Tag Archives: disability

20 Books of Summer, 19–20: Emily St. James and Abraham Verghese

Going out on a high! My last three books for the challenge (also including Beautiful Ruins) were particularly great, just the sort of absorbing and rewarding reading that I wish I could guarantee for all of my summer selections.

 

Woodworking by Emily St. James (2025)

Colloquially, “woodworking” is disappearing in plain sight; doing all you can to fade into the woodwork. Erica has only just admitted her identity to herself, and over the autumn of 2016 begins telling others she’s a woman – starting with her ex-wife Constance, who is now pregnant by her fiancé, John. To everyone else, Erica is still Mr. Skyberg, a 35-year-old English teacher at Mitchell High involved in local amateur dramatics. When Erica realizes that not only is there another trans woman in her small South Dakota town but that it’s one of her students, Abigail Hawkes, she lights up. Abigail may be half her age but is further along in her transition journey and has sassy confidence. But this foul-mouthed new mentor has problems of her own, starting with parents who refuse to refer to her by her chosen name. Abigail lives with her adult sister instead, and gains an unexpected surrogate family via her boyfriend Caleb, a Korean adoptee whose mother, Brooke Daniels, is directing Our Town. Brooke is surprisingly supportive given that she attends Isaiah Rose’s megachurch.

As Trump/Pence signs proliferate, a local election is heating up, too: Pastor Rose is running for State Congress on the Republican ticket, opposed by Helen Swee. Erica befriends Helen and becomes faculty advisor for the school’s Democrat club (which has all of two members: Abigail and her Leslie Knope-like friend Megan). The plot swings naturally between the personal and political, emphasizing how the personal business of 1% of the population has been made into a political football. Chapters alternate between Abigail in first person and Erica in third. The characters feel utterly real and the dialogue is as genuine as the narrative voices. The support group Erica and Abigail attend presents a range of trans experiences based on when one came of age. Some are still deep undercover. There’s a big reveal I couldn’t quite accept, though I can see its purpose. It’s particularly effective how St. James lets second- and third-person narration shade into first as characters accept their selves. Grey rectangles cover up deadnames all but once, making the point that even allies can get it wrong.

This was pure page-turning enjoyment with an important message to convey. It reminded me a lot of Under the Rainbow by Celia Laskey but also had the flavour of classic Tom Perrotta (Election). In the Author’s Note, St. James writes, “They say the single greatest determinant of whether someone will support and affirm trans people is if they know a trans person.” I feel lucky to count three trans people among my friends. It’s impossible to make detached pronouncements about bathrooms and slippery slopes if you care about people whose rights and very existence are being undermined. We should all be reading books by and about trans women. (New purchase from Bookshop.org)

 

The Covenant of Water by Abraham Verghese (2023)

All too often, I shy away from doorstoppers because they seem like too much of a time commitment. Why read 715 pages in one novel when I could read 3.5 of 200 pages each? Yet there’s something special about being lost in the middle of a great big book and trusting that wherever the story goes will be worthwhile. I let this review copy languish on the shelf for over TWO YEARS when I should have known that the author of the amazing Cutting for Stone couldn’t possibly let me down. Verghese’s second novel is very much in the same vein: a family saga that spans decades and in every generation focuses on medical issues. Verghese is a practicing doctor as well as a Stanford professor and you can tell he glories in the details of hand and brain surgeries, disability and rare diseases – and luckily, so do I.

Wider events play out in the background (wars, partition, the fall of the caste system), but the focus is always on one family in Kerala, starting in 1900 when a 12-year-old girl is brought to the Parambil estate for her arranged marriage to a 40-year-old widower. One day she will be Big Ammachi, the matriarch of a family with a mysterious Condition: In every generation, someone drowns. As a result, they all avoid water, even if it requires going hours out of their way. Her son Philipose longs to be a scholar, but is so hard of hearing that his formal education is cut short. He becomes a columnist in a local newspaper and marries Elsie, a spirited artist. Their daughter, Mariamma, trains as a doctor. In parallel, we follow the story of Digby Kilgour, a Glaswegian surgeon whose career takes him to India. Through Digby and Mariamma’s interactions with colleagues, we watch colonial incompetence and sexism play out. Addiction and suicide recur across the years. Destiny and choice lock horns. I enjoyed the window onto the small community of St. Thomas Christians and felt fond of all the characters, including Damodaran the elephant. It’s also really clever how Verghese makes the Condition a cross between a mystical curse and a diagnosable ailment. An intellectual soap opera that makes you think about storytelling, purpose and inheritance, this is extraordinary.

With thanks to Atlantic Books for the proof copy for review.

I read 10 of the books I selected in my initial planning post. I’m pleased that I picked off a couple of long-neglected review copies and several recent purchases. The rest were substituted at whim. There were two duds, but the overall quality was high, with 10 books I rated 4 stars or higher! Along with the above and Beautiful Ruins, Pet Sematary and Storm Pegs were overall highlights. I also managed to complete a row on the Bingo card, a fun add-on. And, bonus: I cleared 7 books from my shelves by reselling or giving them away after I read them.

20 Books of Summer, 13–16: Tony Chan, Jen Hadfield, Kenward Anthology, Catherine Taylor

Three from my initial list (all nonfiction) and one substitute picked up at random (poetry). These are strongly place-based selections, ranging from Sheffield to Shetland and drawing on travels while also commenting on how gender and dis/ability affect daily life as well as the experience of nature.

 

Four Points Fourteen Lines by Tony Chan (2016)

Chan is a schoolteacher who, in 2015, left his day job to undertake a 78-day solo walk between “the four extreme cardinal points of the British mainland”: Dunnet Head (North) to Ardnamurchan Point (West) in Scotland, down to Lowestoft Ness (East) in Suffolk and across to Lizard Point, Cornwall (South). It was a solo trek of 1,400 miles. He wrote one sonnet per day, not always adhering to the same rhyme scheme but fitting his sentiments into 14 lines of standard length. He doesn’t document much practical information, but does admit he stayed in decent hotels, ate hot meals, etc. Each poem is named for the starting point and destination, but the topic might be what he sees, an experience on the road, a memory, or whatever. “Evanton to Inverness” decries a gloomy city; “Inverness to Foyers” gives thanks for his shoes and lycra undershorts. He compares Highlanders to heroic Trojans: “Something sincere in their browned, moss-green tweeds, / In their greeting voice of gentle tenor. / From ancient Hector or from ancient clans, / Here live men most earnest in words and deeds.” None of the poems are laudable in their own right, but it’s a pleasant enough project. Too often, though, Chan resorts to outmoded vocabulary to fit the form or try to prove a poetic pedigree (“Suddenly comes an Old Testament of deluge and / Tempest, deluding the sense wholly”; “I know these streets, whence they come and whither / They run”; “I learnt well some verses of Tennyson / Years ago when noble dreams were begat”) when he might have been better off varying the form and/or using free verse. (Signed copy from Little Free Library)

