have in other years. So far I’ve made apple and tomato chutney and set some rosehip cordial steeping. This afternoon I’m going to attempt rosehip curd – we found a jar of “hagebutten” in a Berlin supermarket this time last year and it was so delicious that we’re going to try to recreate it, though it requires laborious deseeding and mincing plus two boiling stages. More Vitamin C than orange juice, apparently!
Rosehips ready for preserving!
All My Wild Mothers by Victoria Bennett & I Have Some Questions for You by Rebecca Makkai
I’m catching up with reviews of two February releases that I spent the whole of last month submerged in. These are early entries on my Best of 2023 list: A lovely memoir about grief and gardening, caring for an ill child and a dying parent; and a riveting true crime-inspired novel, set on a boarding school campus, that rages at injustice and violence against women.
All My Wild Mothers: Motherhood, loss and an apothecary garden by Victoria Bennett
Early in February, I attended the online book launch via Sam Read Bookseller in Grasmere. With conversation, readings and song, it was the ideal introduction to the themes of this debut memoir by a poet. The book is composed of dozens of brief autobiographical, present-tense essays, each titled after a wildflower with traditional healing properties. The chapters are headed by a black-and-white woodcut of each plant (by Bennett’s husband, Adam Clarke) and a précis of its medicinal uses, as well as where it is found. Again and again, these descriptions site the flora on edgelands or “disturbed ground” – the perfect metaphorical tie-in to Bennett’s tumultuous life and the comfort that creating an apothecary garden brought.
Bennett is the youngest of six children. When she was expecting her son – much longed for after multiple pregnancy losses – news came that her eldest sister had died in a canoeing accident. At age two, her son was diagnosed with type 1 diabetes; managing his condition has imposed a heavy emotional burden. And years later, she was the primary caregiver for her elderly mother as she was dying of mesothelioma. The memoir’s format – which arose in part because it was written over the course of 10 years, during stolen moments – realistically presents bereavement and caring as ongoing, cyclical challenges rather than one-time events.
There are no simple solutions offered here, nothing so pat as that ‘gardening heals all hurts’, but Bennett writes into the broken places and finds joy in what comes to life spontaneously in nature or in her ramshackle yard on a social housing estate in Cumbria. She recalls a horse chestnut tree that looked over her outside the window of her childhood home; she and her son take impish delight in guerrilla gardening and sometimes disastrous cooking projects with foraged fruit. Some of my favourite individual vignettes were “Elder,” about the magic and medicine of making elderberry syrup from the few village trees that escape the chainsaw; “Dandelion,” about her trio of older sisters, who were Greenham Common protestors and always tried to protect her as well as nature; “Herb Robert,” about her sister-in-law’s funeral; and especially “Honeysuckle,” about a local agricultural show where the officious organizers make them feel like interlopers yet her son wins first place for their feral, fecund garden.
Many side topics twine into the narrative as well: a difficult relationship with a controlling mother; a family history that takes in boarding schools, cults, road trips, risk taking and mental health issues; the economic disparity that leads to one set of rules for the rich and another for those on benefits. But the core of the book is a tender mother–son relationship. “I can give him this: a seed, with all its defiant hope against the dark; and the memory that once, we grew a garden out of rock, and waste, and all things broken, and it thrived.” Sitting somewhere between creative nonfiction and nature essays, it’s a beautiful read for any fan of women’s life writing, especially if you share the interests in grief or gardening. I hope we’ll see it recognized on the Barbellion and Wainwright Prize shortlists alike.
Readalikes I have reviewed: A Still Life by Josie George, The Book of Difficult Fruit by Kate Lebo, The Cure for Sleep by Tanya Shadrick
With thanks to Victoria Bennett and Two Roads for the free copy for review.
I Have Some Questions for You by Rebecca Makkai
I’m a big fan of Makkai’s first two novels, The Borrower and The Hundred-Year House, and have her other two books lined up to read, so I was excited to hear about this new work and put it on my Most Anticipated list for the year. My interest was redoubled by Laura’s review, which likens it to a cross between Prep and My Dark Vanessa – irresistible.
Bodie Kane grew up in a deprived and dysfunctional family in Indiana, and has beneficent Mormon neighbours to thank for the tuition money that allowed her to attend Granby, an exclusive New Hampshire boarding school, in the early to mid-1990s. She was an angry and awkward high school student, yet her memories of Granby and the friendships she made there are still an emotional mainstay more than two decades later. In 2018, she is a successful film professor with a podcast about Hollywood starlets. Although she is separated from Jerome, her artist husband, he lives next door and they co-parent their two children.
