The Three Best Books I’ve Read So Far This Year
I’m very stingy with my 5-star ratings, so when I give one out you can be assured that a book is truly special. These three are all backlist reads – look out for my Classic of the Month post next week for a fourth that merits 5 stars – that are well worth seeking out. Out of the 50 books I’ve read so far this year, these are far and away the best.
This Sunrise of Wonder: Letters for the Journey by Michael Mayne (1995)

The cover image is Mark Rothko’s Orange, Red, Yellow (1956).
I plucked this Wigtown purchase at random from my shelves and it ended up being just what I needed to lift me out of January’s funk. Mayne’s thesis is that experiencing wonder, “rare, life-changing moments of seeing or hearing things with heightened perception,” is what makes us human. Call it an epiphany (as Joyce did), call it a moment of vision (as Woolf did), call it a feeling of communion with the universe; whatever you call it, you know what he is talking about. It’s that fleeting sense that you are right where you should be, that you have tapped into some universal secret of how to be in the world.
Mayne believes poets, musicians and painters, in particular, reawaken us to wonder by encouraging us to pay close attention. His frame of reference is wide, with lots of quotations and poetry extracts; he has a special love for Turner, Monet and Van Gogh and for Rilke, Blake and Hopkins. Mayne was an Anglican priest and Dean of Westminster, so he comes at things from a Christian perspective, but most of his advice is generically spiritual and not limited to a particular religion. There are about 50 pages towards the end that are specifically about Jesus; one could skip those if desired.
The book is a series of letters written to his grandchildren from a chalet in the Swiss Alps one May to June. Especially with the frequent quotations and epigraphs, the effect is of a rich compendium of wisdom from the ages. I don’t often feel awake to life’s wonder – I get lost in its tedium and unfairness instead – but this book gave me something to aspire to.
A few of the many wonderful quotes:
“The mystery is that the created world exists. It is: I am. The mystery is life itself, together with the fact that however much we seek to explore and to penetrate them, the impenetrable shadows remain.”
“Once wonder goes; once mystery is dismissed; once the holy and the numinous count for nothing; then human life becomes cheap and it is possible with a single bullet to shatter that most miraculous thing, a human skull, with scarcely a second thought. Wonder and compassion go hand-in-hand.”
“this recognition of my true worth is something entirely different from selfishness, that turned-in-upon-myselfness of the egocentric. … It is a kind of blasphemy to view ourselves with so little compassion when God views us with so much.”
Body of Work: Meditations on Mortality from the Human Anatomy Lab by Christine Montross (2007)
When she was training to become a doctor in Rhode Island, Montross and her anatomy lab classmates were assigned an older female cadaver they named Eve. Eve taught her everything she knows about the human body. Montross is also a published poet, as evident in her lyrical exploration of the attraction and strangeness of working with the remnants of someone who was once alive. She sees the contrasts, the danger, the theatre, the wonder of it all:
“Stacked beside me on my sage green couch: this spinal column that wraps into a coil without muscle to hold it upright, hands and feet tied together with floss, this skull hinged and empty. A man’s teeth.”
“When I look at the tissues and organs responsible for keeping me alive, I am not reassured. The wall of the atrium is the thickness of an old T-shirt, and yet a tear in it means instant death. The aorta is something I have never thought about before, but if mine were punctured, I would exsanguinate, a deceptively beautiful word”
All through her training, Montross has to remind herself to preserve her empathy despite a junior doctor’s fatigue and the brutality of the work (“The force necessary in the dissections feels barbarous”), especially as the personal intrudes on her career through her grandparents’ decline and her plans to start a family with her wife – which I gather is more of a theme in her next book, Falling into the Fire, about her work as a psychiatrist. I get through a whole lot of medical reads, as any of my regular readers will know, but this one is an absolute stand-out for its lyrical language, clarity of vision, honesty and compassion.
There There by Tommy Orange (2018)
Had I finished this late last year instead of in the second week of January, it would have been vying with Lauren Groff’s Florida for the #1 spot on my Best Fiction of 2018 list.