 

Storm Pegs: A Life Made in Shetland by Jen Hadfield (2024)

This is not so much a straightforward memoir as a set of atmospheric vignettes, each headed by a relevant word or phrase in the Shaetlan dialect. Hadfield, who is British Canadian, moved to the islands in her late twenties in 2006 and soon found her niche. “My new life quickly debunked those Edge-of-the-World myths – Shetland was too busy to feel remote, and had too strong a sense of its own identity to feel frontier-like.” It’s gently ironic, she notes, that she’s a terrible sailor and gets vertigo at height yet lives somewhere with perilous cliff edges that is often reachable only by sea. Living in a trailer waiting for her home to be built on West Burra, she feels the line between indoors and out is especially thin. It’s a life of wild swimming, beachcombing, fresh fish, folk music, seabirds, kind neighbours, and good cheer that warms long winter nights. After the isolation of the pandemic period comes the unexpected joy of a partner and a pregnancy in her mid-forties. Hadfield is a Windham-Campbell Prize-winning poet, and her lyrical prose is full of lovely observations that made me hanker to return to Shetland – it’s been 19 years since my only visit, after all. This was a slow read I savoured for its language and sense of place.

With thanks to Picador for the free paperback copy for review.


From Shetland authors, I have also reviewed:

Orchid Summer by Jon Dunn (Hadfield mentions him)

Sea Bean by Sally Huband (Hadfield meets her)

The Valley at the Centre of the World by Malachy Tallack

 

Moving Mountains: Writing Nature through Illness and Disability, ed. Louise Kenward (2023)

I often read memoirs about chronic illness and disability – the sort of narratives recognized by the Barbellion and ACDI Literary Prizes – and the idea of nature essays that reckon with health limitations was an irresistible draw. The quality in this anthology varies widely, from excellent to barely readable (for poor prose or pretentiousness). I’ll be kind and not name names in the latter category; I’ll only say the book has been poorly served by the editing process. The best material is generally from authors with published books: Polly Atkin (Some of Us Just Fall; see also her recent response to the Raynor Winn fiasco), Victoria Bennett (All My Wild Mothers), Sally Huband (as above!), and Abi Palmer (Sanatorium). For the first three, the essay feels like an extension of their memoir, while Palmer’s inventive piece is about recreating seasons for her indoor cats. My three favourite entries, however, were Louisa Adjoa Parker’s poem “This Is Not Just Tired,” Nic Wilson’s “A Quince in the Hand” (she’s an acquaintance through New Networks for Nature and has a memoir out this summer, Land Beneath the Waves), and Eli Clare’s “Moving Close to the Ground,” about being willing to scoot and crawl to get into nature. A number of the other pieces are repetitive, overlong or poorly shaped and don’t integrate information about illness in a natural way. Kudos to Kenward for including BIPOC and trans/queer voices, though. (Christmas gift from my wish list)

 

The Stirrings: Coming of Age in Northern Time by Catherine Taylor (2023)

“A typical family and an ordinary story, although neither the family nor the story seems commonplace when it is your family and your story.”

Taylor, who was born in New Zealand and grew up in Sheffield, won the Ackerley Prize for this memoir. (After Dunmore and King, this is the third in my intended four-in-a-row on the 20 Books of Summer Bingo card, fulfilling the “Book published in summer” category – August 2023.) It is bookended by two pivotal summers: 1976, the last normal season in her household before her father left; and 1989, the “Second Summer of Love,” when she had an abortion (the subject of “Milk Teeth,” the best individual chapter and a strong stand-alone essay). In between, fear and outrage overshadow her life: the Yorkshire Ripper is at large, nuclear war looms, mines are closing and protesters meet with harsh reprisals, and her own health falters until she gets a diagnosis of Graves’ disease. Then, in her final year at Cardiff, one of their housemates is found dead. Taylor draws reasonably subtle links to the present day, when fascism, global threats, and femicide are, unfortunately, as timely as ever. She’s the sort of personality I see at every London literary event I attend: Wellcome Book Prize ceremonies, Weatherglass’s Future of the Novella event, and so on. I got the feeling this book is more about bearing witness to history than revealing herself, and so I never warmed to it or to her on the page. But if you’d like to get a feel for the mood of the times, or you have experience of the settings and period, you may well enjoy it more than I did. (New purchase from Bookshop.org with a Christmas book token)

Three Days in June vs. Three Weeks in July

Two very good 2025 releases that I read from the library. While they could hardly be more different in tone and particulars, I couldn’t resist linking them via their titles.

 

Three Days in June by Anne Tyler

(From my Most Anticipated list.) A delightful little book that I loved more than I expected to, for several reasons: the effective use of a wedding weekend as a way of examining what goes wrong in marriages and what we choose to live with versus what we can’t forgive; Gail’s first-person narration, a rarity for Tyler* and a decision that adds depth to what might otherwise have been a two-dimensional depiction of a woman whose people skills leave something to be desired; and the unexpected presence of a cat who brings warmth and caprice back into her home. (I read this soon after losing my old cat, and it was comforting to be reminded that cats and their funny ways are the same the world over.)

From Tyler’s oeuvre, this reminded me most of The Amateur Marriage and has a surprise Larry’s Party-esque ending. The discussion of the outmoded practice of tapping one’s watch is a neat tie-in to her recurring theme of the nature of time. And through the lunch out at a chic crab restaurant, she succeeds at making the Baltimore setting essential rather than incidental, more so than in much of her other work.

Gail is in the sandwich generation with a daughter just married and an old mother who’s just about independent. I appreciated that she’s 61 and contemplating retirement, but still feels as if she hasn’t a clue: “What was I supposed to do with the rest of my life? I’m too young for this, I thought. Not too old, as you might expect, but too young, too inept, too uninformed. How come there weren’t any grownups around? Why did everyone just assume I knew what I was doing?”

My only misgiving is that Tyler doesn’t quite get it right about the younger generation: women who are in their early thirties in 2023 (so born about 1990) wouldn’t be called Debbie and Bitsy. To some degree, Tyler’s still stuck back in the 1970s, but her observations about married couples and family dynamics are as shrewd as ever. Especially because of the novella length, I can recommend this to readers wanting to try Tyler for the first time.

*I’ve noted it in Earthly Possessions. Anywhere else?

