Nonfiction November: Two Memoirs of Biblical Living by Evans and Jacobs
I love a good year-challenge narrative and couldn’t resist considering these together because of the shared theme. Sure, there’s something gimmicky about a rigorously documented attempt to obey the Bible’s literal commandments as closely as possible in the modern day. But these memoirs arise from sincere motives, take cultural and theological matters seriously, and are a lot of fun to read.

The Year of Living Biblically: One Man’s Humble Quest to Follow the Bible as Literally as Possible by A.J. Jacobs (2007)
Jacobs came up with the idea, so I’ll start with him. His first book, The Know-It-All, was about absorbing as much knowledge as possible by reading the encyclopaedia. This starts in similarly intellectual fashion with a giant stack of Bible translations and commentaries. From one September to the next, Jacobs vows, he’ll do his best to understand and implement commandments from both the Old and New Testaments. It’s not a completely random choice of project in that he’s a secular Jew (“I’m Jewish in the same way the Olive Garden is an Italian restaurant. Which is to say: not very.”). Firstly, and most obviously, he stops shaving and getting haircuts. “As I write this, I have a beard that makes me resemble Moses. Or Abe Lincoln. Or [Unabomber] Ted Kaczynski. I’ve been called all three.” When he also takes to wearing all white, he really stands out on the New York subway system. Loving one’s neighbour isn’t easy in such an antisocial city, but he decides to try his best.
Jacobs is confused by the Bible’s combination of sensible moral guidelines and bizarre, arcane stuff. His conviction is that you can’t pick and choose – even if you don’t know why a law is important, you have to go with it. One of his “Top Five Most Perplexing Rules in the Bible” is a ban on clothing made of mixed fibers (shatnez). So he hires a shatnez tester, Mr. Berkowitz, who comes to investigate his entire wardrobe. To fulfil another obscure commandment, Berkowitz helps him ceremonially take an egg from a pigeon’s nest. Jacobs takes up prayer, hospitality, tithing, dietary restrictions, and avoiding women at the wrong time of the month. He gamely puts up a mezuzah, which displays a Bible passage above his doorframe. He even, I’m sorry to report, has a chicken sacrificed. Despite the proverb about not ‘sparing the rod’, he can’t truly bring himself to punish his son, so taps him gently with a Nerf bat; alas, Jasper thinks it’s a game. Stoning adulterers? Jacobs tosses pebbles at ankles.
The book is a near-daily journal, with a new rule or three grappled with each day. There are hundreds of strange and culturally specific guidelines, but the heart issues – covetousness, lust – pose more of a challenge. Alongside his work as a journalist for Esquire and this project, Jacobs has family stuff going on: IVF results in his wife’s pregnancy with twin boys. Before they become a family of five, he manages to meet some Amish people, visit the Creation Museum, take a trip to the Holy Land to see a long-lost uncle, and engage in conversation with Evangelicals across the political spectrum, from Jerry Falwell’s megachurch to Tony Campolo (who died just last week). Jacobs ends up a “reverent agnostic.” We needn’t go to such extremes to develop the gratitude he feels by the end, but it sure is a hoot to watch him. This has just the sort of amusing, breezy yet substantial writing that should engage readers of Bill Bryson, Dave Gorman and Jon Ronson. (Free mall bookshop) ![]()
A Year of Biblical Womanhood: How a Liberated Woman Found Herself Sitting on Her Roof, Covering Her Head, and Calling Her Husband “Master” by Rachel Held Evans (2012)
Evans’s book proposal must have referenced Jacobs’s project, but she comes at things from a different perspective as a progressive Christian, and likely had a separate audience in mind. Namely, the sort of people who worry about the concept of biblical womanhood and wrestle with Bible verses about women remaining silent in church and not holding positions of religious leadership over men. There are indeed factions of Christianity that take these passages literally. Given that she was a public speaker and popular theologian, Evans obviously didn’t. But in her native Alabama and her new home of Tennessee, many would. She decides to look more closely at some of the prescriptions for women in the scriptures, focusing on Proverbs 31, which describes the “woman of valor.” She looks at this idealized woman’s characteristics in turn and tries to adhere to them by dressing modestly, taking etiquette lessons, learning to cook and hosting dinners, and practicing for parenthood with a “Baby-Think-It-Over” doll. Like Jacobs, she stops cutting her hair and meets some Amish people. But she also sleeps outside in a tent while menstruating and undertakes silent meditation at an abbey and a mission trip to Bolivia. Each monthly chapter ends with a profile of a female character from the Bible and what might be learned from her story.
It’s a sweet, self-deprecating book. You can definitely tell that she was only 29 at the time she started her project. It’s okay with me that Evans turned all her literal intentions into more metaphorical applications by the end of the year. She concludes that the Church has misused Proverbs 31: “We abandoned the meaning of the poem by focusing on the specifics, and it became just another impossible standard by which to measure our failures. We turned an anthem into an assignment, a poem into a job description.” Her determination is not to obsess over rules but to continue with the habits that benefited her spiritual life, and to champion women whenever she can. I suspect this is a lesser entry from Evans’s oeuvre. She died too soon – suddenly in 2019, of brain swelling after a severe allergic reaction to an antibiotic – but remains a valued voice, and I’ll catch up on the rest of her books. Searching for Sunday, for instance, was great, and I’m keen to read Evolving in Monkey Town (about living in Dayton, Tennessee, where the famous Scopes Monkey Trial took place). (Birthday gift from my wish list, 2023) ![]()
Some 2023 Reading Superlatives
Longest book read this year: The Weather Woman by Sally Gardner (457 pages) – not very impressive compared to last year’s 720-page To Paradise. That means I didn’t get through a single doorstopper this year. D’oh!
Shortest book read this year: Pitch Black by Youme Landowne and Anthony Horton (40 pages)
Authors I read the most by this year: Margaret Atwood, Deborah Levy and Brian Turner (3 books each); Amy Bloom, Simone de Beauvoir, Tove Jansson, John Lewis-Stempel, W. Somerset Maugham, L.M. Montgomery and Maggie O’Farrell (2 books each)
Publishers I read the most from: (Setting aside the ubiquitous Penguin and its many imprints) Carcanet (11 books) and Picador/Pan Macmillan (also 11), followed by Canongate (7).
My top author discoveries of the year: Michelle Huneven and Julie Marie Wade
My proudest bookish accomplishment: Helping to launch the Little Free Library in my neighbourhood in May, and curating it through the rest of the year (nearly daily tidying; occasional culling; requesting book donations)

