Tag Archives: Ruth Reichl

Book Serendipity, January to February 2024

I call it “Book Serendipity” when two or more books that I read at the same time or in quick succession have something in common – the more bizarre, the better. This is a regular feature of mine every couple of months. Because I usually have 20–30 books on the go at once, I suppose I’m more prone to such incidents. The following are in roughly chronological order.

  • I finished two poetry collections by a man with the surname Barnett within four days in January: Murmur by Cameron Barnett and Birds Knit My Ribs Together by Phil Barnett.
  • I came across the person or place name Courtland in The Optimist’s Daughter by Eudora Welty, then Cortland in a story from The Orange Fish by Carol Shields, then Cotland (but where? I couldn’t locate it again! Was it in Elizabeth Is Missing by Emma Healey?).

 

  • The Manet painting Olympia is mentioned in Christmas Holiday by W. Somerset Maugham and The Paris Novel by Ruth Reichl (both of which are set in Paris).
  • There’s an “Interlude” section in Babel by R.F. Kuang and The Vulnerables by Sigrid Nunez.

 

  • The Morris (Minor) car is mentioned in Elizabeth Is Missing by Emma Healey and Various Miracles by Carol Shields.

 

  • The “flour/flower” homophone is mentioned in Babel by R.F. Kuang and Various Miracles by Carol Shields.
  • A chimney swift flies into the house in Cat and Bird by Kyoko Mori and The Optimist’s Daughter by Eudora Welty.

 

  • A character named Cornelius in The Fruit Cure by Jacqueline Alnes and Wellness by Nathan Hill.

 

  • Reading two year challenge books at the same time, A Year of Biblical Womanhood by Rachel Held Evans and Local by Alastair Humphreys, both of which are illustrated with frequent black-and-white photos by and of the author.
  • A woman uses a bell to summon children in one story of Universally Adored and Other One Dollar Stories by Elizabeth Bruce and The Optimist’s Daughter by Eudora Welty.

 

  • Apple turnovers get a mention in A Year of Biblical Womanhood by Rachel Held Evans and Wellness by Nathan Hill.

 

  • A description of rolling out pie crust in A Year of Biblical Womanhood by Rachel Held Evans and Cat and Bird by Kyoko Mori.

 

  • The idea of a house giving off good or bad vibrations in Wellness by Nathan Hill and a story from Various Miracles by Carol Shields.

  • Emergency C-sections described or at least mentioned in Brother Do You Love Me by Manni Coe, The Unfamiliar by Kirsty Logan, Wellness by Nathan Hill, and lots more.

 

  • Frustration with a toddler’s fussy eating habits, talk of “gentle parenting” methods, and mention of sea squirts in Wellness by Nathan Hill and Matrescence by Lucy Jones.

 

  • The nickname “Poet” in The Tidal Year by Freya Bromley and My Friends by Hisham Matar.
  • A comment about seeing chicken bones on the streets of London in The Tidal Year by Freya Bromley and Went to London, Took the Dog by Nina Stibbe.

 

  • Swans in poetry in The Tidal Year by Freya Bromley and Egg/Shell by Victoria Kennefick.

 

  • A mention or image of Captcha technology in Egg/Shell by Victoria Kennefick and Went to London, Took the Dog by Nina Stibbe.
  • An animal automaton in Loot by Tania James and Egg/Shell by Victoria Kennefick.

 

  • A mention of Donna Tartt in The Tidal Year by Freya Bromley, Looking in the Distance by Richard Holloway, and Matrescence by Lucy Jones.

 

  • Cathy Rentzenbrink appears in The Tidal Year by Freya Bromley and Went to London, Took the Dog by Nina Stibbe.

 

  • Dialogue is given in italics in the memoirs The Tidal Year by Freya Bromley and The Unfamiliar by Kirsty Logan.

 

  • An account of a man being forced to marry the sister of his beloved in A Year of Biblical Womanhood by Rachel Held Evans, Wellness by Nathan Hill, and The Tiger’s Wife by Téa Obreht.

 

  • Saying that one doesn’t want to remember the loved one as ill (but really, not wanting to face death) so not saying goodbye (in Cat and Bird by Kyoko Mori) or having a closed coffin (Wellness by Nathan Hill).

 

  • An unhappy, religious mother who becomes a hoarder in Wellness by Nathan Hill and I’m Glad My Mom Died by Jennette McCurdy.

 

  • Characters called Lidija and Jin in Exhibit by R. O. Kwon and Lydia and Jing in the first story of This Is Salvaged by Vauhini Vara.
  • Distress at developing breasts in Cactus Country by Zoë Bossiere and I’m Glad My Mom Died by Jennette McCurdy.

 

  • I came across mentions of American sportscaster Howard Cosell in Heartburn by Nora Ephron and Stations of the Heart by Richard Lischer (two heart books I was planning on reviewing together) on the same evening. So random!
  • Girls kissing and flirting with each other (but it’s clear one partner is serious about it whereas the other is only playing or considers it practice for being with boys) in Cactus Country by Zoë Bossiere and Winter’s Bone by Daniel Woodrell.

 

  • A conversion to Catholicism in Places I’ve Taken My Body by Molly McCully Brown and Stations of the Heart by Richard Lischer.

 

  • A zookeeper is attacked by a tiger when s/he goes into the enclosure (maybe not the greatest idea!!) in Tiger by Polly Clark and The Tiger’s Wife by Téa Obreht.
  • The nickname Frodo appears in Tiger by Polly Clark and Brother Do You Love Me by Manni Coe.

 

  • Opening scene of a parent in a coma, California setting, and striking pink and yellow cover to Death Valley by Melissa Broder and I’m Glad My Mom Died by Jennette McCurdy.
  • An Englishman goes to Nigeria in Howards End by E.M. Forster and Immanuel by Matthew McNaught.