 

Three Weeks in July: 7/7, The Aftermath, and the Deadly Manhunt by Adam Wishart and James Nally

July 7th is my wedding anniversary but before that, and ever since, it’s been known as the date of the UK’s worst terrorist attack, a sort of lesser 9/11 – and while reading this I felt the same way that I’ve felt reading books about 9/11: a sort of awed horror. Suicide bombers who were born in the UK but radicalized on trips to Islamic training camps in Pakistan set off explosions on three Underground trains and one London bus. I didn’t think my memories of 7/7 were strong, yet some names were incredibly familiar to me (chiefly Mohammad Sidique Khan, the leader of the attacks; Jean Charles de Menezes, the innocent Brazilian electrician shot dead on a Tube train when confused with a suspect in the 21/7 copycat plot – police were operating under a new shoot-to-kill policy and this was the tragic result).

Fifty-two people were killed that day, ranging in age from 20 to 60; 20 were not UK citizens, hailing from everywhere from Grenada to Mauritius. But a total of 770 people were injured. I found the authors’ recreation of events very gripping, though do be warned that there is a lot of gruesome medical and forensic detail about fatalities and injuries. They humanize the scale of events and make things personal by focusing on four individuals who were injured, even losing multiple limbs in some cases, but survived and now work in motivational speaking, disability services or survivor advocacy.

What really got to me was thinking about all the hundreds of people who, 20 years on, still live with permanent pain, disability or grief because of the randomness of them or their loved ones getting caught up in a few misguided zealots’ plot. One detail that particularly struck me: with the Tube tunnels closed off at both ends while searchers recovered bodies, the temperature rose to 50 degrees C (122 degrees F), only exacerbating the stench. The book mostly avoids cliches and overwriting, though I did find myself skimming in places. It is based on the research done for a BBC documentary series and synthesizes a lot of material in an engaging way that does justice to the victims.

 

Have you read one or both of these?

Could you see yourself picking one of them up?

Reading Ireland Month, Part II: Barrett, More Donoghue, O’Farrell x 2

My second set of contributions to Cathy’s Reading Ireland Month. Emma Donoghue also appeared in my first instalment of reviews. Today I’m featuring her latest novel, published just a couple of weeks ago, and taking a quick look at a few other Irish books I’ve read recently: a light-hearted debut featuring small-town criminals, and two by Maggie O’Farrell: a reread of her only nonfiction work to date (for book club), and her newest children’s book.

 

Wild Houses by Colin Barrett (2024)

When Doll English is kidnapped by the Ferdia brothers in revenge for a huge loss on a drug deal, his girlfriend, mother and brother must go to unexpected lengths to set him free. There’s plenty of cursing and violence in this small-town crime caper, yet Barrett has a light touch; the dialogue, especially, is funny. The dialect is easy enough to decipher. Nicky, Doll’s girlfriend, lost both parents young and works in a hotel bar. She’s a strong character reminiscent of the protagonist in Trespasses. Overall, I felt that this was nicely written but that Barrett’s talent was somewhat wasted on a thin story. I’ve encountered similar plots in better books by Paul Murray and Donal Ryan. (Free from the publisher)

 

The Paris Express by Emma Donoghue

Inspired by a real-life disaster involving a train on the approach to Paris’s Montparnasse station in 1895. The Author’s Note at the end reveals the blend of characters included: people known to have been on that particular train, whether as crew or passengers; those who might have journeyed on it because they spent time in Paris at around that period (such as Irish playwright John Millington Synge); and those made up from scratch. It’s a who’s-who of historical figures, many of whom represent different movements or social issues, such as a woman medical student and an African American painter who can pass as white in certain circumstances. Donoghue clearly intends to encompass the entire social hierarchy, from a maid to a politician with a private carriage. She also crafts a couple of queer encounters.

The premise is appealing: a train hurtling toward catastrophe is in a sense a locked room, seeding much drama and intrigue. A young female radical is on board with a bomb, so all along you speculate about whether she’ll set it off and when. While I found the general thrust engaging, it was harder to develop interest in the large cast of characters. I also found the passages personifying the train (she “carries death in her belly”) hokey and thought that, as has sometimes been the case with Donoghue’s historical work, there’s too much research that’s there just for the sake of it, because she came across a fact she found fascinating and couldn’t bear to leave out (“These days every public building has three rubbish bins—one for the reclaiming of paper and cloth, the next for glass, ceramics, and oyster shells, and the last for perishables, which is where she drops the handkerchief.”). So this was enjoyable enough but not among her best.

With thanks to Picador for the proof copy for review.

  

I Am, I Am, I Am: Seventeen Brushes with Death by Maggie O’Farrell (2017)

This was a reread for book club, and oh how brilliant it is. I’m more convinced than ever that the memoir-in-essays is a highly effective form because it focuses on themes or moments of great intensity and doesn’t worry about accounting for all the boring intermediate material. A few of these pieces feel throwaway, but together they form a vibrant picture of a life and also inspire awe at what the human body can withstand. No doubt on Wednesday we will each pick out different essays that resonated the most with us, perhaps because they run very close to our own experience. I imagine our discussion will start there – and with sharing our own NDEs. Stylistically, the book has a lot in common with O’Farrell’s fiction, which often employs the present tense and a complicated chronology. The present tense and a smattering of second person make the work immediate and invite readers to feel their way into her situations. Otherwise, my thoughts are as before – the last two essays are the pinnacle.

My original review from 2018:

We are, all of us, wandering about in a state of oblivion, borrowing our time, seizing our days, escaping our fates, slipping through loopholes, unaware of when the axe may fall.

O’Farrell captures fragments of her life through 17 essays on life-threatening illnesses and other narrow escapes she’s experienced. The pieces aren’t in chronological order and aren’t intended to be comprehensive. Instead, they crystallize the fear and pain of particular moments in time, and are rendered with the detail you’d expect from a scene in one of her novels. (Indeed, you can spot a lot of the real-life influences on her fiction, particularly This Must Be the Place – travels in China and Chile; eczema and stammering.)

She’s been mugged at machete point, has nearly drowned several times, had a risky first labour, and was almost the victim of a serial killer. (My life feels awfully uneventful by comparison!) But the best section of the book is its final quarter: an essay about her childhood encephalitis and its lasting effects, followed by another about her daughter’s extreme allergies. Only now, as a mother, can she understand how terrifying it must have been for her parents to wait at her side during days when she might not have survived. O’Farrell depicts parenthood better than any other author I can think of – letting those of us who haven’t experienced it do so vicariously. (Gift from my wish list)

My original rating (2018):

My rating now:

 

When the Stammer Came to Stay by Maggie O’Farrell (2024)

This is actually her third children’s book, after Where Snow Angels Go (2020) and The Boy Who Lost His Spark (2022). All are illustrated by Daniela Jaglenka Terrazzini, who has a richly colourful and slightly old-fashioned style; she makes kids look as dignified as adults. The books are intended for slightly older children in that they’re on the longer side, have more words than pictures, and are more serious than average. They all weave in gentle magic as a way of understanding and coping with illness, a mental health challenge, or a disability.