Most pinching-myself bookish moments: Attending the Booker Prize ceremony; interviewing Lydia Davis and Anne Enright over e-mail; singing carols after-hours at Shakespeare and Company in Paris

Books that made me laugh: Notes from a Small Island by Bill Bryson, The Librarianist by Patrick deWitt, two by Katherine Heiny, Motherland Fatherland Homelandsexuals by Patricia Lockwood
Books that made me cry: A Heart that Works by Rob Delaney, Lucy by the Sea by Elizabeth Strout, Family Meal by Bryan Washington
The book that was the most fun to read: Romantic Comedy by Curtis Sittenfeld
Best book club selections: By the Sea by Abdulrazak Gurnah and The Woman in Black by Susan Hill
Best last lines encountered this year: “And I stood there holding on to this man as though he were the very last person left on this sweet sad place that we call Earth.” (Lucy by the Sea, Elizabeth Strout)
A book that put a song in my head every time I picked it up: Here and Now by Henri Nouwen (Aqualung song here)
Shortest book title encountered: Lo (the poetry collection by Melissa Crowe), followed by Bear, Dirt, Milk and They

Best 2023 book titles: These Envoys of Beauty and You Bury the Birds in My Pelvis
Best book titles from other years: I Want to Die but I Want to Eat Tteokbokki, Before You Suffocate Your Own Fool Self, A Down Home Meal for These Difficult Times, The Cats We Meet Along the Way, We All Want Impossible Things
Favourite title and cover combo of the year: I Am Homeless If This Is Not My Home by Lorrie Moore (shame the contents didn’t live up to it!)

Biggest disappointment: Speak to Me by Paula Cocozza
A 2023 book that everyone was reading but I decided not to: Prophet Song by Paul Lynch

The worst books I read this year: Monica by Daniel Clowes, They by Kay Dick, Swallowing Geography by Deborah Levy and Self-Portrait in Green by Marie Ndiaye (1-star ratings are extremely rare for me; these were this year’s four)
The downright strangest book I read this year: Motherland Fatherland Homelandsexuals by Patricia Lockwood

