Tag Archives: Kristen Zory King
My Year in Short Stories (#ShortStorySeptember)
The Short Story September link-up is open (see my pinned post). At the start of the month, I’m inviting you to tell about the short stories you’ve already read this year, especially any that you’ve particularly enjoyed.

I don’t consider myself a great short story reader, so I was surprised to look back and find that I’ve already read 17 collections this year. I include in that four books that I consider to be linked short story collections, even though they were all published as novels rather than stories. (I’m sure Susan is right when she theorizes that this is about marketing – what’s expected to sell.) The best have been Brawler by Lauren Groff and Nightjar by Emily Ruskovich, which are actually quite similar.
Some other favourites were:
The Daffodil Days by Helen Bain: A slantwise biographical portrait of Sylvia Plath through her interactions in the last years of her life. The 16 chapters adopt the points-of-view of various secondary characters (e.g., Plath’s housekeeper, riding teacher, and brother), but the kernel of each is an encounter with Plath that illuminates her personality and state of mind. (Reviewed for Shelf Awareness)
Strange Weather in Tokyo
by Hiromi Kawakami: Tsukiko is a lonely barfly in her late thirties when she bumps into a secondary school teacher again. She calls him “Sensei,” and they start meeting up for low-key adventures. Kawakami infuses the book with attention to the seasons’ changes and everyday sensual pleasures like food. A lovely, subtle romance.
Ladies, Ladies, Ladies by Kristen Zory King: A “chapbook” containing 18 flash stories. It’s remarkable how much is packed into a few pages: a voice, a character, a setting and situation, an incident, a salient backstory, and some kind of epiphany or resolution. Fifteen of the pieces focus on one named character. Each story is distinctive, with no words wasted.
Interpreter of Maladies by Jhumpa Lahiri: Lahiri won the Pulitzer for this debut. Her characters tend to be Indian or Bengali immigrants in New England. Relationship studies trade off with accounts of encounters with strangers across generations and/or cultures. Often, food is a reminder of home. An overall theme is denying or affirming common humanity.
Luna, Phoenix, Queen by Julie Orringer: In Orringer’s wonderful third novel, the secrets between two literature professors and the adoption of a remarkable dog fuel an absorbing story of love, memory, and connection beyond words. Chapters take on different characters’ perspectives. (Review forthcoming for Shelf Awareness)
The Typing Lady and Other Fictions by Ruth Ozeki: Ozeki is up to her usual auto/metafiction tricks here, blurring the lines between fact and fiction, life and death. Themes include memory, creativity, language, ageing and cross-generation connections. The stories are playful without being twee, and represent a real return to form.
I Am the Ghost Here by Kim Samek: The television producer’s inventive debut recalls Ed Park and George Saunders with its focus on the mixed blessing of technology. Her speculative short stories’ protagonists deal with grief or new motherhood, often while also struggling with their health. Samek sets up unusual situations with knock-out first lines. (Reviewed for BookBrowse)
The Blood Year Daughter by G.G. Silverman: A remarkable collection that mixes feminist horror and twisted fairy tales into potent concoctions. Women’s bodies are imperiled by sadistic men and acts of self-sacrifice. Blood is a symbol of desire or power. Motherhood and sisterhood are vital bonds. Among bleak storylines come flashes of morbid humor. (Reviewed for Foreword Reviews)
All by women!
And the rest:
- Love Invents Us by Amy Bloom
- Baby in a Box by Sarah Braunstein (Reviewed for BookBrowse)
- A Calendar of Love and Other Stories by George Mackay Brown
- Museum Visits by Éric Chevillard
- Lesser Known Monsters of the 21st Century by Kim Fu
- It Will Come Back to You: Collected Stories by Sigrid Nunez
- The Book of Mating by Laksmi Pamuntjak [trans. from Indonesian by Annie Tucker] (Review forthcoming for Foreword Reviews)
(All but two by women!)
What are some of your recent favorite experiences with short fiction?
