Author Archive: Rebecca Foster

There Should Be a Cat There

My world was knocked askew earlier this week. Since then I’ve been wandering around the house remarking on the sensation that something is missing. I turned around in my chair at the breakfast table one morning to gaze at the sofa corner behind me and said to my husband C, “There should be a cat there.” Alfie was a constant presence in our lives for 10 years and 8 months; my husband’s first pet ever, and my first as an independent adult. Wherever we went for a decade-plus, he was there when we got home (probably grumbling that his bowl was empty). We adopted him 10 months into my freelance career and he was a faithful work-from-home buddy. He has been with us our whole time in Newbury; I associate him inextricably with home and work life. Even if he spent most of a day sleeping or doing his own thing, just the knowledge that there was another creature in the house was all the company I needed. He was an expert at getting in the way, and just a matter of days ago I was still admonishing “Watch out for the cat” and hearing C trip over his food bowl and litter tray.

Both of our phones’ photo libraries are full of ridiculous and repetitive pictures of the cat asleep. Now I’ve been going around taking photographs of absences. Everything in our house was tailored to an older cat’s needs. His food and water bowls were raised on a fleet of Tupperware to make standing postures more comfortable for him. He used steps all through his mobility-challenged last years. We inherited a proper set of pet steps from a neighbour, but elsewhere rigged up makeshift ones from boxes, document files, crates and stools. In the final weeks, when his claws either slipped or got stuck on everything, I covered the steps in towels so he had something to grip onto and put a strip of carpet in front of his kitchen bowls.

I’ve taken away the food stations, dumped and washed the three litter trays, and laundered the blankets he used the most. It’s the steps I can’t bring myself to take away. I think it’s because I look at them and feel so proud of how he adapted to his limitations. He was by no means the sharpest crayon in the box – he regularly forgot how to use his cat flap to go outside and would ineffectually scrape at it or cry at the back door to come back in – but in the lounge he worked out how to climb the steps plus a pouffe to get to any of the seats. If he got to the top step and looked perplexed, I’d tap out a route for him and he’d follow it. While I would often accuse him of stealing my seat, I knew better. All of the seats were his.

Tuesday was the day. The next day’s sun and birdsong made it feel more like mid-autumn or early spring. The handyman came back to lay floor tiles in the bathroom. I iced my swollen eyes, went for a long walk by the canal, and then faced a day of bustle and noise. It was fine.

Since then it has been worse. Drizzle has set in, C has been away at work or networking events, and the house is too quiet. I half expect to hear, any moment, the pock-pock of the cat climbing the carpeted stairs one by one, claws catching threads on each; his final triumphant heave to the landing accompanied by a huff of effort. I’ll wheel around in my office chair to lock eyes and call, “Hi, buddy! Where you gonna go? Whatcha gonna do?” When I’m downstairs, I expect the opposite: the thump of him getting down from the bed and the steady plop of him gingerly lowering himself one stair at a time and landing at the bottom with a muffled jingle of his collar bell. I’ve found myself doing peculiar things: sniffing an empty Felix beef soup pouch (had I known it was his last meal, I’d have given him his favourite, lamb, instead) and sifting through the kitchen bin and lounge fluff for an empty claw casing to keep. No luck, alas.

 

I’m comfortable with the terms “cat lady” and “fur baby” despite the stereotypes surrounding them. I don’t apologize about the shape my life has taken. The combination of the unconditional love and weight of responsibility that I felt and the intimate physical care that I performed for him – especially in the few months between his seizures in late October and the day we knew a goodbye had been forced on us – is absolutely akin to what parents feel for their children or what it’s like to undertake the care of an elderly relative.

For 116 days I was a full-time kitty hospice nurse – just like my sister is a hospice nurse for humans in Frederick County, Maryland. Every day curved around his needs. My first tasks on getting up were to check his litter trays, top up kibble and water upstairs and down, add a blood pressure pill to the dry food, and set out a wet food breakfast. Twice a day, around 11, I’d prepare the other medications. The easiest way to get anti-seizure and steroid pills down him was to crush them in a ramekin and mix the powder with a yoghurt-like cat junk food and a dash of water. Then it was time to ambush him with Lick-e-Lix. I’d find him asleep in his basket or on a couch and gently wake him. Like a recalcitrant infant in a highchair, he’d turn his face this way and that, mouth firmly closed. Increasingly, I had to coax him by smearing a bit onto his nose or chin. I’d persist until he deigned to lick the spoon clean.

Early in January, a kind neighbour who could correctly be called a cat-a-holic came to check on Alfie one evening and morning so we could visit our friends in Exeter for an overnight. She brought with her a magical substance she called “cat putty” and, for a while, it was a game changer for pill-giving. Our next-door neighbour and the cat-sitter found it a cinch to get him to eat pills wrapped in putty when they looked in on him once each in early February so we could visit another set of friends in Bristol for a partial weekend. Still I kept going with the Lick-e-Lix. There was something so sweet about spoon-feeding him, regardless of the smelly goo that got all over his face and sometimes dripped on the couch.

The day of the seizures had been a dress rehearsal. We were forced to face his mortality in a more than theoretical way. Once his system adjusted to the phenobarbital, though, we all quickly found a new normal. For those 116 days he plodded along – if not quite as before, not in a significantly diminished way either. They were good days; we are grateful. But they could never be enough. We were greedy. We wanted more. I talked with the vet about the flexibility of medication timings so we could book holidays for the summer. We dreamed up a 17th birthday party for 9 May. I could have kept up this routine indefinitely. Alfie couldn’t.

In my review of Seven Cats I Have Loved by Anat Levit, I complained that too much space was given to each pet’s physical decline. “On the threshold of my cats’ demise, it prescribed the kind of suffering that seemed to have erased the sweetness of all their previous years at once,” she writes. We’re lucky that wasn’t the case. Alfie had quality of life right up until the day or two before the end. I want to remember every phase of his life, not just this final one of more docility and quietness than we’d ever have believed years ago. I would prefer not to focus on the suffering, yet I need to acknowledge that it happened and that it mattered.

I’ve always been interested in medical matters and, detective-like, have been running the sequence of events back through my mind. We never subjected him to expensive imaging or invasive procedures, so we can’t know what precisely was going on, but the vets had some educated guesses: that his weight loss was caused by lymphoma and his seizures by a brain tumour. This was in addition to early-stage kidney disease, high blood pressure and arthritis. So there were serious medical issues there. A cancer was always going to get him, but I’ve still been second-guessing how his last weeks went and whether there was more that I could have done. When did X first happen? When did we first notice Y? Why didn’t I start Z sooner? I can’t quite bear to think of it, but there were probably signs of pain that we didn’t recognize out of ignorance, assuming they were just old cat behaviours or him being weird. Towards the end, there must have been pain that went unmanaged. I will have to forgive myself.