Book Serendipity, Mid-February to Mid-April
I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.
Last time, my biggest set of coincidences was around books set in or about Korea or by Korean authors; this time it was Ghana and Ghanaian authors:
- Reading two books set in Ghana at the same time: Fledgling by Hannah Bourne-Taylor and His Only Wife by Peace Adzo Medie. I had also read a third book set in Ghana, What Napoleon Could Not Do by DK Nnuro, early in the year and then found its title phrase (i.e., “you have done what Napoleon could not do,” an expression of praise) quoted in the Medie! It must be a popular saying there.
- Reading two books by young Ghanaian British authors at the same time: Quiet by Victoria Adukwei Bulley and Maame by Jessica George.
And the rest:
- An overweight male character with gout in Where the God of Love Hangs Out by Amy Bloom and The Secret Diaries of Charles Ignatius Sancho by Paterson Joseph.
- I’d never heard of “shoegaze music” before I saw it in Michelle Zauner’s bio at the back of Crying in H Mart, but then I also saw it mentioned in Pulling the Chariot of the Sun by Shane McCrae.
- Sheila Heti’s writing on motherhood is quoted in Without Children by Peggy O’Donnell Heffington and In Vitro by Isabel Zapata. Before long I got back into her novel Pure Colour. A quote from another of her books (How Should a Person Be?) is one of the epigraphs to Lorrie Moore’s I Am Homeless If This Is Not My Home.
- Reading two Mexican books about motherhood at the same time: Still Born by Guadalupe Nettel and In Vitro by Isabel Zapata.
- Two coming-of-age novels set on the cusp of war in 1939: The Inner Circle by T.C. Boyle and Martha Quest by Doris Lessing.
- A scene of looking at peculiar human behaviour and imagining how David Attenborough would narrate it in a documentary in Notes from a Small Island by Bill Bryson and I Have Some Questions for You by Rebecca Makkai.
- The painter Caravaggio is mentioned in a novel (The Things We Do to Our Friends by Heather Darwent) plus two poetry books (The Fourth Sister by Laura Scott and Manorism by Yomi Sode) I was reading at the same time.
- Characters are plagued by mosquitoes in The Last Animal by Ramona Ausubel and Through the Groves by Anne Hull.
- Edinburgh’s history of grave robbing is mentioned in The Things We Do to Our Friends by Heather Darwent and Womb by Leah Hazard.
- I read a chapter about mayflies in Lev Parikian’s book Taking Flight and then a poem about mayflies later the same day in Ephemeron by Fiona Benson.
- Childhood reminiscences about playing the board game Operation and wetting the bed appear in Homesick by Jennifer Croft and Through the Groves by Anne Hull.
- Fiddler on the Roof songs are mentioned in Through the Groves by Anne Hull and We All Want Impossible Things by Catherine Newman.
- There’s a minor character named Frith in Shadow Girls by Carol Birch and Rebecca by Daphne du Maurier.
- Scenes of a female couple snogging in a bar bathroom in Through the Groves by Anne Hull and The Garnett Girls by Georgina Moore.

- The main character regrets not spending more time with her father before his sudden death in Maame by Jessica George and Pure Colour by Sheila Heti.
- The main character is called Mira in Birnam Wood by Eleanor Catton and Pure Colour by Sheila Heti, and a Mira is briefly mentioned in one of the stories in Before You Suffocate Your Own Fool Self by Danielle Evans.
- Macbeth references in Shadow Girls by Carol Birch and Birnam Wood by Eleanor Catton – my second Macbeth-sourced title in recent times, after Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin last year.
- A ‘Goldilocks scenario’ is referred to in Womb by Leah Hazard (the ideal contraction strength) and Taking Flight by Lev Parikian (the ideal body weight for a bird).
- Caribbean patois and mention of an ackee tree in the short story collection If I Survive You by Jonathan Escoffery and the poetry collection Cane, Corn & Gully by Safiya Kamaria Kinshasa.
- The Japanese folktale “The Boy Who Drew Cats” appeared in Our Missing Hearts by Celeste Ng, which I read last year, and then also in Enchantment by Katherine May.
- Chinese characters are mentioned to have taken part in the Tiananmen Square massacre/June 4th incident in Dear Chrysanthemums by Fiona Sze-Lorrain and Oh My Mother! by Connie Wang.
- Endometriosis comes up in What My Bones Know by Stephanie Foo and Womb by Leah Hazard.
What’s the weirdest reading coincidence you’ve had lately?
Bill Bryson’s Notes from a Small Island: Reread and Stage Production
Bill Bryson, an American author of humorous travel and popular history or science books, is considered a national treasure in his adopted Great Britain. He is a particular favourite of my husband and in-laws, who got me into his work back in the early to mid-2000s. As I, too, was falling in love with the country, I found much to relate to in his travel-based memoirs of expatriate life and temporary returns to the USA. Sometimes it takes an outsider’s perspective to see things clearly.