 

  • The Russian practice of whipping people with branches at a spa in Tiger by Polly Clark and Fight Night by Miriam Toews.

 

  • A mother continues washing her daughter’s hair until she is a teenager old enough to leave home in Mrs. March by Virginia Feito and I’m Glad My Mom Died by Jennette McCurdy.

 

  • Section 28 (a British law prohibiting the “promotion of homosexuality” in schools) is mentioned in A Bookshop of One’s Own by Jane Cholmeley, Some Kids I Taught and What They Taught Me by Kate Clanchy, and Brother Do You Love Me by Manni Coe.

 

  • Characters named Gord (in one story from Various Miracles by Carol Shields, and in Fight Night by Miriam Toews), Gordy (in The Absolutely True Diary of a Part-Time Indian by Sherman Alexie), and Gordo (in Blood Red by Gabriela Ponce).
  • Montessori and Waldorf schools are mentioned in Cactus Country by Zoë Bossiere and When Fragments Make a Whole by Lory Widmer Hess.

 

  • A trailer burns down in The Absolutely True Diary of a Part-Time Indian by Sherman Alexie and Cactus Country by Zoë Bossiere.

What’s the weirdest reading coincidence you’ve had lately?

My Most Anticipated Releases of 2024

I feel a sense of freedom and anticipation about the reading opportunities stretching out ahead of me and want to preserve that, so apart from participating in my usual challenges and trying to read more from my own shelves, I have no specific reading goals for the year. (My ever-growing set-aside shelf does make me feel guilty, though.)

Knowing myself, close to half of my reading will be current-year releases. I’ve already read 10 releases from 2024 (8 are written up here), and I’m also looking forward to new work from Julia Armfield, Tracy Chevalier, Matt Gaw, Garth Risk Hallberg, Sheila Heti, Ann Hood, Rachel Khong, Sarah Manguso, Tommy Orange, Francesca Segal, Joe Shute and J. Courtney Sullivan. If there’s a recurring theme here, it’s sophomore novels from authors whose debuts I loved. Only a few nonfiction releases are musts for me.

I’ve chosen the dozen below as my most anticipated titles that I know about so far. They are arranged in UK release date order, within sections by genre. (U.S. details given too/instead if USA-only.) Quotes are excerpts from the publisher blurbs, e.g., from Goodreads. I’ve noted if I have sourced a review copy already.

 

Fiction

Wellness by Nathan Hill [Jan. 25, Picador; has been out since September from Knopf] Hill’s debut novel, The Nix, was fantastic. I’ve developed an allergy to doorstoppers over the past year, but am determined to read this anyway. “Moving from the gritty 90s Chicago art scene to a suburbia of detox diets and home renovation hysteria, Wellness mines the absurdities of modern technology and modern love to reveal profound, startling truths about intimacy and connection.” Has been likened to Egan, Franzen and Strout. (Print proof copy)

 

The Vulnerables by Sigrid Nunez [Jan. 25, Virago; has been out since November from Riverhead] I’ve read and loved three of Nunez’s novels. I’m a third of the way into this, “a meditation on our contemporary era, as a solitary female narrator asks what it means to be alive at this complex moment in history … Humor, to be sure, is a priceless refuge. Equally vital is connection with others, who here include an adrift member of Gen Z and a spirited parrot named Eureka.” (Print proof copy)

 

Come and Get It by Kiley Reid [Jan. 30, Bloomsbury / Jan. 9, G.P. Putnam’s] Such a Fun Age was a surprise hit with me, so I’m keen to try her second novel, set on a college campus. “It’s 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a [lesbian] visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie’s starry-eyed hustle becomes jeopardised by odd new friends, vengeful dorm pranks and illicit intrigue.” (NetGalley download / public library reservation)

 

Martyr! by Kaveh Akbar [March 7, Picador /Jan. 23, Knopf] I’ve read Akbar’s two full-length poetry collections and particularly admired Pilgrim Bell. His debut novel sounds kind of unhinged, but I figure it’s worth a try. “When Cyrus’s obsession with the lives of the martyrs – Bobby Sands, Joan of Arc – leads him to a chance encounter with a dying artist, he finds himself drawn towards the mysteries of an uncle who rode through Iranian battlefields dressed as the Angel of Death; and toward his [late] mother, who may not have been who or what she seemed.” (NetGalley download)

 

Memory Piece by Lisa Ko [March 7, Dialogue Books / March 19, Riverhead] Ko’s debut, The Leavers, was a favourite of mine from 2018, so it was great to hear that she is coming out with a new book. “Moving from the predigital 1980s to the art and tech subcultures of the 1990s to a strikingly imagined portrait of the 2040s, Memory Piece is an innovative and audacious story of three lifelong [female, Asian American] friends as they strive to build satisfying lives in a world that turns out to be radically different from the one they were promised.”

 

The Paris Novel by Ruth Reichl [April 23, Random House] I’m reading this for an early Shelf Awareness review. It’s fairly breezy but enjoyable, with an expected foodie theme plus hints of magic but also trauma from the protagonist’s upbringing. “When her estranged mother dies, Stella is left with an unusual gift: a one-way plane ticket, and a note reading ‘Go to Paris’. But Stella is hardly cut out for adventure … When her boss encourages her to take time off, Stella resigns herself to honoring her mother’s last wishes.” (PDF review copy)

 

Enlightenment by Sarah Perry [May 2, Jonathan Cape / May 7, Mariner Books] “Thomas Hart and Grace Macauley are fellow worshippers at the Bethesda Baptist chapel in the small Essex town of Aldleigh. Though separated in age by three decades, the pair are kindred spirits – torn between their commitment to religion and their desire for more. But their friendship is threatened by the arrival of love.” Sounds a lot like The Essex Serpent (which is a very good thing) but with astronomy. (Print proof copy)

 

The Ministry of Time, Kaliane Bradley [May 7, Sceptre/Avid Reader Press] “A time travel romance, a speculative spy thriller, a workplace comedy, and an ingeniously constructed exploration of the nature of truth and power and the potential for love to change it. In the near future, a civil servant is offered the salary of her dreams and is, shortly afterward, told what project she’ll be working on. A recently established government ministry is gathering ‘expats’ from across history to establish whether time travel is feasible—for the body, but also for the fabric of space-time.” Promises to be zany and fun.