When the Stammer Came to Stay is a perfect follow-on to I Am, I Am, I Am because it, too, draws on O’Farrell’s personal struggles. It’s the fable-like story of two sisters, Bea and Min, who share an attic room. The one is perfectly tidy; the other is a messy tomboy. When the stammer, pictured as a blob of silver ectoplasm above the shoulder, starts stealing Min’s words, they gather advice from their parents and the lodgers about how she can accept her new reality instead of fighting it or closing herself off by not speaking at all. The mycologist’s symbiosis metaphor is perhaps a bit too neat, but it contrasts with the impish connotations of the dibbuk, another useful parallel the girls discover. With this I’ve now read O’Farrell’s complete published works!

10th Blogging Anniversary! & Thoughts on the Women’s Prize and Carol Shields Prize Longlists

I can hardly believe I’ve been blogging for a decade. It seems like no time ago that I started this site on a whim early in my freelance career, soon after my main online publication folded and my brother-in-law died. This is now my 1,486th blog post (so close to that 1,500 milestone!), which means I average 12 posts a month. Between reviews, challenges, memes, book lists, and prize reactions, I maintain a very active blog. I’ve long since stopped caring about numbers of views and likes; I’ll never be a top influencer but I offer quality, thoughtful content for those who are similarly serious about books. The blog has also become a place where I can write about personal things in response to losses and other life changes.

I’m pleased that my blog anniversary happens to coincide with International Women’s Day, around when the Women’s Prize and Carol Shields Prize longlists are announced. I don’t plan to shadow either prize in a concerted way, partly because I’m too busy with reading debut novels in my role as a McKitterick Prize judge, but there are some books that appeal.

 

Women’s Prize Longlist

Read

Reading

  • Dream Count by Chimamanda Ngozi Adichie
  • All Fours by Miranda July

Already Wanted to Read

  • Birding by Rose Ruane – For the cover if nothing else (it made my Cover Love post last year)
  • The Artist by Lucy Steeds – Susan of A life in books rates it highly: see her review.

Unsure

  • A Little Trickerie by Rosanna Pike – The premise is reasonably appealing (an orphan who pretends to be an angel) but I am very much not keen on medieval settings. I’ll wait and see if it’s shortlisted.

Decided Against

  • Crooked Seeds by Karen Jennings – I read the Booker-longlisted An Island and it was fine but I don’t need to try anything else by her.
  • Nesting by Roisín O’Donnell – 400 pages on an Irish domestic violence situation sounds like A Lot. Reviews have been very favourable, saying it’s as pacey as a thriller. Again, I’ll wait to see if it’s shortlisted.

Not Interested (for now)

  • Good Girl by Aria Aber
  • Somewhere Else by Jenni Daiches
  • Amma by Saraid de Silva (but well done to Weatherglass Books!)
  • The Dream Hotel by Laila Lalami
  • The Persians by Sanam Mahloudji
  • Fundamentally by Nussaibah Younis

The blurbs for these don’t attract me, but I’d be willing to change my mind if I see an enthusiastic review or two.

 

[Shortlist: 2 April; winner: 12 June]

Stab-in-the-dark shortlist predictions: Good Girl, Dream Count, The Dream Hotel, Nesting, The Artist, Tell Me Everything

 

 

Carol Shields Prize Longlist

Read

DNF

  • Cicada Summer by Erica McKeen – I read the first 15% last summer. In 2020, Husha has recently lost her mother and is locked down with her grandfather at his Ontario lake house. I recall that the prose was vague and somewhat obnoxiously poetic.

Reading

  • All Fours by Miranda July – The only overlap with the WP. I don’t think that, as happened last year, the repeated title will be the winner. It’s too offbeat and divisive.

Want to Read

  • The Hearing Test by Eliza Barry Callahan – Novella-length autofiction about adapting to disability.
  • Curiosities by Anne Fleming – A historian becomes obsessed with the story told by five 17th-century manuscripts. Sounds like a queer Possession with a dash of North Woods.
  • Pale Shadows by Dominique Fortier, translated by Rhonda Mullins – A Québécois author takes on the legacy of Emily Dickinson via the three women who first brought her poetry into print.
  • Obligations to the Wounded by Mubanga Kalimamukwento – Linked short stories about Zambians and Zambian émigrés.

Unsure

  • Bear by Julia Phillips – After reading Bear by Marian Engel, I don’t think I need any more bear legend-inspired romances in my life. (I already discounted Eowyn Ivey’s latest.)
  • Kin: Practically True Stories by V Efua Prince – I’ve had good luck with other books from Wayne State University Press’ Made in Michigan series but can’t quite work out what this would be like.
  • Everything Flirts: Philosophical Romances by Sharon Wahl – Could be intriguing; could be pretentious. At least it’s only novella length. All I can do is try an excerpt.

 

Not Interested (for now)

  • Naniki by Oonya Kempadoo – Someone on Goodreads described this as being like spoken word at a sci-fi convention.
  • Creation Lake by Rachel Kushner – I wasn’t keen when it was shortlisted for the Booker, and I haven’t changed my mind.
  • River East, River West by Aube Rey Lescure – Ditto but from last year’s WP list.
  • Code Noir by Canisia Lubrin – Normally I like linked short stories but a 400+ page count and the heavy subject matter of slavery regulations sound overwhelming.
  • Masquerade by O.O. Sangoyomi – I struggle with fantasy at the best of times.

 

[Shortlist: 3 April; winner: 1 May]

Last year Laura T. and I covered most of the longlist between us and really enjoyed the project. (Marcie of Buried in Print also reviewed a lot of the longlist later in the year.) This year we’ll reassess at the shortlist stage and maybe request a few review copies from the publicist. See Laura’s prize longlist reactions here.

Stab-in-the-dark shortlist predictions: Curiosities, Obligations to the Wounded, Creation Lake, Code Noir, Masquerade

 

What have you read, or might you read, from these longlists?

Three on a Theme: Books on Communes by Crossman, Heneghan & Twigg

Communal living always seems like a great idea but rarely works out well. Why? The short answer: Because people. A longer answer: Political ideals are hard to live out in the everyday when egos clash, practical arrangements become annoying, and lines of privacy or autonomy get crossed. All three books I review today are set in the aftermath of utopian failure. Susanna Crossman, who grew up in an English commune, looks back at 15 years of an abnormal childhood. The community in Birdeye is set to collapse after two founding members announce their departure, leaving one ageing woman and her disabled daughter. And in Spoilt Creatures, from a decade’s distance, Iris narrates the disastrous downfall of Breach House.