Ultimately, I think we made the best decisions possible with the knowledge we had, as well as the guidance of vets who saw him three times in his last six days. Everything was shutting down and he had had enough. Still, guilt is clearly chasing me. I had a symbolic dream the following night set at one of my childhood homes. The back door opened onto a stairwell with a drain and concrete steps leading up to the backyard. When it rained an exceptional amount, the stairwell filled and the basement sometimes flooded. In the dream, the steps were so wide that Max – the Shetland sheepdog we had when I was ages 7 to 19, and the only other creature at whose death I have been present – and Alfie were side by side on the middle one, while Chewy, my sister’s mutt who lived with us and Max for a time, sat above them. As the water rose right up to their bellies, they remained calm and looked at me. But instead of rushing to help them, I thought that I had to go grab my phone to take pictures.

I had it after my mother’s 2022 death, too: a build-up of futile what-ifs, even though, likewise, a stroke was always going to get her. There was also an urgency to archive everything about her: every quirk, every maddening habit, every key incident. It’s different in that I treasure her own words in letters, cards, e-mails, and her 150 journals; it’s the same in that hundreds of photos can never bring back a presence. I don’t want to forget anything.

It was only Monday evening that Alfie napped on the bed while I took a Zoom call in the chair across from him. Monday night that he slurped up a little dish of gravy and spent hours on C’s lap. Tuesday morning (when he’d stopped eating and drinking) that I, in desperation, shoved an anti-seizure pill down his throat. Weak as he was, he fought me off as stubbornly as ever; I have the network of scratches on the knuckles of my left hand to prove it.

While the cuts are still fresh, while they still sting, I want to get the whole story down. I won’t think about how indulgent it is to post something this long. I won’t tell myself no one could possibly care. I’m writing mostly for myself, after all. As I narrate what happened, I seek to make sense. When I do write more personal material, I cherish the details years down the line. Have you loved another being with your whole heart and had them leave? However the circumstances differ, then, you know my pain. He was my most precious thing.

I’m in the middle of dozens of books, but my heart isn’t in any of my reading. Apart from those with deadlines for paid reviews and library due dates, I will only resume reading when I feel ready. If I miss pub. dates and challenges, so be it. I’m not sure yet whether I’ll be drawn to cat books later this year (“Reading the Meow” has run the past two Junes) or whether it will hurt too much. A couple of years ago I decided that A Cat in the Window by Derek Tangye was the perfect chronicle of life with a cat. Maybe I’ll pick it up to reread and imitate.

I know from my mom’s death that, after some time and cycles of depression and anger have passed, I will be able to take joy in everyday life again. Good memories will overtake those of the last day, and lingering regrets. Meanwhile, I’ll try to be gentle with myself and not run away from the loneliness and emptiness but sit with them. I don’t feel like much of a cat lady without a cat, but I won’t let a petty identity crisis rush me into anything. We may well adopt another cat or two in the future, but not right away. No one can ever replace Alfie anyway.

Some fun stuff:

  • Alfie’s nicknames spreadsheet, introduced here, has been updated and categorized. There are 250+! (Some only applied to his heavy years and others to his old age.)
  • He also had four theme tunes based on snippets from “Asleep on a Sunbeam” by Belle and Sebastian, “Don’t Bother Me” & “Old Enough” (“whatcha gonna do now?”) by the Raconteurs, and “I Just Don’t Know What to Do with Myself” by the White Stripes. (Jack White has the best hooks.) The last two captured his Foster-like indecision.
  • I made a bloopers album of some of the more ridiculous photos of him.
  • I’ve reviewed loads of cat books over the years. He made it into this post and this one.

Book Serendipity, Mid-December 2024 to Mid-February 2025

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. People frequently ask how I remember all of these coincidences. The answer is: I jot them down on scraps of paper or input them immediately into a file on my PC desktop; otherwise, they would flit away!

The following are in roughly chronological order.

 

  • The angel Ariel appears in Through a Glass Darkly by Jostein Gaarder and Constructing a Witch by Helen Ivory.
  • The protagonist’s surname is English in Wild Houses by Colin Barrett and The Cannibal Owl by Aaron Gwyn.

 

  • I read scenes of grief over a tree being cut down / falling next to one’s house in Dispersals by Jessica J. Lee and Small Rain by Garth Greenwell, one right after the other.

 

  • A mother who does kundalini yoga in All Fours by Miranda July and Unattached by Reannon Muth.
  • The idea that happiness (unlike anxiety and sorrow) leaves no trace in writing or in life appeared for me on the same day in Memorial Days by Geraldine Brooks and Small Rain by Garth Greenwell.

 

  • Someone considers suicide by falling but realizes that at the current height they would injure themself but not die in Wild Houses by Colin Barrett, The Snow Queen by Michael Cunningham, and The Courage Consort by Michel Faber.

 

  • The homosexual “bear” stereotype appears in The Snow Queen by Michael Cunningham and Small Rain by Garth Greenwell.
  • A William Blake epigraph in Open, Heaven by Seán Hewitt and one of the poems included in Poetry Unbound by Pádraig Ó Tuama.

 

  • A group biography including nine pen portraits (plus the author): Nine Minds by Daniel Tammet, followed in quick succession by Uneven by Sam Mills. (Similar, but with just seven subjects, is a book I’m currently reading about women’s religious conversions, Godstruck by Kelsey Osgood.)
  • A book–life serendipity moment: in All Fours by Miranda July there is mention of an elderly cat named Alfie who needs to be given medication several times a day. Snap!

 

  • By chance, I started reading Myself and Other Animals, a posthumous collection of short autobiographical pieces by Gerald Durrell, on his centenary (7 January 2025).

 

  • Guilt over destroying a bird’s nest in The Book of George by Kate Greathead and I’ll Come to You by Rebecca Kauffman.
  • The main female character has a birthmark in The Book of George by Kate Greathead and The Blindfold by Siri Hustvedt.

 

  • Reading two novels at the same time that open with a new family having to be found for a little boy because his mentally ill mother is presumed to have died by suicide: Unexpected Lessons in Love by Bernardine Bishop and Going Home by Tom Lamont.

 

  • The protagonist is mistaken for a two-year-old boy’s father in The Book of George by Kate Greathead and Going Home by Tom Lamont.