The title – presumably inspired by both Gertrude Stein’s remark about Oakland, California (“There is no there there”) and the Radiohead song – is no soft pat of reassurance. It’s falsely lulling; if anything, it’s a warning that there is no consolation to be found here. Orange’s dozen main characters are urban Native Americans converging on the annual Oakland Powwow. Their lives have been difficult, to say the least, with alcoholism, teen pregnancy, and gang violence as recurring sources of trauma. They have ongoing struggles with grief, mental illness and the far-reaching effects of fetal alcohol syndrome.
The novel cycles through most of the characters multiple times, alternating between the first and third person (plus one second person chapter). As we see them preparing for the powwow, whether to dance and drum, meet estranged relatives, or get up to no good, we start to work out the links between everyone. I especially liked how Orange unobtrusively weaves in examples of modern technology like 3D printing and drones.
The writing in the action sequences is noticeably weaker, and I wasn’t fully convinced by the sentimentality-within-tragedy of the ending, but I was awfully impressed with this novel overall. I’d recommend it to readers of David Chariandy’s Brother and especially Sunil Yapa’s Your Heart Is a Muscle the Size of a Fist. It was my vote for the National Book Critics Circle’s John Leonard Prize (for the best first book, of any genre, published in 2018), and I was pleased that it went on to win.
Memoirs by Casey Gerald and Catherine Simpson
These two memoirs may be very different in terms of the setting (Texas and Yale versus rural Lancashire) and particulars, but I’m reviewing them together because they are both about dysfunctional families and the extent to which external circumstances determine how others see us – and how we view ourselves.
There Will Be No Miracles Here: A Memoir from the Dark Side of the American Dream by Casey Gerald (2018)
The title comes from a seventeenth-century sign in a French village that was intended to get the God-dazzled peasants back to work. For Gerald it’s a somewhat tongue-in-cheek reminder that his life, even if he has made good after an unpromising beginning, is not some American dream or fairytale. It’s more complicated than that. Still, there’s no sugar-coating his family issues. His father missed his tenth birthday party because he was next door with dope fiends; his bipolar mother was in the psych ward while his father was in jail, and then disappeared for several years. Gerald and his older sister, a college dropout, got an apartment and set their own lax rules. In the meantime, he was coming to terms with the fact that he was gay and trying to reconcile his newfound sexual identity with his Christian faith.
In spite of it all, Gerald shone academically and athletically. He was his Texas high school’s valedictorian and followed his father into a thriving college football career – at Yale, where he accidentally fell into leadership via a Men of Color council across the Ivy League schools. It wasn’t until he got to Yale that it even occurred to him that he was poor. (I was reminded of the moment in Michelle Obama’s memoir when she got to Princeton and experienced being a minority for the first time.) As he neared graduation, he decided to go into investment banking “simply because I did not have any money and none of my people had any money.” Back in Texas after a year in a Washington, D.C. think tank, he even considered a run for Congress under the slogan “We can dream again.”
I loved the prologue, which has the 12-year-old Gerald cowering with his church congregation on the last night of 1999, in fear of being left behind at the end of the world. I think I expected religion to continue as a stronger theme throughout the book. The style wasn’t really what I imagined either: it’s a coy combination of reader address, stream-of-consciousness memories, and remembered speech in italics that often set me skimming. Whereas landmark events like his mother’s departure are left impressionistic, football games and the inner workings of Yale’s societies are described in great detail. Scenes in the classroom and with boyfriends, though still occasionally tedious, at least feel more relevant.
Gerald proudly calls himself a “faggot” and is going for a kind of sassy, folksy charm here. For me the tone only landed sometimes. Mostly I appreciated his alertness to how others (often wrongly) perceived him – a great instance of this is when he meets George W. Bush in 2007 and tells him the bare bones of his story, only for Dubya to later twist it into an example in a speech. The memoir tails off into a rather odd and sudden ending, and overall I wasn’t sure it had enough to say to fill close to 400 pages. Perhaps Gerald could have waited another 10 years? As a more successful take on similar themes, I’d recommend the memoir-in-essays Live Through This: Surviving the Intersections of Sexuality, God, and Race by Clay Cane.
My rating: 
There Will Be No Miracles Here was hand-picked by Colm Tóibín for publication by Tuskar Rock Press, a new imprint of Serpent’s Tail, on January 10th. It was published in the USA by Riverhead Books in October 2018. My thanks to the UK publisher for the free copy for review.
