Novellas in November (#NovNov) Begins! Leave Your Links Here
I always look forward to November’s reading. Since 2016 I’ve been prioritizing novellas in this month, but this is only the second year that Cathy of 746 Books and I have co-hosted Novellas in November as a proper reading challenge.

We have four weekly prompts and “buddy reads” as below. We hope you’ll join in reading one or more of these with us. The host for the week will aim to publish her review on the Thursday, but feel free to post yours at any time in the month. (A reminder that we suggest 150–200 pages as the upper limit for a novella, and post-1980 for the contemporary week.)

1–7 November: Contemporary fiction (Cathy)
Open Water by Caleb Azumah Nelson – including a giveaway of a signed copy!
8–14 November: Short nonfiction (Rebecca)
The Story of My Life by Helen Keller (free to download here from Project Gutenberg. Note: only the first 85 pages constitute her memoir; the rest is letters and supplementary material.)
15–21 November: Literature in translation (Cathy)
Territory of Light by Yuko Tsushima
22–28 November: Short classics (Rebecca)
Ethan Frome by Edith Wharton (free to download here from Project Gutenberg)
Leave links to any of your novellas coverage in the comments below or tag us on Twitter (@bookishbeck / @cathy746books) and/or Instagram (@bookishbeck / @cathy_746books) and we’ll add them to a master list.
Enjoy your reading!
Ongoing list of Novellas in November 2021 posts:
Five novellas: de Kat, Lynch, Mingarelli, Sjón, Terrin (reviewed by Susan at A life in books)
The Fell by Sarah Moss (reviewed by Dr Laura Tisdall)
The Disinvent Movement by Susanna Gendall (reviewed by Lisa at ANZ LitLovers)
Four novellas with screen adaptations (a list by Diana at Ripple Effects)
Contemporary novellas from the archives (a list by Annabel at Annabookbel)
Moral Hazard by Kate Jennings (reviewed by Cathy at 746 Books)
A Child in the Theatre by Rachel Ferguson (reviewed by Simon at Stuck in a Book)
The Death of the Author by Gilbert Adair (reviewed by Karen at Kaggsy’s Bookish Ramblings)
Come Closer by Sara Gran (reviewed by Cathy at 746 Books)
Amsterdam by Ian McEwan (reviewed by Simon at Stuck in a Book)
Five novellas: Burley, Capote, Hill, Steinbeck, Welsh (reviewed by Margaret at BooksPlease)
Often I Am Happy by Jens Christian Grøndahl (reviewed by Simon at Stuck in a Book)
Vertigo by Amanda Lohrey (reviewed by Nancy Elin)
Open Water by Caleb Azumah Nelson (reviewed by Cathy at 746 Books)
Open Water & Other Contemporary Novellas Read This Year
An Island by Karen Jennings (reviewed by Lisa at ANZ LitLovers)
At Night All Blood Is Black by David Diop (reviewed by Anokatony at Tony’s Book World)
Stone in a Landslide by Maria Barbal (reviewed by Karen at BookerTalk)
A Whole Life by Robert Seethaler (reviewed by Imogen at Reading and Watching the World)
I’m Ready Now by Nigel Featherstone (reviewed by Nancy Elin)
Small Things Like These by Claire Keegan (reviewed by Cathy at 746 Books)
The Lonely by Paul Gallico (reviewed by Simon at Stuck in a Book)
The Love Child by Edith Olivier (reviewed by Liz at Adventures in reading, running and working from home)
Murder Included by Joanna Cannan (reviewed by Simon at Stuck in a Book)
The Bookshop by Penelope Fitzgerald: From Novella to Movie (reviewed by Diana at Ripple Effects)
The River by Rumer Godden (reviewed by Lisa at ANZ LitLovers)
The Rector and The Doctor’s Family by Mrs Oliphant (reviewed by Liz at Adventures in reading, running and working from home)
Less than Zero by Bret Easton Ellis (reviewed by Kate at Books Are My Favourite and Best)
Open Water by Caleb Azumah Nelson (reviewed by Laura at Reading in Bed)
Foe by J.M. Coetzee (reviewed by Lisa at ANZ LitLovers)
The Writer’s Cats by Muriel Barbery (reviewed by Davida at TCL Book Reviews)
Short Non-fiction from the archives (a list by Annabel at Annabookbel)
Nonfiction November: Book Pairing – Novellas and Nonfiction (a list by Cathy at 746 Books)
Casanova’s Homecoming by Arthur Schnitzler (reviewed by Marina Sofia at Finding Time to Write)
Which Way? by Theodora Benson (reviewed by Liz at Adventures in reading, running and working from home)
Short Memoirs by Lucille Clifton, Alice Thomas Ellis and Deborah Levy
Aimez-vous Brahms? by Françoise Sagan (reviewed by Lisa at ANZ LitLovers)
The Writer’s Cats by Muriel Barbery (reviewed by Annabel at Annabookbel)
Burning Secret by Stefan Zweig (reviewed by Chris at Calmgrove)
The Cost of Living by Deborah Levy (reviewed by Cathy at 746 Books)
The Birds of the Innocent Wood by Deirdre Madden (reviewed by Simon at Stuck in a Book)
Baron Bagge by Alexander Lernet-Holenia (reviewed by Grant at 1streading)
The Poor Man by Stella Benson (reviewed by Simon at Stuck in a Book)
Somebody Loves You by Mona Arshi (reviewed by Davida at TCL Book Reviews)
Short Nature Books by John Burnside, Jim Crumley and Aimee Nezhukumatathil
Hiroshima by John Hersey (reviewed by Cathy at 746 Books)
Short nonfiction by Athill, Herriot and Mantel (reviewed by Margaret at BooksPlease)
The Fell by Sarah Moss (reviewed by Susan at A life in books)
The Story of Stanley Brent by Elizabeth Berridge (reviewed by Simon at Stuck in a Book)
The Parakeeting of London by Nick Hunt and Tim Mitchell (reviewed by Liz at Adventures in reading, running and working from home)
The Story of My Life by Helen Keller
Taking a Look Back at Novellas Read in 2021 (a list by JDC at Gallimaufry Book Studio)
Small Things Like These by Claire Keegan (a review by Mairead at Swirl and Thread)
The Story of My Life by Helen Keller (reviewed by Cathy at 746 Books)
The Faces by Tove Ditlevsen (reviewed by Anokatony at Tony’s Book World)
Coda by Thea Astley (reviewed by Nancy Elin)
I’d Rather Be Reading by Anne Bogel (reviewed by Karen at The Simply Blog)