 

Exhibit by R.O. Kwon [May 21, Virago/Riverhead] I loved The Incendiaries and look forward to reading this next month for an early Shelf Awareness review. “At a lavish party in the hills outside of San Francisco, Jin Han meets Lidija Jung and nothing will ever be the same for either woman. A brilliant, young photographer, Jin is at a crossroads in her work, in her marriage to college sweetheart Phillip, in who she is and who she wants to be. Lidija is a glamorous, injured world-class ballerina on hiatus from her ballet company under mysterious circumstances. Drawn to each other by their intense artistic drives, the two women talk all night.” Bisexual rep from Kwon. (PDF review copy)

 

Nonfiction

Fi: A Memoir of My Son by Alexandra Fuller [April 9, Grove Press] Fuller is one of the best memoirists out there (Don’t Let’s Go to the Dogs Tonight and Leaving Before the Rains Come), and I read pretty much every bereavement memoir I can get my hands on anyway. “It’s midsummer in Wyoming and Alexandra is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on even keel. And then – suddenly and incomprehensibly – her son Fi, at 21 years old, dies in his sleep.” (PDF review copy)

 

Cairn by Kathleen Jamie [June 13, Sort Of Books] Thanks to Paul (I link to his list below) for letting me know about this one. I’ll read anything Kathleen Jamie writes. “Cairn: A marker on open land, a memorial, a viewpoint shared by strangers. For the last five years … Kathleen Jamie has been turning her attention to a new form of writing: micro-essays, prose poems, notes and fragments. Placed together, like the stones of a wayside cairn, they mark a changing psychic and physical landscape.” Which leads nicely into…

 

Poetry

Rapture’s Road by Seán Hewitt [Jan. 11, Jonathan Cape] Hewitt’s debut collection, Tongues of Fire, was brilliant. This sounds like more of the same: “these poems forge their own unique path through the landscape. … Following the reciprocal relationship between queer sexuality and the natural world that he explored in [his previous book, the poet conjures us here into a trance: a deep delirium of hypnotic, hectic rapture where everything is called into question, until a union is finally achieved – a union in nature, with nature.”

 

Other lists for more ideas:

Electric Lit (all by women of color, as chosen by R.O. Kwon)

Kate – we overlap on a couple of our picks

Laura – we overlap on a few of our picks

Paul (mostly nonfiction)

 

What catches your eye here? What other 2024 titles do I need to know about?

The 2024 Releases I’ve Read So Far

I happen to have read eight pre-release books so far, all of them for paid review; mostly for Shelf Awareness, with one for Foreword. (I also have proof copies of upcoming novels by Tania James, Margot Livesey, Sigrid Nunez and Sarah Perry on the shelf, but haven’t managed to start on them yet.) I’ve given review excerpts, links where available, and ratings below to try to pique your interest. Early in January I’ll follow up with a list of my dozen Most Anticipated titles for the coming year.

 

My top recommendations so far:

(in alphabetical order)

Theophanies by Sarah Ghazal Ali [Jan. 16, Alice James Books]: In this poised debut collection by a Muslim poet, spiritual enlightenment is a female, embodied experience, mediated by matriarchs. Ali’s ambivalence towards faith is clear in alliteration-laden verse that recalls Kaveh Akbar’s. Wordplay, floral metaphors, and multiple ghazals make for dazzling language.

 

Grief Is for People by Sloane Crosley [Feb. 27, MCD]: A bereavement memoir like no other. Heart-wrenching yet witty, it bears a unique structure and offers fascinating glimpses into the New York City publishing world. Crosley’s apartment was burgled exactly a month before the suicide of her best friend and former boss. Investigating the stolen goods in parallel serves as a displacement activity for her.

 

Behind You Is the Sea by Susan Muaddi Darraj [Jan. 16, HarperVia]: Darraj’s second novel-in-stories is a sparkling composite portrait of a Palestinian American community in Baltimore. Across nine stellar linked stories, she explores the complex relationships between characters divided by—or connected despite—class, language, and traditional values. The book depicts the variety of immigrant and second-generation experience, especially women’s.

 

The Ritual Effect by Michael Norton [April 9, Scribner]: Many use the words “habit” and “ritual” interchangeably, but the Harvard Business School behavioral scientist argues convincingly that they are very different. While a habit is an automatic, routine action, rituals are “emotional catalysts that energize, inspire, and elevate us.” He presents an engaging and commonsense précis of his research, making a strong case for rituals’ importance in the personal and professional spheres as people mark milestones, form relationships, or simply “savor the experiences of everyday life.”

 

Other 2024 releases I’ve read:

(in publication date order)

House Cat by Paul Barbera [Jan. 2, Thames & Hudson]: The Australian photographer Paul Barbera’s lavish art book showcases eye-catching architecture and the pets inhabiting these stylish spaces. Whether in a Revolutionary War-era restoration or a modernist show home, these cats preside with a befitting dignity. (Shelf Awareness review forthcoming)

 

The Fox Wife by Yangsze Choo [Feb. 13, Henry Holt/Quercus]: Choo’s third novel is steeped in Chinese folklore, like her previous work, this time with a focus on tantalizing stories related to foxes, which were often worshiped at village shrines in China. Two tandem searches ramp up the level of suspense: in the winter of 1908 in Manchuria, in northeast China, a detective investigates a series of unexplained deaths; at the same time, a fox-woman masquerading as a servant plots vengeance against the man who murdered her child.

