Tag Archives: G.G. Silverman

Book Serendipity, March to May

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. People frequently ask how I remember all of these coincidences. The answer is: I jot them down on scraps of paper or input them immediately into a file on my PC desktop; otherwise, they would flit away! Feel free to join in with your own.

The following are in roughly chronological order.

  • A sister named Fiona in The Forgotten Waltz by Anne Enright and Leaving Home by Mark Haddon.

 

  • A parent burns a dirty magazine in Mrs. Bridge by Evan S. Connell and The Blood Year Daughter by G.G. Silverman.
  • Sabbath chains, Gaelic sermons, and psalm singing on the very pious Isle of Lewis in John of John by Douglas Stuart (set in the 1990s), then Findings by Kathleen Jamie (essay from the early 2000s). I doubt any of the above can still be found there, though we did note “Respect the Sabbath” signs on playground equipment on our 2022 trip.

 

  • A single mother who won’t answer the phone because she’s afraid of who/what it might be in Blonde by Joyce Carol Oates and The First Day of Spring by Nancy Tucker.

 

  • An orphaned narrator named (Eva) Luna in Eva Luna by Isabel Allende and Fountainville by Tishani Doshi. Then I came across a dog named Luna in Transcription by Ben Lerner! And the main character in one story of Baby in a Box by Sarah Braunstein starts going by her nickname, Luna.
  • There’s a Muriel Rukeyser poem in the anthology Night Feeds and Morning Songs (ed. Ana Sampson) and Rukeyser is a character in Sophie Ward’s Our Better Natures, which I was also reading at the time.

 

  • Eating boiled ham in Ordinary Saints by Niamh Ni Mhaoileoin and I Capture the Castle by Dodie Smith (and boiled turkey in The First Day of Spring by Nancy Tucker).

 

  • Checking a hotel room for bedbugs in Transcription by Ben Lerner and Half His Age by Jennette McCurdy.

 

  • A young person writing in shorthand in I Capture the Castle by Dodie Smith and First Class Murder by Robin Stevens.

 

  • A character named Emmie in Transcription by Ben Lerner and (no surprise here) Emmie Arbel: The Colour of Memory by Barbara Yelin.

 

  • Noting that roses are not suited to a particular climate in The Memory of Borrowed Books by Meg Anderson and Late Migrations by Margaret Renkl.
  • A Welsh character named Owain in Fountainville by Tishani Doshi and Bog Child by Siobhan Dowd.

 

  • The Secret Garden is discussed/mentioned in Reading My Mother Back by Timothy C. Baker and Mare by Emily Haworth-Booth, and mentioned in The Memory of Borrowed Books by Meg Anderson.

 

  • The protagonist is emotionless at their mother’s deathbed in Like Mother by Jenny Diski and Leaving Home by Mark Haddon.
  • (Apologies: this one is grim.) A young woman is sexually assaulted with a bottle in The Benefactors by Wendy Erskine and The Truth about Ruby Cooper by Liz Nugent (both Irish novelists).

 

  • A husband is involved in a deliberate (suicidal) crash in Show Me Where It Hurts by Claire Gleeson and one story of I Am the Ghost Here by Kim Samek.

 

  • Ali Baba’s cave is used as a metaphor in The Usual Desire to Kill by Camilla Barnes and Rita Hayworth and Shawshank Redemption by Stephen King.
  • A brother- and sister-in-law have an affair in the two Portuguese novels I read on my Portugal holiday, The Migrant Painter of Birds by Lídia Jorge and The Piano Cemetery by José Luís Peixoto.

 

  • A woman describes her discovery of orgasm in The Half Life by Rachel Beanland and The High Mountains of Portugal by Yann Martel.

 

  • ‘There are two kinds of people…’ thinking in The Mighty Red by Louise Erdrich and one story of It Will Come Back to You by Sigrid Nunez.
  • Money is hidden behind a boiler in The Mighty Red by Louise Erdrich and The Murderer’s Ape by Jakob Wegelius.