Notes from an Island by Tove Jansson (reviewed by Simon at Stuck in a Book)
The Fell by Sarah Moss (reviewed by Clare at Years of Reading Selfishly)
Small Things Like These by Claire Keegan (reviewed by Susan at A life in books)
The Looking Glass by Carla Sarett (reviewed by Davida at TCL Book Reviews)
Daisy Miller by Henry James (reviewed by Diana at Thoughts on Papyrus)
Heritage by Vita Sackville-West (reviewed by Simon at Stuck in a Book)
One Billion Years to the End of the World by Arkady and Boris Strugatsky (reviewed by Chris at Calmgrove)
The Sense of an Ending by Julian Barnes (reviewed by Tracy at Bitter Tea and Mystery)
We Kill Stella by Marlen Haushofer and Come Closer by Sara Gran (reviewed by Marina Sofia at Finding Time to Write)
Tea and Sympathetic Magic by Tansy Rayner Roberts (reviewed by Nancy Elin)
Passing by Nella Larsen, from Novella to Screen (reviewed by Diana at Ripple Effects)
The Employees by Olga Ravn and A Psalm for the Wild-Built by Becky Chambers (reviewed by Annabel at Annabookbel)
Maigret in Court by Georges Simenon (reviewed by Karen at BookerTalk)
No. 91/92: A Diary of a Year on the Bus by Lauren Elkin (reviewed by Rebecca at Reading Indie)
Six Scottish Novellas: Gray, Mackay Brown, Mitchison, Muir, Owens, Smith (reviewed by Grant at 1streading)
Cain by José Saramago (reviewed by Lisa at ANZ LitLovers)
The Pear Field by Nana Ekvtimishvili (Booktube review by Jennifer at Insert Literary Pun Here)
Tinkers by Paul Harding (reviewed by Simon at Stuck in a Book)
Concrete by Thomas Bernhard (reviewed by Emma at Book Around the Corner)
Frida Kahlo and My Left Leg by Emily Rapp Black (reviewed by Imogen at Reading and Watching the World)
Utility Furniture by Jon Mills (reviewed by Liz at Adventures in reading, running and working from home)
Symposium by Muriel Spark (reviewed by Chris at Calmgrove)
Griffith Review #66, The Light Ascending, annual Novella Project edition (reviewed by Lisa at ANZ LitLovers)
SixforSunday: Novellas Read in 2021 before November (reviewed by Davida at TCL Book Reviews)
The Silent Traveller in Oxford by Chiang Yee (reviewed by Simon at Stuck in a Book)
The War of the Poor by Éric Vuillard (reviewed by Lisa at ANZ LitLovers)
The Spoke by Friedrich Glauser (reviewed by Marina Sofia at Finding Time to Write)
Dinner by César Aira (reviewed by Cathy at 746 Books)
The Scrolls from the Dead Sea by Edmund Wilson (reviewed by Reese at Typings)
The Story of My Life by Helen Keller (reviewed by Laura at Reading in Bed)
The White Riband by F. Tennyson Jesse (reviewed by Simon at Stuck in a Book)
Translated fiction novellas from the archives, including Territory of Light by Yuko Tsushima (reviewed by Annabel at Annabookbel)
I Don’t Want to Go to the Taj Mahal by Charlie Hill (reviewed by Liz at Adventures in reading, running and working from home)
Miss Peabody’s Inheritance by Elizabeth Jolley (reviewed by Karen at BookerTalk)
Hotel Iris by Yoko Ogawa (reviewed by Cathy at 746 Books)
Crusade by Amos Oz (reviewed by Nancy Elin)
Barbarian Spring by Jonas Lüscher (reviewed by Marina Sofia at Finding Time to Write)
My Monticello by Jocelyn Nicole Johnson (reviewed by Susan at A life in books)
The Fell by Sarah Moss (reviewed by Eric at Lonesome Reader)
Winter Flowers by Angélique Villeneuve (reviewed by Cathy at 746 Books)
Particularly Cats by Doris Lessing (reviewed by Simon at Stuck in a Book)
Territory of Light by Yuko Tsushima
Territory of Light by Yuko Tsushima (reviewed by Cathy at 746 Books)
The Murder Farm by Andrea Maria Schenkel and The Peacock by Isabel Bogdan (reviewed by Annabel at Annabookbel)
Assembly by Natasha Brown (reviewed at Radhika’s Reading Retreat)
Ludmilla by Paul Gallico (reviewed by Simon at Stuck in a Book)
The Woman from Uruguay by Pedro Mairal (reviewed by Susan at A life in books)
An interview with Stella Sabin of Peirene Press (by Cathy at 746 Books)
Behind the Mask by Kate Walter
The Pigeon and The Appointment
In the Company of Men and Winter Flowers
Who Was Changed and Who Was Dead by Barbara Comyns
The Deal of a Lifetime by Fredrik Backman (reviewed by Karen at The Simply Blog)
Carte Blanche by Carlo Lucarelli (reviewed by Tracy at Bitter Tea and Mystery)
Inspector Chopra & the Million Dollar Motor Car by Vaseem Khan (reviewed by Chris at Calmgrove)
Bunner Sisters by Edith Wharton (reviewed by Diana at Ripple Effects)
Father Malachy’s Miracle by Bruce Marshall (reviewed by Simon at Stuck in a Book)
Ignorance by Milan Kundera (reviewed by Simon at Stuck in a Book)
Rider on the Rain by Sébastien Japrisot and The Saint-Fiacre Affair by Georges Simenon (reviewed by Annabel at Annabookbel)
Hotel Splendid by Marie Redonnet and Fear by Stefan Zweig (reviewed by Cathy at 746 Books)
Some classics from my archives (reviewed by Annabel at Annabookbel)
The Cardinals by Bessie Head (reviewed by Marina Sofia at Finding Time to Write)
These Lifeless Things by Premee Mohamed, A Psalm for the Wild-Built by Becky Chambers, The Deep by Rivers Solomon (reviewed by Dr Laura Tisdall)
Four novellas, four countries, four decades (reviewed by Emma at Book Around the Corner)
Daphnis and Chloe by Longus (reviewed by Reese at Typings)
The Invisible Host by Gwen Bristow and Bruce Manning (reviewed by Simon at Stuck in a Book)
In Youth Is Pleasure by Denton Welch (reviewed by Imogen at Reading and Watching the World)
The Newspaper of Claremont Street by Elizabeth Jolley (reviewed by Nancy Elin)
Six Short Cat Books: Muriel Barbery, Garfield and More
Catholics by Brian Moore (reviewed by Cathy at 746 Books)
I’d Rather Be Reading by Anne Bogel (reviewed by Simon at Stuck in a Book)
A River in Darkness by Masaji Ishikawa (reviewed by Karen at BookerTalk)
The Witch of Clatteringshaws by Joan Aiken (reviewed by Chris at Calmgrove)
