Book Serendipity, May to June 2021
I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually 20‒30), I suppose I’m more prone to such incidents. I’ve realized that, of course, synchronicity is really the more apt word, but this branding has stuck.
The following are in roughly chronological order.
- Sufjan Stevens songs are mentioned in What Is a Dog? by Chloe Shaw and After the Storm by Emma Jane Unsworth.
- There’s a character with two different coloured eyes in The Mothers by Brit Bennett and Painting Time by Maylis de Kerangal.
- A description of a bathroom full of moisturizers and other ladylike products in The Mothers by Brit Bennett and The Interior Silence by Sarah Sands.
- A description of having to saw a piece of furniture in half to get it in or out of a room in A Braided Heart by Brenda Miller and After the Storm by Emma Jane Unsworth.
- The main character is named Esther Greenwood in the Charlotte Perkins Gilman short story “The Unnatural Mother” in the anthology Close Company and The Bell Jar by Sylvia Plath. Indeed, it seems Plath may have taken her protagonist’s name from the 1916 story. What a find!
- Reading two memoirs of being in a coma for weeks and on a ventilator, with a letter or letters written by the hospital staff: Many Different Kinds of Love by Michael Rosen and Coma by Zara Slattery.
- Reading two memoirs that mention being in hospital in Brighton: Coma by Zara Slattery and After the Storm by Emma Jane Unsworth.
- Reading two books with a character named Tam(b)lyn: My Cousin Rachel by Daphne du Maurier and Coma by Zara Slattery.
- A character says that they don’t miss a person who’s died so much as they miss the chance to have gotten to know them in Featherhood by Charlie Gilmour and In by Will McPhail.
- A man finds used condoms among his late father’s things in The Invention of Solitude by Paul Auster and Featherhood by Charlie Gilmour.
- An absent husband named David in Open House by Elizabeth Berg and Ruby by Ann Hood.
- The murder of Thomas à Becket featured in Murder in the Cathedral by T.S. Eliot (read in April) and Heavy Time by Sonia Overall (read in June).
- Adrienne Rich is quoted in (M)otherhood by Pragya Agarwal and Heavy Time by Sonia Overall.
- A brother named Danny in Immediate Family by Ashley Nelson Levy and Saint Maybe by Anne Tyler.
- The male lead is a carpenter in Early Morning Riser by Katherine Heiny and Saint Maybe by Anne Tyler.
- An overbearing, argumentative mother who is a notably bad driver in Early Morning Riser by Katherine Heiny and Blue Shoe by Anne Lamott.
- That dumb 1989 movie Look Who’s Talking is mentioned in (M)otherhood by Pragya Agarwal and Early Morning Riser by Katherine Heiny.
- In the same evening, I started two novels that open in 1983, the year of my birth: The Other Black Girl by Zakiya Dalila Harris and Malibu Rising by Taylor Jenkins Reid.
- “Autistic” is used as an unfortunate metaphor for uncontrollable or fearful behavior in Open House by Elizabeth Berg and Blue Shoe by Anne Lamott (from 2000 and 2002, so they’re dated references rather than mean-spirited ones).
A secondary character mentions a bad experience in a primary school mathematics class as being formative to their later life in Blue Shoe by Anne Lamott and Saint Maybe by Anne Tyler (at least, I think it was in the Tyler; I couldn’t find the incident when I went back to look for it. I hope Liz will set me straight!).
- The panopticon and Foucault are referred to in Great Circle by Maggie Shipstead and I Live a Life Like Yours by Jan Grue. Specifically, Jeremy Bentham’s panopticon is the one mentioned in the Shipstead, and Bentham appears in The Cape Doctor by E.J. Levy.
What’s the weirdest reading coincidence you’ve had lately?
20 Books of Summer, #6–8: Aristide, Hood, Lamott
This latest batch of colour-themed summer reads took me from a depleted post-pandemic landscape to the heart of dysfunctional families in Rhode Island and California.
Under the Blue by Oana Aristide (2021)
Fans of Station Eleven, this one’s for you: the best dystopian novel I’ve read since Mandel’s. Aristide started writing this in 2017, and unknowingly predicted a much worse pandemic than Covid-19. In July 2020, Harry, a middle-aged painter inhabiting his late nephew’s apartment in London, finally twigs that something major is going on. He packs his car and heads to his Devon cottage, leaving its address under the door of the cute neighbour he sometimes flirts with. Hot days stack up and his new habits of rationing food and soap are deeply ingrained by the time the gal from #22, Ash – along with her sister, Jessie, a doctor who stocked up on medicine before fleeing her hospital – turn up. They quickly sink into his routines but have a bigger game plan: getting to Uganda, where their mum once worked and where they know they will be out of range of Europe’s at-risk nuclear reactors. An epic road trip ensues.
It gradually becomes clear that Harry, Ash and Jessie are among mere thousands of survivors worldwide, somehow immune to a novel disease that spread like wildfire. There are echoes of Cormac McCarthy’s The Road in the way that they ransack the homes of the dead for supplies, and yet there’s lightness to their journey. Jessie has a sharp sense of humour, provoking much banter, and the places they pass through in France and Italy are gorgeous despite the circumstances. It would be a privilege to wander empty tourist destinations were it not for fear of nuclear winter and not finding sufficient food – and petrol to keep “the Lioness” (the replacement car they steal; it becomes their refuge) going. While the vague sexual tension between Harry and Ash persists, all three bonds are intriguing.
In an alternating storyline starting in 2017, Lisa and Paul, two computer scientists based in a lab at the Arctic Circle, are programming an AI, Talos XI. Based on reams of data on history and human nature, Talos is asked to predict what will happen next. But when it comes to questions like the purpose of art and whether humans are worth saving, the conclusions he comes to aren’t the ones his creators were hoping for. These sections are set out as transcripts of dialogues, and provide a change of pace and perspective. Initially, I was less sure about this strand, worrying that it would resort to that well-worn trope of machines gone bad. Luckily, Aristide avoids sci-fi clichés, and presents a believable vision of life after the collapse of civilization.