When we heard that Notes from a Small Island (1995), his account of a valedictory tour around Britain before returning to live in the States for the first time in 20 years, had been adapted into a play by Tim Whitnall and would be performed at our local theatre, the Watermill, we thought, huh, it never would have occurred to us to put this particular book on stage. Would it work? we wondered. The answer is yes and no, but it was entertaining and we were glad that we went. We presented tickets as my in-laws’ Christmas present and accompanied them to a mid-February matinee before supper at ours.
A few members of my book club decided to see the show later in the run and suggested we read – or reread, as was the case for several of us – the book in March. I started my reread before attending the play and had gotten through the first 50 pages, which is mostly about his first visit to England in 1973 (including a stay in a Dover boarding-house presided over by the infamously officious “Mrs Smegma”). This was ideal as the first bit contains the funniest stuff and, with the addition of some autobiographical material from later in the book plus his 2006 memoir The Life and Times of the Thunderbolt Kid, made up the entirety of the first act.

Photos are screenshots from the Watermill website.
Bryson traveled almost exclusively by public transport, so the set had the brick and steel walls of a generic terminal, and a bus shelter and benches were brought into service as the furnishing for most scenes. The problem with frontloading the play with hilarious scenes is that the second act, like the book itself on this reread, became rather a slog of random stops, acerbic observations, finding somewhere to stay and something to eat (often curry), and then doing it all over again.
Mark Hadfield, in the starring role, had the unenviable role of carrying the action and remembering great swathes of text lifted directly from the book. That’s all well and good as a strategy for giving a flavour of the writing style, but the language needed to be simplified; the poor man couldn’t cope and kept fluffing his lines. There were attempts to ease the burden: sections were read out by other characters in the form of announcements, letters or postcards; some reflections were played as if from Bryson’s Dictaphone. It was best, though, when there were scenes rather than monologues against a projected map, because there was an excellent ensemble cast of six who took on the various bit parts and these were often key occasions for humour: hotel-keepers, train-spotters, unintelligible accents in a Glasgow pub.
The trajectory was vaguely southeast to northwest – as far as John O’Groats, then back home to the Yorkshire Dales – but the actual route was erratic, based on whimsy as much as the availability of trains and buses. Bryson sings the praises of places like Salisbury and Durham and the pinnacles of coastal walks, and slates others, including some cities, seaside resorts and tourist traps. Places of personal significance make it onto his itinerary, such as the former mental asylum at Virginia Water, Surrey where he worked and met his wife in the 1970s. (My husband and I lived across the street from it for a year and a half.) He’s grumpy about having to pay admission fees that in today’s money sound minimal – £2.80 for Stonehenge!
The main interest for me in both book and play was the layers of recent history: the nostalgia for the old-fashioned country he discovered at a pivotal time in his own young life in the 1970s; the disappointments but still overall optimism of the 1990s; and the hindsight the reader or viewer brings to the material today. At a time when workers of every type seem to be on strike, it was poignant to read about the protests against Margaret Thatcher and the protracted printers’ strike of the 1980s.
The central message of the book, that Britain has an amazing heritage that it doesn’t adequately appreciate and is rapidly losing to homogenization, still holds. Yet I’m not sure the points about the at-heart goodness and politeness of the happy-with-their-lot British remain true. Is it just me or have general entitlement, frustration, rage and nastiness taken over? Not as notable as in the USA, but social divisions and the polarization of opinions are getting worse here, too. One can’t help but wonder what the picture would have been post-Brexit as well. Bryson wrote a sort-of sequel in 2015, The Road to Little Dribbling, in which the sarcasm and curmudgeonly persona override the warmth and affection of the earlier book.
Indeed, my book club noted that a lot of the jokes were things he couldn’t get away with saying today, and the theatre issued a content warning: “This production includes the use of very strong language, language reflective of historical attitudes around Mental Health, reference to drug use, sexual references, mention of suicide, flashing lights, pyrotechnics, loud sound effect explosions, and haze. This production is most suitable for those aged 12+.”
So, yes, an amusing journey, but a bittersweet one to revisit, and an odd choice for the stage.
A favourite line I’ll leave you with: “To this day, I remain impressed by the ability of Britons of all ages and social backgrounds to get genuinely excited by the prospect of a hot beverage.”
Book:
Original rating (c. 2004): 
My rating now: 
Play: 
Have you read anything by Bill Bryson? Are you a fan?
Signs of Life: To the Ends of the Earth with a Doctor by Stephen Fabes
Stephen Fabes is an emergency room doctor at St Thomas’s Hospital, London. Not exciting enough for you? Well, he also spent six years of the past decade cycling six continents (so, all bar Antarctica). His statistics are beyond impressive: 53,568 miles, 102 international borders, 1000+ nights of free camping, 26 bicycle tires, and 23 journals filled with his experiences. A warm-up was cycling the length of Chile with his brother at age 19. After medical school in Liverpool and starting his career in London, he found himself restless and again longing for adventure. The round-the-world cycle he planned fell into four sections: London to Cape Town, the West Coast of the Americas, Melbourne to Mumbai, and Hong Kong to home.
Signs of Life is a warm-hearted and laugh-out-loud funny account of Fabes’ travels, achieving a spot-on balance between major world events, the everyday discomforts of long-distance cycling and rough camping, and his humanitarian volunteering. He is a witness to the Occupy movement in Hong Kong, the aftermath of drought and tribal conflict in Africa, and the refugee crisis via the “Jungle” migrant camp in Calais. The desperate situations he saw while putting his medical expertise to good use in short bursts – e.g., at a floating clinic on a Cambodian lake, a malaria research center in Thailand, a leper hospital in Nepal, and a mental health rehabilitation clinic in Mumbai – put into perspective more minor annoyances like fire ants in El Salvador, Indonesian traffic, extreme cold in Mongolia, and camel spiders.