When I Had a Little Sister: The Story of a Farming Family that Never Spoke by Catherine Simpson (2019)
On December 7, 2013, Simpson’s younger sister, Tricia, was found dead by their 87-year-old father at the family farmhouse where she lived in Lancashire. She was 46 and had been receiving daily mental health visits for her bipolar disorder, but the family had never been notified about a previous suicide attempt just three weeks before. Simpson excavates her family history to ask how things could have gotten so bad that they didn’t realize that Tricia’s depression had reached suicidal levels.
Simpson’s grandparents – her grandfather a World War I veteran – moved into the property in 1925, so by this time there was literally generations’ worth of stuff to clear out. “I ask myself now: is it possible to dispose of a person’s effects with dignity?” Simpson frets. As she and her father sifted through antique furniture, gadgets and craft supplies, she recalls the previous death in the family: her mother’s from non-Hodgkin’s lymphoma seven years before. Growing up on a cattle farm in the 1970s, the three daughters were expected to be practical and unsentimental; there was never any discussion of emotions, and they got the sense that their overworked, unfulfilled mother would rather they weren’t around at all. In this context, it was hard for Tricia to cope with everyday challenges like struggling with schoolwork and the death of a beloved cousin. She started smoking at 12 and went on antidepressants at 19.
Simpson started writing this family memoir on a fellowship at Hawthornden Castle in February 2016. The first step of her project was to read all of Tricia’s diaries, from age 14 on. There were happy experiences, like six months as a nanny in Vienna and a travel grant to a kibbutz in Israel. There were also unwelcome surprises, like a 1981 suicide note – from when Tricia was just 15. Simpson had never realized just how prone her little sister was to all-or-nothing thinking. She dove headlong into short-lived relationships and, when they failed, feared she would never find love again. Over the years Tricia grew increasingly paranoid, believing she was being watched on the farm and her sisters were plotting to sell the property and leave her with nothing. One time she even locked her parents in to keep them safe.
Although the subtitle is melodramatic, it conveys all that went unsaid in this family: not just sadness, but also love and tenderness. The cover image shows Simpson crying over a dead duckling; Tricia is at the left, her look of consternation startlingly intense for a three-year-old. “It’s only a duck. There’s plenty more where that came from” was their father’s hardhearted response. There are many other family photographs printed in black and white throughout the text; Tricia loved fashion, and is stunning in her glamour shots. While the book is probably overlong, I was absorbed in the family’s story, keen to see how Simpson would reconstruct events through objects, photographs and journals. (My sister is a Tricia, too.) Recommended to readers of Jill Bialosky’s History of a Suicide and Clover Stroud’s The Wild Other.
My rating: 
When I Had a Little Sister will be published by Fourth Estate on February 7th. My thanks to the publisher for an early proof copy for review.
No Place to Lay One’s Head by Françoise Frenkel (1945)
Fittingly, I finished reading this on Sunday, which was International Holocaust Remembrance Day. Even after seven decades, we’re still unearthing new Holocaust narratives, such as this one: rediscovered in a flea market in 2010, it was republished in French in 2015 and first became available in English translation in 2017.
Born Frymeta Idesa Frenkel in Poland, the author (1889–1975) was a Jew who opened the first French-language bookstore in Berlin in 1921. After Kristallnacht and the seizure of her stock and furniture, she left for France and a succession of makeshift situations, mostly in Avignon and Nice. She lived in a hotel, a chateau, and the spare room of a sewing machinist whose four cats generously shared their fleas. All along, the Mariuses, a pair of hairdressers, were like guardian angels she could go back to between emergency placements.
This memoir showcases the familiar continuum of uneasiness blooming into downright horror as people realized what was going on in Europe. To start with one could downplay the inconveniences of having belongings confiscated and work permits denied, of squeezing onto packed trains and being turned back at closed borders. Only gradually, as rumors spread of what was happening to deported Jews, did Frenkel understand how much danger she was in.