The novel is full of memorable lines (“This absurd overkill, this baroque wedding cake of an apocalypse: plague and then nuclear meltdowns”) and scenes, from Harry burying a dead cow to the trio acting out a dinner party – just in case it’s their last. There’s an environmentalist message here, but it’s subtly conveyed via a propulsive cautionary tale that also reminded me of work by Louisa Hall and Maja Lunde. (Public library) 
Ruby by Ann Hood (1998)
Olivia had the perfect life: fulfilling, creative work as a milliner; a place in New York City and a bolthole in Rhode Island; a new husband and plans to try for a baby right away. But then, in a fluke accident, David was hit by a car while jogging near their vacation home less than a year into their marriage. As the novel opens, 37-year-old Olivia is trying to formulate a letter to the college girl who struck and killed her husband. She has returned to Rhode Island to get the house ready to sell but changes her mind when a pregnant 15-year-old, Ruby, wanders in one day.
At first, I worried that the setup would be too neat: Olivia wants a baby but didn’t get a chance to have one with David before he died; Ruby didn’t intend to get pregnant and looks forward to getting back her figure and her life of soft drugs and petty crime. And indeed, Olivia suggests an adoption arrangement early on. But the outworkings of the plot are not straightforward, and the characters, both main and secondary (including Olivia’s magazine writer friend, Winnie; David’s friend, Rex; Olivia’s mother and sister; a local lawyer who becomes a love interest), are charming.
It’s a low-key, small-town affair reminiscent of the work of Anne Tyler, and I appreciated how it sensitively explores grief, its effects on the protagonist’s decision-making, and how daunting it is to start over (“The idea of that, of beginning again from nothing, made Olivia feel tired.”). It was also a neat touch that Olivia is the same age as me, so in some ways I could easily imagine myself into her position.
This was the ninth book I’ve read by Hood, an author little known outside of the USA – everything from grief memoirs to a novel about knitting. Ironically, its main themes of adoption and bereavement were to become hallmarks of her later work: she lost her daughter in 2002 and then adopted a little girl from China. (Secondhand purchase, June 2021)
[I’ve read another novel titled Ruby – Cynthia Bond’s from 2014.]
Blue Shoe by Anne Lamott (2002)
I’m a devoted reader of Lamott’s autobiographical essays about faith against the odds (see here), but have been wary of trying her fiction, suspecting I wouldn’t enjoy it as much. Well, it’s true that I prefer her nonfiction on the whole, but this was an enjoyably offbeat novel featuring the kind of frazzled antiheroine who wouldn’t be out of place in Anne Tyler’s work.
Mattie Ryder has left her husband and returned to her Bay Area family home with her young son and daughter. She promptly falls for Daniel, the handyman she hires to exterminate the rats, but he’s married, so she keeps falling into bed with her ex, Nicky, even after he acquires a new wife and baby. Her mother, Isa, is drifting ever further into dementia. A blue rubber shoe that Mattie finds serves as a totem of her late father – and his secret life. She takes a gamble that telling the truth, no matter what the circumstances, will see her right.
As in Ruby, I found the protagonist relatable and the ensemble cast of supporting characters amusing. Lamott crafts some memorable potted descriptions: “She was Jewish, expansive and yeasty and uncontained, as if she had a birthright for outrageousness” and “He seemed so constrained, so neatly trimmed, someone who’d been doing topiary with his soul all his life.” She turns a good phrase, and adopts the same self-deprecating attitude towards Mattie that she has towards herself in her memoirs: “She usually hoped to look more like Myrna Loy than an organ grinder’s monkey when a man finally proclaimed his adoration.”
At a certain point – maybe two-thirds of the way through – my inward reply to a lot of the novel’s threads was “okay, I get it; can we move on?” Yes, the situation with Isa is awful; yes, something’s gotta give with Daniel and his wife; yes, the revelations about her father seem unbearable. But with a four-year time span, it felt like Mattie was stuck in the middle for far too long. It’s also curious that she doesn’t apply her zany faith (a replica of Lamott’s) to questions of sexual morality – though that’s true of more liberal Christian approaches. All in all, I had some trouble valuing this as a novel because of how much I know about Lamott’s life and how closely I saw the storyline replicating her family dynamic. (Secondhand purchase, c. 2006 – I found a signed hardback in a library book sale back in my U.S. hometown for $1.) 
Hmm, altogether too much blue in my selections thus far (4 out of 8!). I’ll have to try to come up with some more interesting colours for my upcoming choices.
Next books in progress: The Other’s Gold by Elizabeth Ames and God Is Not a White Man by Chine McDonald.
Read any of these? Interested?
The Best Books from the First Half of 2021
Hard to believe we’ve already crossed the midpoint of the year. My top 20 releases of 2021 thus far, in alphabetical order within genre (fiction is dominating this year!), are below. I link to those I’ve already reviewed in full here or on Goodreads:
Fiction
Under the Blue by Oana Aristide: Fans of Station Eleven, this one’s for you: the best dystopian novel I’ve read since Mandel’s. Aristide started writing in 2017, and unknowingly predicted a much worse pandemic than Covid-19. In July 2020, Harry and sisters Ash and Jessie are among mere thousands of survivors worldwide. Their plan is to flee England for Uganda, out of range of Europe’s at-risk nuclear reactors. An epic road trip ensues. A propulsive cautionary tale that also reminded me of work by Louisa Hall and Maja Lunde.
The Push by Ashley Audrain: Blythe Connor, living alone with her memories, ponders what went wrong with her seemingly perfect family: a handsome architect husband, Fox, and their daughter Violet and baby son Sam. How much of what happened was because of Violet’s nature, and how much was Blythe’s fault for failing to be the mother the girl needed? The fact that her experience with Sam was completely different makes her feel ambivalent about motherhood. A cracking psychological thriller with an unreliable narrator.
A Lie Someone Told You About Yourself by Peter Ho Davies: Davies’ minimalist approach – short sections skating over the months and years, wryly pulling out representative moment – crystallizes fatherhood, illuminating its daily heartaches and joys. The tone is just right in this novella, showing both sides of parenthood and voicing things you aren’t allowed to think, or at least not to admit to, starting with abortion, which would-be fathers aren’t expected to have strong feelings about. I loved the rumination on the role that chance plays in a life.