The Old Man and the Sea by Ernest Hemingway (reviewed by Margaret at BooksPlease)
The Turn of the Screw by Henry James (reviewed by Cathy at 746 Books)
Three to See the King by Magnus Mills (reviewed by Simon at Stuck in a Book)
Ethan Frome by Edith Wharton (reviewed by Cathy at 746 Books)
Touring the Land of the Dead by Maki Kashimada and Stranger Faces by Namwali Serpell (reviewed by Dr Laura Tisdall)
Ethan Frome by Edith Wharton (reviewed by Davida at TCL Book Reviews)
Love by Angela Carter (reviewed by Simon at Stuck in a Book)
Picnic at Hanging Rock by Joan Lindsay (reviewed by Margaret at BooksPlease)
Novellas in November 2021 Wrap Up (by Carol at Reading Ladies)
A Guide to Modernism in Metroland by Joshua Abbott and Black London by Avril Nanton and Jody Burton (reviewed by Liz at Adventures in reading, running and working from home)
Ethan Frome by Edith Wharton (reviewed by Karen at The Simply Blog)
Signs Preceding the End of the World by Yuri Herrera (reviewed by Karen at BookerTalk)
Madonna in a Fur Coat by Sabahattin Ali (reviewed by Imogen at Reading and Watching the World)
Small Things Like These by Claire Keegan (reviewed by Davida at TCL Book Reviews)
Clara’s Daughter by Meike Ziervogel (reviewed by Chris at Calmgrove)
Breakfast at Tiffany’s: from Novella to Screen (reviewed by Diana at Ripple Effects)
Child of All Nations by Irmgard Keun (reviewed by Marina Sofia at Finding Time to Write)
Territory of Light by Yuko Tsushima (reviewed by Laura at Reading in Bed)
Three Contemporary Novellas: Moss, Brown and Gaitskill (reviewed by Cathy at 746 Books)
Seven Final Novellas: Crumley, Morris, Rapp Black; Hunter, Johnson, Josipovici, Otsuka
In Pious Memory by Margery Sharp (reviewed by HeavenAli)
Murder in the Dark by Margaret Atwood, The Story of Stanley Brent by Elizabeth Berridge, Under the Tripoli Sky by Kamal Ben Hameda (reviewed by HeavenAli)
The Penelopiad by Margaret Atwood (reviewed by She Reads Novels)
Caravan Story by Wayne Macauley (reviewed by Lisa at ANZ LitLovers)
Farmer Giles of Ham by J.R.R. Tolkien (reviewed by Lisa at ANZ LitLovers)
I Am God, a Novel by Giacomo Sartori (reviewed by Lisa at ANZ LitLovers)
White Fragility by Robin DiAngelo (reviewed by Liz at Adventures in reading, running and working from home)
The Aunt Who Wouldn’t Die by Shirshendu Mukhopadhyay (reviewed by Erdeaka at The Bookly Purple)
Second-Class Citizen by Buchi Emecheta (reviewed by Liz at Adventures in reading, running and working from home)
The Invention of Morel by Adolfo Bioy Casares (reviewed by Emma at Words and Peace)
The Fell by Sarah Moss (reviewed by Callum McLaughlin)
Women & Power by Mary Beard and Come Closer by Sara Gran (reviewed by Callum McLaughlin)
The Tobacconist by Robert Seethaler and I Was Jack Mortimer by Alexander Lernet-Holenia (reviewed by Madame Bibi Lophile)
Things I Don’t Want to Know and The Cost of Living by Deborah Levy (reviewed by Madame Bibi Lophile)
Touch the Water, Touch the Wind by Amos Oz (reviewed by Kim at Reading Matters)
The Woman in the Blue Cloak by Deon Meyer (reviewed by Kim at Reading Matters)
The White Woman by Liam Davison (reviewed by Kim at Reading Matters)
Boys Don’t Cry by Fiona Scarlett (reviewed by Kim at Reading Matters)
Fludd by Hilary Mantel (reviewed by Margaret at BooksPlease)
Pietr the Latvian by Georges Simenon (reviewed by Margaret at BooksPlease)
In Translation by Annamarie Jagose (reviewed by Lisa at ANZ LitLovers)
The Red Chesterfield by Wayne Arthurson, The Book of Eve by Constance Beresford-Howe, Tower by Frances Boyle, Winter Wren by Theresa Kishkan, and The Santa Rosa Trilogy by Wendy McGrath (reviewed by Naomi at Consumed by Ink)
An essay on Kate Jennings’ Snake (reviewed by Whispering Gums)
Life in Translation by Anthony Ferner and Friend Indeed by Katharine d’Souza (reviewed by Liz at Adventures in reading, running and working from home)
Every Day Is Gertie Day by Helen Meany (reviewed by Whispering Gums)
Cold Enough for Snow by Jessica Au (reviewed by Brona’s Books at This Reading Life)
A Dream Life by Claire Messud (reviewed by Brona’s Books at This Reading Life)
Why Do I Like Novellas? Barnes, Brown, Jones, Ravn (reviewed by Stargazer)
Small Things Like These by Claire Keegan (reviewed by Callum McLaughlin)
Foster by Claire Keegan (reviewed by Smithereens)
The Light in the Piazza by Elizabeth Spencer (reviewed by Anokatony at Tony’s Book World)
King City by Stephen Pennell (reviewed by Liz at Adventures in reading, running and working from home)
Missus by Ruth Park (reviewed by Lisa at ANZ LitLovers)
Inseparable by Simone de Beauvoir (reviewed by Anokatony at Tony’s Book World)
I Heard the Owl Call My Name by Margaret Craven (reviewed by Robin at A Fondness for Reading)
Maigret Defends Himself by Georges Simenon (reviewed by Chris at Calmgrove)
My Week with Marilyn by Colin Clark (reviewed by Kate at Books Are My Favourite and Best)
Ethan Frome by Edith Wharton (reviewed by Margaret at BooksPlease)
Miguel Street by V.S. Naipaul (reviewed by Liz at Adventures in reading, running and working from home)
The Swallowed Man by Edward Carey, Naturally Supernatural by Wendy Mann, The Hothouse by the East River by Muriel Spark, Trouble with Lichen by John Wyndham (reviewed by Simon at Stuck in a Book)
Ethan Frome by Edith Wharton (reviewed by Laura at Reading in Bed)
Assembly by Natasha Brown, Treacle Walker by Alan Garner, All the Devils Are Here by David Seabrook, Space Exploration by Dhara Patel (reviewed by Annabel at Annabookbel)
Bellow, Powell, Wolkers, Bomans, al-Saadawi, de Jong, Buck, Simenon, Boschwitz (reviewed by Sarah at Market Garden Reader)
More Ideas of Novellas to Read for #NovNov
Still in need of ideas for what to read in November? Here are our novella-friendly lists of authors and publishers that fit the bill!

