There Should Be a Cat There
My world was knocked askew earlier this week. Since then I’ve been wandering around the house remarking on the sensation that something is missing. I turned around in my chair at the breakfast table one morning to gaze at the sofa corner behind me and said to my husband C, “There should be a cat there.” Alfie was a constant presence in our lives for 10 years and 8 months; my husband’s first pet ever, and my first as an independent adult. Wherever we went for a decade-plus, he was there when we got home (probably grumbling that his bowl was empty). We adopted him 10 months into my freelance career and he was a faithful work-from-home buddy. He has been with us our whole time in Newbury; I associate him inextricably with home and work life. Even if he spent most of a day sleeping or doing his own thing, just the knowledge that there was another creature in the house was all the company I needed. He was an expert at getting in the way, and just a matter of days ago I was still admonishing “Watch out for the cat” and hearing C trip over his food bowl and litter tray.
Both of our phones’ photo libraries are full of ridiculous and repetitive pictures of the cat asleep. Now I’ve been going around taking photographs of absences. Everything in our house was tailored to an older cat’s needs. His food and water bowls were raised on a fleet of Tupperware to make standing postures more comfortable for him. He used steps all through his mobility-challenged last years. We inherited a proper set of pet steps from a neighbour, but elsewhere rigged up makeshift ones from boxes, document files, crates and stools. In the final weeks, when his claws either slipped or got stuck on everything, I covered the steps in towels so he had something to grip onto and put a strip of carpet in front of his kitchen bowls.
I’ve taken away the food stations, dumped and washed the three litter trays, and laundered the blankets he used the most. It’s the steps I can’t bring myself to take away. I think it’s because I look at them and feel so proud of how he adapted to his limitations. He was by no means the sharpest crayon in the box – he regularly forgot how to use his cat flap to go outside and would ineffectually scrape at it or cry at the back door to come back in – but in the lounge he worked out how to climb the steps plus a pouffe to get to any of the seats. If he got to the top step and looked perplexed, I’d tap out a route for him and he’d follow it. While I would often accuse him of stealing my seat, I knew better. All of the seats were his.
Tuesday was the day. The next day’s sun and birdsong made it feel more like mid-autumn or early spring. The handyman came back to lay floor tiles in the bathroom. I iced my swollen eyes, went for a long walk by the canal, and then faced a day of bustle and noise. It was fine.
Since then it has been worse. Drizzle has set in, C has been away at work or networking events, and the house is too quiet. I half expect to hear, any moment, the pock-pock of the cat climbing the carpeted stairs one by one, claws catching threads on each; his final triumphant heave to the landing accompanied by a huff of effort. I’ll wheel around in my office chair to lock eyes and call, “Hi, buddy! Where you gonna go? Whatcha gonna do?” When I’m downstairs, I expect the opposite: the thump of him getting down from the bed and the steady plop of him gingerly lowering himself one stair at a time and landing at the bottom with a muffled jingle of his collar bell. I’ve found myself doing peculiar things: sniffing an empty Felix beef soup pouch (had I known it was his last meal, I’d have given him his favourite, lamb, instead) and sifting through the kitchen bin and lounge fluff for an empty claw casing to keep. No luck, alas.
I’m comfortable with the terms “cat lady” and “fur baby” despite the stereotypes surrounding them. I don’t apologize about the shape my life has taken. The combination of the unconditional love and weight of responsibility that I felt and the intimate physical care that I performed for him – especially in the few months between his seizures in late October and the day we knew a goodbye had been forced on us – is absolutely akin to what parents feel for their children or what it’s like to undertake the care of an elderly relative.
For 116 days I was a full-time kitty hospice nurse – just like my sister is a hospice nurse for humans in Frederick County, Maryland. Every day curved around his needs. My first tasks on getting up were to check his litter trays, top up kibble and water upstairs and down, add a blood pressure pill to the dry food, and set out a wet food breakfast. Twice a day, around 11, I’d prepare the other medications. The easiest way to get anti-seizure and steroid pills down him was to crush them in a ramekin and mix the powder with a yoghurt-like cat junk food and a dash of water. Then it was time to ambush him with Lick-e-Lix. I’d find him asleep in his basket or on a couch and gently wake him. Like a recalcitrant infant in a highchair, he’d turn his face this way and that, mouth firmly closed. Increasingly, I had to coax him by smearing a bit onto his nose or chin. I’d persist until he deigned to lick the spoon clean.
Early in January, a kind neighbour who could correctly be called a cat-a-holic came to check on Alfie one evening and morning so we could visit our friends in Exeter for an overnight. She brought with her a magical substance she called “cat putty” and, for a while, it was a game changer for pill-giving. Our next-door neighbour and the cat-sitter found it a cinch to get him to eat pills wrapped in putty when they looked in on him once each in early February so we could visit another set of friends in Bristol for a partial weekend. Still I kept going with the Lick-e-Lix. There was something so sweet about spoon-feeding him, regardless of the smelly goo that got all over his face and sometimes dripped on the couch.
The day of the seizures had been a dress rehearsal. We were forced to face his mortality in a more than theoretical way. Once his system adjusted to the phenobarbital, though, we all quickly found a new normal. For those 116 days he plodded along – if not quite as before, not in a significantly diminished way either. They were good days; we are grateful. But they could never be enough. We were greedy. We wanted more. I talked with the vet about the flexibility of medication timings so we could book holidays for the summer. We dreamed up a 17th birthday party for 9 May. I could have kept up this routine indefinitely. Alfie couldn’t.
In my review of Seven Cats I Have Loved by Anat Levit, I complained that too much space was given to each pet’s physical decline. “On the threshold of my cats’ demise, it prescribed the kind of suffering that seemed to have erased the sweetness of all their previous years at once,” she writes. We’re lucky that wasn’t the case. Alfie had quality of life right up until the day or two before the end. I want to remember every phase of his life, not just this final one of more docility and quietness than we’d ever have believed years ago. I would prefer not to focus on the suffering, yet I need to acknowledge that it happened and that it mattered.
I’ve always been interested in medical matters and, detective-like, have been running the sequence of events back through my mind. We never subjected him to expensive imaging or invasive procedures, so we can’t know what precisely was going on, but the vets had some educated guesses: that his weight loss was caused by lymphoma and his seizures by a brain tumour. This was in addition to early-stage kidney disease, high blood pressure and arthritis. So there were serious medical issues there. A cancer was always going to get him, but I’ve still been second-guessing how his last weeks went and whether there was more that I could have done. When did X first happen? When did we first notice Y? Why didn’t I start Z sooner? I can’t quite bear to think of it, but there were probably signs of pain that we didn’t recognize out of ignorance, assuming they were just old cat behaviours or him being weird. Towards the end, there must have been pain that went unmanaged. I will have to forgive myself.
Ultimately, I think we made the best decisions possible with the knowledge we had, as well as the guidance of vets who saw him three times in his last six days. Everything was shutting down and he had had enough. Still, guilt is clearly chasing me. I had a symbolic dream the following night set at one of my childhood homes. The back door opened onto a stairwell with a drain and concrete steps leading up to the backyard. When it rained an exceptional amount, the stairwell filled and the basement sometimes flooded. In the dream, the steps were so wide that Max – the Shetland sheepdog we had when I was ages 7 to 19, and the only other creature at whose death I have been present – and Alfie were side by side on the middle one, while Chewy, my sister’s mutt who lived with us and Max for a time, sat above them. As the water rose right up to their bellies, they remained calm and looked at me. But instead of rushing to help them, I thought that I had to go grab my phone to take pictures.