The Living Sea of Waking Dreams by Richard Flanagan: Extinction, personal and global, is at the heart of this timely and enchanting story. It starts off as a family drama. Francie, the 86-year-old matriarch, is in a Tasmanian hospital after a brain bleed. Her three middle-aged children can’t bear to let her go. In an Australia blighted by bushfires, species loss mirrors Francie’s physical and mental crumbling. Smartphone addiction threatens meaningful connection. And then characters start to literally disappear, part by part…
Mrs Death Misses Death by Salena Godden: Grief Is the Thing with Feathers meets Girl, Woman, Other would be my marketing shorthand for this one. Poet Salena Godden’s debut novel is a fresh and fizzing work, passionate about exposing injustice but also about celebrating simple joys, and in the end it’s wholly life-affirming despite a narrative stuffed full of deaths real and imagined. The novel balances the cosmic and the personal through Wolf’s family story. Unusual, musical, and a real pleasure to read.
Early Morning Riser by Katherine Heiny: This tickled my funny bone. A cross between Kitchens of the Great Midwest and Olive Kitteridge, it’s built of five extended episodes, crossing nearly two decades in the lives of Jane and Duncan and lovingly portraying the hangers-on who compose their unusual family constellation in Boyne City, Michigan. All the characters are incorrigible but wonderful. Bad things happen, but there’s a core of love as Heiny explores marriage and parenting. A good-natured book that feels wise and bittersweet.
No One Is Talking About This by Patricia Lockwood: This starts as a flippant skewering of modern life. A woman who became a social media star by tweeting quips like “Can a dog be twins?” reflects on life on “the portal” and under “the dictator.” Midway through the book, she gets a wake-up call when her mother summons her back to the Midwest for a family emergency. It’s the about-face that makes this novel, forcing readers to question the value of a digital existence based on glib pretence. Funny, but with an ache behind it.
In by Will McPhail: Alternately laugh-out-loud funny and gentle. This debut graphic novel is a spot-on picture of modern life in a generic city. Nick never knows the right thing to say. The bachelor artist’s well-intentioned thoughts remain unvoiced; all he can manage is small talk. That starts to change when he meets Wren, a Black doctor who sees past his pretence. If only he can find the magic words that elicit honesty, he might make real connections with other human beings. A good old-fashioned story, with a wide emotional range.
Detransition, Baby by Torrey Peters: A sparkling, sexy comedy with a tender heart beneath the zingers. Peters has set herself up as the Jane Austen of the trans community, tracing the ins and outs of relationships with verve and nuance. For me this was a valuable book simply for normalizing trans sexuality. The themes are universal, after all: figuring out who you are and what the shape of your life will be. I admire when authors don’t pander to readers by making things easy for those who are unfamiliar with a culture. Great lines abound.
Brood by Jackie Polzin: Polzin’s debut is a quietly touching story of a woman in the Midwest raising chickens and coming to terms with the shape of her life. The unnamed narrator is Everywoman and no one at the same time. At one point she reveals, with no fanfare, that she miscarried four months into pregnancy in the bathroom of one of the houses she cleans. There is a bittersweet tone to this short work. It’s a low-key, genuine portrait of life in the in-between stages and how it can be affected by fate or by other people’s decisions.
Nonfiction
The Circling Sky by Neil Ansell: Hoping to reclaim an ancestral connection, Ansell visited the New Forest some 30 times between January 2019 and January 2020, observing the unfolding seasons and the many uncommon and endemic species its miles house. He weaves together his personal story, the shocking history of forced Gypsy relocation into forest compounds starting in the 1920s, and the unfairness of land ownership in Britain. The New Forest is a model of both wildlife-friendly land management and freedom of human access.
The Inevitable by Katie Engelhart: Engelhart spends time with doctors and patients who are caught up in the assisted dying argument, chiefly in Western Europe and the United States. Each case is given its own long chapter, like an extended magazine profile. The stories are wrenching, but compassionately told. The author explores the nuances of each situation, crafting expert portraits of suffering people and the medical professionals who seek to help them, and adding much in the way of valuable context. A voice of reason and empathy.
The Screaming Sky by Charles Foster: A Renaissance man as well versed in law and theology as he is in natural history, Foster is obsessed with swifts and ashamed of his own species: for looking down at their feet when they could be watching the skies; for the “pathological tidiness” that leaves birds and other creatures no place to live. He delivers heaps of information on the birds but refuses to stick to a just-the-facts approach. The book quotes frequently from poetry and the prose is full of sharp turns of phrase and whimsy.
Intensive Care by Gavin Francis: Francis, an Edinburgh physician, reflects on “the most intense months I have known in my twenty-year career.” He journeys back through 2020, from the January day when he received a bulletin about a “novel Wuhan coronavirus” to November, when he learned of promising vaccine trials but also a rumored third wave and winter lockdown. An absorbing first-hand account of a medical crisis, it compassionately bridges the gap between experts and laymen. The best Covid chronicle so far.
A Still Life by Josie George: Over a year of lockdowns, many of us became accustomed to spending most of the time at home. But for Josie George, social isolation is nothing new. Chronic illness long ago reduced her territory to her home and garden. The magic of A Still Life is in how she finds joy and purpose despite extreme limitations. Opening on New Year’s Day and travelling from one winter to the next, the book is a window onto George’s quiet existence as well as the turning of the seasons. (Reviewed for TLS.)
Dusk, Night, Dawn by Anne Lamott: Lamott’s best new essays in nearly a decade. The central theme is how to have hope in God and in other people even when the news – Trump, Covid, and climate breakdown – only heralds the worst. One key thing that has changed for her is getting married for the first time, in her mid-sixties, to a Buddhist. In thinking of marriage, she writes about friendship, constancy, and forgiveness, none of which comes easy. Opportunities for maintaining quiet faith in spite of the circumstances arise all the time.