Authors who tend(ed) to write short books:
- James Baldwin
- J.L. Carr
- Barbara Comyns
- Alice Thomas Ellis
- Penelope Fitzgerald
- Paul Gallico
- Kaye Gibbons
- Susan Hill
- Denis Johnson – Train Dreams was one of our most-reviewed books last year
- Gabriel Josipovici
- Claire Keegan
- Shena Mackay
- Ian McEwan
- Sarah Moss’s three latest
- Jean Rhys
- Georges Simenon
- Muriel Spark
- John Steinbeck
- Nathanael West
- Jacqueline Woodson
In nonfiction – nature books:
- Jim Crumley
- John Lewis-Stempel
In nonfiction – animal/pet books:
- Derek Tangye
- Doreen Tovey
UK publishers that specialize in novellas:
Fitzcarraldo Editions (especially their early releases)
Penguin’s Little Black Classics series
Worldwide publishers that specialize in novellas:
Fish Gotta Swim Editions (Canada)
Melville House – “The Art of the Novella” series (USA)
Nouvella (USA) – Take a look at the last couple of rows on their merchandise page!
Quattro Books (Canada)
UK publishers that specialize in novellas in translation:
Charco Press – contemporary Latin American literature
Fitzcarraldo Editions
Holland Park Press
Les Fugitives – translations from the French
Lolli Editions (thanks to Annabel for this one)
Peirene Press – Cathy will be hosting an interview with them during translation week!
Pushkin Press
UK sources of short nonfiction:
Bloomsbury’s Object Lessons series
Fitzcarraldo Editions – some of their longform essays are under 200 pages
Penguin’s Great Ideas series
Little Toller Books – mostly nature and travel monographs
The School of Life – most of the ones in this particular series are under 200 pages
Oxford University Press’s Very Short Introductions series
Wellcome Collection Books – a number of their recent releases are under 200 pages
You could also check out some of last year’s Novellas in November content: 89 posts from 30 bloggers, including single reviews, multi-reviews and favourites lists.
Still stumped? Try these articles:
(Note: not all of the suggestions stick to our definition of a novella.)
- Brona’s list of Australian novellas
- “20 of the Best Short Classic Books” (Book Riot)
- Novellas: A Life List (Fish Gotta Swim)
- “10 Best Books Shorter than 150 Pages” (Publishers Weekly)
- “50 Must-Read Short Books in Translation” (Book Riot)
- “50 Must-Read Short Books under 250 Pages” (Book Riot)
- “50 Short Nonfiction Books You Can Read in a Day (or Two)” (Book Riot)
And, if you’re looking for a bit of context, the other year Laura F. put together a history of the Novellas in November challenge.
Planning My Reading Stacks for Novellas in November 2021
Not much more than a week until Novellas in November (#NovNov) begins! I gathered up all of my potential reads for a photo shoot. Review copies are stood upright and library loans are toggled in a separate pile on top; all the rest are from my shelves.
Week One: Contemporary Fiction