 

The Only Way Through Is Out by Suzette Mullen [Feb. 13, University of Wisconsin Press]: A candid, inspirational memoir traces the events leading to her midlife acceptance of her lesbian identity and explores the aftermath of her decision to leave her marriage and build “a life where I would choose desire over safety.” The book ends on a perfect note as Mullen attends her first Pride festival aged 56. “It’s never too late” is the triumphant final line. (Foreword review forthcoming)

 

36 Ways of Writing a Vietnamese Poem by Nam Le [March 5, Knopf]: A fearless poetry debut prioritizes language and voice to explore inherited wartime trauma and expose anti-Asian racism. Each poem is titled after a rhetorical strategy or analytical mode. Anaphora is one sonic technique used to emphasize the points. Language and race are intertwined. This is a prophet’s fervent truth-telling. High-concept and unapologetic, this collection from a Dylan Thomas Prize winner pulsates. (Shelf Awareness review forthcoming)

 

Currently reading:

(in release date order; all for Shelf Awareness review)

God Gave Rock and Roll to You: A History of Contemporary Christian Music by Leah Payne [Jan. 4, Oxford University Press]: “traces the history and trajectory of CCM in America and, in the process, demonstrates how the industry, its artists, and its fans shaped—and continue to shape—conservative, (mostly) white, evangelical Protestantism.”

 

Raised by Wolves: Fifty Poets on Fifty Poems, A Graywolf Anthology [Jan. 23, Graywolf Press]: “Graywolf poets have selected fifty poems by Graywolf poets, offering insightful prose reflections on their selections. What arises is a choral arrangement of voices and lineages across decades, languages, styles, and divergences, inspiring a shared vision for the future.”

 

The Paris Novel by Ruth Reichl [April 30, Random House]: “When her estranged mother dies, Stella is left with an unusual gift: a one-way plane ticket, and a note reading ‘Go to Paris’. But Stella is hardly cut out for adventure … When her boss encourages her to take time off, Stella resigns herself to honoring her mother’s last wishes.”

 

Will you look out for one or more of these?

Any other 2024 reads you can recommend?

 

That’s it for me until later next week when I start in on my year-end round-ups (DNFs, miscellaneous superlatives, books of the year, and final statistics). Merry Christmas!

Three Days in Paris and What I Read

My husband’s belated 40th birthday treat was a short city break in Paris earlier this week. No sooner had I gotten home on Tuesday than I was sealing up my suitcase to fly to the States the following afternoon. It’s been quite the whirlwind week (make that few months), but now that things have quieted down a little, I have a chance to look back on the long weekend’s eating, sightseeing and reading. I’d been to Paris twice before: once just for an overnight en route to Milan in 2019, while my first and only proper trip was in early 2004.

That time I did all the touristy things like the Eiffel Tower, the Musée d’Orsay (though not the Louvre), Notre Dame and the site of the Bastille. A sign of how times have changed: nearly 20 years ago when I was at Père Lachaise cemetery, you could go right up to Oscar Wilde’s grave and add your lip-print to the many kisses on it. (There’s a photo of me and my study abroad friend doing just that; I wish I’d had time to go dig it out of an album.) Today it’s walled off by Perspex with a note explaining that the family pay all the cleaning costs. To think that there are descendants of Wilde’s out there in the world! Still, a tiny letdown when it was such a cute ritual. We also visited Chopin and Balzac and took in the views.

The most touristy things we did this time around were Sainte-Chapelle, a marvel of medieval stained glass, and Shakespeare and Company, the famous English-language haunt of expats over the decades. Notre Dame is still closed for its extensive post-fire restoration (it’s due to reopen next year) but you can read some signboards about the reconstruction outside and sit on the bleachers to soak in the atmosphere. Our other destinations included the Hotel de Ville, lit up at night with a Christmas market to advertise the 2024 Olympics, and the Jardin des Plantes and its museum of paleontology and comparative anatomy – old-fashioned in just the way we like it, with row upon row of skeletons and lots of hand-inked original labels.

We were mostly in the city to eat, and eat we did. Many of our recommendations for boulangeries and patisseries came from American chef David Lebovitz’s blog. Although we did buy traditional baguettes and croissants, we were mostly on the lookout for unusual treats, such as hay-flavoured custard-filled choux buns and a famous maple syrup tart. We had one bistro meal and another at a creperie, this one incorporating Breton-Japanese fusion dishes such as my Breizh rolls, cut from a buckwheat galette filled with artichoke hearts, seaweed, scrambled egg and Comté cheese: a cross between a crêpe and sushi.

We enjoyed riding the Métro and by the time we left felt like pros at it. Speaking French to shopkeepers and waitstaff had also started to become second nature (I even managed to query errors in our order/bill twice at restaurants). The weather was showery and colder than expected, but never enough to spoil our experience, and we stole some good glimpses of the Tower from around the city.

But the highlight of the trip was something we stumbled upon and joined in on a whim. At Shakespeare and Company on our first full day, we spotted a sign for a free event they were hosting the next night: the recording of a podcast by comedian Greg Proops, followed by mince pies, mulled wine and carol singing.

We had never heard of Proops but thought we’d take a chance, so made our way back the next evening and got two of the last seats left in the back of the upstairs space. His monologue was funnier than expected, mostly a stringing together of in-jokes about national stereotypes of the English, Americans and French – but as we all know, clichés are amusing precisely because they contain grains of truth. He also had a few long anecdotes about getting eye surgery and running into a famous old film director in Paris. It sounds like this bookshop event is an annual tradition for him.