A Braided Heart by Brenda Miller: Miller, a professor of creative writing, delivers a master class on the composition and appreciation of autobiographical essays. In 18 concise pieces, she tracks her development as a writer and discusses the “lyric essay”—a form as old as Seneca that prioritizes imagery over narrative. These innovative and introspective essays, ideal for fans of Anne Fadiman, showcase the interplay of structure and content. (Coming out on July 13th from the University of Michigan Press. My first review for Shelf Awareness.)
Sanctuary by Emily Rapp Black: A continuation of The Still Point of the Turning World, about the author’s son Ronan, who died of Tay-Sachs disease at age three. In the months surrounding his death, she split from her husband and raced into another relationship that led to her daughter, Charlie. Rapp Black questions the sorts of words she got branded with: “brave,” “resilient.” Sanctuary is full of allusions and flashbacks, threading life’s disparate parts into a chaotic tapestry. It’s measured and wrought, taming fire into light and warmth.
Poetry
Pilgrim Bell by Kaveh Akbar: An Iranian American poet imparts the experience of being torn between cultures and languages, as well as between religion and doubt, in this gorgeous collection of confessional verse. Food, plants, animals, and the body supply the book’s imagery. Wordplay and startling juxtapositions lend lightness to a wistful, intimate collection that seeks belonging and belief. (Coming out on August 3rd from Graywolf Press. Reviewed for Shelf Awareness.)
Eat or We Both Starve by Victoria Kennefick: In this audacious debut collection, the body is presented as a battleground: for the brain cancer that takes the poet’s father; for disordered eating that entwines with mummy issues; for the restructuring of pregnancy. Families break apart and fuse into new formations. Cannibalism and famine metaphors dredge up emotional states and religious doctrines. There’s a pleasingly morbid cast to the book, but it also has its lighter moments. Rich with imagery and alliteration, this is just my kind of poetry.
What are some of the best books you’ve read so far this year?
What 2021 releases do I need to catch up on right away?
Three Junes by Julia Glass (2002)
I had the “wrong” introduction to Julia Glass’s work in that I started with The Whole World Over (2006) in January 2019 instead of the novel to which it is a rough sequel: her National Book Award-winning debut, Three Junes. This wasn’t really a problem, though. The main link between the two is the character Fenno, a Scottish transplant to New York City who runs a bookstore. He narrates the central and longest section of Three Junes, while the shorter bookend chapters are in the third person. All three pieces braid past and present together such that the novel’s 10-year span feels even more expansive.
“Collies,” set in 1989, opens the book on Greece, where Paul McLeod has headed for a package holiday after the death from cancer of his wife, Maureen, who was an obsessive dog trainer. In “Upright,” which moves six years into the future, Paul’s son Fenno and his younger twin brothers, David and Dennis, are at the family home in Dumfries to divvy up the estate. Fenno’s mind drifts back through his time in New York City and particularly the lovers and friends of his life, some of whom died at the height of the AIDS crisis. In the present day, he faces a dilemma when his brother and sister-in-law ask him an intimate favor.
“Boys,” dated 1999, closes the book and centers on Fern, a young widow who is visiting a friend’s beach home in Long Island and contemplating how she will tell her new boyfriend (who happens to be her landlord’s son) that she is five months pregnant. This final chapter ropes in a few characters from previous sections – but, in a frustrating yet delicious instance of dramatic irony, the two main figures don’t realize there’s a couple of connections between them.
Many of the elements that I loved in The Whole World Over were present here, too: a New York City bookstore setting, the comfort of animals (David is a vet), gourmet meals (Dennis is a chef), and a matter-of-fact but tender consideration of loss. A minor character declares, “people overestimate the power of the past,” but this tripartite narrative puts the lie to that statement as the past continues to seep into everyday life. And the last line goes on my list of favourites encountered so far this year: “Here we are—despite the delays, the confusion, and the shadows en route—at last, or for the moment, where we always intended to be.”
I didn’t particularly warm to the first chapter and worried that this boded ill for the whole book, but as soon as Fenno’s voice took over at about page 60 I sank into the inviting prose. After my first taste of her work, I likened Glass to Louise Miller and Carolyn Parkhurst; now I’d add in Elizabeths Berg and Strout. I’ll read the rest of her books for sure. I have a paperback copy of I See You Everywhere and her latest, A House among the Trees, is on my Kindle.
Source: Secondhand purchase from Wonder Book and Video outdoor clearance area
My rating:
Classic of the Month & 20 Books of Summer #5: A Pair of Blue Eyes by Thomas Hardy (1873)
While going through my boxes stored in my sister’s basement, I came across an antiquarian copy of this lesser-known Hardy novel. I used to place a lot more value on books’ age and rarity, whereas now I tend to just acquire readable paperback copies. I also used to get on much better with Victorian novels – I completed an MA in Victorian Literature, after all – but these days I generally find them tedious. Two years ago, I DNFed Hardy’s The Well-Beloved, and I ended up mostly skimming A Pair of Blue Eyes after the first 100 pages. In any case, it fit into my 20 Books of Summer colour theme. It’s sad for me that I’ve lost my love for my academic speciality, but life is long and I may well go back to Victorian literature someday.
I found similarities to Far from the Madding Crowd, my favourite Hardy novel, as well as to Hardy’s own life. As in FFTMC, the focus is on a vain young woman with three suitors. Elfride Swancourt is best known for her eyes, rapturously described as “blue as autumn distance—blue as the blue we see between the retreating mouldings of hills and woody slopes on a sunny September morning. A misty and shady blue, that had no beginning or surface, and was looked into rather than at.” Her vicar father, suffering from gout and sounding much older than his actual age (40 was a different prospect in that time!), warns her that architects will soon be arriving from London to plan restoration work on the church tower.
The young architectural assistant who arrives at the Swancourts’ coastal parish in “Lower Wessex” (North Devon?) is Stephen Smith, a clear Hardy stand-in, desperate to hide his humble background as he seeks to establish himself in his profession. Stephen emulates his friend Henry Knight, a dilettante essayist and book reviewer. Book learning has given Stephen passable knowledge of everything from Latin to chess, but he doesn’t know how to do practical things like ride a horse. Elfride and Stephen, predictably, fall in love, and she is determined to go ahead with an engagement even when she learns that his parents are a mason and a milkmaid, but her father refuses to grant permission. It’s intriguing that this poor clergyman fancies himself of the class of the Luxellians, local nobility, than of the Smiths.