 

  • The mother is named Ellen in The Book of George by Kate Greathead and I’ll Come to You by Rebecca Kauffman.

 

  • An ailing elderly father named Vic in Going Home by Tom Lamont and The God of the Woods by Liz Moore.

 

  • A mother is sent to a mental hospital after the loss of her young son in Invisible by Paul Auster and The God of the Woods by Liz Moore.
  • A brother and sister share a New York City apartment in Invisible by Paul Auster and The Book of George by Kate Greathead.

 

  • A mention of the Japanese artist Hokusai in While the Earth Holds Its Breath by Helen Moat and The Secret Life of Snow by Giles Whittell.

 

  • Adults dressing up for Halloween in The Blindfold by Siri Hustvedt and I’ll Come to You by Rebecca Kauffman.

 

  • A second husband named Tim in Unexpected Lessons in Love by Bernardine Bishop and Because We Must by Tracy Youngblom.

 

  • The idea that ‘queers find each other’ in Edge of the World: An Anthology of Queer Travel Writing edited by Alden Jones and My Autobiography of Carson McCullers by Jenn Shapland.
  • Experiencing 9/11 as a freshman in college (just like me!) in Dirty Kitchen by Jill Damatac and The Book of George by Kate Greathead. (There is also a 9/11 section in Confessions by Catherine Airey.)

 

  • An intense poker game in I’ll Come to You by Rebecca Kauffman and Going Home by Tom Lamont.

 

  • The main character is expelled on false drug possession charges in Invisible by Paul Auster and Alligator Tears by Edgar Gomez.

 

  • Missing the chance to say goodbye before a father’s death, and a parent wondering aloud to their son whether they’ve been a good parent in The Book of George by Kate Greathead and The Remains of the Day by Kazuo Ishiguro.

 

  • Someone departs suddenly, leaving her clothes and books behind, in Invisible by Paul Auster and My Autobiography of Carson McCullers by Jenn Shapland.

 

  • Mentions of DACA (Deferred Action for Childhood Arrivals, an Obama-era U.S. immigration policy) and “Two-Buck Chuck” (a nickname for the Charles Shaw bargain wine sold at Trader Joe’s) in Dirty Kitchen by Jill Damatac and Alligator Tears by Edgar Gomez.

 

  • A City Hall wedding in New York City in Baumgartner by Paul Auster and Dirty Kitchen by Jill Damatac.
  • Polish Jewish heritage and a parent who died of pancreatic cancer in Baumgartner by Paul Auster and The History of Love by Nicole Krauss.

 

  • In Because We Must by Tracy Youngblom, she reads The Tale of Despereaux by Kate DiCamillo aloud to her son while he is recovering in hospital. I was reading Despereaux at the same time! (Also, in real-life serendipity, Youngblom and I both have a sister named Trish.)
  • A code of 1–3 knocks is used in Confessions by Catherine Airey and The History of Love by Nicole Krauss.

 

  • A scene of a teacup breaking in Junction of Earth and Sky by Susan Buttenwieser and The Möbius Book by Catherine Lacey.

 

What’s the weirdest reading coincidence you’ve had lately?

Adventures in Rereading: The History of Love by Nicole Krauss for Valentine’s Day

Special Valentine’s edition. Every year I say I’m really not a Valentine’s Day person and yet manage a themed post featuring one or more books with “Love” or “Heart” in the title. This is the ninth year in a row, in fact – after 2017, 2018, 2019, 2020, 2021, 2022, 2023, and 2024!

Leopold Gursky is an octogenarian Holocaust survivor, locksmith and writer manqué; Alma Singer is a misfit teenager grieving her father. What connects them? A philosophical novel called The History of Love, lost for years before being published in Spanish. Alma’s late father saw it in a bookshop window in Buenos Aires and bought it for his love. They adored it so much they named their daughter after the heroine. Now his widow is translating it into English on commission for a covert client. Leo and Alma’s distinctive voices, wry but earnest, really make this sparkle. Alma’s sections are numbered fragments from a diary and there are also excerpts from the book within the book. My only critique would be that she sounds young for her age; her precocity makes her seem closer to 10 than 15. But her little brother Bird, who thinks he may be the messiah, is a delight. The array of New York City locales includes a life drawing class, a record office, and a Central Park bench. A gentle air of mystery circulates as we work out who Leo’s son is and how Alma tracks down the author. It’s a bittersweet story that insists on love as an equivalent to loss. Complex but accessible, bookish and heartfelt, it’s one to recommend to my book club in the future. (Little Free Library)

Finishing my reread during a coffee date in Hungerford this morning.

 

My original rating (2011):

When I first read this, I mostly considered it in comparison to Krauss’s former husband Jonathan Safran Foer’s work. (I’ve long since read everything by both of them.) I noted then that it

has a lot of elements in common with Everything is Illuminated, such as a preoccupation with Eastern European and Jewish ancestry, quirky methods of narration including multiple voices, and a sweet humour that lies alongside such heart-rending stories of family and loss that tears are never far from your eyes. Leo Gursky and Alma Singer are delightful and distinct characters. I wasn’t sure about the missing/plagiarized/mistaken The History of Love itself; the ruined copies, the different translations, the way the manuscript was constantly changing hands – all this was intriguing, but the book itself was a postmodern jumble of magic realism and pointless meanderings of thought.

Dang, I was harsh! But admirably pithy about the plot. It’s intriguing that I’ve successfully reread Krauss but failed with Foer when I attempted Everything is Illuminated again in 2020. Reading the first, 9/11-set section of Confessions by Catherine Airey, I’ve also been recalling his Extremely Loud and Incredibly Close and thinking it probably wouldn’t stand up to a reread either. I suspect I’d find it mawkish, especially with its child narrator. Alma evades that trap, perhaps by being that little bit older, though she sounds young because of how geeky and sheltered she is.

Winter Reads, I: Michael Cunningham & Helen Moat

It’s been feeling springlike in southern England with plenty of birdsong and flowers, yet cold weather keeps making periodic returns. (For my next instalment of wintry reads, I’ll try to attract some snow to match the snowdrops by reading three “Snow” books.) Today I have a novel drawing on a melancholy Hans Christian Andersen fairy tale and a nature/travel book about learning to appreciate winter.