I had it after my mother’s 2022 death, too: a build-up of futile what-ifs, even though, likewise, a stroke was always going to get her. There was also an urgency to archive everything about her: every quirk, every maddening habit, every key incident. It’s different in that I treasure her own words in letters, cards, e-mails, and her 150 journals; it’s the same in that hundreds of photos can never bring back a presence. I don’t want to forget anything.
It was only Monday evening that Alfie napped on the bed while I took a Zoom call in the chair across from him. Monday night that he slurped up a little dish of gravy and spent hours on C’s lap. Tuesday morning (when he’d stopped eating and drinking) that I, in desperation, shoved an anti-seizure pill down his throat. Weak as he was, he fought me off as stubbornly as ever; I have the network of scratches on the knuckles of my left hand to prove it.
While the cuts are still fresh, while they still sting, I want to get the whole story down. I won’t think about how indulgent it is to post something this long. I won’t tell myself no one could possibly care. I’m writing mostly for myself, after all. As I narrate what happened, I seek to make sense. When I do write more personal material, I cherish the details years down the line. Have you loved another being with your whole heart and had them leave? However the circumstances differ, then, you know my pain. He was my most precious thing.
I’m in the middle of dozens of books, but my heart isn’t in any of my reading. Apart from those with deadlines for paid reviews and library due dates, I will only resume reading when I feel ready. If I miss pub. dates and challenges, so be it. I’m not sure yet whether I’ll be drawn to cat books later this year (“Reading the Meow” has run the past two Junes) or whether it will hurt too much. A couple of years ago I decided that A Cat in the Window by Derek Tangye was the perfect chronicle of life with a cat. Maybe I’ll pick it up to reread and imitate.
I know from my mom’s death that, after some time and cycles of depression and anger have passed, I will be able to take joy in everyday life again. Good memories will overtake those of the last day, and lingering regrets. Meanwhile, I’ll try to be gentle with myself and not run away from the loneliness and emptiness but sit with them. I don’t feel like much of a cat lady without a cat, but I won’t let a petty identity crisis rush me into anything. We may well adopt another cat or two in the future, but not right away. No one can ever replace Alfie anyway.