Best of all, afterwards the shop was technically closed but we were allowed to stay in – lock-in at the bookshop! They don’t normally allow photographs inside, but my husband managed to sneak a few plus some video of the carol singing. The mince pies, gingerbread and mulled wine were all tasty. Professor Lex Paulson at the piano led us in a marathon of 22 songs ranging from ancient traditionals (“O Come O Come Emmanuel” and “The Coventry Carol”) to recent pop (“Last Christmas” and “All I Want for Christmas Is You”); it must be said that there was more general enthusiasm for the latter, while my husband and I were among the few raring for “The Holly and the Ivy” and suchlike. A truly unforgettable evening.

I’d read one memoir of working and living in Shakespeare and Company, Books, Baguettes and Bedbugs by Jeremy Mercer (original title: Time Was Soft There), back in 2017. I don’t remember it being particularly special as bookish memoirs go, but if you want an insider’s look at the bookshop that’s one option. Founder Sylvia Beach herself also wrote a memoir. The best part of any trip is preparing what books to take and read. I had had hardly any time to plan what else to pack, and ended up unprepared for the cold, but I had my shelf of potential reads ready weeks in advance. I took The Elegance of the Hedgehog by Muriel Barbery and read the first 88 pages before giving up. This story of several residents of the same apartment building, their families and sadness and thoughts, was reminiscent of Sophie’s World and didn’t grip me. But here’s what I did read, in chronological order (all: ):

 

Broderies by Marjane Satrapi (2003)

The fifth-floor Airbnb apartment where we stayed in the suburb of Mairie des Lilas overlooked a school and housed an amazing collection of graphic novels in French. I picked this one up to flick through because I remember enjoying Persepolis, but to my surprise I could understand just about every line bar a very few vocabulary words that I skipped over or grasped in context, so I read the whole thing over a couple of breakfasts and evening glasses of wine.

After a dinner party, Marji helps her grandmother serve tea from a samovar to their female family friends, and the eight Iranian women swap stories about their love lives. These are sometimes funny, but mostly sad and slightly shocking tales about arranged marriages, betrayals, and going to great lengths to entrap or keep a man. They range from a woman who has birthed four children but never seen a penis to a mistress who tried to use mild witchcraft to get a marriage proposal. What is most striking is how standards of beauty and purity have endured in this culture, leading women to despair over their loss of youth and virginity.

I think the title may have some slang meaning relating to the hymen? But in English translation it is Embroideries, referring to the way these women stitch together their life stories and their relationships. All the scenes are in black and white with a readable cursive handwriting for the plentiful text. It was a more talky graphic novel than I tend to prefer, but I learned a lot of good phrases from it, and found it a real joy to read. It must be the first book I have read in French since my university days!

 

The Sweet Life in Paris by David Lebovitz (2009)

We both read this, keeping two bookmarks in and trading it off on Metro journeys. The short thematic chapters, interspersed with recipes, were perfect for short bursts of reading, and the places and meals he described often presaged what we experienced. His observations on the French, too, rang true for us. Why no shower curtains? Why so much barging and cutting in line? Parisians are notoriously rude and selfish, and France’s bureaucracy is something I’ve read about in multiple places this year, including John Lewis-Stempel’s La Vie.

Lebovitz has happily called the city home for two decades now, and performs culinary feats (testing the recipes for his dessert cookbooks) in a tiny apartment kitchen. There are sections here on fish, cheese, chocolate, and so on, but also on particular shopping areas and typically French incidents, such as everyone being on strike at the same time. One chapter was a hymn to G. Detou (a play on words meaning “I have it all”), a food emporium my husband was especially excited to visit. This was breezy and affectionate, a perfect travel companion.

 

A Waiter in Paris by Edward Chisholm (2022)

This was consciously based on George Orwell’s Down and Out in Paris and London, but more so than an exposé of working-class poverty and abuses of power in the restaurant world, it is a rollicking narrative of living hand to mouth and trying to gain acceptance as a waiter. I enjoyed it in much the same way that I did Kitchen Confidential by Anthony Bourdain and Sweetbitter by Stephanie Danler: this is a high-stress, macho world I would never want to be a part of myself, but reading about it is intriguing. After Chisholm broke up with his girlfriend, he lived in a bedbug-ridden garret and often did 14-hour shifts as a runner at the “Bistrot de la Seine,” which packed in hundreds of tables and served thousands of meals daily. As “l’Anglais,” with no proper contract or social security, Chisholm was overlooked but determined to become a waiter. Though he felt fraternity with his colleagues, day-to-day life was brutal. He survived on coffee, cigarettes, and stolen rolls, and caught few-hour naps in the toilets of upscale restaurants. The waiters were cut-throat in their competition for tips, and the chefs, mostly Tamil, worked in a basement inferno. His pen portraits of these characters are particularly Orwellian. The account is as vivid and engrossing as a novel.

 

I forgot to start it while I was there, but did soon afterwards: The Paris Novel by Ruth Reichl, forthcoming in early 2024. When Stella’s elegant, aloof mother Celia dies, she leaves her $8,000 – and instructions to go to Paris and not return to New York until she’s spent it all. At 2nd & Charles yesterday, I also picked up a clearance copy of A Paris All Your Own, an autobiographical essay collection edited by Eleanor Brown, to reread. I like to keep the spirit of a vacation alive a little longer, and books are one of the best ways to do that.

Book Serendipity in 2020: Part III

I call it Book Serendipity when two or more books that I read at the same time or in quick succession have something pretty bizarre in common. Because I have so many books on the go at once (usually around 20), I suppose I’m more prone to such incidents than some. I also list these occasional reading coincidences on a Twitter thread.

The following are in chronological order. (January to March’s incidents appeared in this post, and April to July’s here.)