 

The Snow Queen by Michael Cunningham (2014)

It was among my favourite first lines encountered last year: “A celestial light appeared to Barrett Meeks in the sky over Central Park, four days after Barrett had been mauled, once again, by love.” Barrett is gay and shares an apartment with his brother, Tyler, and Tyler’s fiancée, Beth. Beth has cancer and, though none of them has dared to hope that she will live, Barrett’s epiphany brings a supernatural optimism that will fuel them through the next few years, from one presidential election autumn (2004) to the next (2008). Meanwhile, Tyler, a stalled musician, returns to drugs to try to find inspiration for his wedding song for Beth. The other characters in the orbit of this odd love triangle of sorts are Liz, Beth and Barrett’s boss at a vintage clothing store, and Andrew, Liz’s decades-younger boyfriend. It’s a peculiar family unit that expands and contracts over the years.

Of course, Cunningham takes inspiration, thematically and linguistically, from Hans Christian Andersen’s tale about love and conversion, most obviously in an early dreamlike passage about Tyler letting snow swirl into the apartment through the open windows:

He returns to the window. If that windblown ice crystal meant to weld itself to his eye, the transformation is already complete; he can see more clearly now with the aid of this minuscule magnifying mirror…

I was most captivated by the early chapters of the novel, picking it up late one night and racing to page 75, which is almost unheard of for me. The rest took me significantly longer to get through, and in the intervening five weeks or so much of the detail has evaporated. But I remember that I got Chris Adrian and Julia Glass vibes from the plot and loved the showy prose. (And several times while reading I remarked to people around me how ironic it was that these characters in a 2014 novel are so outraged about Dubya’s re-election. Just you all wait two years, and then another eight!)

I fancy going on a mini Cunningham binge this year. I plan to recommend The Hours for book club, which would be a reread for me. Otherwise, I’ve only read his travel book, Land’s End. I own a copy of Specimen Days and the library has Day, but I’d have to source all the rest secondhand. Simon of Stuck in a Book is a big fan and here are his rankings. I have some great stuff ahead! (Secondhand – Awesomebooks.com)

 

While the Earth Holds Its Breath: Embracing the Winter Season by Helen Moat (2024)

Like many of us, Moat struggles with mood and motivation during the darkest and coldest months of the year. Over the course of three recent winters overlapping with the pandemic, she strove to change her attitude. The book spins short autobiographical pieces out of wintry walks near her Derbyshire home or further afield. Paying closer attention to the natural spectacles of the season and indulging in cosy food and holiday rituals helped, as did trips to places where winters are either a welcome respite (Spain) or so much harsher as to put her own into perspective (Lapland and Japan). My favourite pieces of all were about sharing English Christmas traditions with new Ukrainian refugee friends.

There were many incidents and emotions I could relate to here – a walk on the canal towpath always makes me feel better, and the car-heavy lifestyle I resume on trips to America feels unnatural.

Days are where we must live, but it didn’t have to be a prison of house and walls. I needed the rush of air, the slap of wind on my cheeks. I needed to feel alive. Outdoors.

I’d never liked the rain, but if I were to grow to love winters on my island, I had to learn to love wet weather, go out in it.

What can there be but winter? It belongs to the circle of life. And I belonged to winter, whether I liked it or not. Indoors, or moving from house to vehicle and back to house again, I lost all sense of my place on this Earth. This world would be my home for just the smallest of moments in the vastness of time, in the turning of the seasons. It was a privilege, I realised.

However, the content is repetitive such that the three-year cycle doesn’t add a lot and the same sorts of pat sentences about learning to love winter recur. Were the timeline condensed, there might have been more of a focus on the more interesting travel segments, which also include France and Scotland. So many have jumped on the Wintering bandwagon, but Katherine May’s book felt fresh in a way the others haven’t.

With thanks to Saraband for the free copy for review.

Any wintry reading (or weather) for you lately?

Paul Auster Reading Week, II: Baumgartner & Travels in the Scriptorium (#AusterRW25 #ReadIndies)

It’s the final day of Annabel’s Paul Auster Reading Week and, after last week’s reviews of Invisible and Siri Hustvedt’s The Blindfold, I’m squeaking in with a short review of his final novel, Baumgartner, which Annabel chose as the buddy read and Cathy also wrote about. I paired it at random with another of his novellas and found that the two have a similar basic setup: an elderly man being let down by his body and struggling to memorialize what is important from his earlier life. They also happen to feature a character named Anna Blume, and other character names recur from his previous work. I wonder how fair it would be to say that most of Auster’s novels have the same autofiction-inspired protagonist, and are part of the same interlocking universe (à la David Mitchell and Elizabeth Strout)?

 

Baumgartner (2023)

Sy Baumgartner is a Princeton philosophy professor nearing retirement. The accidental death of his wife, Anna Blume, a decade ago, is still a raw loss he compares to a phantom limb. Only now can he bring himself to consider 1) proposing marriage to his younger colleague and longtime casual girlfriend, Judith Feuer, and 2) allowing a PhD student to sort through reams of Anna’s unpublished work, including poetry, translations and unfinished novels. The book includes a few of her autobiographical fragments, as well as excerpts from his writings, such as an account of a trip to Ukraine to explore his heritage (elsewhere we learn his mother’s name was Ruth Auster) and a précis of his book about car culture.

Baumgartner’s past is similar to Auster’s (and Adam Walker’s from Invisible – the two characters have a mutual friend in writer James Freeman), but not identical. His childhood memories and the passion and companionship he found with Anna are quite sweet. But I was somewhat thrown by the tone in sections that have this grumpy older man experiencing pseudo-comic incidents such as tumbling down the stairs while showing the meter reader the way. To my relief, the book doesn’t take the tragic turn the last pages seem to augur, instead leaving readers with a nicely open ending.

It’s not this that makes Baumgartner feel incomplete so much as the fact that any of its threads might have been expanded into a full-length novel. Maybe Auster had various projects on the go at the time of his final illness and combined them. That could explain the mishmash. I also had the odd sense that there were unconscious pastiches of other authors. Baumgartner reminds me a lot of James Darke, the curmudgeonly widower in Rick Gekoski’s pair of novels. When Baumgartner speaks to his dead wife on the telephone, I went hunting through my notes because I knew I’d encountered that specific plot before (the short story “The Telephone” by Mary Treadgold, collected in Fear, edited by Roald Dahl). The Ukraine passage might have come from Everything Is Illuminated by Jonathan Safran Foer. So, for me, this was less distinctive as Auster works go. However, it’s gently readable and not formally challenging so it’s a pleasant valedictory volume if not the best representative of his oeuvre. (Public library)

 

Travels in the Scriptorium (2006)