The second half of the book is more exciting than the first, especially after Frenkel is arrested at the Swiss border. (Even though you know she makes it out alive.) Her pen portraits of her fellow detainees show real empathy as well as writing talent. Strangely, Frenkel never mentions her husband, who went into exile in France in 1933 and died in Auschwitz in 1942. I would also have liked to hear more about her 17 years of normal bookselling life before everything kicked off. Still, this is a valuable glimpse into the events of the time, and a comparable read to Władysław Szpilman’s The Pianist.
My rating: 
No Place to Lay One’s Head (translated from the French by Stephanie Smee) is issued in paperback today, January 31st, by Pushkin Press. This edition includes a preface by Patrick Modiano and a dossier of documents and photos relating to Frenkel’s life. My thanks to the publisher for the free copy for review.
Live Happy by Bridget Grenville-Cleave and Ilona Boniwell: Review & Giveaway
Today is apparently what’s known as “Blue Monday,” the saddest day of the year. It can be hard to find reasons to be cheerful in mid-January, especially given the state of Anglo-American politics. All too often I give in to melancholy on these dark mornings. However, I aim to do better. Gretchen Rubin’s The Happiness Project was one of the most memorable books I read in the second half of last year. What I appreciated most about it was that her approach is not about undertaking extreme actions to try to achieve happiness, but about finding contentment with the life you already have by adding or tweaking small habits.
I was keen to see what additional tips I could glean from Live Happy: 100 Simple Ways to Fill Your Life with Joy by positive psychologists Bridget Grenville-Cleave and Ilona Boniwell. They explain that about 50% of the capacity for happiness is genetic, while 10% is related to your current situation. That means that individuals are able to boost their happiness by up to 40% through their attitude and choices.

The key is to focus on what you can influence for the better. The book includes in this category things like luck, health and confidence. I found it difficult to accept the idea that I could choose to have good luck and high energy. It’s just such a foreign concept to me. But according to Grenville-Cleave and Boniwell, perceived control of one’s life course is extremely important.
Live Happy contains good generic advice on diet, use of time, relationships and forming positive habits, though the 100-item format leads to some repetition. In a few cases examples of practical application are necessary; otherwise what we have is just sound bites. For instance, “Try adopting extrovert behaviours such as assertiveness and engaging with others” and “you can also try to face problems head on, rather than simply giving up; you’ll find it easier to bounce back after misfortune.”
On the other hand, I did find specific suggestions that I plan to put into practice. A tip for being more optimistic is to wear a rubber band around your wrist and snap yourself every time you experience an Automatic Negative Thought. I also appreciated these words about making choices: “For unimportant decisions try to be satisfied with an option that is merely good enough, rather than trying to make absolutely the best choice. Lower your expectations – do not expect perfection.”

This is an attractive book, with each page containing pull quotes or whimsical drawings that tie into the blue-yellow-green palette. I would recommend it to readers of The Artist’s Way by Julia Cameron, A Manual for Heartache by Cathy Rentzenbrink and Option B by Sheryl Sandberg. It could also make an ideal bedside book for people who aren’t big readers but are interested in injecting a little more happiness into their everyday life.
My rating: 
Live Happy was published by Modern Books on January 17th. My thanks to Alison Menzies for arranging my free copy for review.
GIVEAWAY!
If you would be interested in winning a copy of Live Happy, please comment to that effect below and I will choose one winner at random on Monday the 28th (UK only, sorry!).
Wellcome Book Prize 10th Anniversary Blog Tour: Teach Us to Sit Still by Tim Parks (2010)
“Launched in 2009, the Wellcome Book Prize, worth £30,000, celebrates the best new books that engage with an aspect of medicine, health or illness, showcasing the breadth and depth of our encounters with medicine through exceptional works of fiction and non-fiction.” I was delighted to be asked to participate in the official Wellcome Book Prize 10th anniversary blog tour. For this stop on the tour I’m highlighting a shortlisted title from 2010, a very strong year. The winning book, Rebecca Skloot’s The Immortal Life of Henrietta Lacks, along with Siddhartha Mukherjee’s The Emperor of All Maladies, turned me on to health-themed reading and remains one of my most memorable reads of the past decade.