 

  • The surname Callaway in The Half Life by Rachel Beanland and Calloway in The Watersmith by Yance Wyatt.

 

  • Louise Erdrich, whose The Mighty Red I was reading at the time, is mentioned in The Madman’s Guide to Stamp Collecting by Robert Irwin.

 

  • A minor character named Genevieve appears in Our Numbered Bones by Katya Balen and The Watersmith by Yance Wyatt.
  • The Mighty Red by Louise Erdrich is the second novel I’ve read within eight months (after The Wedding People by Alison Espach) in which a reluctant bride is saddled with a groom named Gary.

 

  • A mountain lion sighting in The Mighty Red by Louise Erdrich and Learning from Silence by Pico Iyer.

 

  • A character has a love of Agatha Christie novels in The High Mountains of Portugal by Yann Martel and Buckeye by Patrick Ryan.
  • A character with the nickname Kitten in Nonesuch by Francis Spufford (particularly funny because it’s for a thug) and Kitten by Stacey Yu.

 

  • Reading two queer novels with an academic writing course setting at the same time: Almost Life by Kiran Millwood Hargrave and Kingfisher by Rozie Kelly.

 

  • A remark about the rare beauty of black hair with blue eyes in Kingfisher by Rozie Kelly and My Year in Paris with Gertrude Stein by Deborah Levy.
  • An STD is evidence of a husband’s infidelity in The Daffodil Days by Helen Bain and A Beautiful Loan by Mary Costello.

 

  • Bottles being used to hold picnic meals / foraged blackberries (noted because these days it would be plastic pots for everything) in Zami by Audre Lorde (the 1940s) and The Daffodil Days by Helen Bain (the 1960s).

 

  • Kismet is a character name in The Mighty Red by Louise Erdrich, so I was primed to notice the word being used in Almost Life by Kiran Millwood Hargrave (it’s a synonym for fate).

 

  • A writer who faces the wall to work in The Daffodil Days by Helen Bain (Ted Hughes, that is) and The Autobiography of Alice B. Toklas by Gertrude Stein (referring to Alice B. Toklas!).

 

  • A painting of an Arctic tern features in The Migrant Painter of Birds by Lídia Jorge (on the cover) and Kingfisher by Rozie Kelly.

 

  • Hot milk is drunk in The Memory of Borrowed Books by Meg Anderson, Kingfisher by Rozie Kelly (with Ovaltine), Nonesuch by Francis Spufford, and Kitten by Stacey Yu.
  • William James is mentioned in My Year in Paris with Gertrude Stein by Deborah Levy and Wise by Frank Tallis.

 

  • Algerian Muslim men appear in A Beautiful Loan by Mary Costello and Moveable Feasts by Chris Newens.

 

  • A pet cat was found on the shore in The Memory of Borrowed Books by Meg Anderson and Kitten by Stacey Yu.

 

  • Bringing cherries to an invalid in Almost Life by Kiran Millwood Hargrave and Kingfisher by Rozie Kelly.

 

  • Sex with a woman who has a mastectomy scar in Kingfisher by Rozie Kelly and Zami by Audre Lorde.

  • A sighting of a kingfisher as auspicious in Kingfisher by Rozie Kelly and Transcription by Ben Lerner.

 

  • The idea that former lovers leave a mark on people in Almost Life by Kiran Millwood Hargrave and Zami by Audre Lorde.

 

  • Pet cat(s) do themselves a mischief by getting into paint supplies in Zami by Audre Lorde and Kitten by Stacey Yu.

 

  • A Sandymount, Dublin setting in A Beautiful Loan by Mary Costello and Hood by Emma Donoghue.
  • An Irish family where the mother and one daughter move to the USA and the father and other daughter stay behind in Hood by Emma Donoghue and The Truth about Ruby Cooper by Liz Nugent (both Irish novelists).

 

  • The concept of a “funeral cake” in The Mighty Red by Louise Erdrich and Kingfisher by Rozie Kelly.