Some fun stuff:
- Alfie’s nicknames spreadsheet, introduced here, has been updated and categorized. There are 250+! (Some only applied to his heavy years and others to his old age.)
- He also had four theme tunes based on snippets from “Asleep on a Sunbeam” by Belle and Sebastian, “Don’t Bother Me” & “Old Enough” (“whatcha gonna do now?”) by the Raconteurs, and “I Just Don’t Know What to Do with Myself” by the White Stripes. (Jack White has the best hooks.) The last two captured his Foster-like indecision.
- I made a bloopers album of some of the more ridiculous photos of him.
- I’ve reviewed loads of cat books over the years. He made it into this post and this one.
Adventures in Rereading: The History of Love by Nicole Krauss for Valentine’s Day
Special Valentine’s edition. Every year I say I’m really not a Valentine’s Day person and yet manage a themed post featuring one or more books with “Love” or “Heart” in the title. This is the ninth year in a row, in fact – after 2017, 2018, 2019, 2020, 2021, 2022, 2023, and 2024!
Leopold Gursky is an octogenarian Holocaust survivor, locksmith and writer manqué; Alma Singer is a misfit teenager grieving her father. What connects them? A philosophical novel called The History of Love, lost for years before being published in Spanish. Alma’s late father saw it in a bookshop window in Buenos Aires and bought it for his love. They adored it so much they named their daughter after the heroine. Now his widow is translating it into English on commission for a covert client. Leo and Alma’s distinctive voices, wry but earnest, really make this sparkle. Alma’s sections are numbered fragments from a diary and there are also excerpts from the book within the book. My only critique would be that she sounds young for her age; her precocity makes her seem closer to 10 than 15. But her little brother Bird, who thinks he may be the messiah, is a delight. The array of New York City locales includes a life drawing class, a record office, and a Central Park bench. A gentle air of mystery circulates as we work out who Leo’s son is and how Alma tracks down the author. It’s a bittersweet story that insists on love as an equivalent to loss. Complex but accessible, bookish and heartfelt, it’s one to recommend to my book club in the future. (Little Free Library) ![]()