 

Home Is Where We Start: Growing up in the Fallout of the Utopian Dream by Susanna Crossman

For Crossman’s mother, “the community” was a refuge, a place to rebuild their family’s life after divorce and the death of her oldest daughter in a freak accident. For her three children, it initially was a place of freedom and apparent equality between “the Adults” and “the Kids” – who were swiftly indoctrinated into hippie opinions on the political matters of the day. “There is no difference between private and public conversations, between the inside and the outside. No euphemisms. Vaginas are discussed over breakfast alongside domestic violence and nuclear bombs.” Crossman’s present-tense recreation of her precocious eight-year-old perspective is canny, as when she describes watching Charles and Diana’s wedding on television:

It was beautiful, but I know marriage is a patriarchal institution, a capitalist trap, a snare. You can read about it in Spare Rib, or if you ask community members, someone will tell you marriage is legalized rape. It is a construction, and that means it’s not natural, and is part of the social reproduction of gender roles and women’s unpaid domestic labour.

Their mum, now known only as “Alison,” often seemed unaware of what the Kids got up as they flitted in and out of each other’s units. Crossman once electrocuted herself at a plug. Another time she asked if she could go to an adult man’s unit for an offered massage. Both times her mother was unfazed.

The author is now a clinical arts therapist, so her recreation is informed by her knowledge of healthy child development and the long-term effects of trauma. She knows the Kids suffered from a lack of routine and individually expressed love. Community rituals, such as opening Christmas presents in the middle of a circle of 40 onlookers, could be intimidating rather than welcoming. Her molestation and her sister’s rape (when she was nine years old, on a trip to India ‘supervised’ by two other adults from the community) were cloaked in silence.

Crossman weaves together memoir and psychological theory as she examines where the utopian impulse comes from and compares her own upbringing with how she tries to parent her three daughters differently at home in France. Through vignettes based on therapy sessions with patients, she shows how play and the arts can help. (I’d forgotten that I’ve encountered Crossman’s writing before, through her essay on clowning for the Trauma anthology.) I somewhat lost interest as the Kids grew into teenagers. It’s a vivid and at times rather horrifying book, but the author doesn’t resort to painting pantomime villains. Behind things were good intentions, she knows, and there is nuance and complexity to her account. It’s a great mix of being back in the moment and having the hindsight to see it all clearly.

With thanks to Fig Tree (Penguin) for the proof copy for review.

 

Birdeye by Judith Heneghan

Like Crossman’s community, the Birdeye Colony is based in a big crumbling house in the countryside – but this time in the USA; the Catskills of upstate New York, to be precise. Liv Ferrars has been the de facto leader for nearly 50 years, since she was a young mother to twins. Now she’s a sixty-seven-year-old breast cancer survivor. To her amazement, her book, The Attentive Heart, still attracts visitors, “bringing their problems, their pain and loneliness, hoping to be mended, made whole.”

One of the ur-plots is “a stranger comes to town,” and that’s how Birdeye opens, with the arrival of a young man named Conor who’s read and admired Liv’s book, and seems to know quite a lot about the place. When Indian American siblings Sonny and Mishti, the only others who have been there almost from the beginning, announce that they’re leaving, it seems Birdeye is doomed. But Liv wonders if Conor can be part of a new generation to take it on.

It’s a bit of a sleepy book, with a touch of suspense as secrets emerge from Birdeye’s past. I was slightly reminded of May Sarton’s Kinds of Love. I most appreciated the character study of Liv and her very different relationships with her daughters, who are approaching fifty: Mary is a capable lawyer in London, while Rose suffered oxygen deprivation at birth and is severely intellectually disabled. Since Liv’s illness, Mary has pressured her to make plans for Rose’s future and, ultimately, her own. The duty of care we bear towards others – blood family; the chosen family of friends and comrades, even pets – arises as a major theme. I’d recommend this to those who love small-town novels.

With thanks to Salt Publishing for the free copy for review.

 

& 20 Books of Summer, #20:

Spoilt Creatures by Amy Twigg

Alas, this proved to be another disappointment from the Observer’s 10 best new novelists feature (following How We Named the Stars by Andrés N. Ordorica). The setup was promising: in 2008, Iris reeling from her break-up from Nathan and still grieving her father’s death in a car accident, goes to live at Breach House after a chance meeting with Hazel, one of the women’s commune’s residents. “Breach House was its own ecosystem, removed from the malfunctioning world of indecision and patriarchy.” Any attempts to mix with the outside world go awry, and the women gain a reputation as strange and difficult. I never got a handle on the secondary characters, who fill stock roles (the megalomaniac leader, the reckless one, the disgruntled one), and it all goes predictably homoerotic and then Lord of the Flies. The dual-timeline structure with Iris’s reflections from 10 years later adds little. An example of the commune plot done poorly, with shallow conclusions rather than deeper truths at play.

With thanks to Tinder Press for the free copy for review.

 

On this topic, I have also read:

Novels:

Arcadia by Lauren Groff

The Blithedale Romance by Nathaniel Hawthorne

On my TBR:

O Sinners by Nicole Cuffy

We Burn Daylight by Bret Anthony Johnston

Nonfiction:

Heaven Is a Place on Earth by Adrian Shirk

July Releases, I: Books by Nina Lohman and Ricky Ray for Disability Pride Month

The Wellcome Book Prize (for health- and medicine-related books) and the Barbellion Prize (for representations of disability and/or chronic illness) are much missed, but I continue to be drawn to their highlighted themes in my reading. This is the first year that I’ve been aware of July as Disability Pride Month, though it’s been a thing since 1990 in the USA and 2015 in the UK. My first set of July releases – I have reviews of three novels coming up tomorrow – consists of a nonlinear memoir interrogating life with chronic pain and a chronically ill poet’s collection in which an old dog is an example of grace through suffering.

 

The Body Alone: A Lyrical Articulation of Chronic Pain by Nina Lohman

For well over a decade, Nina Lohman has endured Chronic Daily Headaches – when a doctor presented her with this phrase, she remarks, it was not so much a diagnosis as a description. Having a clinical term for her extreme pain did nothing to solve it; no treatment she has tried has helped much either, from pharmaceuticals to acupuncture. (Doctors think they’re breaking new ground if they suggest ice packs or elevating her neck.) Like Meghan O’Rourke’s The Invisible Kingdom, this documents a quest with no natural end. Lohman’s health fluctuates, and medical professionals and family and friends minimize her pain because she is able to pass as well, to carry out the daily tasks of raising two children.