{SPOILERS FOLLOW}
Elfride’s previous love died, and his pauper mother, Mrs Jethway, blames her still for toying with her boy’s affections. When Stephen takes a position in India and Mr Swancourt remarries and moves the family to London, Elfride’s eye wanders. Time for love interest #3. The family runs into Knight, who is a distant cousin of Mrs Swancourt. There’s another, juicier, connection: Elfride is a would-be author (she writes her father’s sermons for him, putting passages in brackets with the instruction “Leave this out if the farmers are falling asleep”) and publishes a medieval romance under a male pseudonym. A negative write-up of her book needles her. “What a plague that reviewer is to me!” And who is it but Knight?
They begin a romance despite this inauspicious coincidence and his flirty/haughty refusal to admire her fine eyes – “I prefer hazel,” he says. Some of the novel’s most memorable scenes, famous even beyond its immediate context, come from their courtship. Knight saves her from falling off the church tower, while she tears her dress into linen strips and ties them into a rope to rescue him from a sea cliff (scandalous!). Somewhere I’d read an in-depth account of this scene: as Knight dangles from the rock face, he spots a trilobite, which, in its very ancientness, mocks the precariousness of his brief human life. Lovingly created and personally watched over by a supreme being? Pshaw. Hardy’s was a godless vision, and I’ve always been interested in that Victorian transition from devoutness to atheism.
The novel’s span is too long, requiring a lot of jumps in time. I did appreciate that Mrs Jethway becomes the instrument of downfall, writing a warning letter to Knight about Elfride’s mistreatment of her son and another former fiancé. Knight breaks things off and it’s not until 15 months later, after he and Stephen bump into each other in London and Knight realizes that Stephen was her other suitor, that they travel back to Wessex to duke it out over the girl. When they arrive, though, it’s too late: Elfride had married but then fallen ill and died; her funeral is to take place the very next day. As the book closes at the vault, it’s her widower, Lord Luxellian, who has the right to mourn and not either of her previous loves.
{END OF SPOILERS}
As always with Hardy, I enjoyed the interplay of coincidence and fate. There were a few elements of this novel that I particularly liked: the coastal setting, the characters’ lines of work (including a potential profession for Elfride, though Knight told her in future she should stick to domestic scenes in her writing!) and the role played by a book review, but overall, this was not a story that is likely to stick with me. I did wonder to what extent it inspired Lars Mytting’s The Bell in the Lake, about a country girl who falls in love with the man who comes to oversee construction at the local church.
Source: Secondhand purchase, most likely from Wonder Book and Video in the early 2000s
My rating:
Library Checkout, June 2021
I’m slowly getting back into the swing of things after my trip to the USA plus 10 days in quarantine. I sent my husband to pick up my latest pile of library reservations, and tomorrow I’ll get the chance to go in for one volunteering session before we’re off to Northumberland for 10 days (our major vacation of the year). It looks like Maggie Shipstead’s Great Circle, at over 600 pages, will form the bulk of my holiday reading.
I would be delighted to have other bloggers – not just book bloggers – join in with this meme. Feel free to use the image above and leave a link to your blog in the comments if you’ve taken part in Library Checkout (on the last Monday of each month), or tag me on Twitter and Instagram: @bookishbeck / #TheLibraryCheckout & #LoveYourLibraries.
READ
- Under the Blue by Oana Aristide
- Blue Dog by Louis de Bernières
- Early Morning Riser by Katherine Heiny
SKIMMED
- How to Be Sad: Everything I’ve Learned about Getting Happier, by Being Sad, Better by Helen Russell
CURRENTLY READING
- Becoming a Man: Half a Life Story by Paul Monette [set aside temporarily]
CHECKED OUT, TO BE READ
- This Happy by Niamh Campbell
- Heavy Light: A Journey through Madness, Mania and Healing by Horatio Clare
- Lakewood by Megan Giddings
- The Master Bedroom by Tessa Hadley
- A More Perfect Union by Tammye Huf
- The Rome Plague Diaries: Lockdown Life in the Eternal City by Matthew Kneale
- Elegy for a River: Whiskers, Claws and Conservation’s Last, Wild Hope by Tom Moorhouse
- Joe Biden: American Dreamer by Evan Osnos
- The Dig by John Preston
- Dreamland by Rosa Rankin-Gee
- Broke Vegan: Over 100 Plant-Based Recipes that Don’t Cost the Earth by Saskia Sidey [to skim only]
Plus a cheeky new selection from the university library – graphic novels, poetry, and a bit of fiction. No photo as of yet, but this is what my husband is bringing back for me later today.
- The Tragic Death of Eleanor Marx by Tara Bergin
- Bloodchild and Other Stories by Octavia E. Butler
- James Miranda Barry by Patricia Duncker
- The Kite Runner: Graphic Novel by Khaled Hosseini
- The Summer before the Dark by Doris Lessing
- Jilted City by Patrick McGuinness
- The State of the Prisons by Sinéad Morrissey
- Frankenstein: The Graphic Novel by Mary Shelley
- Lena Finkle’s Magic Barrel by Anya Ulinich
ON HOLD, TO BE PICKED UP
- Misplaced Persons by Susan Beale
- Second Place by Rachel Cusk
- The Other Black Girl by Zakiya Dalila Harris
- The Premonition: A Pandemic Story by Michael Lewis [to skim only]
- Nothing but Blue Sky by Kathleen MacMahon
- Demystifying the Female Brain: A Neuroscientist Explores Health, Hormones and Happiness by Sarah McKay [to skim only]
- Heartstoppers, Volume 1 by Alice Oseman
- Great Circle by Maggie Shipstead
- Ice Rivers by Jemma Wadham
- Still Life by Sarah Winman
IN THE RESERVATION QUEUE
- Consumed: A Sister’s Story by Arifa Akbar
- Who Is Maud Dixon? by Alexandra Andrews
- Medusa’s Ankles: Selected Stories by A.S. Byatt
- Darwin’s Dragons by Lindsay Galvin
- When the Stars Go Dark by Paula McLain
- His Only Wife by Peace Adzo Medie
- To the Island of Tides: A Journey to Lindisfarne by Alistair Moffat
- The Sea Is Not Made of Water: Life between the Tides by Adam Nicolson
- Malibu Rising by Taylor Jenkins Reid
- Everyone Is Still Alive by Cathy Rentzenbrink
- My Phantoms by Gwendoline Riley
- Earthed: A Memoir by Rebecca Schiller
- I Belong Here: A Journey along the Backbone of Britain by Anita Sethi
- Forecast: A Diary of the Lost Seasons by Joe Shute
- Plague: A Very Short Introduction by Paul Slack
- August Folly by Angela Thirkell
- A Walk from the Wild Edge by Jake Tyler
- August by Callan Wink
- The Hidden Life of Trees by Peter Wohlleben
RETURNED UNFINISHED
- Small Pleasures by Clare Chambers – The first few pages didn’t draw me in, and I’ve seen very polarized responses.