Miscellaneous for #ReadIndies: Grenville & Holman-Hunt, Trans History & Travel Poetry, Kathleen Jamie & Kristen Zory King
Squeaking in some more reviews on the last day of a challenge, as is my wont. Today I have mini-responses to a wide selection: a graphic novel companion to LGBTQ history, an exposé that will have you checking the ingredients lists on all your toiletries and other household cleaning products, a memoir of an eccentric Edwardian childhood, poems about modes of travel and the states of mind they produce, superb nature essays blending personal and environmental writing, and a mini collection of flash fiction about young women.
Trans History: From Ancient Times to the Present Day by Alex L. Combs and Andrew Eakett (2025)
Queer people of all varieties have always been with us; they just might have understood their experience or talked about it in different terms. So while Combs and Eakett are careful not to apply labels retrospectively, they feature a plethora of people who lived as a different gender to that assigned at birth. Apart from a few familiar names like Lili Elbe and Marsha P. Johnson, most were new to me. For every heartening story of an emperor, monk or explorer who managed to live out their true identity in peace, there are three distressing ones of those forced to conform. Many Indigenous cultures held a special place for gender-nonconforming individuals; colonizers would have seen this as evidence of desperate need of civilizing. Even doctors who were willing to help with early medical transitions retained primitive ideas about gender and its connection to genitals. The structure is chronological, with a single colour per chapter. Panes reenact scenes and feature talking heads explaining historical developments and critical theory. A final section is devoted to modern-day heroes campaigning for trans rights and seeking to preserve an archive of queer history. This was a little didactic, but ideal for teens, I think, and certainly not just one for gender studies students.

Readalike: Meg-John Barker’s Sexuality: A Graphic Guide
(Read via Edelweiss) [Candlewick Press]
The Case Against Fragrance by Kate Grenville (2017)
File this with other surprising nonfiction books by well-known novelists. In 2015, Grenville started struggling while on a book tour: everything from a taxi’s air freshener and a hotel’s cleaning products to a fellow passenger’s perfume was giving her headaches. She felt like a diva for stipulating she couldn’t be around fragrances, but as she started looking into it she realized she wasn’t alone. I thought this was just going to be about perfume, but it covers all fragranced products, which can list “parfum” on their ingredients without specifying what that is – trade secrets. The problem is, fragrances contain any of thousands of synthetic chemicals, most of which have never been tested and thus are unregulated. Even those found to be carcinogens or endocrine disruptors in rodent studies might be approved for humans because it’s not taken into account how these products are actually used. Prolonged or repeat contact has cumulative effects. The synthetic musks in toiletries and laundry detergents are particularly bad, acting as estrogen mimics and likely associated with prostate and breast cancer. I tend to buy whatever’s on offer in Boots, but as soon as my Herbal Essences bottle is empty I’m going back to Faith in Nature (look for plant extracts). The science at the core of the book is a little repetitive, but eased by the social chapters to either side, and you can tell from the footnotes that Grenville really did her research.
Readalike: Chris van Tulleken’s Ultra-Processed People
(Secondhand – gift from my wish list) [Text Publishing]
My Grandmothers and I by Diana Holman-Hunt (1960)
The author was the granddaughter of Pre-Raphaelite painter William Holman Hunt (The Light of the World et al.). While her father was away in India, she was shunted between two homes: Grandmother and Grandfather Freeman’s Sussex estate, and the mausoleum-cum-gallery her paternal grandmother, “Grand,” maintained in Kensington. The grandparents have very different ideas about the sorts of foodstuffs and activities that are suitable for little girls. Both households have servants, but Grand only has the one helper, Helen. Grand probably has a lot of money tied up in property and paintings but lives like a penniless widow. Grand encourages abstemious habits – “Don’t be ruled by Brother Ass, he’s only your body and a nuisance” – and believes in boiled milk and margarine. The single egg she has Helen serve Diana in the morning often smells off. “Food is only important as fuel; whether we like it or not is quite immaterial,” Grand insists. Diana might more naturally gravitate to the pleasures of the Freeman residence, but when it comes time to give a tour of the Holman Hunt oeuvre, she does so with pride. There are some funny moments, such as Diana asking where babies come from after one of the Freemans’ maids gives birth, but this felt so exaggerated and fictionalized – how could she possibly remember details and conversations at the distance of several decades? – that I lost interest by the midpoint.