Week Two: Short Nonfiction

Week Three: Novellas in Translation

A rather pathetic little pile there, but I also have a copy of that week’s buddy read, Territory of Light by Yuko Tsushima, on the way. (The Pigeon by Patrick Süskind would be my token contribution to German Literature Month.)
Week Four: Short Classics

Last but not least, some comics collections that don’t seem to fit in one of the other categories. Of course, some books fit into two or more categories, and contemporary vs. classic feels like a fluid division – I haven’t checked rigorously for our suggested 1980 cut-off date, so some older stuff might have made it into different piles.

Also available on my Kindle: The Therapist by Nial Giacomelli, Record of a Night too Brief by Hiromi Kawakami, Childhood: Two Novellas by Gerard Reve, and Milton in Purgatory by Edward Vass. As an additional review copy on my Nook, I have Frida Kahlo and My Left Leg by Emily Rapp Black, which is 140-some pages.
Plus … I recently placed an order for some new and secondhand books with my birthday money (and then some), and it should arrive before the end of the month. On the way and of novella length are Who Was Changed and Who Was Dead by Barbara Comyns, Bear by Marian Engel, The Cost of Living by Deborah Levy, and In the Company of Men by Véronique Tadjo.
I also recently requested review copies of Small Things Like These by Claire Keegan (128 pages; coming out from Faber today) and The Fell by Sarah Moss (160 pages; coming out from Picador on November 11th), so hope to have those in hand soon.
Remember that this year we have chosen a buddy read for each week. I’m again looking after short nonfiction in the second week of the month and short classics in the final week. We plan to post our reviews on the Thursday or Friday of the week in question. Feel free to publish yours at any time in the month and we’ll round up the links on our review posts.


Superman Simon is thinking of reading a novella a day in November! Taken together, I’d have enough novellas here for TWO per day. But my record thus far (in 2018) is 26; since then, I’ve managed 16 per year.
I have no specific number in mind this time. Considering I also plan to read one or two books for Margaret Atwood Reading Month (and perhaps one for AusReading Month) and have a blog tour date, as well as other review books to catch up on and in-demand library books to keep on top of, I can’t devote my full attention to novellas.
If I can read all the review copies, mop up the 4–5 set-aside titles on the pile (the ones with bookmarks in), maybe manage two rereads (the Wharton plus Conundrum), make a dent in my owned copies, and get to one or more from the library, I’ll be happy.
Karen, Kate and Margaret have already come up with their lists of possible titles. Cathy’s has gone up today, too.

Do you have any novellas in mind to read next month?
Get Ready for Novellas in November!
Novellas: “all killer, no filler”
~Joe Hill
For the second year in a row, Cathy of 746 Books and I are co-hosting Novellas in November as a month-long challenge with four weekly prompts.

New this year: each week we will take it in turns to host a “buddy read” of a featured book we hope you will join in reading. We’re announcing the challenge early to give you plenty of time to get your stack ready.
(We suggest 150–200 pages as the upper limit for a novella, and post-1980 as a definition of “contemporary.”)
1–7 November: Contemporary fiction (Cathy)
Open Water by Caleb Azumah Nelson – including a giveaway of a signed copy!
8–14 November: Short nonfiction (Rebecca)
The Story of My Life by Helen Keller (free to download here from Project Gutenberg. Note: only the first 85 pages constitute her memoir; the rest is letters and supplementary material.)
15–21 November: Literature in translation (Cathy)
Territory of Light by Yuko Tsushima
22–28 November: Short classics (Rebecca)
Ethan Frome by Edith Wharton (free to download here from Project Gutenberg)