Finishing my reread during a coffee date in Hungerford this morning.
My original rating (2011): ![]()
When I first read this, I mostly considered it in comparison to Krauss’s former husband Jonathan Safran Foer’s work. (I’ve long since read everything by both of them.) I noted then that it
has a lot of elements in common with Everything is Illuminated, such as a preoccupation with Eastern European and Jewish ancestry, quirky methods of narration including multiple voices, and a sweet humour that lies alongside such heart-rending stories of family and loss that tears are never far from your eyes. Leo Gursky and Alma Singer are delightful and distinct characters. I wasn’t sure about the missing/plagiarized/mistaken The History of Love itself; the ruined copies, the different translations, the way the manuscript was constantly changing hands – all this was intriguing, but the book itself was a postmodern jumble of magic realism and pointless meanderings of thought.
Dang, I was harsh! But admirably pithy about the plot. It’s intriguing that I’ve successfully reread Krauss but failed with Foer when I attempted Everything is Illuminated again in 2020. Reading the first, 9/11-set section of Confessions by Catherine Airey, I’ve also been recalling his Extremely Loud and Incredibly Close and thinking it probably wouldn’t stand up to a reread either. I suspect I’d find it mawkish, especially with its child narrator. Alma evades that trap, perhaps by being that little bit older, though she sounds young because of how geeky and sheltered she is.
Winter Reads, I: Michael Cunningham & Helen Moat
It’s been feeling springlike in southern England with plenty of birdsong and flowers, yet cold weather keeps making periodic returns. (For my next instalment of wintry reads, I’ll try to attract some snow to match the snowdrops by reading three “Snow” books.) Today I have a novel drawing on a melancholy Hans Christian Andersen fairy tale and a nature/travel book about learning to appreciate winter.
The Snow Queen by Michael Cunningham (2014)
It was among my favourite first lines encountered last year: “A celestial light appeared to Barrett Meeks in the sky over Central Park, four days after Barrett had been mauled, once again, by love.” Barrett is gay and shares an apartment with his brother, Tyler, and Tyler’s fiancée, Beth. Beth has cancer and, though none of them has dared to hope that she will live, Barrett’s epiphany brings a supernatural optimism that will fuel them through the next few years, from one presidential election autumn (2004) to the next (2008). Meanwhile, Tyler, a stalled musician, returns to drugs to try to find inspiration for his wedding song for Beth. The other characters in the orbit of this odd love triangle of sorts are Liz, Beth and Barrett’s boss at a vintage clothing store, and Andrew, Liz’s decades-younger boyfriend. It’s a peculiar family unit that expands and contracts over the years.
Of course, Cunningham takes inspiration, thematically and linguistically, from Hans Christian Andersen’s tale about love and conversion, most obviously in an early dreamlike passage about Tyler letting snow swirl into the apartment through the open windows:
He returns to the window. If that windblown ice crystal meant to weld itself to his eye, the transformation is already complete; he can see more clearly now with the aid of this minuscule magnifying mirror…
I was most captivated by the early chapters of the novel, picking it up late one night and racing to page 75, which is almost unheard of for me. The rest took me significantly longer to get through, and in the intervening five weeks or so much of the detail has evaporated. But I remember that I got Chris Adrian and Julia Glass vibes from the plot and loved the showy prose. (And several times while reading I remarked to people around me how ironic it was that these characters in a 2014 novel are so outraged about Dubya’s re-election. Just you all wait two years, and then another eight!)
I fancy going on a mini Cunningham binge this year. I plan to recommend The Hours for book club, which would be a reread for me. Otherwise, I’ve only read his travel book, Land’s End. I own a copy of Specimen Days and the library has Day, but I’d have to source all the rest secondhand. Simon of Stuck in a Book is a big fan and here are his rankings. I have some great stuff ahead! (Secondhand – Awesomebooks.com)
While the Earth Holds Its Breath: Embracing the Winter Season by Helen Moat (2024)
Like many of us, Moat struggles with mood and motivation during the darkest and coldest months of the year. Over the course of three recent winters overlapping with the pandemic, she strove to change her attitude. The book spins short autobiographical pieces out of wintry walks near her Derbyshire home or further afield. Paying closer attention to the natural spectacles of the season and indulging in cosy food and holiday rituals helped, as did trips to places where winters are either a welcome respite (Spain) or so much harsher as to put her own into perspective (Lapland and Japan). My favourite pieces of all were about sharing English Christmas traditions with new Ukrainian refugee friends.
There were many incidents and emotions I could relate to here – a walk on the canal towpath always makes me feel better, and the car-heavy lifestyle I resume on trips to America feels unnatural.
Days are where we must live, but it didn’t have to be a prison of house and walls. I needed the rush of air, the slap of wind on my cheeks. I needed to feel alive. Outdoors.
I’d never liked the rain, but if I were to grow to love winters on my island, I had to learn to love wet weather, go out in it.
What can there be but winter? It belongs to the circle of life. And I belonged to winter, whether I liked it or not. Indoors, or moving from house to vehicle and back to house again, I lost all sense of my place on this Earth. This world would be my home for just the smallest of moments in the vastness of time, in the turning of the seasons. It was a privilege, I realised.
However, the content is repetitive such that the three-year cycle doesn’t add a lot and the same sorts of pat sentences about learning to love winter recur. Were the timeline condensed, there might have been more of a focus on the more interesting travel segments, which also include France and Scotland. So many have jumped on the Wintering bandwagon, but Katherine May’s book felt fresh in a way the others haven’t.
With thanks to Saraband for the free copy for review.

Any wintry reading (or weather) for you lately?
Love Your Library, January 2025
Thanks so much to Elle, Laura, and Skai for joining in this month!
READ
All children’s books this time!
- Every Wrinkle Has a Story by David Grossman – A sweet story about how experiences make us who we are, so ageing is a good thing.