- Circus of Wonders by Elizabeth Macneal – I read the first 40-some pages and skimmed up to p. 90. Victoriana by numbers. None of the characters leapt out at me. Such a disappointment after how much I loved The Doll Factory!
What appeals from my stacks?
Three June Releases: Allen-Paisant, Cowen and Mosse
Two poetry offerings and a short memoir this month. A similar strategy is at work in both verse volumes: Jason Allen-Paisant contrasts Jamaica and England via the medium of trees, and Rob Cowen comments on current events through the prism of the natural world. In Kate Mosse’s first nonfiction book, she reflects on bereavement and caregiving.
Thinking with Trees by Jason Allen-Paisant
Allen-Paisant, from Jamaica and now based in Leeds, describes walking in the forest as an act of “reclamation.” For people of colour whose ancestors were perhaps sent on forced marches, hiking may seem strange, purposeless (the subject of “Black Walking”). Back in Jamaica, the forest was a place of utility rather than recreation:
In Porus life was un-
pastoral
The woodland was there
not for living in going for walks
or thinking
Trees were answers to our needs
not objects of desire
woodfire
But “I give myself permission / to go outside,” he writes, to notice the turning of the seasons, to commune with trees and birds, even if “there is nobody else like me / around here”. Explicitly calling into question Wordsworth’s model of privileged wandering, he injects a hint of threat into his interactions with nature. Most often this is symbolized by the presence of dogs. Even the most idyllic of scenes harbours the possibility of danger.
beware of spring
believe you are
a sprout of grass
and love all you see
but come out of the woods
before the white boys
with pitbulls
come
The poet cites George Floyd and Christian Cooper, the Central Park birder a white woman called the police on, as proof that being Black outdoors is inherently risky. There’s no denying this is an important topic, but I found the poems repetitive, especially the references to dogs. These felt like overkill. While there is some interesting enjambment, as in the first extended quote above, as well as internal and half-rhymes, I tend to prefer more formal poetry that uses more sonic techniques and punctuation. Still, I would be likely to direct fans of Kei Miller’s work to this collection.
With thanks to Carcanet Press for the free copy for review.
The Heeding by Rob Cowen
This poetry and art collaboration arose out of a “pact to pay attention” during a year of lockdown in the UK and record observations of nature, current events, and everyday life. Cowen is drawn to the moors near his home in Yorkshire, but also yearns to spend time with his friends again. He watches hawks and blue tits, notices the insects that fill his garden, and celebrates the way that allotment gardening brings together all sorts of people.
The emotional scope of the poems is broad: the author fondly remembers his brick-making ancestors and his honeymoon; he sombrely imagines the last moments of an old man dying in a hospital; he expresses guilt over accidentally dismembering an ant, yet divulges that he then destroyed the ants’ nest deliberately. There are even a couple of cheeky, carnal poems, one about a couple of teenagers he caught copulating in the street and one, “The Hottest Day of the Year,” about a longing for touch. “Matter,” in ABAB stanzas, is on the theme of racial justice by way of the Black Lives Matter movement.
My two favourites were “Sunday School,” about the rules for life he’s lived by since leaving religion behind, and “The End of This (Drinking Poem),” which serves as a good-riddance farewell to 2020: “Let me shake off / this year the way the otter / slips out of fast, rising water / and makes the holt just in time … / Let me rid my days of caution and fear, / these protocols and tiers / and Zoom funerals for people I love / and will never see again.” The book is worth the price of admission for the latter alone, and Nick Hayes’s black-and-white woodcut-style engravings are a plus.
However, in general I felt that the balance of current events and nature was off, especially compared to books like The Consolation of Nature, and ultimately I was not convinced that this needed to be in verse at all. “Starling,” especially, feels like a straight knockoff of Robert Macfarlane’s The Lost Words (“We forget that you once shimmered through frozen air, ripple bird. / Shape-shifter, dusk-dancer. Murmurer, sky-writer”). Judging from Cowen’s Common Ground, this would have been more successful as a book of short prose diary entries with a few poems dotted through.
With thanks to Elliott & Thompson for the proof copy for review.
An Extra Pair of Hands: A Story of Caring, Ageing and Everyday Acts of Love by Kate Mosse
Mosse’s parents and mother-in-law all moved in to live with her and her husband in their Chichester home when they reached old age. Her father had Parkinson’s and died in 2011, her mother survived him by a few years, and Granny Rosie is still going (reasonably) strong at the age of 90. This is a compact and relatable account of a daughter’s experiences of caregiving and grief, especially with the recent added complications of a pandemic.
What came through particularly clearly for me was the older generation’s determination to not be a burden: living through the Second World War gave them a sense of perspective, such that they mostly did not complain about their physical ailments and did not expect heroic measures to be made to help them. (Her father knew his condition was “becoming too much” to deal with, and Granny Rosie would sometimes say, “I’ve had enough of me.”) In her father’s case, this was because he held out hope of an afterlife. Although Mosse does not share his religious beliefs, she is glad that he had them as a comfort.