We’re looking forward to having you join us! Keep in touch via Twitter (@bookishbeck / @cathy746books) and Instagram (@bookishbeck / @cathy_746books) and feel free to use the terrific feature images Cathy has made and the hashtag #NovNov.
Rathbones Folio Prize 2021 Shortlist Reviews & Prediction
I’ve nearly managed to read the whole Rathbones Folio Prize shortlist before the prize is announced on the evening of Wednesday the 24th. (You can sign up to watch the online ceremony here.) I reviewed the Baume and Ní Ghríofa as part of a Reading Ireland Month post on Saturday, and I’d reviewed the Machado last year in a feature on out-of-the-ordinary memoirs. This left another five books. Because they were short, I’ve been able to read and/or review another four over the past couple of weeks. (The only one unread is As You Were by Elaine Feeney, which I made a false start on last year and didn’t get a chance to try again.)
Nominations come from the Folio Academy, an international group of writers and critics, so the shortlisted authors have been chosen by an audience of their peers. Indeed, I kept spotting judges’ or fellow nominees’ names in the books’ acknowledgements or blurbs. I tried to think about the eight as a whole and generalize about what the judges were impressed by. This was difficult for such a varied set of books, but I picked out two unifying factors: A distinctive voice, often with a musicality of language – even the books that don’t include poetry per se are attentive to word choice; and timeliness of theme yet timelessness of experience.
Poor by Caleb Femi
Femi brings his South London housing estate to life through poetry and photographs. This is a place where young Black men get stopped by the police for any reason or none, where new trainers are a status symbol, where boys’ arrogant or seductive posturing hides fear. Everyone has fallen comrades, and things like looting make sense when they’re the only way to protest (“nothing was said about the maddening of grief. Nothing was said about loss & how people take and take to fill the void of who’s no longer there”). The poems range from couplets to prose paragraphs and are full of slang, Caribbean patois, and biblical patterns. I particularly liked Part V, modelled on scripture with its genealogical “begats” and a handful of portraits:
The Story of Ruthless
Anyone smart enough
to study the food chain
of the estate knew exactly
who this warrior girl was;
once she lined eight boys
up against a wall,
emptied their pockets.
Nobody laughed at the boys.
Another that stood out for me was the two-part “A Designer Talks of Home / A Resident Talks of Home,” a found poem partially constructed from dialogue from a Netflix documentary on interior design. It ironically contrasts airy aesthetic notions with survival in a concrete wasteland. If you loved Surge by Jay Bernard, this should be next on your list.
My Darling from the Lions by Rachel Long
I first read this when it was on the Costa Awards shortlist. As in Femi’s collection, race, sex, and religion come into play. The focus is on memories of coming of age, with the voice sometimes a girl’s and sometimes a grown woman’s. Her course veers between innocence and hazard. She must make her way beyond the world’s either/or distinctions and figure out how to be multiple people at once (biracial, bisexual). Her Black mother is a forceful presence; “Red Hoover” is a funny account of trying to date a Nigerian man to please her mother. Much of the rest of the book failed to click with me, but the experience of poetry is so subjective that I find it hard to give any specific reasons why that’s the case.
The Mermaid of Black Conch by Monique Roffey
After the two poetry entries on the shortlist, it’s on to a book that, like A Ghost in the Throat, incorporates poetry in a playful but often dark narrative. In 1976, two competitive American fishermen, a father-and-son pair down from Florida, catch a mermaid off of the fictional Caribbean island of Black Conch. Like trophy hunters, the men take photos with her; they feel a mixture of repulsion and sexual attraction. Is she a fish, or an object of desire? In the recent past, David Baptiste recalls what happened next through his journal entries. He kept the mermaid, Aycayia, in his bathtub and she gradually shed her tail and turned back into a Taino indigenous woman covered in tattoos and fond of fruit. Her people were murdered and abused, and the curse that was placed on her runs deep, threatening to overtake her even as she falls in love with David. This reminded me of Ernest Hemingway’s The Old Man and the Sea and Lydia Millet’s Mermaids in Paradise. I loved that Aycayia’s testimony was delivered in poetry, but this short, magical story came and went without leaving any impression on me.
Indelicacy by Amina Cain
Having heard that this was about a cleaner at an art museum, I expected it to be a readalike of Asunder by Chloe Aridjis, a beautifully understated tale of ghostly perils faced by a guard at London’s National Gallery. Indelicacy is more fable-like. Vitória’s life is in two halves: when she worked at the museum and had to forego meals to buy new things, versus after she met her rich husband and became a writer. Increasingly dissatisfied with her marriage, she then comes up with an escape plot involving her hostile maid. Meanwhile, she makes friends with a younger ballet student and keeps in touch with her fellow cleaner, Antoinette, a pregnant newlywed. Vitória tries sex and drugs to make her feel something. Refusing to eat meat and trying to persuade Antoinette not to baptize her baby become her peculiar twin campaigns.
The novella belongs to no specific time or place; while Cain lives in Los Angeles, this most closely resembles ‘wan husks’ of European autofiction in translation. Vitória issues pretentious statements as flat as the painting style she claims to love. Some are so ridiculous they end up being (perhaps unintentionally) funny: “We weren’t different from the cucumber, the melon, the lettuce, the apple. Not really.” The book’s most extraordinary passage is her husband’s rambling, defensive monologue, which includes the lines “You’re like an old piece of pie I can’t throw away, a very good pie. But I rescued you.”
It seems this has been received as a feminist story, a cheeky parable of what happens when a woman needs a room of her own but is trapped by her social class. When I read in the Acknowledgements that Cain took lines and character names from Octavia E. Butler, Jean Genet, Clarice Lispector, and Jean Rhys, I felt cheated, as if the author had been engaged in a self-indulgent writing exercise. This was the shortlisted book I was most excited to read, yet ended up being the biggest disappointment.
On the whole, the Folio shortlist ended up not being particularly to my taste this year, but I can, at least to an extent, appreciate why these eight books were considered worthy of celebration. The authors are “writers’ writers” for sure, though in some cases that means they may fail to connect with readers. There was, however, some crossover this year with some more populist prizes like the Costa Awards (Roffey won the overall Costa Book of the Year).
The crystal-clear winner for me is In the Dream House by Carmen Maria Machado, her memoir of an abusive same-sex relationship. Written in the second person and in short sections that examine her memories from different angles, it’s a masterpiece and a real game changer for the genre – which I’m sure is just what the judges are looking for.