Dexter Procter: The 10-Year-Old Doctor by Adam Kay – A fun if overlong book that will appeal to readers of Roald Dahl and David Walliams. It has bullying, a mystery and gross-out humour as well as some age-appropriate medical content. 
- Apple Grumble by Huw Lewis-Jones – There’s a grumpy apple. And that’s it.

Constance in Peril by Ben Manley – So cute! Edward finds his favourite doll, Constance Hardpenny, in a bin. She’s dressed like a Victorian spinster and each day for a week she suffers a new near-calamity (her blank doll eyes somehow still conveying her alarm), only to be saved by Edward’s big sister. 
- The Big Bad Bug by Kate Read – Nice to see invertebrates featured. The message is about selfishness.

- Books Aren’t for Eating by Carlie Sorosiak – Starring a goat bookseller who learned to read books, not eat them, and passes on his enthusiasm to others. Other than the sudden ending, this was great.

- The Planet in a Pickle Jar by Martin Stanev – Intricate drawings and a touch of folklore (the author is Bulgarian) in this story of a grandmother who preserves the natural world and wants her grandchildren to continue her good work.

- Old Macdonald Had a Phone by Jeanne Willis – Updates the song for the tech age with a lesson that smartphones are useful tools but we mustn’t get addicted.

- Grandad’s Camper & Grandad’s Pride by Harry Woodgate – A little girl learns about her grandfather’s activist past with his partner and initiates a Pride parade in their little town.
/ 

CURRENTLY READING
- Myself & Other Animals by Gerald Durrell
- The Black Bird Oracle by Deborah Harkness
- The God of the Woods by Liz Moore
- Poetry Unbound: 50 Poems to Open Your World by Pádraig Ó Tuama
(+ the set-aside ones I mentioned last time)
CHECKED OUT, TO BE READ
(Everything from last time +)
- Travels in the Scriptorium & Baumgartner by Paul Auster
- The Coast Road by Alan Murrin
- Half Arse Human by Leena Norms

IN THE RESERVATION QUEUE
(Everything from last time +)
- Confessions by Catherine Airey
- Deep Cuts by Holly Brickley
- Bellies by Nicola Dinan
- I Am Not a Tourist by Daisy J. Hung
- Bookish: How Reading Shapes Our Lives by Lucy Mangan
- When the Stammer Came to Stay by Maggie O’Farrell
ON HOLD, TO BE PICKED UP
- Maurice and Maralyn: An Extraordinary True Story of Shipwreck, Survival and Love by Sophie Elmhirst
- Black Woods, Blue Sky by Eowyn Ivey
- The Forgotten Sense: The Nose and the Perception of Smell by Jonas Olofsson
- Long Island by Colm Tóibín (for March book club)
RETURNED UNREAD
- The Mischief Makers by Elisabeth Gifford – I’ve enjoyed one of her books before, and a different biographical novel about Daphne du Maurier, but this seemed very bland at first glance.
What have you been reading or reviewing from the library recently?

Share a link to your own post in the comments. Feel free to use the above image. The hashtag is #LoveYourLibrary.
My Life in Book Titles from 2024
As usual for January, I’m in the middle of lots of books but hardly finishing anything, so consider this a placeholder until my Love Your Library and January releases posts later in the month. It’s a fun meme that goes around every year; I first spotted it on Annabel’s blog and Susan also took part. I’ve never had a go before but when I looked at the prompts I realized some books I read in 2024 have titles that work awfully well. Links are to my reviews.
In high school I was [one of the] Remarkably Bright Creatures (Shelby Van Pelt)
- People might be surprised by All the Beauty in the World (Patrick Bringley)

- I will never be A Spy in the House of Love (Anaïs Nin)
My fantasy job is To Be a Cat (Matt Haig)
- At the end of a long day, I need [a] Cocktail (Lisa Alward)

- I hate being [an] Exhibit (R.O. Kwon)
- Wish I had Various Miracles (Carol Shields)

- My family reunions are The Grief Cure (Cory Delistraty)
At a party you’d find me with Orphans of the Carnival (Carol Birch)
- I’ve never been to Jungle House (Julianne Pachico)
A happy day includes The Old Haunts (Allan Radcliffe)
- Motto I live by: I’m Mostly Here to Enjoy Myself (Glynnis MacNicol)

On my bucket list is A Bookshop of One’s Own (Jane Cholmeley)
- In my next life, I want to have A House Full of Daughters (Juliet Nicolson)











The protagonist is mistaken for a two-year-old boy’s father in The Book of George by Kate Greathead and Going Home by Tom Lamont.