The author recognizes the ways in which she has been lucky: as a full-time writer, she works from home and has the time and energy to devote to caring for elderly parents, whereas for many – generally middle-aged women, who may still have children at home – it is a huge struggle to balance caregiving with the rest of life. What is more, money is no issue for her. Repeating some of the statistics from Madeleine Bunting’s Labours of Love, she acknowledges that the situation is much more challenging for the average person.
I can see how this could serve as a great introduction for someone who hasn’t previously read much about bereavement, caregiving or old age, and I imagine it will especially appeal to existing fans of Mosse’s writing, whereas I was new to her work. I’ve read so much around these topics, including most of the works included in the bibliography, that the book did not offer me anything new, though it was a perfectly pleasant read.
Readalikes I have reviewed:
Notes on Grief by Chimamanda Ngozi Adichie
Be With by Mike Barnes
All Things Consoled by Elizabeth Hay
The Fragments of My Father by Sam Mills
With thanks to Profile Books/Wellcome Collection for the free copy for review.
What recent releases can you recommend?
Saint Maybe by Anne Tyler (1991)
This year I’ve been joining in Liz’s Anne Tyler readalong for the novels I own and hadn’t read yet – I have one each lined up for the next three months as well. Saint Maybe was Tyler’s twelfth novel and forms part of what I consider to be her golden mid-period. It’s most like Dinner at the Homesick Restaurant, my absolute favourite, in that both might be classed as linked short story collections: each chapter is a standalone narrative with knockout first and last lines; together they build a careful picture of a dysfunctional family over the years.
As the novel opens in the 1960s, Ian Bedloe is a lazy teenager contemplating college. When his older brother Danny marries Lucy, mother to Agatha and Thomas, Ian can’t help but comment on the timing of his sister-in-law’s third pregnancy. Danny didn’t realize he’s not the father of this new baby, Daphne, and the newfound knowledge pushes him over the edge. Lucy also fails to cope, and Ian is consumed with guilt at how he inadvertently caused the collapse of their family. In an effort to atone, he joins the puritanical Church of the Second Chance and drops out of college to help his parents raise the three children. Others have to convince him that life is not just about penance and that he deserves happiness, too.
This is one of those books where every character, no matter how minor, shines. I particularly loved Reverend Emmett, whose well-meaning doctrines have been taken further than he intended; Rita, whom the family hires to declutter the house (she’s reminiscent of the dog trainer in The Accidental Tourist); and Daphne, who turns into a rebellious teen for whom Ian will always have a soft spot. Ian’s parents could have faded into the background, but the book probes their grief and their feelings of purposelessness in retirement. My only slight qualm was about how Tyler describes the foreigners who live nearby: Middle Eastern graduate students at Johns Hopkins, they’re there simply to provide comic relief with their harebrained home maintenance schemes; the depiction is good-natured, yet seems dated.
In a few other Tyler novels, I’ve been put off by what can seem like flippancy or inconsequentiality. The works of hers that I love best emphasize both the humour and the sadness: the absurdity and tragedy of these ordinary suburban lives. Here, I especially noted the double-edged portrait of the nature of childcare: Ian “wondered how people endured children on a long-term basis—the monotony and irritation and confinement of them,” yet “They were all that gave his life color, and energy, and …well, life.” I also kept finding personal resonances – for instance, the whole theme of the short homily the pastor delivered at my mother’s wedding ceremony was second chances, my stepfather has a failing old dog like the Bedloes’ Beastie, and the account of Church summer camp rang all too true.
At the sentence level as well as the plot level, this is a very strong showing from Tyler, and a close second to Dinner at the Homesick Restaurant for me. I reckon anyone will be able to find themselves and their family in this story of the life chosen versus the life fallen into, and the difficult necessity of moving past regrets in the search for meaning. (Source: Charity shop) See also Liz’s review.
Favourite lines:
Bee (Ian’s mother): “We’ve had such extraordinary troubles, and somehow they’ve turned us ordinary. That’s what’s so hard to figure. We’re not a special family anymore. … We’ve turned uncertain. We’ve turned into worriers.”
“‘Mess up, I say!’ Daphne crowed. ‘Fall flat on your face! Make every mistake you can think of! Use all the life you’ve got.’”
“When is something philosophical acceptance and when is it dumb passivity? When is something a moral decision and when is it scar tissue?”
My rating: 
The 14 Tyler novels I’ve read, in order of preference (greatest to least), are:
Dinner at the Homesick Restaurant
Saint Maybe
Ladder of Years
The Accidental Tourist
Earthly Possessions
Breathing Lessons
Digging to America
Vinegar Girl
Back When We Were Grown-ups
Clock Dance
A Blue Spool of Thread
The Beginner’s Goodbye
Redhead by the Side of the Road
The Clock Winder
Next up for me will be A Patchwork Planet in late July.
USA Trip and Book Acquisitions
On Wednesday I got back from my first trip to the USA in two years. It was for the special occasion of my mother getting remarried, so was well worth the extra complications of pandemic travelling. While quarantining at my sister’s house for a week, I observed the chaos of a household with FIVE members in virtual schooling. When it all got too noisy for me, I’d retreat upstairs to read with Pierre the cat.
I also spent some time, as always, going through my boxes of mementoes and books in her basement. I later sold back several boxes’ worth of books that I’d weeded out, but of course I acquired more as well. Below are a super-belated Christmas 2019 gift, my Wonder Book haul, hand-me-downs from my stepfather, two Dollar Tree purchases, and my 2nd & Charles haul (mostly from the clearance shelves). Subtracting buyback credit, my total spend was $3.76!
Almost purchased, just for the title.
The wedding itself (and meeting my new stepfather and his daughters) went beautifully. We had hot but not unbearable weather, and bright sun for picture-taking. The below passage from Carol Shields’s The Box Garden, which I’d noted last year while buddy reading it with Buried in Print, felt particularly apt for the occasion.
I also acquired two new U.S. releases to review for BookBrowse.