Wherever he went, Fabes met with kindness from strangers, even those who started off seeming hostile – having pitched his tent by a derelict cabin in Peru, he was alarmed to awake to a man pointing a gun at him, but the illicit gold miner soon determined he was harmless and offered him some soup. (Police officers and border guards were perhaps a bit less hospitable.) He also had occasional companions along the route, including a former housemate and a one-time girlfriend. Even limited shared language was enough to form common ground with a stranger-turned-fellow cyclist for a week or so. We get surprising glimpses of how Anglo-American culture permeates the developing world: For some reason, in the ‒Stans everyone’s point of reference when he introduced himself was Steven Seagal.
At nearly 400 pages, the memoir is on the long side, though I can see that it must have felt impossible to condense six years of adventures any further. I was less interested in the potted histories of other famous cyclists’ travels and would have appreciated a clearer sense to the passing of time, perhaps in the form of a date stamp at the head of each chapter. One of my favorite aspects of the book, though, was the use of medical metaphors to link geography to his experiences. Most chapters are titled after health vocabulary; for instance, in “Membranes” he ponders whether country borders are more like scars or cell membranes.
Fabes emphasizes, in a final chapter on the state of the West upon his return in early 2016, that, in all the most important ways, people are the same the world over. Whether in the UK or Southeast Asia, he sees poverty as the major factor in illness, perpetuating the inequality of access to adequate healthcare. Curiosity and empathy are his guides as he approaches each patient’s health as a story. Reflecting on the pandemic, which hit just as he was finalizing the manuscript, he prescribes global cooperation and innovation for this time of uncertainty.
We’re all armchair travelers this year, but this book is especially for you if you enjoy Bill Bryson’s sense of humor, think Dervla Murphy was a badass in Full Tilt, and enjoyed War Doctor by David Nott and/or The Crossway by Guy Stagg. It’s one of my top few predictions for next year’s Wellcome Book Prize – fingers crossed it will go ahead after the 2020 hiatus.
My rating: 
With thanks to Dr Fabes and Profile Books for the free copy for review.
Recommended July Releases: Donoghue, Maizes, Miller, Parikian, Trethewey
My five new releases for July include historical pandemic fiction, a fun contemporary story about a father-and-daughter burglar team, a new poetry collection from Carcanet Press, a lighthearted nature/travel book, and a poetic bereavement memoir about a violent death.
The Pull of the Stars by Emma Donoghue
Donoghue’s last two novels, The Wonder and Akin, were big hits with me. Less than a year after the contemporary-set Akin, she’s back to a historical setting – and an uncannily pertinent pandemic theme – with her latest. In 1918, Julia Power is a nurse on a Dublin maternity ward. It’s Halloween and she is about to turn 30, making her a spinster for her day; she lives with her mute, shell-shocked veteran brother, Tim, and his pet magpie.
Because she’s already had “the grip” (influenza), she is considered immune and is one of a few staff members dealing with the flu-ridden expectant mothers in quarantine in her overcrowded hospital. Each patient serves as a type, and Donoghue whirls through all the possible complications of historical childbirth: stillbirth, obstructed labor, catheterization, forceps, blood loss, transfusion, maternal death, and so on.
It’s not for the squeamish, and despite my usual love of medical reads, I felt it was something of a box-ticking exercise, with too much telling about medical procedures and recent Irish history. Because of the limited time frame – just three days – the book is far too rushed. We simply don’t have enough time to get to know Julia through and through, despite her first-person narration; the final 20 pages, in particular, are so far-fetched and melodramatic it’s hard to believe in a romance you’d miss if you blinked. And the omission of speech marks just doesn’t work – it’s downright confusing with so many dialogue-driven scenes.
Donoghue must have been writing this well before Covid-19, but I wouldn’t be surprised if the publication was hurried forward to take advantage of the story’s newfound relevance. It shows: what I read in May and June felt like an unpolished draft, with threads prematurely tied up to meet a deadline. This was an extremely promising project that, for me, was let down by the execution, but it’s still a gripping read that I wouldn’t steer you away from if you find the synopsis appealing. (Some more spoiler-y thoughts here.)
Prescient words about pandemics:
“All over the globe … some flu patients are dropping like flies while others recover, and we can’t solve the puzzle, nor do a blasted thing about it. … There’s no rhyme or reason to who’s struck down.”
“Doctor Lynn went on, As for the authorities, I believe the epidemic will have run its course before they’ve agreed to any but the most feeble action. Recommending onions and eucalyptus oil! Like sending beetles to stop a steamroller.”
Why the title?
Flu comes from the phrase “influenza delle stelle” – medieval Italians thought that illness was fated by the stars. There’s also one baby born a “stargazer” (facing up) and some literal looking up at the stars in the book.
My rating: 
My thanks to Picador for the proof copy for review.
Other People’s Pets by R.L. Maizes