Adults dressing up for Halloween in The Blindfold by Siri Hustvedt and I’ll Come to You by Rebecca Kauffman.

The main character is expelled on false drug possession charges in Invisible by Paul Auster and Alligator Tears by Edgar Gomez.



A scene of a teacup breaking in Junction of Earth and Sky by Susan Buttenwieser and The Möbius Book by Catherine Lacey.
Baumgartner’s past is similar to Auster’s (and Adam Walker’s from Invisible – the two characters have a mutual friend in writer James Freeman), but not identical. His childhood memories and the passion and companionship he found with Anna are quite sweet. But I was somewhat thrown by the tone in sections that have this grumpy older man experiencing pseudo-comic incidents such as tumbling down the stairs while showing the meter reader the way. To my relief, the book doesn’t take the tragic turn the last pages seem to augur, instead leaving readers with a nicely open ending.
This is very much in the vein of
That’s at the heart of Part I (“Spring”). Across four sections, the perspective changes and the narrative is revealed to be 1967, a manuscript Adam began while dying of cancer. “Summer,” in the second person, shines a light on his relationship with his sister, Gwyn. “Fall,” adapted from Adam’s third-person notes by his college friend and fellow author, Jim Freeman, tells of Adam’s study abroad term in Paris. Here he reconnected with Born and Margot with unexpected results. Jim intends to complete the anonymized story with the help of a minor character’s diary, but the challenge is that Adam’s memories don’t match Gwyn’s or Born’s.
Iris Vegan (Hustvedt’s mother’s surname), like many an Auster character, is bewildered by what happens to her. An impoverished graduate student in literature, she takes on peculiar jobs. First Mr. Morning hires her to make audio recordings meticulously describing artefacts of a woman he’s obsessed with. Iris comes to believe this woman was murdered and rejects the work as invasive. Next she’s a photographer’s model but hates the resulting portrait and tries to take it off display. Then she’s hospitalized for terrible migraines and has upsetting encounters with a fellow patient, old Mrs. O. Finally, she translates a bizarre German novella and impersonates its protagonist, walking the streets in a shabby suit and even telling people her name is Klaus.
If you need to like a protagonist, expect frustration. Some of George’s behaviour is downright maddening, as when he obsessively plays his old Gameboy while his mother and Jenny pack up his childhood room. Tracing his relationships with his mother, his sister Cressida, and Jenny is rewarding. Sometimes they confront him over his shortcomings; other times they enable him. The novel is very funny, but it’s a biting, ironic humour, and there’s plenty of pathos as well. There are a few particular gut-punches, one relating to George’s father and others surrounding nice things he tries to do that backfire horribly. I thought of George as a rejoinder to all those ‘So-and-So Is Not Okay at All’ type of books featuring a face-planting woman on the cover. Greathead’s portrait is incisive but also loving. And yes, there is that hint of George, c’est moi recognition. His failings are all too common: the mildest of first-world tragedies but still enough to knock your confidence and make you question your purpose. For me this had something of the old-school charm of Jennifer Egan and Jonathan Safran Foer novels I read in the Naughties. I’ll seek out the author’s debut, Laura & Emma.
The family’s lies and secrets – also involving a Christmas run-in with Bruce’s shell-shocked brother decades ago – lead to everything coming to a head in a snowstorm. (As best I can tell, the 1995 setting was important mostly so there wouldn’t be cell phones during this crisis.) As with The Book of George, the episodic nature of the narrative means that particular moments are memorable but the whole maybe less so, and the interactions between characters stand out more than the people themselves. I’ll Come to You, named after a throwaway line in the text, is poorly served by both its cover and title, which give no sense of the contents. However, it’s a sweet, offbeat portrait of genuine, if generic, Americans; I was most reminded of J. Ryan Stradal’s work. Although I DNFed Kauffman’s The Gunners some years back, I’d be interested in trying her again with Chorus, which sounds like another linked story collection.
Mills and Shaw consider the same fundamental issues: bi erasure, with bisexuality the least understood and most easily overlooked element of LGBT and many passing as straight if in heterosexual marriages; and the stereotype of bis as hypersexual or promiscuous. Mills is keen to stress that bisexuals have very different trajectories and phases. Like Wilde, they might have a heterosexual era of happy marriage and parenthood followed by a homosexual spree. Or they might have simultaneous lovers of multiple genders. Some might never even act on strong same-sex desires. (Late last year I encountered a similar unity-in-diversity approach in Daniel Tamet’s Nine Minds, a group biography about autistic people.)
I’ve also read Watts’