Teach Us to Sit Still: A Sceptic’s Search for Health and Healing by Tim Parks
Tim Parks, an Englishman, has lived and worked in Italy for over 30 years. He teaches translation at the university in Milan, and is also a novelist and a frequent newspaper columnist on literary topics. Starting in his forties, Parks was plagued by urinary problems and abdominal pain. Each night he had to get up five or six times to urinate, and when he didn’t have fiery pangs shooting through his pelvic area he had a dull ache. Doctors assessed his prostate and bladder in tests that seemed more like torture sessions, but ultimately found nothing wrong. While he was relieved that his worst fears of cancer were allayed, he was left with a dilemma: constant, unexplained discomfort and no medical strategy for treating it.
When conventional medicine failed him, Parks asked himself probing questions: Had he in some way brought this pain on himself through his restless, uptight and pessimistic ways? Had he ever made peace with his minister father’s evangelical Christianity after leaving it for a life based on reason? Was his obsession with transmuting experience into words keeping him from living authentically? During a translation conference in Delhi, he consulted an ayurvedic doctor on a whim and heard words that haunted him: “This is a problem you will never get over, Mr Parks, until you confront the profound contradiction in your character.”
The good news is: some things helped. One was the book A Headache in the Pelvis, which teaches a paradoxical relaxation technique that Parks used for up to an hour a day, lying on a yoga mat in his study. Another was exercise, especially running and kayaking – a way of challenging himself and seeking thrills in a controlled manner. He also started shiatsu therapy. And finally, Vipassana meditation retreats helped him shift his focus off the mind’s experience of pain and onto bodily wholeness. Vipassana is all about “seeing things as they really are,” so the retreats were for him a “showdown with this tangled self” and a chance to face the inevitability of death. Considering he couldn’t take notes at the time, I was impressed by the level of detail with which Parks describes his breakthroughs during meditation.
Though I was uneasy reading about a middle-aged man’s plumbing issues and didn’t always follow the author on his digressions into literary history (Coleridge et al.), I found this to be an absorbing and surprising quest narrative. If not with the particulars, I could sympathize with the broader strokes of Parks’s self-interrogation. He wonders whether sitting at a desk, tense and with poor posture, and wandering around with eyes on the ground and mind on knots of words for years contributed to his medical crisis. Borrowing the title phrase from T.S. Eliot, he’s charted an unlikely journey towards mindfulness in a thorough, bracingly honest, and diverting book that won’t put off those suspicious of New Age woo-woo.
My rating: 
With thanks to Midas PR for the free copy for review.
Wellcome Book Prize 2010
Winner: The Immortal Life of Henrietta Lacks by Rebecca Skloot
Shortlist: Angel of Death by Gareth Williams; Grace Williams Says It Loud by Emma Henderson; So Much for That by Lionel Shriver; Medic by John Nicols and Tony Rennell; Teach Us to Sit Still by Tim Parks
Judges: Comedy writer and television presenter Clive Anderson (chair); novelist and academic Maggie Gee; academic and writer Michael Neve; television presenter and author Alice Roberts; academic and writer A.C. Grayling
The 2019 Wellcome Book Prize longlist will be announced in February. I’m already looking forward to it, of course, and I’m planning to run a shadow panel once again.
Elif Shafak, award-winning author, is the chair of this year’s judges and is joined on the panel by Kevin Fong, consultant anaesthetist at University College London Hospitals; Viv Groskop, writer, broadcaster and stand-up comedian; Jon Day, writer, critic, and academic; and Rick Edwards, broadcaster and author.
See below for details of where other reviews have appeared or will be appearing soon as part of the Wellcome Book Prize 10th anniversary blog tour.

Other themes include pre-smartphone life (“Before All This” – not everything needed to be documented, you could live where you were and not rely on others’ constant approval), the lengths women will go to impress men (“The Audition”), being the only childless person in a room (“Ballast”) and a marriage falling apart (“Your Orange Raincoat”). Also notable are a multi-part tribute to the Chilean miners trapped in 2010 and an imagined outbreak of violence between runners and ramblers. Holmes channels Anne Sexton in “Angel of the Checkout,” with its wonderful repeated line “do you know the price of love?”, and Mary Oliver in the first stanza of “Wild Pigeons.”