The subtitle is apt for a work that is fragmentary and not driven by chronology. Had Cataloguing Pain not already been taken (by Allison Blevins), it might have been a perfect title. Some of Lohman’s short pieces read like poems, including erasure poems based on her medical notes. Repeated headings demonstrate a desire to organise her illness so as to make sense of it: “A Primer,” “Classifications” and “Perhaps” musings. She dwells on the names of things – shades of colours, groups of animals – while she longs for a vocabulary tailored to her own circumstances. Imagined monologues by doctors, friends and her husband (“He”) show pain has not turned her insular; she has empathy even when people act in hurtful ways.

One aspect of the book that I found particularly interesting is that Lohman, though not raised with Christian beliefs, studied theology at university level. Doctrines of the Fall bringing anguish and the Cross offering atonement are logical to her yet feel irrelevant to her situation. She bristles when a religious friend suggests that pain might be “her cross to bear.” Lohman admits she has given up hope on ever being free of pain, so finds resonance with poet Christian Wiman, who has been living with cancer for decades and whose work is equally infused with pain and faith.

It’s a journalistic as well as personal narrative, in the tradition of Anne Boyer, Sinéad Gleeson and Susan Sontag, shifting between modes and registers as Lohman gives a history of opiates, records of her pregnancies, and précis of philosophical understandings of suffering. “Theorizing can only take me so far,” she acknowledges, toward comprehending bodily experiences that defy language. And yet she employs words exquisitely, marshalling metaphors though they’re inadequate. The tone flows from enraged to resigned to cynical and back as she depicts the helplessness of women in a medical system that ignores their pain. Especially if you have enjoyed work by any of the authors I mention above, I highly recommend this debut: it’s sure to be one of my books of the year.

Published by the University of Iowa Press. With thanks to Nectar Literary for the free advanced e-copy for review.

  

The Soul We Share: Life with Earth and an Old Brown Dog by Ricky Ray

New England poet Ricky Ray describes himself as an “eco-mystic” and is the author of several previous works. Maura Dooley chose this as the Aryamati Collection Prize winner in 2023. As in Birds Knit My Ribs Together by Phil Barnett, nature is a source of comfort in a life complicated by chronic illness. In “Pain: 8 on a Scale out of 10,” Ray explains how “Some days, I never make it out of my head, / that coal-eyed melon … The impinged nerves crack their whips / within my animal pelt”. An accidental overdose and depression are matter-of-fact components of the poet’s history. While uxorious, he regrets that he may never become a father. And yet this couplet expresses deep pleasure in life:

(Dis)ability

Some days, my body is so beautiful

I can’t believe I get to live here.

His elderly rescue dog Addie is his beloved companion, and the delight she takes in physical existence despite advancing cancer is a model to him: “she still has a lot / to teach me about aging, about ignoring it, about how to throw my body— / even when it fails me, even when it hurts like hell—headlong into joy.” Multiple poems remember particular walks with her, such as in a Connecticut forest. He even gets a tutorial from her in how to dig a hole. Later on, he remarks as if to her, “Forgive me, I’m human, / we’re slow to learn, quick to forget— / it could be said we live too long / to appreciate each drop of time in the heart’s well.”

If his primary engagement with the nonhuman world is via a pet, Ray also widens the scope to include environmental plight: “you look up and extinction’s / already guzzling half the bestiary, / You think, / God, what have I done? / And the God in you answers: / harm, now what will you do?” This sense of responsibility meeting resolution echoes throughout the book. Ache is a spur to seek remedies; “I learned that hurt inducts all painfolk as conspirators // in the craft of healing.” The prose poems were a bit long and ranty for me (e.g., “Identity Earth: A Brief Biography of Our Planetary Self” goes on for more than six pages) and overall I found the book a little sentimental and New Age-adjacent. However, the poems about Addie are undeniably touching, and perfect for fans of Mary Oliver’s Dog Songs.

With thanks to Fly on the Wall Press for the free copy for review.

 

Have you read anything to tie into Disability Pride Month?

Buddy Reads: Kilmeny of the Orchard by L.M. Montgomery & The Waterfall by Margaret Drabble

Buddy reading and other coordinated challenges are a good excuse to read the sort of books one doesn’t always get to, especially the more obscure classics. This was my third Lucy Maud Montgomery novel within a year and a bit, and my first contribution to Ali’s ongoing year with Margaret Drabble.

{SPOILERS IN BOTH OF THE FOLLOWING REVIEWS}

 

Kilmeny of the Orchard by L. M. Montgomery (1910)

I’ve participated in Canadian bloggers Naomi of Consumed by Ink and Sarah Emsley’s readalongs of three Montgomery works now. The previous two were Jane of Lantern Hill and The Story Girl. This sweet but rather outdated novella reminded me more of the latter (no surprise as it was published just a year before it) because of the overall sense of lightness and the male perspective, which isn’t what those familiar with the Anne and Emily books might expect from Montgomery.

Eric Marshall travels to Prince Edward Island one May to be the temporary schoolmaster in Lindsay, filling in for an ill friend. At his graduation from Queenslea College, his cousin David Baker had teased him about his apparent disinterest in girls. He arrives on the island to an early summer idyll and soon wanders into an orchard where a beautiful young woman is playing a violin.

This is, of course, Kilmeny Gordon, her first name from a Scottish ballad by James Hogg, and it’s clear she will be the love interest. However, there are a couple of impediments to the romance. One is resistance from Kilmeny’s guardians, the strict aunt and uncle who have cared for her since her wronged mother’s death. But the greater obstacle is Kilmeny’s background – illegitimacy plus a disability that everyone bar Eric views as insuperable: she is mute (or, as the book has it, “dumb”). She hears and understands perfectly well, but communicates via writing on a slate.

There is interesting speculation as to whether her condition is psychological or magically inherited from her late mother, who had taken a vow of silence. Conveniently, cousin David is a doctor specializing in throat and voice problems, so assures Eric and the Gordons that nothing is physically preventing Kilmeny from speech. But she refuses to marry Eric until she can speak. The scene in which she fears for his life and calls out to save him is laughably contrived. The language around disability is outmoded. It’s also uncomfortable that the story’s villain, an adopted Gordon cousin, is characterized only by his Italian heritage.