The only book on the shortlist that came anywhere close to this one, for me, was A Ghost in the Throat by Doireann Ní Ghríofa, an elegant piece of feminist autofiction that weaves in biography, imagination, and poetry. It would be a fine runner-up choice.
(On the Rathbones Folio Prize Twitter account, you will find lots of additional goodies like links to related articles and interviews, and videos with short readings from each author.)
My thanks to the publishers and FMcM Associates for the free copies for review.
Miscellaneous Novellas: Murdoch, Read & Spark; Comics; Art Books
Novellas in November will be coming to a close on Monday and has been a great success in terms of blogger engagement. I’ve been adding review links to the master post nearly every day of the month, and I’m sure there are some I have missed. Although I still have a couple of novellas on the go, I don’t see myself finishing them this month, so I’m going to end with this set: three short classics to continue the week’s theme, two graphic novels, and a pair of nature/art/music/poetry books.
Classics:
Something Special by Iris Murdoch (1957)
[51 pages]
A Murdoch rarity, this appeared in a 1950s anthology and in an English-language textbook in Japan, but was not otherwise published in the author’s lifetime. I think it’s her only short story. I’m counting it as a novella because it was published as a stand-alone volume by Vintage Classics in 2000. Twenty-four-year-old Yvonne Geary doesn’t know precisely what she wants from life, but hopes there might be more for her than a conventional marriage to Sam, her beau. “Can’t I live my life as I please since it’s the only thing I have?” she asks her hen-pecking mother. “I can’t see him as something special and I won’t marry him if I can’t.” Maybe she’ll escape to England. But for now she’s off for a night on the town in Dublin with Sam, going from a rowdy pub to the quiet of a locked-up park. Sam may be dull, but he seems sensitive, solicitous and well-meaning. Yvonne’s feelings for him flip-flop over the course of the evening. I’ve noticed before that Murdoch is a bit funny about Jewishness, but this is still a brisk, bittersweet story in the direct lineage of Sally Rooney’s Normal People. (With striking black-and-white woodcut-style illustrations by Michael McCurdy.) 
The Fairacre Festival by ‘Miss Read’ (1968)
[80 pages]
I’m not sure why I’d never tried anything by ‘Miss Read’ (the pseudonym of Dora Jessie Saint, a teacher turned author who was based not far from me in Berkshire) until now. She wrote two series of quaint novels set in the fictional villages of Fairacre and Thrush Green; this is #7 in the Fairacre series. Miss Read, her narrator, is a schoolteacher who records her wry observations of all the local happenings. After an autumn storm damages the church roof, the parishioners are dismayed to learn the renovations could cost £2000. No amount of jumble sales, concerts and tea dances will raise that much. So they set their sights higher, to an Edinburgh-style festival with a light show and an appearance from a famous opera singer. But it’s not going to be smooth sailing now, is it? This was cozy, quaint fun, and if I wished it had been a full-length book, that means I’ll just have to begin at the beginning with 1955’s Village School. 
The Driver’s Seat by Muriel Spark (1970)
[107 pages]
Lise has her “glad rags” on – bright new clothes in clashing patterns that strangers can’t help commenting on. The 34-year-old single woman has worked in an accounting office for the last 16 years and is now off to the South (Italy?) for a long-awaited vacation. This will be no blissful holiday, though. Just 11 pages in, we get our first hint that things are going to go wrong, and in the opening line of Chapter 3 Spark gives the game away. Clearly, her intention is to subordinate what happens to why it happens, so the foreshadowing of the early chapters is twisted to ironic effect later on. Lise is an unappealing character, haughty and deceitful, and the strangers she meets on the flight and at the hotel, including a man obsessed with the macrobiotic diet, are little better. I felt I didn’t have enough time to change my mind about Lise before we’re asked to have pity. Of course, this is meant to be a black comedy, but it was a little abrasive for my taste. This was my third and probably last from Spark, as I haven’t particularly enjoyed any of her work; I do love this pithy description of The Ballad of Peckham Rye, though: “An entertaining tale of satanism in South London.” 
Graphic Novels:
Why Don’t You Write My Eulogy Now So I Can Correct It? A Mother’s Suggestions by Patricia Marx, illus. Roz Chast (2019)
[81 pages]
I loved Chast’s graphic memoir Can’t We Talk about Something More Pleasant? and figured this would have the same witty approach to an elderly parent’s decline. Apart from a brief introduction to her mother (from Philadelphia, outspoken, worked as a guidance counselor and for her husband’s office supplies company), there is hardly any text; the rest is just illustrated one-liners, sayings her mother had or opinions she espoused. Many of these have to do with fashion no-nos, dinner party etiquette, grammar pedantry, avoiding the outdoors and exercise, and childrearing. “My mother never hesitates to say what other mothers would not even think to think. She calls it constructive criticism.” She reminds me of Bess Kalb’s grandmother in Nobody Will Tell You This but Me, an overall much funnier and more complete picture of an entertaining figure. 
The Exciting World of Churchgoing by Dave Walker (2010)
[90 pages]
A third set of Church Times comics, not as memorable as the original Dave Walker Guide to the Church. Once again, Walker pokes fun at bureaucracy, silly traditions, closed-mindedness, and the oddities of church buildings and parishioners’ habits. You really need to be familiar with the UK churchgoing scene, and specifically with Anglican churches, to get much out of the cartoons. I loved “According to legend, there is a lady who changes the teatowels in the church kitchen from time to time” and the “Infestations” spread that starts with bats and wasps and moves on to Charismatics. Most striking are two pages on church proceedings during swine flu – what was meant to be a joke doesn’t seem so funny now that it literally describes in-person services during COVID-19: “Shaking hands during the peace should be replaced by a friendly wave,” “Administration of anti-bacterial gel should take place,” etc. 
Art Books:
The Lost Words: A Spell Book by Robert Macfarlane, illus. Jackie Morris (2017)
[112 pages]
Macfarlane’s work has been hit or miss for me and I was suspicious of this project in general, thinking it would be twee or juvenile, but the beauty of the artwork and playful energy of the poems won me over. It’s common knowledge that this book arose as a response to news that many words to do with nature had been removed from the latest version of a junior dictionary published in the UK, to be replaced by technology vocabulary. Macfarlane spotlights these omitted words through acrostic poems alive with alliteration (“Fern’s first form is furled, / Each frond fast as a fiddle-head”), wordplay and internal rhymes. He peppers in questions, both rhetorical and literal-minded, and exclamations. Conker, Dandelion, Lark and Otter are highlights. Morris’s wildlife paintings are superb, with a Giotto-like gilt portrait facing each poem and two-page in situ tableaux in between. 
The Lost Words Spell Songs (2019)
[112 pages]
I followed up immediately with this companion book to the 14-track album a group of eight folk musicians made in response to The Lost Words. We were already fans of Kris Drever (mostly via Lau), Karine Polwart and Beth Porter (via the Bookshop Band), and became familiar with a few more of the artists (Kerry Andrew, Julie Fowlis and Rachel Newton) earlier this year through the online Folk on Foot festivals. This volume includes six additional poems, four of which directly inspired songs on the album, plus brief bios and words on the project from each artist (each portrayed by Morris as a relevant bird, with the musician serving as the “spirit human” for the bird) the complete lyrics with notes from whoever took the lead on a particular song, and short essays by Macfarlane, Morris (also an interview) and Polwart.
It was interesting to compare the different approaches to the project: five songs directly set Macfarlane’s poetry to music, two of them primarily in spoken word form; five are based on Macfarlane “extras,” like the new spells and the “charm against harm” he wrote during anti-tree felling campaigns like the one in Sheffield; a few are essentially pop songs based around major lines from Dandelion, Goldfinch and Lark (these plus “Selkie-Boy,” based on Grey Seal, ended up being my favorites); one is a traditional song from Seckou Keita’s native Senegal that also incorporates the bilingual Fowlis’s Gaelic to mourn the words that are lost with the past; and one is a final blessing song that weaves in bits from multiple spells. The artists all bring their individual styles, but the collaborations are strong, too. 

Are you squeezing in any more novellas this month?
Do you like the sound of any of the ones I’ve read?