 

  • Reading two books whose covers feature Audubon bird paintings.
  • A 19th-century female character inherits a house but knows it will pass instantly to her spouse in Property by Valerie Martin and Islands of Mercy by Rose Tremain.

 

  • A bag/sack of potatoes as a metaphor in Other People’s Pets by R.L. Maizes and Redhead by the Side of the Road by Anne Tyler.

 

  • Nipple rings get a mention in Addition by Toni Jordan and Other People’s Pets by R.L. Maizes.

 

  • Taxidermy is an element (most major in the first one) in Mostly Dead Things by Kristen Arnett, Wild Child by Patrick Barkham and Into the Tangled Bank by Lev Parikian.

 

  • A discussion of bartenders’ habit of giving out free drinks to get big tips (a canny way of ‘stealing’ from the employer) in Kitchen Confidential by Anthony Bourdain and Other People’s Pets by R.L. Maizes.
  • Characters named Seamus in Addition by Toni Jordan and Mother’s Milk by Edward St. Aubyn.

 

  • Wild boar mentioned in Mostly Dead Things by Kristen Arnett, Other People’s Pets by R.L. Maizes and My Berlin Kitchen by Luisa Weiss.

 

  • A fastidious bachelor who’s always cleaning his living space in Other People’s Pets by R.L. Maizes and Redhead by the Side of the Road by Anne Tyler.

 

  • A character is a blogger in Americanah by Chimamanda Ngozi Adichie, Other People’s Pets by R.L. Maizes and My Berlin Kitchen by Luisa Weiss.

 

  • Norfolk settings in Wild Child by Patrick Barkham and Bird Therapy by Joe Harkness (and both were on the Wainwright Prize longlist).
  • A close aunt‒niece relationship in Mostly Dead Things by Kristen Arnett and Addition by Toni Jordan.

 

  • A guy does dumb accents when talking about food, and specifically a French accent for “hamburger,” in Addition by Toni Jordan and Redhead by the Side of the Road by Anne Tyler.

 

  • Recipes for a potato salad that is dressed with oil and vinegar rather than mayonnaise in Tender at the Bone by Ruth Reichl and My Berlin Kitchen by Luisa Weiss.

 

  • Mentions of the Watergate hearings in A Crime in the Neighborhood by Suzanne Berne and Tender at the Bone by Ruth Reichl.

 

  • Twins in Half of a Yellow Sun by Chimamanda Ngozi Adichie, A Crime in the Neighborhood by Suzanne Berne and The Yonahlossee Riding Camp for Girls by Anton DiSclafani.

 

  • Characters nicknamed “Lefty” in Middlesex by Jeffrey Eugenides and Modern Lovers by Emma Straub.
  • Characters named Abir/Abeer in A Traveller at the Gates of Wisdom by John Boyne and Apeirogon by Colum McCann.

 

  • Kayaking in Scotland in The Frayed Atlantic Edge by David Gange and Summerwater by Sarah Moss.

 

  • The military coup in Nigeria features in Half of a Yellow Sun by Chimamanda Ngozi Adichie and The Shadow of the Sun by Ryszard Kapuściński.

 

  • The song “White Christmas” is quoted in Mudbound by Hillary Jordan and Tales of the City by Armistead Maupin.

 

  • The fact that fingerprints are formed by the fetus touching the uterine wall appears in Marrow by Elizabeth Lesser and You Will Never Be Forgotten by Mary South.
  • Orkney as a setting in Close to Where the Heart Gives Out by Malcolm Alexander and The Frayed Atlantic Edge by David Gange. I’m hankering to go back!

 

  • Teresa of Ávila is mentioned in Marrow by Elizabeth Lesser and You Will Never Be Forgotten by Mary South.

 

  • A dog named Bingo in Half of a Yellow Sun by Chimamanda Ngozi Adichie and Modern Lovers by Emma Straub. (B-I-N-G-O!)

 

  • Four sisters are given a joint name in A Crime in the Neighborhood by Suzanne Berne (Fran-Claire-Lois-Ada) and Marrow by Elizabeth Lesser (KaLiMaJo).

 

  • The same Lilla Watson quote (“If you have come to help me, you are wasting your time. But if you have come because your liberation is bound up with mine, then let us work together”) appears in both The Gospel of Trees by Apricot Irving and Marrow by Elizabeth Lesser.

 

  • An Irish author and Hong Kong setting for Exciting Times by Naoise Dolan and The Distance Between Us by Maggie O’Farrell.
  • The Dorothy Parker quote “Men seldom make passes at girls who wear glasses” appears in both What Are You Going Through by Sigrid Nunez and First Time Ever by Peggy Seeger.

 

What’s the weirdest reading coincidence you’ve had lately?

20 Books of Summer, #19–20: Heat & The Gospel of Trees

Finishing off my summer reading project with a stellar biography-cum-travel book about Italian cuisine and a family memoir about missionary work in Haiti in the 1980s.

 

Heat by Bill Buford (2006)

(20 Books of Summer, #19) The long subtitle gives you an outline of the contents: “An Amateur’s Adventures as Kitchen Slave, Line Cook, Pasta-Maker, and Apprentice to a Dante-Quoting Butcher in Tuscany.” If Buford’s name sounds familiar, it’s because he was the founding editor of Granta magazine and publisher at Granta Books, but by the time he wrote this he was a staff writer for the New Yorker.

Mario Batali is the book’s presiding imp. In 2002–3, Buford was an unpaid intern in the kitchen of Batali’s famous New York City restaurant, Babbo, which serves fancy versions of authentic Italian dishes. It took 18 months for him to get so much as a thank-you. Buford’s strategy was “be invisible, be useful, and eventually you’ll be given a chance to do more.”