Readalike: Gwen Raverat’s Period Piece
(Secondhand – Community Furniture Project) [Slightly Foxed]
In Transit: Poems of Travel, ed. Sarah Jackson and Tim Youngs (2018)
Some methods of transport are just more romantic than others. The editors’ introduction notes that “Trains were by far the most popular … followed by aeroplanes and then boats.” Walks and car journeys were surprisingly scarce, they observed, though there are a couple of poems about wandering in New York City. Often, the language is of maps, airports, passports and long flights; of trading one place for another as exile, expatriate or returnee. The collection circuits the globe: China, the Middle East, Greece, Scandinavia, the bayous of the American South. France and Berlin show up more than once. The Emma Press anthologies vary and this one had fewer standout entries than average. However, a few favourites were Nancy Campbell’s “Reading the Water,” about a boy launching out to sea in a kayak; Simon Williams’s “Aboard the Grey Ghost,” about watching for dolphins on a wartime voyage from England to the USA; and Vicky Sparrow’s “Dual Gauge,” which follows a train of thought – about humans as objects moving, perhaps towards death – during a train ride.
(New purchase from publisher) [The Emma Press]
Findings by Kathleen Jamie (2005)
As I found when I reread Sightlines in 2022, Jamie’s topics couldn’t be better suited to my interests: Scottish islands, seabirds, medical history, and the meaning we derive from mortality. She visits the Orkney Islands just before the winter solstice, which draws a faithful few to the tomb of Maes Howe. From her attic room in Fife, she watches peregrine falcons on a cliff face. A gannet’s skull is her prized souvenir from a boat tour to an uninhabited Hebridean island. Vigilance pays off when she hears, then sees, corncrake on the Isle of Coll. Although she has a penchant for empty places, she also writes about cityscapes and hospitals. “Skylines” looks out over Edinburgh, also the setting for “Surgeons’ Hall,” about the pathology museum on the Royal College of Surgeons campus (my 2018 visit). In “Fever” her husband has a scary bout of pneumonia. Jamie is one of our wisest writers on nature and human culture. She asks whether any creatures are truly wild given the pervasiveness of human influence. Even as she seeks out the ancient, she knows we are all ephemeral. “Sabbath” is the best single essay, combining a visit to Lewis with her worry for her mother, who’s had a stroke, and her grandmother, who is to move into a care home. She explores the island “relishing the movement of my body, its own small continuing strength. It wouldn’t last forever – that was the truth of it – but today I could cycle along a road, to see where it led.”
(University library) [Sort Of Books]
My rating in 2012: ![]()
My rating now: ![]()
Ladies, Ladies, Ladies by Kristen Zory King (2025)
I’d never encountered “chapbook” being used for prose rather than poetry, but it’s an apt term for this 61-page paperback containing 18 stories. It’s remarkable how much King can pack into just a few pages: a voice, a character, a setting and situation, an incident, a salient backstory, and some kind of epiphany or resolution. Fifteen of the pieces focus on one named character, with another three featuring a set (“Ladies,” hence the title). Laura-Jean wonders whether it was a mistake to tell her ex’s mother what she really thinks about him in a Christmas card. A love of ice cream connects Margot’s past and present. A painting in a museum convinces Paige to reconnect with her estranged sister. Alice is sure she sees her double wandering around, and Mary contemplates stealing other people’s cats. The women are moved by rage or lust; stymied by loneliness or nostalgia. Is salvation to be found in scripture or poetry? Each story is distinctive, with no words wasted. I’ll look out for future work by King.
(Duplicate copy passed on by Marcie – thank you!) [Stanchion Books]
Which of these do you fancy reading?
Six more indie publishers spotlighted, for a total of 19 books and 18 publishers this month – job done!
Also covered:
Ansell, Farrier, Febos, Hoffman, Orlean, Stacey
Chevillard, Hopkins & Bateman, McGrath, Richardson
Victorian-Themed Novels by Annie Elliot and Livi Michael

There are plenty more indie books that I’m in the middle of, or picked out but didn’t get to in February. As much as possible, I’ll continue reading (indie) books from my shelves this year.