This is Maizes’ debut novel, after her 2019 short story collection We Love Anderson Cooper. Louise “La La” Fine and her father, Zev, share an unusual profession: While outwardly they are a veterinary student and a locksmith, respectively, for many years they broke into homes and sold the stolen goods. Despite close shaves, they’ve always gotten away with it – until now. When Zev is arrested, La La decides to return to her criminal ways just long enough to raise the money to post bail for him. But she doesn’t reckon on a few complications, like her father getting fed up with house arrest, her fiancé finding out about her side hustle, and her animal empathy becoming so strong that when she goes into a house she not only pilfers valuables but also cares for the needs of ailing pets inside.
Flashbacks to La La’s growing-up years, especially her hurt over her mother leaving, take this deeper than your average humorous crime caper. The way the plot branches means that for quite a while Zev and La La are separated, and I grew a bit weary of extended time in Zev’s company, but this was a great summer read – especially for animal lovers – that never lost my attention. The magic realism of the human‒pet connection is believable and mild enough not to turn off readers who avoid fantasy. Think The Twelve Lives of Samuel Hawley meets Hollow Kingdom.
My rating: 
My thanks to the author and Celadon Books for the free e-copy for review.
The Long Beds by Kate Miller
Here and there; now and then: the poems in Miller’s second collection enlarge such dichotomies by showcasing the interplay of the familiar and the foreign. A scientist struggles to transcribe birdsong, and a poppy opens in slow motion. “Flag” evokes the electric blue air and water of a Greek island, while “The Quarters” is set in the middle of the night in a French village. A few commissions, including “Waterloo Sunrise,” stick close to home in London or other southern England locales.
Various poems, including the multi-part “Album Without Photographs,” are about ancestor Muriel Miller’s experiences in India and Britain in the 1910s-20s. “Keepers of the States of Sleep and Wakefulness, fragment from A Masque,” patterned after “The Second Masque” by Ben Jonson, is an up-to-the-minute one written in April that names eight nurses from the night staff at King’s College Hospital (and the short YouTube film based on it is dedicated to all NHS nurses).
My two favorites were “Outside the Mind Shop,” in which urban foxes tear into bags of donations outside a charity shop one night while the speaker lies awake, and “Knapsack of Parting Gifts” a lovely elegy to a lost loved one. I spotted a lot of alliteration and assonance in the former, especially. Thematically, the collection is a bit scattered, but there are a lot of individual high points.
My rating: 
My thanks to Carcanet Press for the free e-copy for review.
Into the Tangled Bank: In Which Our Author Ventures Outdoors to Consider the British in Nature by Lev Parikian
In the same way that kids sometimes write their address by going from the specific to the cosmic (street, city, country, continent, hemisphere, planet, galaxy), this book, a delightfully Bryson-esque tour, moves ever outwards, starting with the author’s own home and garden and proceeding to take in his South London patch and his journeys around the British Isles before closing with the wonders of the night sky. By slowing down to appreciate what is all around us, he proposes, we might enthuse others to engage with nature.
With the zeal of a recent convert, he guides readers through momentous sightings and everyday moments of connection. As they were his gateway, many of these memories involve birds: looking for the year’s first swifts, trying to sketch a heron and realizing he’s never looked at one properly before, avoiding angry terns on the Farne Islands, ringing a storm petrel on Skokholm, and seeing white-tailed eagles on the Isle of Skye. He brings unique places to life, and pays tribute to British naturalists who paved the way for today’s nature-lovers by visiting the homes of Charles Darwin, Gilbert White, Peter Scott, and more.
I was on the blog tour for Parikian’s previous book, Why Do Birds Suddenly Disappear?, in 2018. While the books are alike in levity (pun intended!), being full of self-deprecation and witty asides along with the astute observations, I think I enjoyed this one that little bit more for its all-encompassing approach to the experience of nature. I fully expect to see it on next year’s Wainwright Prize longlist (speaking of the Wainwright Prize, in yesterday’s post I correctly predicted four on the UK nature shortlist and two on the global conservation list!).
Readalikes (that happen to be from the same publisher): Under the Stars by Matt Gaw and The Seafarers by Stephen Rutt
My rating: 
My thanks to Elliott & Thompson for the free copy for review.
Memorial Drive: A Daughter’s Memoir by Natasha Trethewey
Trethewey grew up in 1960s Mississippi with a Black mother and a white Canadian father, at a time when interracial marriage remained illegal in parts of the South. After her parents’ divorce, she and her mother, Gwen, moved to Georgia to start a new life, but her stepfather Joel was physically and psychologically abusive. Gwen’s murder opens and closes the book. Trethewey only returned to that Atlanta apartment on Memorial Drive after 30 years had passed. The blend of the objective (official testimonies and transcripts) and the subjective (interpreting photographs, and rendering dream sequences in poetic language) makes this a striking memoir, as delicate as it is painful. I recommend it highly to readers of Elizabeth Alexander and Dani Shapiro. (Full review forthcoming at Shiny New Books.)
My rating: 
My thanks to Bloomsbury for the proof copy for review.