In between behind-the-scenes looks at frantic or dull sessions of food prep (“after you’ve made a couple thousand or so of these little ears [orecchiette pasta], your mind wanders. You think about anything, everything, whatever, nothing”), Buford traces Batali’s culinary pedigree through Italy and London, where Batali learned from the first modern celebrity chef, Marco Pierre White, and gives pen portraits of the rest of the kitchen staff. At first only trusted with chopping herbs, the author develops his skills enough that he’s allowed to work the pasta and grill stations, and to make polenta for 200 for a benefit dinner in Nashville.

Later, Buford spends stretches of several months in Italy as an apprentice to a pasta-maker and a Tuscan butcher. His obsession with Italian cuisine is such that he has to know precisely when egg started to replace water in pasta dough in historical cookbooks, and is distressed when the workers at the pasta museum in Rome can’t give him a definitive answer. All the same, the author never takes himself too seriously: he knows it’s ridiculous for a clumsy, unfit man in his mid-forties to be entertaining dreams of working in a restaurant for real, and he gives self-deprecating accounts of his mishaps in the various kitchens he toils in:

to stir the polenta, I was beginning to feel I had to be in the polenta. Would I finish cooking it before I was enveloped by it and became the darkly sauced meaty thing it was served with?

Compared to Kitchen Confidential, I found this less brash and more polished. You still get the sense of macho posturing from a lot of the figures profiled, but of course this author is not going to be in a position to interrogate food culture’s overweening masculinity. However, he does take a stand in support of small-scale food production:

Small food: by hand and therefore precious, hard to find. Big food: from a factory and therefore cheap, abundant. Just about every preparation I learned in Italy was handmade and involved learning how to use my own hands differently. … Food made by hand is an act of defiance and runs contrary to everything in our modernity. Find it; eat it; it will go.

This is exactly what I want from food writing: interesting nuggets of trivia and insight, a quick pace, humor, and mouthwatering descriptions. If the restaurant world lures you at all, you must read this one.

  • Nice connections with my other summer reading: there are mentions of both Eric Asimov and Ruth Reichl visiting Babbo in their capacity as food critics for the New York Times.
  • This also induced a weird case of reverse déjà vu: a book I reviewed last summer for BookBrowse, Hungry by Jeff Gordinier, is so similar that it must have been patterned on Heat: the punchy one-word title; a New York journalist follows an internationally known chef (in that case, René Redzepi) and surveys culinary trends.

I was delighted to learn that this year Buford released a sequel of sorts, this one about French cuisine: Dirt. It’s on my wish list.

Source: From my dad

My rating:

 

The Gospel of Trees by Apricot Irving (2018)

(20 Books of Summer, #20) Irving’s parents were volunteer missionaries to Haiti between 1982 and 1991, when she was aged six to 15. Her father, Jon, was trained as an agronomist, and his passion was for planting trees to combat the negative effects of deforestation on the island (erosion and worsened flooding). But in a country blighted by political unrest, AIDS and poverty, people can’t think long-term; they need charcoal to light their stoves, so they cut down trees.

Along with an agricultural center, the American Baptist missionaries were closely associated with a hospital, Hôpital le Bon Samaritain, run by amateur archaeologist Dr. Hodges and his family. Although Apricot and her two younger sisters were young enough to adapt easily to life in a developing country, they were disoriented each time the family returned to California in between assignments. Their bonds were shaky due to her father’s temper, her parents’ rocky relationship, and the jealousy provoked over almost adopting a Haitian baby girl.

Irving drew on letters and cassette tape recordings, newsletters, and journals (her parents’ and her own) to recreate the decade in Haiti and the years since. This debut book was many years in the making – she started the project in 2001. “I inherited my father’s anger and his perfectionism. Haiti was a wound, an unhealed scab that I was afraid to pick open. But I knew that unless I faced that broken history, my own buried grief, like my father’s, would explode ways I couldn’t predict.”

She and her parents returned to the country after the 2010 earthquake: they were volunteers with a relief organization, while she reported for the This American Life radio program. I loved the ambivalent portrait of Haiti and, especially, of Jon, but couldn’t muster up much interest in secondary characters, hoped for more discussion of (loss of) faith, and thought the book about 80 pages too long. Irving writes wonderfully, though, especially when musing on Haiti’s pre-Columbian history; I’d gladly read a nature book about her life in Oregon, or a novel – in tone this reminded me of The Poisonwood Bible.

Some favorite lines:

If, like my father, you suffer from a savior complex, Haiti is a bleak assignment, but if you are able to enter it unguarded, shielded only by curiosity, you will find the sorrows entangled with a defiant joy.

My family had moved to Haiti to try to help, but instead, we learned our limitations. Failure can be a wise friend. We felt crushed at times; found it difficult to breathe; and yet the experience carved into each of us an understanding of loss, the weight of compassion. We learned how small we were when measured against the world’s great sorrow.

Source: Bargain book from Amazon last year

My rating:

 

And a DNF:

We Were the Mulvaneys by Joyce Carol Oates (oats!)

I gave up after 38 pages. I’ve long meant to try Oates, but her oeuvre is daunting. An Oprah’s Book Club selection seemed like a safe bet. I found the quirky all-American family saga approach somewhat similar to John Irving or Richard Russo, but Judd’s narration is annoyingly perky, and already I was impatient to find out what happened to his sister Marianne on Valentine’s Day 1976. I’ll give it a few years and try again. In the meantime, maybe I’ll try Oates in a different genre.

 

Looking back, Heat was the clear highlight of my 20 Books, closely followed by My Year of Meats by Ruth Ozeki. I also really enjoyed the foodoirs by Anthony Bourdain, Nina Mingya Powles and Luisa Weiss. It’s funny how much I love foodie lit given that I don’t cook. As Alice Steinbach puts it, “while we all like to eat, we like it more when someone else does the cooking.”