What a bizarre novel! Janina Dusezjko is a delightfully twisted Miss Marple type who lives in a remote forest cabin in Poland, near the Czech border. She’s determined to learn the truth of what happened to her two beloved dogs, whom she calls her Little Girls. When four different men who were involved in local hunting – her unpleasant neighbor, a deer poacher whom she nicknamed Big Foot; a police commandant; a fox farm owner; and the president of the mushroom pickers’ association – are all found murdered, her theorizing runs wild. She believes the animals are taking revenge, and intends to use her astrology skills to glean more information about these untimely deaths. The police, meanwhile, dismiss her as a hysterical old crone.
In digestible essays of 2.5 pages each, Whitaker discusses mental health sectioning, home visiting, the rise of technology and antibiotic resistance, the culture of complaint, zealous overscreening and overtreatment (he’d have an ally there in Barbara Ehrenreich: see her 
Even when they’re in stanza form, these don’t necessarily read like poems; they’re often more like declaratory sentences, with the occasional out-of-place exclamation. But Bly’s eye is sharp as he describes the signs of the seasons, the sights and atmosphere of places he visits or passes through on the train (Ohio and Maryland get poems; his home state of Minnesota gets a whole section), and the small epiphanies of everyday life, whether alone or with friends. And the occasional short stanza hits like a wisdom-filled haiku, such as “There are palaces, boats, silence among white buildings, / Iced drinks on marble tops among cool rooms; / It is good also to be poor, and listen to the wind” (from “Poem against the British”).
One of the more inventive and surprising memoirs I’ve read. Growing up in Mississippi in the 1920s–30s, Gwin’s mother wanted nothing more than for it to snow. That wistfulness, a nostalgia tinged with bitterness, pervades the whole book. By the time her mother, Erin Clayton Pitner, a published though never particularly successful poet, died of ovarian cancer in the late 1980s, their relationship was a shambles. Erin’s mental health was shakier than ever – she stole flowers from the church altar, frequently ran her car off the road, and lived off canned green beans – and she never forgave Minrose for having had her committed to a mental hospital. Poring over Erin’s childhood diaries and adulthood vocabulary notebook, photographs, the letters and cards that passed between them, remembered and imagined conversations and monologues, and Erin’s darkly observant unrhyming poems (“No place to hide / from the leer of the sun / searching out every pothole, / every dream denied”), Gwin asks of her late mother, “When did you reach the point that everything was in pieces?”
It has been winter for five years, and Sanna, Mila and Pípa are left alone in their little house in the forest – with nothing but cabbages to eat – when their brother Oskar is lured away by the same evil force that took their father years ago and has been keeping spring from coming. Mila, the brave middle daughter, sets out on a quest to rescue Oskar and the village’s other lost boys and to find the way past winter. Clearly inspired by the Chronicles of Narnia and especially Katherine Arden’s Winternight trilogy, this middle grade novel is set in an evocative, if slightly vague, Russo-Finnish past and has more than a touch of the fairy tale about it. I enjoyed it well enough, but wouldn’t seek out anything else by the author.
The translator’s introduction helped me understand the book better than I otherwise might have. I gleaned two key facts: 1) The mountainous west coast of Japan is snowbound for months of the year, so the title is fairly literal. 2) Hot springs were traditionally places where family men travelled without their wives to enjoy the company of geishas. Such is the case here with the protagonist, Shimamura, who is intrigued by the geisha Komako. Her flighty hedonism seems a good match for his, but they fail to fully connect. His attentions are divided between Komako and Yoko, and a final scene that is surprisingly climactic in a novella so low on plot puts the three and their relationships in danger. I liked the appropriate atmosphere of chilly isolation; the style reminded me of what little I’ve read from Marguerite Duras. I also thought of 


Mike Barnes, a Toronto poet and novelist, has been a primary caregiver for his mother, Mary, in the nine years since her Alzheimer’s diagnosis disease. She grew up on a Saskatchewan farm and is now in her nineties; he’s in his sixties. A bipolar sufferer, Barnes has spent his own fair share of time in hospitals and on disability. He’s moved Mary between care homes four times as her condition has deteriorated. Though he laments her gradual loss of words and awareness of her family, he can still discern instances of her bravery and the beauty of life.