 

  • A character regrets wearing eye makeup on an emotional occasion in The Memory of Borrowed Books by Meg Anderson and Kingfisher by Rozie Kelly.

 

  • My second Irish novel of the year that takes place over one week: Hood by Emma Donoghue (after One by One in the Dark by Deirdre Madden).

 

  • A cat of confusing gender: Grace is male in Hood by Emma Donoghue and Bob is always referred to as “it” in My Year in Paris with Gertrude Stein by Deborah Levy.

 

  • The idea that it’s rare for a woman to a) be a good storyteller (in The Torrents of Spring by Ivan Turgenev) or b) tell a punchline with a straight face (in The Correspondent by Virginia Evans – at least the man gets called out on his sexist opinion in this case). I also noticed the use of the word “caprice” in both books (and also in Turgenev’s First Love) because it’s unusual and I like it.

 

  • Another grim, grim one: reading two books at the same time in which a woman is / women are drugged and raped while unconscious (A Hymn to Life by Gisèle Pelicot and Women Talking by Miriam Toews).
  • I read two short stories in quick succession about a peasant porter who carries a broom: “A Real Durwan” by Jhumpa Lahiri (from Interpreter of Maladies) followed by “Mumu” by Ivan Turgenev.

 

  • An older woman insists that she still is/has a little girl inside in The Correspondent by Virginia Evans and A Hymn to Life by Gisèle Pelicot.

 

  • The number 7 has magical significance for the author in Ghost Stories by Siri Hustvedt and A Hymn to Life by Gisèle Pelicot.

 

  • A couple meets when they see each other reading the same book in an outdoor location: A Lover’s Discourse by Roland Barthes in Almost Life by Kiran Millwood Hargrave; and The Great Gatsby in Sunset Park by Paul Auster.

 

  • Alison Bechdel’s Dykes to Watch Out For is mentioned in Hood by Emma Donoghue; I was reading a Bechdel book, The Secret of Superhuman Strength, at the same time.

 

  • Gnats are irksome in Sunset Park by Paul Auster and Lost Lambs by Madeline Cash.

What’s the weirdest reading coincidence you’ve had lately?

Book Serendipity, January to February

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. People frequently ask how I remember all of these coincidences. The answer is: I jot them down on scraps of paper or input them immediately into a file on my PC desktop; otherwise, they would flit away! Feel free to join in with your own.

The following are in roughly chronological order.

  • An old woman with purple feet (due to illness or injury) in one story of Brawler by Lauren Groff and John of John by Douglas Stuart.
  • Someone is pushed backward and dies of the head injury in Zofia Nowak’s Book of Superior Detecting by Piotr Cieplak and one story of Brawler by Lauren Groff.

 

  • The Hindenburg disaster is mentioned in A Long Game by Elizabeth McCracken and Evensong by Stewart O’Nan.
  • Reluctance to cut into a corpse during medical school and the dictum ‘see one, do one, teach one’ in the graphic novel See One, Do One, Teach One: The Art of Becoming a Doctor by Grace Farris and Separate by C. Boyhan Irvine.

 

  • A remote Scottish island setting and a harsh father in Muckle Flugga by Michael Pedersen [Shetland] and John of John by Douglas Stuart [Harris]. (And another Scottish island setting in A Calendar of Love by George Mackay Brown [Orkney].)

 

  • A mention of genuine Harris tweed in Alone in the Classroom by Elizabeth Hay and John of John by Douglas Stuart.

 

  • The Katharine Hepburn film The Philadelphia Story is mentioned in The Girls’ Guide to Hunting and Fishing by Melissa Bank and Woman House by Lauren W. Westerfield.

  • A mention of Icelandic poppies in Nighthawks by Lisa Martin and Boundless by Kathleen Winter.

 

  • Vita Sackville-West is mentioned in the Orlando graphic novel adaptation by Susanne Kuhlendahl and Boundless by Kathleen Winter.
  • Fear of bear attacks in Black Bear by Trina Moyles and Boundless by Kathleen Winter. Bears also feature in A Rough Guide to the Heart by Pam Houston and No Paradise with Wolves by Katie Stacey. [Looking through children’s picture books at the library the other week, I was struck by how many have bears in the title. Dozens!]