I squeezed most of the new acquisitions, plus another 37 books from storage, into my suitcases. I focused on bringing back books I’m eyeing up for certain challenges, appealing memoirs, and books I want to reread (the far left stack below).
As for those mementoes, I made some amusing finds, including my childhood blankie; the “medical kit” I made at about age nine, inspired by a visit to the National Museum of Health and Medicine and my love for the television show Dr. Quinn, Medicine Woman; and a few early writing attempts. “A Day in the Life of a Gangster” is a story I wrote at probably age seven. I love the old typewriter font, but my “About the Author” note was the funniest bit – I am so not a mystery reader anymore, and I doubt I’d been on a single proper hike at that point in my life. Newsboys: Take Me to Your Concert was my co-written entry for the Write-a-Book Contest in eighth grade, and What Is a Llama? I wrote and illustrated with my own photographs at age 14 as a county 4H project. I even won a ribbon and a cash prize in the random amount of $4.34.
Back in self-isolation here in the UK, I had seven review copies waiting for me, and another five have arrived in the last couple of days, so the cycle never ends: acquire books, read books, write about books, part with or figure out how to store and/or display books…
On with the summer reading!
Three on a Theme for Father’s Day: Auster, Knausgaard, Lewis
In advance of Father’s Day, I picked out a few short memoirs from my shelves that explore the bonds between fathers and their children.
The Invention of Solitude by Paul Auster (1982)
This was the nonfiction work of Auster’s I was most keen to read, and I thoroughly enjoyed its first part, “Portrait of an Invisible Man,” which includes a depiction of his late father, a discussion of his relationship with his son, and a brief investigation into his grandmother’s murder of his grandfather, which I’d first learned about from Winter Journal. Auster finds himself unable to cry and has to deal with all his father’s possessions. “There is nothing more terrible, I learned, than having to face the objects of a dead man … everything from a set of barbels to a broken toaster.” A personalized family photo album he finds is blank inside. That and the cover image, a trick photograph taken of his father at Atlantic City in the 1940s, feel like perfect symbols of an elusive heritage. I didn’t connect with the second, slightly longer half, though: “The Book of Memory” is more like Auster’s novels, describing the exploits of a lightly fictionalized character named “A.” and full of copious allusions to the likes of Flaubert, Freud and Tolstoy.
My rating:
Fatherhood by Karl Ove Knausgaard (2009; 2013)
[Translated from the Norwegian by Don Bartlett]
I assumed this was a stand-alone from Knausgaard; when it popped up during an author search on Awesomebooks.com and I saw how short it was, I thought why not? As it happens, this Vintage Minis paperback is actually a set of excerpts from A Man in Love, the second volume of his huge autofiction project, My Struggle (I’ve only read the first book, A Death in the Family). Knausgaard takes readers along on a few kiddie-oriented outings: a dinky circus, a children’s party, and baby rhyme time at the public library. His trademark granular detail gives a clear sense of all the characters involved. With him are his wife Linda and the three children they had by then, Vanja, Heidi and John; his friend Geir is his chief confidant.
It’s evident that he loves his children and delights in their individual personalities, but at the same time he feels his intellect assailed by the tedium of the repetitive tasks involved in parenting. He demands an hour to himself each afternoon to read and smoke in a café – even though he knows his wife doesn’t get such an allowance. Specifically, he writes that he feels feminized by carrying a baby or pushing a buggy. Recounting the children’s party, he recalls an earlier party when a heavily pregnant Linda got locked in a bathroom and not even a locksmith could get her out. He felt unmanned when a fellow guest (who happened to be a boxer) had to break down the door to free her. I didn’t know quite what to make of the fragile masculinity on display here, but was grateful to get some highlights from the second book.
My rating:
Home Game: An Accidental Guide to Fatherhood by Michael Lewis (2009)
This was expanded from an occasional series of essays Lewis published in Slate in the 2000s, responding to the births of his three children, Quinn, Dixie and Walker, and exploring the modern father’s role, especially “the persistent and disturbing gap between what I was meant to feel and what I actually felt.” It took time for him to feel more than simply mild affection for each child; often the attachment didn’t arrive until after a period of intense care (as when his son Walker was hospitalized with RSV and he stayed with him around the clock). I can’t seem to find the exact line now, but Jennifer Senior (author of All Joy and No Fun) has said something to the effect of: you don’t take care of your children because you love them; you love them because you take care of them. And that indeed seems to encapsulate Lewis’s experience.
The family lived in Paris when Quinn was tiny, and the pieces on adjusting to the French parenting style reminded me of Pamela Druckerman’s French Children Don’t Throw Food / Bringing Up Bébé. His parenting adventures take him everywhere from the delivery room to a New Orleans racetrack at Mardi Gras to a Disneyland campground. He also, intriguingly, writes about a visit paid to Roald Dahl in the writer’s later years. Even when he’s exasperated, his writing is warm and funny. I especially laughed at the account of his post-Walker vasectomy. This maybe doesn’t break any new ground in terms of gender roles and equal responsibility for children’s needs, but I expect it’s still true to the experience of a lot of hapless males, and it was an entirely entertaining read.
[Postscript: My timing on this one was pretty ironic: I read it on the plane to the USA to visit my family and then handed it off to my brother-in-law as I think he’ll enjoy it too. My sister looked at the cover and said, “wait, didn’t his daughter just die in a car crash?!” She’d seen it on her phone’s news feed just hours earlier. I couldn’t believe that the sweet little girl with the squinchy face on the middle of the cover was gone! (Dixie, aged 19.)]
My rating: 
If you read just one … Make it Home Game.
Fathers seem to be a big theme in my recent and upcoming reading. There was Featherhood by Charlie Gilmour, a rare 5-star read for me, last month, and I have review copies of the thematically similar Will This House Last Forever? by Xanthi Barker as well as the essay collection DAD. I even pulled out another trio of father-themed memoirs from my shelves, but ended up running out of time to do a second set of three. There’s always next year!
Bookish Beck = Rebecca Foster. American transplant to England. Freelance proofreader and book reviewer.
Bookish Beck 