After an invitation comes from Granby to teach a two-week course on podcasting, Bodie trades Los Angeles for a bitter New England winter. It’s the perfect excuse to indulge her obsession with the 1995 murder of her former Granby roommate, Thalia Keith, who was found dead in the swimming pool one March morning after a play performance. Bodie has never been comfortable with the flawed case against the Black athletics coach, Omar Evans, who has been imprisoned ever since. When one of her students chooses to make Thalia’s murder the subject of a podcast, it’s all the justification Bodie needs to dive deep into her pet hypothesis: Thalia was sleeping with the music director, Denny Bloch, and he was involved in her death in some way. Her blinkered view threatens to exclude a key explanation. Still, the informal sleuthing she and her students do is enough to warrant a follow-up hearing in 2022, but they – and Omar – are up against a broken system.
Makkai has taken her cues from the true crime genre and constructed a convincing mesh of evidence and theories. There’s a large cast of secondary characters, from Dorian, the bully who once humiliated Bodie with sexual slurs, to Fran, the faculty kid/gay best friend who now lives and works on campus herself and continues to be Bodie’s trusty backup. The combinations of background + teenage behaviour + 40-something lives all feel authentic in their randomness (when I saw that Makkai sourced 24 names from indie bookstore supporters, I realized afresh just how real, as opposed to ‘made-up’, these characters feel).
At times I wondered if there was too much detail on the case and the former classmates; I might even have streamlined the novel by doing away with the 2022 section altogether, though it ends up being crucial to the plot. But Makkai has so carefully crafted these pen portraits, and so intimately involved us in Bodie’s psyche, that it’s easy to become invested in the story. What’s more, the novel introduces a seam of rage about violence towards women – so predictably excused and allowed to recur by a justice system weighted against victims –
What’s as perfect as a girl stopped dead, midformation? Girl as blank slate. Girl as reflection of your desires, unmarred by her own. Girl as sacrifice to the idea of girl.
let’s say it was the one where the rugby team covered up the girl’s death and the school covered for the rugby team. Actually it was the one where the therapist spent years grooming her. It was the one where the senator, then a promising teenager, shoved his d*ck in the girl’s face. … It was the one where her body was never found. It was the one where her body was found in the snow. It was the one where he left her body for dead under the tarp.
– yet also finds nuance in the situation when Bodie’s ex-husband is subjected to exaggerated #MeToo accusations. It’s timely, daring, intelligent, enthralling storytelling. Susan (review here) and I are both hoping to see this make the Women’s Prize longlist next week.
Readalikes I have reviewed: Ghost Wall by Sarah Moss, My Dark Vanessa by Kate Elizabeth Russell, The Bass Rock by Evie Wyld
With thanks to Fleet for the proof copy for review.
What are the best 2023 books you’ve read so far?
Review Books Roundup: Blackburn, Bryson, Pocock, Setterwall, Wilson
I’m attempting to get through all my 2019 review books before the end of the year, so expect another couple of these roundups. Today I’m featuring a work of poetry about one of Picasso’s mistresses, a thorough yet accessible introduction to how the human body works, a memoir of personal and environmental change in the American West, Scandinavian autofiction about the sudden loss of a partner, and a novel about kids who catch on fire. You can’t say I don’t read a variety! See if one or more of these tempts you.
The Woman Who Always Loved Picasso by Julia Blackburn
Something different from Blackburn: biographical snippets in verse about Marie-Thérèse Walter, one of Pablo Picasso’s many mistress-muses. When they met she was 17 and he was 46. She gave birth to a daughter, Maya – to his wife Olga’s fury. Marie-Thérèse’s existence was an open secret: he rented a Paris apartment for her to live in, and left his home in the South of France to her (where she committed suicide three years after his death), but unless their visits happened to overlap she was never introduced to his friends. “I lived in the time I was born into / and I kept silent, / acquiescing / to everything.”