 

  • I was reading books called Memory House (by Elaine Kraf) and Woman House (by Lauren W. Westerfield) at the same time, both of them pre-release books for Shelf Awareness reviews.
  • An adolescent girl is completely ignorant of the facts of menstruation in I Who Have Never Known Men by Jacqueline Harpman and Carrie by Stephen King.

 

  • Camembert is eaten in The Honesty Box by Lucy Brazier and Ordinary Saints by Niamh Ni Mhaoileoin.

 

  • A herbal tonic is sought to induce a miscarriage in The Girls Who Grew Big by Leila Mottley and Bog Queen by Anna North.
  • Vicks VapoRub is mentioned in Love Invents Us by Amy Bloom, Kin by Tayari Jones, and Dirt Rich by Graeme Richardson.

 

  • An adolescent girl only admits to her distant mother that she’s gotten her first period because she needs help dealing with a stain (on her bedding / school uniform) in Love Invents Us by Amy Bloom, An Experiment in Love by Hilary Mantel, and Ordinary Saints by Niamh Ni Mhaoileoin. (I had to laugh at the mother asking the narrator of the Mantel: “Have you got jam on your underskirt?”) Basically, first periods occurred a lot in this set! They are also mentioned in A Little Feral by Maria Giesbrecht and one story of The Blood Year Daughter by G.G. Silverman. [I also had three abortion scenes in this cycle, but I think it would constitute spoilers to say which novels they appeared in.)

 

  • A casual job cleaning pub/bar toilets in Kin by Tayari Jones and John of John by Douglas Stuart.

  • Kansas City is a location mentioned in Strangers by Belle Burden, Mrs. Bridge by Evan S. Connell, and Dreams in Which I’m Almost Human by Hannah Soyer. (Not actually sure if that refers to Kansas or Missouri in two of them.)

 

  • The notion of “flirting with God” is mentioned in Love Invents Us by Amy Bloom and A Little Feral by Maria Giesbrecht.
  • A signature New Orleans cocktail, the Sazerac (a variation on the whisky old-fashioned containing absinthe), appears in Kin by Tayari Jones and Let the Bad Times Roll by Alice Slater.

 

  • An older person’s smell brings back childhood memories in Love Invents Us by Amy Bloom and Whistler by Ann Patchett.

  • The fact that complaining of chest pain will get you seen right away in an emergency room is mentioned in Love Invents Us by Amy Bloom and The Girls Who Grew Big by Leila Mottley.

 

  • Thickly buttered toast is a favoured snack in The Honesty Box by Lucy Brazier and An Experiment in Love by Hilary Mantel.

 

  • A scene of trying on fur coats in Love Invents Us by Amy Bloom and An Experiment in Love by Hilary Mantel.

 

  • Lime and soda is drunk in Our Numbered Bones by Katya Balen, Kin by Tayari Jones, and Whistler by Ann Patchett.

  • A husband 17 years older than his wife in Kin by Tayari Jones and Whistler by Ann Patchett.

 

  • The protagonist seems to hold a special attraction for old men in Love Invents Us by Amy Bloom and Whistler by Ann Patchett.

 

  • A tattoo of a pottery shard (her ex-husband’s) in Strangers by Belle Burden and one of an arrowhead (her own) in Dreams in Which I’m Almost Human by Hannah Soyer.
  • A relationship with an older editor at a publishing house: The Girls’ Guide to Hunting and Fishing by Melissa Bank (romantic) and Whistler by Ann Patchett (stepfather–stepdaughter).

 

  • Repeated vomiting and a fever of 103–104°F leads to a diagnosis of appendicitis in My Grandmothers and I by Diana Holman-Hunt and Whistler by Ann Patchett.

 

  • Multiple pet pugs in Strangers by Belle Burden and My Grandmothers and I by Diana Holman-Hunt.