Journalist Nick Duerden always appreciated how his maternal grandparents, Nonna and Nonno, seemed so ordinary and unchanging. Every trip to see them in the Milan suburbs was, comfortingly, the same. He’d muddle along with his meager Italian, and they’d look after him in their usual clucking way. It was only as he reached middle age and realized that his grandparents were undeniably very old – his grandmother is 99 and in a care home at the time of writing – that he realized how lucky he was to still have them in his life and how unlikely it was that they’d be around for much longer.
This offbeat novella was a bestseller and a successful film. You surely know its most famous line: “Love means not ever having to say you’re sorry.” Oliver Barrett IV is a golden boy: his banker father and previous generations of the eminent Barrett family funded various buildings at Harvard, where Oliver is a hockey player in the late 1960s. Jenny Cavilleri, on the other hand, comes from a single-parent Italian-American family in New Jersey. She’s made it to Radcliffe as a harpsichordist, but her father is just a baker; she’d never be considered good enough for the likes of Oliver. But they meet at the Radcliffe library and, sure enough, fall for each other. She calls him “Preppie”; he calls her a bitch. They’re only partially joking. It may be true love against the odds, but it has an expiration date, as we know from the first line: “What can you say about a twenty-five-year old girl who died?”
In Shock by Rana Awdish: The doctor became the patient when Awdish, seven months pregnant, was rushed into emergency surgery with excruciating pain due to severe hemorrhaging into the space around her liver, later explained by a ruptured tumor. Having experienced brusque, cursory treatment, even from colleagues at her Detroit-area hospital, she was convinced that doctors needed to do better. This memoir is a gripping story of her own medical journey and a fervent plea for compassion from medical professionals.
Doctor by Andrew Bomback: Part of the Bloomsbury Object Lessons series, this is a wide-ranging look at what it’s like to be a doctor. Bomback is a kidney specialist; his wife is also a doctor, and his father, fast approaching retirement, is the kind of old-fashioned, reassuring pediatrician who knows everything. Even the author’s young daughter likes playing with a stethoscope and deciding what’s wrong with her dolls. In a sense, then, Bomback uses fragments of family memoir to compare the past, present and likely future of medicine.
A Moment of Grace by Patrick Dillon [skimmed]: A touching short memoir of the last year of his wife Nicola Thorold’s life, in which she battled acute myeloid leukemia. Dillon doesn’t shy away from the pain and difficulties, but is also able to summon up some gratitude.
Get Well Soon: Adventures in Alternative Healthcare by Nick Duerden: British journalist Nick Duerden had severe post-viral fatigue after a run-in with possible avian flu in 2009 and was falsely diagnosed with ME / CFS. He spent a year wholeheartedly investigating alternative therapies, including yoga, massage, mindfulness and meditation, visualization, talk therapy and more. He never comes across as bitter or sorry for himself. Instead, he considered fatigue a fact of his new life and asked what he could do about it. So this ends up being quite a pleasant amble through the options, some of them more bizarre than others.
*Sight by Jessie Greengrass [skimmed]: I wanted to enjoy this, but ended up frustrated. As a set of themes (losing a parent, choosing motherhood, the ways in which medical science has learned to look into human bodies and minds), it’s appealing; as a novel, it’s off-putting. Had this been presented as a set of autobiographical essays, perhaps I would have loved it. But instead it’s in the coy autofiction mold where you know the author has pulled some observations straight from life, gussied up others, and then, in this case, thrown in a bunch of irrelevant medical material dredged up during research at the Wellcome Library. 
*Brainstorm: Detective Stories From the World of Neurology by Suzanne O’Sullivan: Epilepsy affects 600,000 people in the UK and 50 million worldwide, so it’s an important condition to know about. It is fascinating to see the range of behaviors seizures can be associated with. The guesswork is in determining precisely what is going wrong in the brain, and where, as well as how medicines or surgery could address the fault. “There are still far more unknowns than knowns where the brain is concerned,” O’Sullivan writes; “The brain has a mind of its own,” she wryly adds later on. (O’Sullivan won the Prize in 2016 for It’s All in Your Head.)