In Marie-Thérèse’s voice, Blackburn depicts Picasso as a fragile demagogue: in one of the poems that was a highlight for me, “Bird,” she describes how others would replace his caged birds when they died, hoping he wouldn’t notice – so great was his horror of death. I liked getting glimpses into a forgotten female’s life, and appreciated the whimsical illustrations by Jeffrey Fisher, but as poems these pieces don’t particularly stand out. (Plus, there are no page numbers! which doesn’t seem like it should make a big difference but ends up being annoying when you want to refer back to something. Instead, the poems are numbered.)
My rating: 
With thanks to Carcanet Press for the free copy for review. Published today.
The Body: A Guide for Occupants by Bill Bryson
Shelve this next to Being Mortal by Atul Gawande in a collection of books everyone should read – even if you don’t normally choose nonfiction. Bryson is back on form here, indulging his layman’s curiosity. As you know, I read a LOT of medical memoirs and popular science. I’ve read entire books on organ transplantation, sleep, dementia, the blood, the heart, evolutionary defects, surgery and so on, but in many cases these go into more detail than I need and I can find my interest waning. That never happens here. Without ever being superficial or patronizing, the author gives a comprehensive introduction to every organ and body system, moving briskly between engaging anecdotes from medical history and encapsulated research on everything from gut microbes to cancer treatment.
Bryson delights in our physical oddities, and his sense of wonder is infectious. He loves a good statistic, and while this book is full of numbers and percentages, they are accessible rather than obfuscating, and will make you shake your head in amazement. It’s a persistently cheerful book, even when discussing illness, scientists whose work was overlooked, and the inevitability of death. Yet what I found most sobering was the observation that, having conquered many diseases and extended our life expectancy, we are now overwhelmingly killed by lifestyle, mostly a poor diet of processed and sugary foods and lack of exercise.
My rating: 
With thanks to Doubleday for the free copy for review.
Surrender: Mid-Life in the American West by Joanna Pocock
Prompted by two years spent in Missoula, Montana and the disorientation felt upon a return to London, this memoir-in-essays varies in scale from the big skies of the American West to the smallness of one human life and the experience of loss and change. Then in her late forties, Pocock had started menopause and recently been through the final illnesses and deaths of her parents, but was also mother to a fairly young daughter. She explores personal endings and contradictions as a kind of microcosm of the paradoxes of the Western USA.
It’s a place of fierce independence and conservatism, but also mystical back-to-the-land sentiment. For an outsider, so much of the lifestyle is bewildering. The author attends a wolf-trapping course, observes a Native American buffalo hunt, meets a transsexual rewilding activist, attends an ecosexuality conference, and goes foraging. All are attempts to reassess our connection with nature and ask what role humans can play in a diminished planet.
This is an elegantly introspective work that should engage anyone interested in women’s life writing and the environmental crisis. There are also dozens of black-and-white photographs interspersed in the text. In 2018 Pocock won the Fitzcarraldo Editions Essay Prize for this work-in-progress. It came to me as an unsolicited review copy and hung around on my shelves for six months before I picked it up; I’m glad I finally did.
My rating: 
With thanks to Fitzcarraldo Editions for the free copy for review.
Let’s Hope for the Best by Carolina Setterwall
[Trans. from the Swedish by Elizabeth Clark Wessel]
Although this is fiction, it very closely resembles the author’s own life. She wrote this debut novel to reflect on the sudden loss of her partner and how she started to rebuild her life in the years that followed. It quickly splits into two parallel story lines: one begins in April 2009, when Carolina first met Aksel at a friend’s big summer bash; the other picks up in October 2014, after Aksel’s death from cardiac arrest. The latter proceeds slowly, painstakingly, to portray the aftermath of bereavement. In the alternating timeline, we see Carolina and Aksel making their life together, with her always being the one to push the relationship forward.
Setterwall addresses the whole book in the second person to Aksel. When the two story lines meet at about the two-thirds point, it carries on into 2016 as she moves house, returns to work and resumes a tentative social life, even falling in love. This is a wrenching story reminiscent of In Every Moment We Are Still Alive by Tom Malmquist, and much of it resonated with my sister’s experience of widowhood. There are many painful moments that stick in the memory. Overall, though, I think it was too long by 100+ pages; in aiming for comprehensiveness, it lost some of its power. Page 273, for instance (the first anniversary of Aksel’s death, rather than the second, where the book actually ends), would have made a fine ending.
My rating: 
With thanks to Bloomsbury UK for the proof copy for review.