This is very much in the vein of The Locked Room and Oracle Night and indeed makes reference to characters from those earlier books (Sophie Fanshawe and Peter Stillman from the former; John Trause from the latter). Mr. Blank lives in a sparse room containing manuscript pages and a stack of photographs. He is tended by a nurse named Anna Blume and given a rainbow of pharmaceuticals. Whether the pills help or keep him pacified is unclear. The haziness of his memory could be due to age or the drugs. He receives various visitors he feels he should recognize but can’t, and from the comments they make he fears he is being punished for dangerous missions he spearheaded. Even Anna, object of his pitiable sexual desires, is somehow his moral superior. Everyday self-care is struggle enough for him, but he does end up reading and adding to the partial stories on the table, including a dark Western set in an alternative 19th-century USA. Whatever he’s done in the past, he’s now an imprisoned writer and this is a day in his newly constrained life. The novella is a deliberate assemblage of typical Auster tropes and characters; there’s a puppet-master here, but no point. An indulgent minor work. But that’s okay as I still have plenty of appealing books from his back catalogue to read. [Interestingly, the American cover has a white horse in the centre of the room, an embodiment of Mr. Blank’s childhood memory of a white rocking-horse he called Whitey.] (Public library)

Faber, Auster’s longtime publisher, counts towards Reading Independent Publishers Month.

Paul Auster Reading Week: Invisible (#ReadIndies) & Siri Hustvedt’s The Blindfold (#AusterRW25)

The first time Annabel ran a Paul Auster Reading Week, in 2020, it was a great excuse for me to read six of his books (Winter Journal and The New York Trilogy were amazing; I also really enjoyed Oracle Night). I won’t manage so many this time, but maybe three, as well as one by his widow, Siri Hustvedt. Auster would have been 78 today but died of lung cancer in 2024. As a buddy read, Annabel is inviting people to read his final novel, Baumgartner. I’m partway through that and have another of his novellas waiting in the wings in case I find time.

For now, I’m focusing on a novel that exemplifies some recurring elements of his fiction: a book within a book, fragmented narratives, differing perspectives, cryptic events and the inscrutability of memory and language. I’m pairing it with Hustvedt’s debut novel, which is – not coincidentally, I should think – similarly intricate, weird and unsettling.

 

Invisible (2009)

To start with, I thought we were in autofiction territory, but Auster swiftly adopts a more typical metafictional approach. Adam Walker is a 20-year-old would-be poet studying at Columbia University in 1967. At a party he meets Rudolf Born, a visiting international affairs professor from Paris, and it seems a good omen: Born invests generously in Adam’s literary magazine and also seems open to sharing his beautiful girlfriend, Margot. But when the men are caught up in an attempted mugging, Adam turns against his idol.

That’s at the heart of Part I (“Spring”). Across four sections, the perspective changes and the narrative is revealed to be 1967, a manuscript Adam began while dying of cancer. “Summer,” in the second person, shines a light on his relationship with his sister, Gwyn. “Fall,” adapted from Adam’s third-person notes by his college friend and fellow author, Jim Freeman, tells of Adam’s study abroad term in Paris. Here he reconnected with Born and Margot with unexpected results. Jim intends to complete the anonymized story with the help of a minor character’s diary, but the challenge is that Adam’s memories don’t match Gwyn’s or Born’s.

I can’t say more about the themes without giving too much away, but this is a provocative novel that makes you question how truth is created or preserved. Who has the right to tell the story, and will justice be done? I wouldn’t say I enjoyed it, but I certainly admired how it was constructed. Auster conjures such a sense of unease, and I always felt like I had no idea what might happen next. With no speech marks, it all flows together in a compulsively readable way. (Secondhand purchase – Awesomebooks.com)

Faber, Auster’s longtime publisher, counts towards Reading Independent Publishers Month.

 

The Blindfold by Siri Hustvedt (1992)

“Strange, I thought. Everything is strange.”

I read Hustvedt (The Blazing World) well before I ever tried Auster, and wouldn’t have realized then how similar their books are; they almost seem part of the same body of work. Was Hustvedt a fan or a student of his before they married? I don’t actually know and am loath to dispel the mystery for myself by looking into it. Anyway, there are striking connections between this and Invisible: the narrator is fairly autobiographical and a Columbia University student, the novel is in four loosely connected parts, and the sordid content culminates in a sudden, odd ending. (There’s also the little Easter egg here of “I heard someone shout the name Paul.”) But overall, this is more reminiscent of The New York Trilogy in its surreal randomness and subtly symbolic naming (e.g., the landlord is Mr. Then).

Iris Vegan (Hustvedt’s mother’s surname), like many an Auster character, is bewildered by what happens to her. An impoverished graduate student in literature, she takes on peculiar jobs. First Mr. Morning hires her to make audio recordings meticulously describing artefacts of a woman he’s obsessed with. Iris comes to believe this woman was murdered and rejects the work as invasive. Next she’s a photographer’s model but hates the resulting portrait and tries to take it off display. Then she’s hospitalized for terrible migraines and has upsetting encounters with a fellow patient, old Mrs. O. Finally, she translates a bizarre German novella and impersonates its protagonist, walking the streets in a shabby suit and even telling people her name is Klaus.

I worked out that the chronological order of the parts is 2 – 4 – 3 – 1, with 1 including a recap of the others. The sections feel like separate vignettes, perhaps reflecting Hustvedt’s previous experience with the short story form, and make a less than satisfying whole. I was most engaged with the segment on working for Mr. Morning and thought that might recur, but it doesn’t. Many of the secondary characters are grotesque, whereas Iris is the intellectual waif trying to make her way in the cruel city, almost like a Dickens or Gissing (anti)hero.

It’s refreshing to get a female take on the Bildungsroman and a little bit of gender-bending with the cross-dressing. (Iris reminds me of Lauren Elkin’s Flaneuse.) The title felt like an enigma to me until close to the end, when it’s revealed to be a tool of sexual sadism. Indeed, each of the sections, in its own way, addresses male exploitation of and violence against women. Disappointingly, Iris remains defined by her relationships with men. She deserves better. Heck, she deserves a sequel! It’s interesting to see where Hustvedt got her start, but I didn’t warm to this as I did to later novels including What I Loved. (Secondhand purchase – Community Furniture Project, Newbury)

January Releases: Greathead, Kauffman, Mills & Watts (#ReadIndies)

I feel out of practice writing reviews after the endless period of sluggish and slightly lackluster reading that was January. Here we are at the start of Kaggsy and Lizzy Siddal’s Reading Independent Publishers Month challenge and I’m happy to make this my first tie-in post as these four books all happen to be from independent publishers. The first two are American novels (that could arguably be called linked short story collections) very much in my wheelhouse for their focus on dysfunctional families and disappointing characters. I also have a group biography aiming to illuminate bisexuality, and a poetry collection about girlhood/womanhood and nature.