Phosphorescence by Julia Baird – An intriguing if somewhat scattered hybrid: a self-help memoir with nature themes. Many female-authored nature books I’ve read recently (Wintering, A Still Life, Rooted) have emphasized paying attention and courting a sense of wonder. To cope with recurring abdominal cancer, Baird turned to swimming at the Australian coast and to faith. Indeed, I was surprised by how deeply she delves into Christianity here. She was involved in the campaign for the ordination of women and supports LGBTQ rights. 
Open House by Elizabeth Berg – When her husband leaves, Sam goes off the rails in minor and amusing ways: accepting a rotating cast of housemates, taking temp jobs at a laundromat and in telesales, and getting back onto the dating scene. I didn’t find Sam’s voice as fresh and funny as Berg probably thought it is, but this is as readable as any Oprah’s Book Club selection and kept me entertained on the plane ride back from America and the car trip up to York. It’s about finding joy in the everyday and not defining yourself by your relationships.
Site Fidelity by Claire Boyles – I have yet to review this for BookBrowse, but can briefly tell you that it’s a terrific linked short story collection set on the sagebrush steppe of Colorado and featuring several generations of strong women. Boyles explores environmental threats to the area, like fracking, polluted rivers and an endangered bird species, but never with a heavy hand. It’s a different picture than what we usually get of the American West, and the characters shine. The book reminded me most of Love Medicine by Louise Erdrich. 
Every Minute Is a Day by Robert Meyer, MD and Dan Koeppel – The Bronx’s Montefiore Medical Center serves an ethnically diverse community of the working poor. Between March and September 2020, it had 6,000 Covid-19 patients cross the threshold. Nearly 1,000 of them would die. Unfolding in real time, this is an emergency room doctor’s diary as compiled from interviews and correspondence by his journalist cousin. (Coming out on August 3rd. Reviewed for Shelf Awareness.)
Virga by Shin Yu Pai – Yoga and Zen Buddhism are major elements in this tenth collection by a Chinese American poet based in Washington. She reflects on her family history and a friend’s death as well as the process of making art, such as a project of crafting 108 clay reliquary boxes. “The uncarved block,” a standout, contrasts the artist’s vision with the impossibility of perfection. The title refers to a weather phenomenon in which rain never reaches the ground because the air is too hot. (Coming out on August 1st.)
The Other Black Girl by Zakiya Dalila Harris – I feel like I’m the last person on Earth to read this buzzy book, so there’s no point recounting the plot, which initially is reminiscent of
Heartstopper, Volume 1 by Alice Oseman – It’s well known at Truham boys’ school that Charlie is gay. Luckily, the bullying has stopped and the others accept him. Nick, who sits next to Charlie in homeroom, even invites him to join the rugby team. Charlie is smitten right away, but it takes longer for Nick, who’s only ever liked girls before, to sort out his feelings. This black-and-white YA graphic novel is pure sweetness, taking me right back to the days of high school crushes. I raced through and placed holds on the other three volumes.
The Vacationers by Emma Straub – Perfect summer reading; perfect holiday reading. Like Jami Attenberg, Straub writes great dysfunctional family novels featuring characters so flawed and real you can’t help but love and laugh at them. Here, Franny and Jim Post borrow a friend’s home in Mallorca for two weeks, hoping sun and relaxation will temper the memory of Jim’s affair. Franny’s gay best friend and his husband, soon to adopt a baby, come along. Amid tennis lessons, swims and gourmet meals, secrets and resentment simmer.
Kitchen by Banana Yoshimoto – A pair of poignant stories of loss and what gets you through. In the title novella, after the death of the grandmother who raised her, Mikage takes refuge with her friend Yuichi and his mother (once father), Eriko, a trans woman who runs a nightclub. Mikage becomes obsessed with cooking: kitchens are her safe place and food her love language. Moonlight Shadow, half the length, repeats the bereavement theme but has a magic realist air as Satsuki meets someone who lets her see her dead boyfriend again.
This was my 11th book from Padel; I’ve read a mixture of her poetry, fiction, narrative nonfiction and poetry criticism. Emerald consists mostly of poems in memory of her mother, Hilda, who died in 2017 at the age of 97. The book pivots on her mother’s death, remembering the before (family stories, her little ways, moving her into sheltered accommodation when she was 91, sitting vigil at her deathbed) and the letdown of after. It made a good follow-on to one I reviewed last month, Kate Mosse’s
This was my last remaining unread book by Adichie, and that probably goes a long way toward explaining why I found it underwhelming. In comparison to her two later novels, and even her short stories (of which this reminded me the most), the canvas is small and the emotional scope limited. Kambili is a Nigerian teenager caught between belief systems: her grandfather’s traditional (“pagan”) ancestor worship versus the strict Catholicism that is the preserve of her abusive father, but also of the young priest on whom she has a crush. She and her brother try to stay out of their father’s way, but they are held to such an impossibly high standard of behaviour that it seems inevitable that they will disappoint him.
A sweet coming-of-age novella about a boy moving to the Australian Outback to live with his grandfather in the 1960s and adopting a stray dog – a red cloud kelpie, but named Blue. I didn’t realize that this is a prequel (to Red Dog), and based on a screenplay. It was my third book by de Bernières, and it was interesting to read in the afterword that he sees this one as being suited to 12-year-olds, yet most likely to be read by adults.
Each of these 11 stories has a fantastic first line – my favorite, from “Sacred Heart,” being “In ninth grade I was a great admirer of Jesus Christ” – but often I felt that these stories of relationships on the brink did not live up to their openers. Most take place in a major city (Chicago, New York, San Francisco) or a holiday destination (Bora Bora, China, Mexico, Spain), but no matter the setting, the terrain is generally a teen girl flirting with danger or a marriage about to implode because the secret of a recent or long-ago affair has come out into the open.
(Visible darkness must have a colour, right?) I had long wanted to read this and finally came across a secondhand copy the other day. What I never realized was that, at 84 pages, it is essentially an extended essay: It started life as a lecture given at Johns Hopkins in 1989, was expanded into a Vanity Fair essay, and then further expanded into this short book.