Nothing to See Here by Kevin Wilson
I’d read a lot about this novel while writing a synopsis and summary of critical opinion for Bookmarks magazine – perhaps too much, as it felt familiar and offered no surprises. Lillian, a drifting twentysomething, is offered a job as a governess for her boarding school roommate Madison’s stepchildren. Madison’s husband is a Tennessee senator in the running for the Secretary of State position, so it’s imperative that they keep a lid on the situation with his 10-year-old twins, Bessie and Roland.
You see, when they’re upset these children catch on fire; flames destroy their clothes and damage nearby soft furnishings, but leave the kids themselves unharmed. Temporary, generally innocuous spontaneous combustion? Okay. That’s the setup. Wilson writes so well that it’s easy to suspend your disbelief about this, but harder to see a larger point, except perhaps creating a general allegory for the challenges of parenting. This was entertaining enough, mostly thanks to Lillian’s no-nonsense narration, but for me it didn’t soar.
My rating:
With thanks to Text Publishing UK for the PDF for review. This came out in the States in October and will be released in the UK on January 30th.
Would you be interested in reading one or more of these?
Settling in, aka Organizing My Bookshelves
We moved into our new rental house a week and a half ago. For most of that time my husband has been away in Devon for work, which created the perfect opportunity for me to have free rein in organizing the place – clothes, framed photos, toiletries, desk supplies: yeah, sure, all that; but really, my focus was always on the books.
I thought I had the perfect plan: general fiction in our bedroom; classics and literary reference books in the spare room/office; and the rest in the lounge on a big bookcase divided into one shelf biographies, one shelf nature, one shelf religion, and one shelf travel. This system quickly broke down. For one thing, we actually have three or more shelves’ worth of nature books, more than a shelf each of most other nonfiction genres, and way more fiction than would ever fit on one small Ikea Billy.
The result has been some inevitable dividing and jumbling. Much as I didn’t want to do so, I’ve had to put some books on their sides on top of rows, and I had to double stack the religion shelf. I made three shelves of nature and travel combined, but put the travel guidebooks and the nature field guides in separate places. Fiction ends up scattered in several places, including priority stacks on our bedside tables plus one shelf devoted to novels I mean to get to soon.
Ultimately we’re going to have to get another bookcase, but I’m pretty pleased with the results thus far. Here’s a peek:
Lounge unit: three shelves of mixed nature and travel (alphabetical by author); one double-stacked shelf of religion.
Bedroom bookcase: general fiction (all but one of which I have read!) with areas on the bottom shelf for oversized graphic novels and science/nature books. On top are various nature field guides.
Spare room/office bookcases. Left: classics and poetry (Dickens set on top); right: top shelf of priority fiction, second shelf of biographies, third shelf of literary reference and generally nonfiction (divided by some Penguin paperbacks), and a bottom shelf of more literary reference and biography.
Overflow area (on office desk shelves): travel guides; mixed reference and humor; paperback fiction that doesn’t fit elsewhere.
I’ve been enjoying my walks into town along the Kennet & Avon canal. Up until Tuesday we were without Internet at home, so I had to make daily excursions to the lovely public library to do my editing work. It’s great watching life on a canal change: some houseboats seem permanent, while others drift in and out from day to day; the swans and ducks are always on the move, looking out for their next wheaten snack; and every time I walk the tow path I notice something new, like a large stand of hops. Home brew, anyone?
After several years of not having access to our own outdoor space, we now have as much garden as we could ever want. The back door lets out onto a large stone patio, followed by a grassy area with a rotary washing line, a huge combined storage shed and summer house (too warm now, but should be a perfect reading spot next month); an emptied pond, some pear and plum trees and a bench; blackcurrant and raspberry bushes; a second shed (currently inaccessible due to a wasp’s nest); a dilapidated vegetable bed; a compost heap; a cuttings area; more grass; some scrub; and finally the secluded gate onto the canal path. Every time you think you’ve gotten to the end, it just keeps going. At some point it’s going to represent an awful lot of work, but for now I’m just in awe of the space and the sense of freedom.
Looking back from the summer house.
We’re having the mildest of heat waves here in southern England, but the signs of autumn are poking through – especially the ripening fruit you see everywhere. We have lots of ready blackberries in the garden; add to that some foraged plums, pears and apples and we’ll soon have the makings of a hearty crumble with which to welcome our first guests this weekend.
Bookish Beck = Rebecca Foster. American transplant to England. Freelance proofreader and book reviewer.