Like The Story Girl, I found this fairly twee, with an unfortunate focus on beauty (“‘Kilmeny’s mouth is like a love-song made incarnate in sweet flesh,’ said Eric enthusiastically”), and marriage as the goal of life. But it was still a pleasant read, especially for the descriptions of a Canadian spring. (Downloaded from Project Gutenberg) #ReadingKilmeny

 

The Waterfall by Margaret Drabble (1969)

This was Drabble’s fourth novel; I’ve read the previous three and preferred two of them to this (A Summer Bird-Cage is fab). The setup is similar to The Garrick Year, which I read last year for book club, in that the focus is on a young mother of two who embarks on an affair. When we meet Jane Gray she is awaiting the birth of her second child. Her husband, Malcolm, walked out a few weeks ago, but she has the midwife and her cousin Lucy to rely on. Lucy and her husband, James, trade off staying over with Jane as she recovers from childbirth. James is particularly solicitous and, one night, joins Jane in bed.

At this point there is a stark shift from third person to first person as Jane confesses that she’s been glossing over the complexities of the situation; sleeping with one’s cousin’s husband is never going to be without emotional fallout. “It won’t, of course, do: as an account, I mean, of what took place”; “Lies, lies, it’s all lies. A pack of lies.” The novel continues to alternate between first and third person as Jane gives us glimpses into her uneasy family-making. I found myself bored through much of it, only perking back up for the meta stuff and the one climactic event. In a way it’s a classic tale of free will versus fate, including the choice of how to frame what happens.

I am no longer capable of inaction – then I will invent a morality that condones me.

It wasn’t so, it wasn’t so. I am getting tired of all this Freudian family nexus, I want to get back to that schizoid third-person dialogue.

The narrative tale. The narrative explanation. That was it, or some of it. I loved James because he was what I had never had: because he drove too fast: because he belonged to my cousin: because he was kind to his own child

(What intriguing punctuation there!) The fast driving and obsession with cars is unsubtle foreshadowing: James nearly dies in a car accident on the way to the ferry to Norway. Jane and her children, Laurie and baby Bianca, are in the car but unhurt. This was the days when seatbelts weren’t required, apparently. “It would have been so much simpler if he had been dead: so natural a conclusion, so poetic in its justice.” The Garrick Year, too, has a near-tragedy involving a car. Like many an adultery story, both novels ask whether an affair changes everything, or nothing. Infidelity and the parenting of young children together don’t amount to the most scintillating material, but it is appealing to see Drabble experimenting with how to tell a story. See also Ali’s review. (Secondhand – Alnwick charity shopping)

Rereading Of Mice and Men for #1937Club

A year club hosted by Karen and Simon is always a great excuse to read more classics. Between my shelves and the library, I had six options for 1937. But I started reading too late, and had too many books on the go, to finish more than one – a reread. No matter; it was a good one I was glad to revisit, and I’ll continue with the other reread at my own pace.

 

Of Mice and Men by John Steinbeck

Are teenagers doomed to dislike the books they read in school? I think this must have been on the curriculum for 11th grade English. It was my third Steinbeck novella after The Red Pony and The Pearl, so to me it confirmed that he wrote contrived, depressing stuff with lots of human and animal suffering. Not until I read The Grapes of Wrath in college and East of Eden (THE Great American Novel) five years ago did I truly recognize Steinbeck’s greatness.

George and Lennie are itinerant farm workers in Salinas Valley, California. Lennie is a gentle giant, intellectually disabled and aware of his own strength when hauling sacks of barley but not when stroking mice and puppies. George looks after Lennie as a favour to Aunt Clara and they’re saving up to buy their own smallholding. This dream is repeated to the point of legend, somewhere between a bedtime story and scripture:

‘Someday—we’re gonna get the jack together and we’re gonna have a little house and a couple of acres an’ a cow and some pigs and—’ ‘An’ live off the fatta the lan’,’ Lennie shouted. ‘And have rabbits.’

They quickly settle in alongside the other ranch-hands and even convert two to their idyllic picture of independence. But the foreman, Curley, is a hothead and his bored would-be-starlet wife won’t stop roaming into the men’s quarters. No matter how much George tells Lennie to stay away from both of them, something is set in motion – an inevitable repeat of an incident from their previous employment that forced them to move on.

I remembered the main contours here but not the ultimate ending, and this time I appreciated the deliberate echoes and heavy foreshadowing (all that symbolism to write formulaic school essays about!): this is Shakespearean tragedy with the signs and stakes writ large against a limited background. Bar some paragraphs of scene-setting descriptions, it is like a play; no surprise it’s been filmed several times. (I wish I didn’t have danged John Malkovich in my head as Lennie; I can’t think of anyone else in that role, whereas Gary Sinise doesn’t necessarily epitomize George for me.) The characterization of the one Black character, Crooks, and the one woman are uncomfortably of their time. However, Crooks is given the dubious honour of conveying the bleak vision: “Nobody never gets to heaven, and nobody gets no land. It’s just in their head.” Like Hardy, Steinbeck knows what happens when the lower classes make the mistake of wanting too much. It’s a timeless tale of grit and desperation, the kind one can’t imagine not existing. (Public library)


Apposite listening: “The Great Defector” by Bell X1 (known for their quirky lyrics):

You’ve been teasing us farm boys

’til we start talking ’bout those rabbits, George

oh, won’t you tell us ’bout those rabbits, George?


Original rating (1999?):

My rating now:

 

Currently rereading: The Hobbit by J.R.R. Tolkien – My father gave me this for Christmas when I was 10. I think I finally read it sometime in my later teens, about when the Lord of the Rings films were coming out. I’m on page 70 now. I’d forgotten just how funny Tolkien is about the set-in-his-ways Bilbo and his devotion to a cosy, quiet life. When he’s roped into a quest to reclaim a mountain hoard of treasure from a dragon – along with 13 dwarves and Gandalf the wizard – he realizes he has much discomfort and many a missed meal ahead of him.

 

DNFed: Journey by Moonlight by Antal Szerb – My second attempt with Hungarian literature, and I found it curiously similar to the other novel I’d read (Embers by Sandor Márai) in that much of it, at least the 50 pages I read, is a long story told by one character to another. In this case, Mihály, on his Italian honeymoon, tells his wife about his childhood best friends, a brother and sister. I wondered if I was meant to sense homoerotic attachment between Mihály and Tamás, which would appear to doom this marriage right at its outset. (Secondhand – Edinburgh charity shop, 2018)

 

Skimmed: Out of Africa by Karen Blixen – I enjoyed the prose style but could tell I’d need a long time to wade through the detail of her life on a coffee farm in Kenya, and would probably have to turn a blind eye to the expected racism of the anthropological observation of the natives. (Secondhand – Way’s in Henley, 2015)

 

Here’s hoping for a better showing next time!

(I’ve previously participated in the 1920 Club, 1956 Club, 1936 Club, 1976 Club, 1954 Club, 1929 Club, and 1940 Club.)