 

The Book of George by Kate Greathead

The marketing for this novel courts relatability: you probably know a Georgeyou might have dated one (women read the most litfic). Each chapter dates to a different period in George’s life, adolescence to late thirties. From the fact that 9/11 happened when he was a college freshman, I know he’s my exact contemporary, and I could indeed see bits of myself in this Everyman schmuck: indecisive, lazy, underachieving, privileged but never living up to his own or others’ expectations. Life keeps happening around him, but you wonder if he’ll ever make something happen for himself. Two gags are revealing: In college he is known for his impression of a clinically depressed penis going through airport security, and later he has 15 minutes of fame for appearing in a hidden-camera Super Bowl commercial. He’s been writing fiction for years – first a Stoner rip-off, then a Kerouac homage – but by the time he gets a short story collection together, it’s the height of #MeToo and he’s missed his moment to publish. Meanwhile, his cohort is doing great things, winning awards for documentaries (his pal Jeremiah) or becoming pro bono lawyers (his longsuffering girlfriend Jenny).

If you need to like a protagonist, expect frustration. Some of George’s behaviour is downright maddening, as when he obsessively plays his old Gameboy while his mother and Jenny pack up his childhood room. Tracing his relationships with his mother, his sister Cressida, and Jenny is rewarding. Sometimes they confront him over his shortcomings; other times they enable him. The novel is very funny, but it’s a biting, ironic humour, and there’s plenty of pathos as well. There are a few particular gut-punches, one relating to George’s father and others surrounding nice things he tries to do that backfire horribly. I thought of George as a rejoinder to all those ‘So-and-So Is Not Okay at All’ type of books featuring a face-planting woman on the cover. Greathead’s portrait is incisive but also loving. And yes, there is that hint of George, c’est moi recognition. His failings are all too common: the mildest of first-world tragedies but still enough to knock your confidence and make you question your purpose. For me this had something of the old-school charm of Jennifer Egan and Jonathan Safran Foer novels I read in the Naughties. I’ll seek out the author’s debut, Laura & Emma.

With thanks to Atlantic Books for the free copy for review. (Published in the USA by Henry Holt and Co. in 2024.)

 

I’ll Come to You by Rebecca Kauffman

Is 30 years long enough ago to count as historical fiction? In any case, this takes us through the whole of 1995, proceeding month by month and rotating through the close third-person perspectives of the members of one extended family as they navigate illnesses, break-ups and fraught parenting journeys. Corinne and Paul are trying to get pregnant; Paul’s mother, Ellen (again!), is still smarting from her husband leaving with no explanation; Corinne’s father, Bruce, has dementia but his wife, Janet, is doing her best to keep his cognitive deficiencies from the rest of the family. Son Rob is bitter about his ex-wife moving on so quickly, but both he and Ellen will have new romantic prospects before the end.

The family’s lies and secrets – also involving a Christmas run-in with Bruce’s shell-shocked brother decades ago – lead to everything coming to a head in a snowstorm. (As best I can tell, the 1995 setting was important mostly so there wouldn’t be cell phones during this crisis.) As with The Book of George, the episodic nature of the narrative means that particular moments are memorable but the whole maybe less so, and the interactions between characters stand out more than the people themselves. I’ll Come to You, named after a throwaway line in the text, is poorly served by both its cover and title, which give no sense of the contents. However, it’s a sweet, offbeat portrait of genuine, if generic, Americans; I was most reminded of J. Ryan Stradal’s work. Although I DNFed Kauffman’s The Gunners some years back, I’d be interested in trying her again with Chorus, which sounds like another linked story collection.

With thanks to Counterpoint (USA) for the advanced e-copy for review.

 

Uneven: Nine Lives that Redefined Bisexuality by Sam Mills

Back in 2022 I reviewed Julia Shaw’s Bi: The hidden culture, history and science of bisexuality, which took a social sciences approach. By contrast, this is a group biography of nine bisexuals – make that 10, as there are plenty of short memoir-ish passages from Mills, too. Oscar Wilde, Colette, Marlene Dietrich, Anaïs Nin, Susan Sontag: more or less familiar names, though not all of them are necessarily known for their sexuality. The chapters deliver standard potted biographies of the individuals’ work and relationships, probably containing little that couldn’t be found elsewhere in recent scholarship and not really living up to the revolutionary promise of the subtitle. However, it was worthwhile for Mills to recover Wilde as a bisexual rather than a closeted homosexual. A final trilogy of chapters comes more up to date with David Bowie, Jean-Michel Basquiat and Madonna. The closer to the present day, the more satisfying connections there are between figures. For instance, Madonna looked to both Dietrich and Bowie as role models and fashion icons, and she and Basquiat were lovers.

Mills and Shaw consider the same fundamental issues: bi erasure, with bisexuality the least understood and most easily overlooked element of LGBT and many passing as straight if in heterosexual marriages; and the stereotype of bis as hypersexual or promiscuous. Mills is keen to stress that bisexuals have very different trajectories and phases. Like Wilde, they might have a heterosexual era of happy marriage and parenthood followed by a homosexual spree. Or they might have simultaneous lovers of multiple genders. Some might never even act on strong same-sex desires. (Late last year I encountered a similar unity-in-diversity approach in Daniel Tamet’s Nine Minds, a group biography about autistic people.)

The 1890s to 1980s window allows for a record of changing mores yet means that the book seems rather dated. Were it written by an author of a later generation (Mills, who I knew for The Fragments of My Father, is around 50), the point of view and terminology would likely be quite different. Also, including a section on Bessie Smith within a chapter mostly on Colette felt tokenistic. (Though later considering Basquiat separately does add a BIPOC view.) Ultimately, though, my problem with Uneven was that I don’t want to know about behaviour – which is all that a biography can usually document – so much as the internal, soul stuff. Even from Mills, whose accounts of her long-term relationships and flings (including, yes, a threesome) can be titillating but not very enlightening, I didn’t get a sense of what it feels like. So neither the Shaw nor the Mills gave me precisely what I was looking for, which means that the perfect book on bisexuality either doesn’t exist or is out there but I haven’t found it yet. Any suggestions?

With thanks to Atlantic Books for the free copy for review.