 

  • Palm crosses are mentioned in My Grandmothers and I by Diana Holman-Hunt and Kin by Tayari Jones.

 

  • A Miss Jemison in Kin by Tayari Jones and a Miss Jamieson in Elizabeth and Ruth by Livi Michael.

  • Pasley as a surname in Elizabeth and Ruth by Livi Michael and a place name (Pasley Bay) in Boundless by Kathleen Winter.

 

  • A remark on a character’s unwashed hair in My Grandmothers and I by Diana Holman-Hunt and Let the Bad Times Roll by Alice Slater.

 

  • A mention of a monkey’s paw in Museum Visits by Éric Chevillard and Let the Bad Times Roll by Alice Slater.

 

  • A character gets 26 (22) stitches in her face (head) after a car accident, a young person who’s vehemently anti-smoking, and a mention of being dusted orange from eating Cheetos, in Whistler by Ann Patchett and Let the Bad Times Roll by Alice Slater.

 

  • Pre-eclampsia occurs in Strangers by Belle Burden and The Girls Who Grew Big by Leila Mottley.

 

  • There’s a chapter on searching for corncrakes on the Isle of Coll (the Inner Hebrides of Scotland) in The Edge of Silence by Neil Ansell, which I read last year; this year I reread the essay on the same topic in Findings by Kathleen Jamie.
  • Worry over women with long hair being accidentally scalped – if a horse steps on her ponytail in Mare by Emily Haworth-Booth; if trapped in a London Underground escalator in Leaving Home by Mark Haddon.

 

  • A pet ferret in My Grandmothers and I by Diana Holman-Hunt and Shooting Up by Jonathan Tepper.

 

  • A dodgy doctor who molests a young female patient in Leaving Home by Mark Haddon and Elizabeth and Ruth by Livi Michael.

 

  • A high school girl’s inappropriate relationship with her English teacher is the basis for Love Invents Us by Amy Bloom, and then Half His Age by Jennette McCurdy, which I started soon after.

  • College roommates who become same-sex lovers, one of whom goes on to have a heterosexual marriage, in Kin by Tayari Jones and Whistler by Ann Patchett.

 

  • A mention of Sephora (the cosmetics shop) in Half His Age by Jennette McCurdy and Whistler by Ann Patchett.

 

  • A discussion of the Greek mythology character Leda in Mrs. Bridge by Evan S. Connell and Whistler by Ann Patchett (where it’s also a character name).

  • A workaholic husband who rarely sees his children and leaves their care to his wife in Strangers by Belle Burden and Mrs. Bridge by Evan S. Connell.

 

  • An apparently wealthy man who yet steals food in Strangers by Belle Burden and Let the Bad Times Roll by Alice Slater.

 

  • Characters named Lulubelle in Mrs. Bridge by Evan S. Connell and Lulabelle in Kin by Tayari Jones.

 

  • Characters named Ruth in Mrs. Bridge by Evan S. Connell, Kin by Tayari Jones, and Elizabeth and Ruth by Livi Michael.

 

  • A mention of Mary McLeod Bethune in Negroland by Margo Jefferson and Kin by Tayari Jones.

 

  • Doing laundry at a whorehouse in Kin by Tayari Jones and Elizabeth and Ruth by Livi Michael.

 

  • A male character nicknamed Doll in John of John by Douglas Stuart and then Elizabeth and Ruth by Livi Michael.

 

  • A mention of tuberculosis of the stomach in Findings by Kathleen Jamie and Shooting Up by Jonathan Tepper. I was also reading a whole book on tuberculosis, Everything Is Tuberculosis by John Green, at the same time.

  • Mention of Doberman dogs in Mrs. Bridge by Evan S. Connell and one story of The Blood Year Daughter by G.G. Silverman.

 

  • Extreme fear of flying in Leaving Home by Mark Haddon and Whistler by Ann Patchett.

What’s the weirdest reading coincidence you’ve had lately?