Assisted Dying: Intervals by Marianne Brooker; Wendy Mitchell; and a Local Panel Discussion

Intervals by Marianne Brooker is on the longlist for the inaugural Women’s Prize for Non-Fiction, which my book club has applied to shadow. I’ve now read three of the nominees, the others being Matrescence and A Flat Place (review coming up tomorrow). Unsurprisingly, I’ve gravitated towards the ones based around a personal narrative – although all three are also political and incorporate research and cultural critique. Brooker’s is an extended essay about her mother’s protracted death with multiple sclerosis and the issues it brought up around disability, poverty, and inequality of access to medical care and services.

Specifically, Brooker decries the injustice of the wealthy having the option of travelling to Dignitas in Switzerland for an assisted death (current cost: £15,000), whereas her single mother, who lived in rented accommodation and had long been disabled and unable to work, apart from crafting and reading tarot, had so such relief in sight. Instead, she resorted to refusing life-sustaining nourishment. VSED, or voluntarily stopping eating and drinking, was a topic much on my mind anyway because of Wendy Mitchell’s death last month.

Mitchell was diagnosed with early-onset Alzheimer’s in her fifties and was an energetic campaigner for dementia education and research for the last decade of her life. With a co-author, she wrote three books that give a valuable insider’s view of life with dementia: Somebody I Used to Know, What I Wish People Knew About Dementia, and One Last Thing, in which she specifically discusses VSED. She was determined to live independently. For her, a dignified life was being able to meet her own daily physical needs. She did not want to be in a care home, or to exist past the point where she could no longer recognise her daughters. So when, in January, she fell and broke both wrists, giving her a taste of dependency and derailing her plans to travel to Dignitas, she knew that the time had come. VSED was her way out. You can read her farewell message here.

Is wilful starvation a good death? I don’t really know. It’s peaceful, at least; a person simply gets weaker and weaker, spending more and more time asleep until they fade out, at home. But it can take two weeks to die in this way. Should loved ones have to watch this process?

Denied a liveable life and a legal right to die, my mum made a choice within and between the lines of the law. A decade after her diagnosis, when she was forty-nine and I was twenty-six, she decided to stop eating and drinking to end her suffering and her life. Her MS symptoms were barely treatable and certainly incurable: severe pain, incontinence, fatigue, the gradual but intensifying loss of mobility, vision and speech. But these medical symptoms were compounded by social conditions: isolation, stress, debt and fear of a future in which she would not be able to live or die in her chosen home. We were caught in a perfect storm.

Brooker’s description of the vigil of these last days, like her account of her vivacious mother’s life, is both tender and unflinching. It’s almost like a counterpoint to Simone de Beauvoir’s A Very Easy Death, but with the same incisive attention and emotional transfer between mother and daughter. The book also incorporates political commentary and quotations from psychologists and cultural critics. This somewhat distances the reader; it feels less like a bereavement memoir and more like an impassioned, personally inspired treatise. But that’s not to say there isn’t some levity. She remembers good times from their earlier life together, and reckons with her new role as her mother’s memorial and archivist in a way that really rang true for me. I wish the title was more evocative so as to draw the right readers to this book.

With thanks to Fitzcarraldo Editions for the free copy for review.

 

Also on this topic, I have read In Love by Amy Bloom, That One Patient by Ellen de Visser, The Inevitable by Katie Engelhart, Darke Matter by Rick Gekoski, and Wild and Precious Life by Deborah Ziegler.


 

Last night I attended a local panel discussion put on by the Campaign for Dignity in Dying. It wasn’t a debate in that 3.5 of the 4 members on the panel were pro-assisted dying, and I would guess more than four-fifths of the audience as well. In fact, the only anti- voice of the evening was from a young Catholic man during question time. I knew about the event because one panelist attends my church: George Carey, a former archbishop of Canterbury.

The Anglican Church’s line – the religious response in general – is to uphold the sanctity of life and thus to oppose assisted suicide, so for Lord Carey to do otherwise is noteworthy. He changed his mind in 2014, he explained, after the high-profile case of Tony Nicklinson, who was paralysed after a stroke and lost his appeal over the right to die. “There is no theological contradiction between valuing life and wanting a good death,” Carey insisted. Jesus showed mercy to the ill and dying, and so should we. (He also, more facetiously, described King Saul’s mercy killing by an enemy soldier in 2 Samuel as an assisted death.)

The other panelists were a lawyer, a retired doctor, and a Member of Parliament. Lawyer Graham Wood noted that the 1961 Suicide Act, under which anyone who assists a suicide can be prosecuted, would have to be abolished, and that there would also need to be a negotiation regarding Article 2 of the European Convention on Human Rights, which protects the “right to life.” He was the most wary of the speakers, warning of the danger of undue influence being exerted by relatives when money and assets are involved – he said he sees the worst of humanity in his line of work.

Dr Barry Newman pinned his support for assisted dying to compassion and autonomy, two overriding values of a liberal society. He acknowledged the current professional risk for doctors, and noted that the UK’s main medical bodies remain neutral. However, he brought up a loophole, “double effect,” administering a medication that might end life but whose intent is to alleviate suffering, e.g., a high dose of morphine to an end-stage cancer patient.

Kit Malthouse, Conservative MP for northwest Hampshire, co-chairs a group on end-of-life and has campaigned for assisted dying. (American readers may be surprised by a conservative politician having liberal views on an ethical matter. In the UK, morality is not in lockstep with religions and/or political parties as it is in the USA. This was something it took me a while to get used to: I have Christian friends who vote for four different political parties.) He was disappointed that a members’ bill on assisted dying failed in 2015, but has hope that multiple recent cases (e.g., Esther Rantzen) will put it back on the agenda and believes support in the Commons is sufficient to push legislation through in six months.

“It’s coming,” he assured, not least because many of the UK’s European neighbours and other allies have introduced assisted dying. The UK bill does not go as far as the Dutch legislation, about which all the panelists expressed doubt, and can be tailored to this country’s health system. The status quo, Malthouse cautioned, is people suffering. We know from Oregon that the current proposal will work well, he said; there is vanishingly little abuse of the system in any of the places that have instituted assisted dying legislation.

It was all preaching to the choir as far as I was concerned. Indeed, the spontaneous applause and affirming subvocalizations reminded me of a Pentecostal church service. Clearly, many from the audience had witnessed loved ones dying in horrible ways (a few of these stories came out during question time, such as a woman whose husband went to Dignitas and another who had to fight for her terminally ill sister’s wishes when she was mistakenly resuscitated by paramedics after a suicide attempt). Malthouse observed that supporters of assisted dying have often been through horrific experiences with relatives or spouses.

I was already firmly in support so last night didn’t sway me in any way, but I was encouraged that so many people are thinking and talking about these issues. Maybe by the time I face such a crisis myself, or on someone else’s behalf, a compassionate law will be in place.