 

The Face in the Well by Rebecca Watts

I’ve also read Watts’ The Met Office Advises Caution and Red Gloves; this is her third collection. The Suffolk and Cambridgeshire scenery of her early and adult lives weaves all through, sometimes as an idyll that blurs the lines between humans and nature (“Private No Access”) but other times provoking anxiety about common or gendered dangers, as in the title poem or “The Old Mill” (“What happened there, / down by the old mill, / they never tell. // Something about / a man and a girl / is the most you’ll hear.”). “Woman Seeks” is a tongue-in-cheek advert for the perfect man. Animals – a dolphin, a shark, rodents, a wandering albatross, a robin – recur, as do women poets, especially Emily Brontë, and Victorian death culture (“Victoriana” and “Baroque”). Adulthood brings routine whereas childhood stands out for minor miracles, such as a free soda from a vending machine.

The format and tone vary a lot, so the book is more of a grab bag than a cohesive statement. I noted slant rhymes and alliteration, always a favourite technique of mine. I especially liked “Entropy,” about finding a slice of cake in the freezer labeled by someone who is now dead (“Nothing ever // really dies: all the pieces of you / persist, riven and reconfigured / in infinite unknowable ways”) and “Personal Effects,” about the artefacts from her childhood that her mother guards under the bed (“twists of my hair, my teeth, / my bracelet from the hospital.”).

With thanks to Carcanet Press for the advanced e-copy for review.

 

Which of these appeal to you? What indie publishers have you been reading from recently?

Love Your Library, January 2025

Thanks so much to ElleLaura, and Skai for joining in this month!

 

READ

All children’s books this time!

  • Every Wrinkle Has a Story by David Grossman – A sweet story about how experiences make us who we are, so ageing is a good thing.
  • Dexter Procter: The 10-Year-Old Doctor by Adam Kay – A fun if overlong book that will appeal to readers of Roald Dahl and David Walliams. It has bullying, a mystery and gross-out humour as well as some age-appropriate medical content.
  • Apple Grumble by Huw Lewis-Jones – There’s a grumpy apple. And that’s it.
  • Constance in Peril by Ben Manley – So cute! Edward finds his favourite doll, Constance Hardpenny, in a bin. She’s dressed like a Victorian spinster and each day for a week she suffers a new near-calamity (her blank doll eyes somehow still conveying her alarm), only to be saved by Edward’s big sister.
  • The Big Bad Bug by Kate Read – Nice to see invertebrates featured. The message is about selfishness.
  • Books Aren’t for Eating by Carlie Sorosiak – Starring a goat bookseller who learned to read books, not eat them, and passes on his enthusiasm to others. Other than the sudden ending, this was great.
  • The Planet in a Pickle Jar by Martin Stanev – Intricate drawings and a touch of folklore (the author is Bulgarian) in this story of a grandmother who preserves the natural world and wants her grandchildren to continue her good work.
  • Old Macdonald Had a Phone by Jeanne Willis – Updates the song for the tech age with a lesson that smartphones are useful tools but we mustn’t get addicted.
  • Grandad’s Camper & Grandad’s Pride by Harry Woodgate – A little girl learns about her grandfather’s activist past with his partner and initiates a Pride parade in their little town. /

CURRENTLY READING

  • Myself & Other Animals by Gerald Durrell
  • The Black Bird Oracle by Deborah Harkness
  • The God of the Woods by Liz Moore
  • Poetry Unbound: 50 Poems to Open Your World by Pádraig Ó Tuama

(+ the set-aside ones I mentioned last time)

 

CHECKED OUT, TO BE READ

(Everything from last time +)

  • Travels in the Scriptorium & Baumgartner by Paul Auster
  • The Coast Road by Alan Murrin
  • Half Arse Human by Leena Norms

IN THE RESERVATION QUEUE

(Everything from last time +)

  • Confessions by Catherine Airey
  • Deep Cuts by Holly Brickley
  • Bellies by Nicola Dinan
  • I Am Not a Tourist by Daisy J. Hung
  • Bookish: How Reading Shapes Our Lives by Lucy Mangan
  • When the Stammer Came to Stay by Maggie O’Farrell

 

ON HOLD, TO BE PICKED UP

  • Maurice and Maralyn: An Extraordinary True Story of Shipwreck, Survival and Love by Sophie Elmhirst
  • Black Woods, Blue Sky by Eowyn Ivey
  • The Forgotten Sense: The Nose and the Perception of Smell by Jonas Olofsson
  • Long Island by Colm Tóibín (for March book club)

 

RETURNED UNREAD

  • The Mischief Makers by Elisabeth Gifford – I’ve enjoyed one of her books before, and a different biographical novel about Daphne du Maurier, but this seemed very bland at first glance.

What have you been reading or reviewing from the library recently?

Share a link to your own post in the comments. Feel free to use the above image. The hashtag is #LoveYourLibrary.

Reading Snapshot for Mid-January

As I said in my last post, I’m in the middle of a bunch of books but hardly finishing anything, so consider this another placeholder until my Love Your Library and January releases posts next week. People often ask how I read so much. One of the answers is that I generally read 20–30 books at once, bouncing between them as the mood takes me and making steady progress in most. A frequent follow-up question is how I keep so many books straight in my head. I maintain a variety of genres and topics in the stack and alternate between fiction, nonfiction and poetry in any reading session. If I’m going to be reviewing something, particularly for pay, I tend to make notes. Here’s a peek at my current stacks, with a line or two on each book and why I’m reading it.