I’m reading two more July releases, Mostly Dead Things by Kristen Arnett (Corsair, 2 July; for Shiny New Books review), about a family taxidermy business in Florida, and The Liar’s Dictionary by Eley Williams (William Heinemann, 2 July), about an unusual dictionary being compiled in the Victorian period and digitized in the present day.
What July releases can you recommend?
Recapping the Not the Wellcome Prize Blog Tour Reviews
It’s hard to believe the Not the Wellcome Prize blog tour is over already! It has been a good two weeks of showcasing some of the best medicine- and health-themed books published in 2019. We had some kind messages of thanks from the authors, and good engagement on Twitter, including from publishers and employees of the Wellcome Trust. Thanks to the bloggers involved in the tour, and others who have helped us with comments and retweets.
This weekend we as the shadow panel (Annabel of Annabookbel, Clare of A Little Blog of Books, Laura of Dr. Laura Tisdall, Paul of Halfman, Halfbook and I) have the tough job of choosing a shortlist of six books, which we will announce on Monday morning. I plan to set up a Twitter poll to run all through next week. The shadow panel members will vote to choose a winner, with the results of the Twitter poll serving as one additional vote. The winner will be announced a week later, on Monday the 11th.

First, here’s a recap of the 19 terrific books we’ve featured, in chronological blog tour order. In fiction we’ve got: novels about child development, memory loss, and disturbed mental states; science fiction about AI and human identity; and a graphic novel set at a small-town medical practice. In nonfiction the topics included: anatomy, cancer, chronic pain, circadian rhythms, consciousness, disability, gender inequality, genetic engineering, premature birth, sleep, and surgery in war zones. I’ve also appended positive review coverage I’ve come across elsewhere, and noted any other awards these books have won or been nominated for. (And see this post for a reminder of the other 56 books we considered this year through our mega-longlist.)

Notes Made While Falling by Jenn Ashworth & The Remarkable Life of the Skin by Monty Lyman: Simon’s reviews
*Monty Lyman was shortlisted for the 2019 Royal Society Science Book Prize.
[Bookish Beck review of the Ashworth]
[Halfman, Halfbook review of the Lyman]
Exhalation by Ted Chiang & A Good Enough Mother by Bev Thomas: Laura’s reviews

Constellations by Sinéad Gleeson & War Doctor by David Nott: Jackie’s reviews
*Sinéad Gleeson was shortlisted for the 2020 Rathbones Folio Prize.
[Rebecca’s Goodreads review of the Gleeson]
[Kate Vane’s review of the Gleeson]
[Lonesome Reader review of the Gleeson]
[Rebecca’s Shiny New Books review of the Nott]
Vagina: A Re-education by Lynn Enright: Hayley’s Shiny New Books review
Galileo’s Error by Philip Goff: Peter’s Shiny New Books review

Mother Ship by Francesca Segal & The Lady Doctor by Ian Williams: Rebecca’s reviews
[A Little Blog of Books review of the Segal]
[Annabookbel review of the Williams]
Chasing the Sun by Linda Geddes & The Nocturnal Brain by Guy Leschziner: Paul’s reviews
[Bookish Beck review of the Geddes]
Invisible Women by Caroline Criado-Pérez: Katie’s review
*Caroline Criado-Pérez won the 2019 Royal Society Science Book Prize.
[Liz’s Shiny New Books review]
The Faculty of Dreams by Sara Stridsberg: Kate’s review
Machines Like Me by Ian McEwan: Kate’s review