I’m also currently reading and enjoying two witty medical books, The Mystery of the Exploding Teeth and Other Curiosities from the History of Medicine by Thomas Morris, and Chicken Unga Fever by Phil Whitaker, his collected New Statesman columns on being a GP.
The Beautiful Cure: Harnessing Your Body’s Natural Defences by Daniel M. Davis
My Proudest Reading Achievement: Getting through a whole Rachel Cusk book (it was my third attempt to read her).
The Funniest Books I Read This Year: Fox 8 by George Saunders and Calypso by David Sedaris
The Downright Strangest Books I Read This Year: The Bus on Thursday by Sheila Barrett, The Pisces by Melissa Broder and I Love Dick by Chris Kraus
Book Love by Debbie Tung: Bookworms will get a real kick out of these cartoons, which capture everyday moments in the life of a book-obsessed young woman (perpetually in hoodie and ponytail). She reads anything, anytime, anywhere. Even though she has piles of books staring her in the face everywhere she looks, she can never resist a trip to the bookstore or library. The very idea of culling her books or finding herself short of reading material makes her panic, and she makes a friend sign a written agreement before he can borrow one of her books. Her partner and friends think she’s batty, but she doesn’t care. I found the content a little bit repetitive and the drawing style not particularly distinguished, but Tung gets the bibliophile’s psyche just right. (Out January 1.) 
When Death Becomes Life: Notes from a Transplant Surgeon by Joshua D. Mezrich: In this debut memoir a surgeon surveys the history of organ transplantation, recalling his own medical education and the special patients he’s met along the way. In the 1940s and 1950s patient after patient was lost to rejection of the transplanted organ, post-surgery infection, or hemorrhaging. Mezrich marvels at how few decades passed between transplantation seeming like something out of a science-fiction future and becoming a commonplace procedure. His aim is to never lose his sense of wonder at the life-saving possibilities of organ donation, and he conveys that awe to readers through his descriptions of a typical procedure. One day I will likely need a donated kidney to save my life. How grateful I am to live at a time when this is a possibility. (Out January 15.) 
Inheritance: A Memoir of Genealogy, Paternity, and Love by Dani Shapiro: Shapiro was used to strangers’ comments about her blond hair and blue eyes. How could it be that she was an Orthodox Jew? people wondered. It never occurred to her that there was any truth to these hurtful jokes. On a whim, in her fifties, she joined her husband in sending off a DNA test kit. It came back with alarming results. Within 36 hours of starting research into her origins, Shapiro had found her biological father, a sperm donor whom she calls Dr. Ben Walden, and in the year that followed, their families carefully built up a relationship. The whole experience was memoirist’s gold, for sure. This is a moving account of her emotional state as she pondered her identity and what her sense of family would be in the future. (Out January 15.) 
Constellations: Reflections from Life by Sinéad Gleeson: Perfect for fans of I Am, I Am, I Am by Maggie O’Farrell, this is a set of trenchant autobiographical essays about being in a female body, especially one wracked by pain. As a child Gleeson had arthritis that weakened her hip bones, and eventually she had to have a total hip replacement. She ranges from the seemingly trivial to life-and-death matters as she writes about hairstyles, blood types, pregnancy, the abortion debate in Ireland and having a rare type of leukemia. In the tradition of Virginia Woolf, Frida Kahlo and Susan Sontag, Gleeson turns pain into art, particularly in a set of 20 poems based on the McGill Pain Index. The book feels timely and is inventive in how it brings together disparate topics to explore the possibilities and limitations of women’s bodies. (Out April 4.)
The Hot Young Widows Club: Lessons on Survival from the Front Lines of Grief by Nora McInerny: In June 2016 I read It’s Okay to Laugh (Crying Is Cool Too), McInerny’s memoir about losing her father and her husband to cancer and her second child to a miscarriage – all within a few weeks – when she was 31. In this short book, an expansion of her TED talk, she argues that we are all incompetent when it comes to grief. There’s no rule book for how to do it well or how to help other people who are experiencing a bereavement, and comparing one loss to another doesn’t help anyone. I especially appreciated her rundown of the difference between pity and true empathy. “Pity keeps our hearts closed up, locked away. Empathy opens our heart up to the possibility that the pain of others could one day be our own pain.” (Out April 30.)