  • Myself & Other Animals by Gerald Durrell [public library] – This is a posthumous collection of excerpts from his published work, including newspaper articles, plus mini essays that he wrote towards an autobiography. We own/have read most of his animal-collecting and zoo-keeping memoirs and this is just as delightful, even in unconnected pieces. His conservationist zeal was ahead of his time.
  • The God of the Woods by Liz Moore [public library] – It’s rare for me to borrow something from the Crime section, but this came highly lauded by Laila. Set in upstate New York in 1975, it’s a page-turning missing-girl mystery with a literary focus on character backstory, and it’s reminding me of Bright Young Women by Jessica Knoll and When the Stars Go Dark by Paula McLain.
  • Gold by Elaine Feinstein [secondhand purchase] – I’ve enjoyed Feinstein’s poetry before so snapped this up on our second trip to Bridport. The first long poem was a monologue from the perspective of a collaborator of Mozart; I think I’ll engage more with the discrete poems to follow.
  • Understorey by Anna Chapman Parker [review copy] – Catching up on one I was sent last year. It’s a one-year diary through ‘weeds’ (wild plants!) she observes and sketches near her home of Berwick upon Tweed, where we vacationed in September. I am enjoying reading a few peaceful entries per sitting.
  • A God at the Door by Tishani Doshi [secondhand purchase] – Her Girls Are Coming out of the Woods was a favourite of mine a few years ago when I reviewed it for Wasafiri literary magazine. I found this on my last trip to Hay-on-Wye, and it is just as rich in long, forthright, feminist and political poems.
  • The Secret Life of Snow by Giles Whittell [secondhand purchase] – I picked up a few snowy titles when we got a dusting the other week, in case it was the only snow of the year. This is so much like The Snow Tourist by Charlie English it’s uncanny; to my memory it’s more meteorological, though still accessible. The science is interspersed with travels and fun trivia about Norway’s Olympic skiers and so on.
  • Moon of the Crusted Snow by Waubgeshig Rice [gift] – Probably my first book by an Indigenous Canadian, which was reason enough to read it. I’m about 50 pages in and so far it’s a plodding story of mysterious power outages which could just be part of the onset of winter but I suspect will turn out to be sinister and dystopian instead.
  • Knead to Know by Neil Buttery [review copy] – Another 2024 book to catch up on. It’s a history of baking via mini-essays on loads of different breads, cakes, pies and pastries, many of them traditional English ones that you will never have heard of but will now want to cram. Lots of intriguing titbits.
  • Invisible by Paul Auster [secondhand purchase] – Getting ready for Annabel’s second Paul Auster Reading Week in early February. A young (and Auster-like) would-be poet gets entangled with a thirtysomething professor who wants to fund a start-up literary magazine – and his French girlfriend. Highly readable and sure to get weirder.
  • While the Earth Holds Its Breath by Helen Moat [review copy] – Yet another 2024 book to catch up on. Authors are still jumping on the Wintering bandwagon. This is composed of short autobiographical pieces about winter walks near home or further afield, many of them samey; the trip to Lapland has been a highlight so far.
  • The Blindfold by Siri Hustvedt [review copy] – Also part of my preparation for Paul Auster Reading Week, and boy can you see his influence on her first novel! Iris Vegan is employed by Mr. Morning to record audio descriptions of relics left behind by a possibly murdered woman. Odd and enticing.
  • Uneven by Sam Mills [review copy] – A group biography of nine bisexuals – make that 10, as there’s plenty of memoir fragments from Mills, too. I’ve read the chapters on Oscar Wilde, Colette & Bessie Smith, and Marlene Dietrich so far. It is particularly enlightening to think of Wilde as bi rather than a closeted homosexual.
  • Unexpected Lessons in Love by Bernardine Bishop [secondhand purchase] – Every year I pick up at least a few “love” or “heart” titles in advance of Valentine’s Day. Bishop was one of my top discoveries last year (via The Street) and this Costa Award-nominated posthumous novel is equally engaging, even after just 50 pages.
  • My Judy Garland Life by Susie Boyt [secondhand purchase] – After Loved and Missed, I was keen to try more from Boyt and this Ackerley Prize-shortlisted memoir sounded fascinating. I love The Wizard of Oz as much as the next person. Boyt, however, is a Garland mega-fan and blends biography and memoir as she writes about addiction, mental health, celebrity and the search for love.

  • Poetry Unbound by Pádraig Ó Tuama [public library] – I’m gradually making my way through this set of 50 poems and his critical/personal responses to them. Most of the poets have been unfamiliar to me. Marie Howe has been my top discovery.
  • The Shutter of Snow by Emily Holmes Coleman [secondhand purchase] – Another incidental ‘snow’ title; this is autofiction about postpartum psychosis, written in a stream-of-consciousness style with no speech marks or apostrophes. It’s hard to believe it was written in the 1930s because it feels like it could have been yesterday.
  • Ravens in Winter by Bernd Heinrich [secondhand purchase] – I’ve long meant to read more by Heinrich, who’s better known in the USA, after Winter World. This was a lucky find at Regent Books in Wantage. It’s a granular scientific study of bird behaviour, so I will likely read it very slowly, maybe even over two winters.
  • The Book of George by Kate Greathead [review copy] – Linked short stories about an Everyman schmuck (and my exact contemporary) from adolescence up to today. He’s indecisive, lazy, an underachiever. Life keeps happening around him; will he make something happen? (George, c’est moi?) The deadpan tone is great.
  • Stowaway by Joe Shute [public library] – I’ve been reading this off and on since, er, June, which is not to say that it’s not interesting but that it’s never been a priority. Like his book on ravens, it’s intended to rehabilitate the reputation of a species often considered to be a pest. He gets pet rats, too!
  • The Black Bird Oracle by Deborah Harkness [public library] – It’s even rarer for me to borrow from the Science Fiction & Fantasy section of the library, but I’ve been following the series since A Discovery of Witches came out in 2011. I’m halfway through and enjoying Diana’s embrace of her witch heritage in the Salem area.

 

That’s not all, folks! There’s also the e-books.

  • Dirty Kitchen by Jill Damatac [Edelweiss] – I’ll be reviewing this May release early for Shelf Awareness. The author’s Filipino family were undocumented immigrants in the USA and as a child she was occasionally abandoned and frequently physically abused. Recipes and legends offer a break from the tough subject matter (reminiscent of Educated or What My Bones Know).
  • My Marriage Sabbatical by Leah Fisher [from publicist] – She Writes Press is a reliable source of women’s life writing. I’ve only just started this but will try to review it this month. Fisher, a psychotherapist, was sick of her psychiatrist husband’s workaholism and wanted to try living differently, starting with a house share.
  • I’ll Come to You by Rebecca Kauffman [from publicist] – Another American linked short story collection, moving month by month through 1995 (does that count as historical fiction?!), cycling through the members of an extended family as they navigate illnesses and fraught parenting journeys. I’m getting J. Ryan Stradal vibes.
  • Constructing a Witch by Helen Ivory [Edelweiss] – This feminist take on the historical persecution and stereotypes of witches is a good match for the Harkness! I just keep forgetting to open it up on my Kindle.

According to Goodreads, I’m reading 28 books at the moment, so I haven’t even covered all of them. (The rest include library books that would more honestly be classified as “set aside.”)

Whew. It somehow seems like even more when I write them all up like this…

Back to the reading!

My Life in Book Titles from 2024

As usual for January, I’m in the middle of lots of books but hardly finishing anything, so consider this a placeholder until my Love Your Library and January releases posts later in the month. It’s a fun meme that goes around every year; I first spotted it on Annabel’s blog and Susan also took part. I’ve never had a go before but when I looked at the prompts I realized some books I read in 2024 have titles that work awfully well. Links are to my reviews.

 

 

 

  • At the end of a long day, I need [a] Cocktail (Lisa Alward)

  • I hate being [an] Exhibit (R.O. Kwon)