Hacking Darwin by Jamie Metzl & The Memory Police by Yoko Ogawa: Annabel’s reviews
*Yoko Ogawa is shortlisted for this year’s International Booker Prize.
[Lonesome Reader review of the Ogawa]

The Body by Bill Bryson & The World I Fell Out Of by Melanie Reid: Clare’s reviews
[Bookish Beck review of the Bryson]
[Rebecca’s Goodreads review of the Reid]
And there we have it: the Not the Wellcome Prize longlist. I hope you’ve enjoyed following along with the reviews. Look out for the shortlist, and your chance to vote for the winner, here and via Twitter on Monday.



































Between that,
#1 One of the stand-out books from my 2021 reading so far has been
#2 As the saying goes, if there’s one thing inevitable besides death, it’s taxes. And if you’re a U.S. citizen, you will remain accountable to the IRS until the day you die, no matter where you live. (Eritrea is the only other country that requires expatriates to fill in tax returns.) I’ve now gotten my U.S. tax forms down to a science, keeping a list of pointers and previous years’ forms as scanned files so that I just have to plug in the year’s numbers, put zeroes in all the important boxes (since I’ve already paid income tax in the UK), and send it off. A matter of an hour or two’s work, rewarded by a G&T.
#3 Another expat tip that I found extremely useful, small as it might seem, is that “quite” means something different in American vs. British English. To an American it’s a synonym for “very”; to the guarded Brits, it’s more like “rather.” I have the Julian Barnes essay collection Letters from London to thank for this vital scrap of etymological knowledge.
#4 Unsurprisingly, I have built up a small library of books about understanding the English and their ways. In the How to Be a Brit omnibus, collecting three short volumes from the 1940s–70s, George Mikes (a Hungarian immigrant) makes humorous observations that have, in general, aged well. His mini-essays on tea, weather and queuing struck me as particularly apt. I would draw a straight line from this through Bill Bryson’s Notes from a Small Island to the Very British Problems phenomenon.
#5 As I was preparing to fly to England for the first time for my study abroad year, one of the authors who most whetted my appetite for British travel was Susan Allen Toth, whose trilogy of UK-themed memoirs-with-recommendations began with My Love Affair with England – included in one of my
#6 Toth is a very underrated author, I feel. I’ve read most of her memoirs and have a short nonfiction work of hers on my pile for #NovNov. Her most recent book is













Spillover: Animal Infections and the Next Human Pandemic by David Quammen: This is top-notch scientific journalism: pacey, well-structured, and gripping. The best chapters are on Ebola and SARS; the SARS chapter, in particular, reads like a film screenplay, if this were a far superior version of Contagion. It’s a sobering subject, with some quite alarming anecdotes and statistics, but this is not scare-mongering for the sake of it; Quammen is frank about the fact that we’re still all more likely to get heart disease or be in a fatal car crash. 


Infinite Home by Kathleen Alcott: “Edith is a widowed landlady who rents apartments in her Brooklyn brownstone to an unlikely collection of humans, all deeply in need of shelter.” (I haven’t read it, but I do have a copy; now would seem like the time to read it!)


I love the sound of A Journey Around My Room by Xavier de Maistre: “Finding himself locked in his room for six weeks, a young officer journeys around his room in his imagination, using the various objects it contains as inspiration for a delightful parody of contemporary travel writing and an exercise in Sternean picaresque.”



Sourdough by Robin Sloan: Lois Clary, a Bay Area robot programmer, becomes obsessed with baking. “I needed a more interesting life. I could start by learning something. I could start with the starter.” She attempts to link her job and her hobby by teaching a robot arm to knead the bread she makes for a farmer’s market. Madcap adventures ensue. It’s a funny and original novel and it makes you think, too – particularly about the extent to which we should allow technology to take over our food production.
The Egg & I by Betty Macdonald: MacDonald and her husband started a rural Washington State chicken farm in the 1940s. Her account of her failure to become the perfect farm wife is hilarious. The voice reminded me of Doreen Tovey’s: mild exasperation at the drama caused by household animals, neighbors, and inanimate objects. “I really tried to like chickens. But I couldn’t get close to the hen either physically or spiritually, and by the end of the second spring I hated everything about the chicken but the egg.” Perfect pre-Easter reading. 
Anything by Bill Bryson


Almost Everything: Notes on Hope by Anne Lamott