Of course, not all of my selections were explicitly food-related; others simply had food words in their titles (or, as above, in the author’s name). Of these, my favorite was a reread, Ella Minnow Pea. Ideally, I would not have had to include my two skims and one partial read in the total, but I ran out of time in August to substitute in three more books. I’m happy enough with my showing this year, but next time I plan to build in more flexibility – or cheating, whichever you wish to call it – to ensure that I manage 20 solid reads.

 


I already have a color theme planned for 20 Books of Summer 2021! Here are 15 books that I own, mostly fiction, that would fit the bill:

As wildcard selections and/or substitutes, I will also allow:

  • Books with “light”, “dark”, or “bright” in the title
  • Kindle or library books, though I’d like the focus to remain on print books I own.
  • If I’m really stuck, book covers/jackets in a rainbow of colors. I’ll skip orange because Penguin paperbacks are too plentiful in my book collection, but I have some nice red, yellow, green, blue, purple and pink covers to choose from.

#17–18: Marrow & The Hundred-Foot Journey

Almost there! Today I have a family memoir about the repercussions of cancer and a novel about an Indian chef who becomes a guardian of traditional French cuisine.

 

Marrow: A Love Story by Elizabeth Lesser (2016)

(20 Books of Summer, #17) I put this on the pile for my foodie-themed summer reading challenge because a marrow is an overgrown courgette (zucchini), but of course bone marrow is also eaten and is what is being referred to here. When they were in middle age and Lesser’s younger sister Maggie had a recurrence of her lymphoma, the author was identified as a perfect match to donate bone marrow. She charts the ups and downs of Maggie’s treatment but also goes deep into their family history: parents who rejected the supernatural in reaction to her mother’s Christian Science upbringing; a quartet of sisters who competed for love and attention; and different approaches to life – Maggie was a back-to-the-land Vermont farmer, nurse and botanical artist, while Elizabeth had bucked the trend by moving to New York City and exploring spirituality (she co-founded the Omega Institute, a holistic retreat center).

By including unedited “field notes” Maggie wrote periodically, Lesser recreates the drama and heartache of the cancer journey. She also muses a lot about attempts to repair family relationships through honest conversations and therapy. “Marrow” is not just a literal substance but also a metaphor for getting to the heart of what matters in life. I expect this memoir will be too New Age-y for many readers, but I appreciated its insights and the close sister bonds. I also loved the deckle edge and Maggie’s botanical prints on the endpapers. Recommended to fans of Elizabeth Gilbert and Anne Lamott.

Source: A clearance book from Blackwell’s in Oxford (bought on a trip with Annabel last summer)

My rating:

 

The Hundred-Foot Journey by Richard C. Morais (2008)

(20 Books of Summer, #18) From the acknowledgments I learned that this was written specifically to be filmed by the author’s friend Ismail Merchant; though Merchant died in 2005, it’s no surprise that it went on to become a well-received 2014 movie. I think the story probably worked better on the big screen, what with the Indian and French settings, the swirls of color and the bustle of restaurant kitchens. Still, I’d forgotten enough about the story line to enjoy the book, too.

Hassan Haji, the narrator, is born in Mumbai, one of six children of a restaurateur, and has his interest in other food cultures awakened early by a memorable French meal (a common experience in several other books I’ve reviewed this summer: Kitchen Confidential, How to Love Wine and Tender at the Bone). After his mother’s death, the extended family relocates to London and then to provincial France. Stranded in Lumière by a car breakdown, the family decides to stay, opening a curry house across from a fine dining establishment run by Gertrude Mallory. Madame Mallory engages in a battle of wills with the uncouth new arrivals. It nearly takes a tragedy for her to get over her snobbishness and xenophobia and realize Hassan has a perfect palate. She takes him on as an apprentice and he makes the title’s 100-foot journey across the street to join her staff.

The film was undoubtedly a Helen Mirren vehicle, and the Lumière material from the middle of the book holds the most interest. The remainder goes more melancholy as Hassan loses many family members and colleagues and deplores the rise of French bureaucracy and fads like molecular gastronomy. Although he eventually earns a third Michelin star for his Paris restaurant, the 40-year time span means that the warm ending somewhat loses its luster. (I can’t remember if the film went so far into the future.) A pleasant summer read nonetheless.

Source: Free from a neighbor

My rating:

20 Books of Summer, #13–14: Ruth Reichl and Alice Steinbach

Just three weeks remain in this challenge. I’m reading another four books towards it, and have two more to pick up during our mini-break to Devon and Dorset this coming weekend. A few of my choices are long and/or slow-moving reads, though, so I have a feeling I’ll be reading right down to the wire…

Today I have another two memoirs linked by France and its cuisine.

 

Tender at the Bone: Growing Up at the Table by Ruth Reichl (1998)

(20 Books of Summer, #13) I’ve read Reichl’s memoirs out of order, starting with Garlic and Sapphires (2005), about her time as a New York Times food critic, and moving on to Comfort Me with Apples (2001), about her involvement in California foodie culture in the 1970s–80s. Whether because I’d been primed by the disclaimer in the author’s note (“I have occasionally embroidered. I learned early that the most important thing in life is a good story”) or not, I sensed that certain characters and scenes were exaggerated here. Although I didn’t enjoy her memoir of her first 30 years as much as either of the other two I’d read, it was still worth reading.

The cover image is a genuine photograph taken by Reichl’s German immigrant father, book designer Ernst Reichl, in 1955. Early on, Reichl had to fend for herself in the kitchen: her bipolar mother hoarded discount food even it was moldy, so the family quickly learned to avoid her dishes made with ingredients that were well past their best. Like Eric Asimov and Anthony Bourdain, whose memoirs I’ve also reviewed this summer, Reichl got turned on to food by a top-notch meal in France. Food was a form of self-expression as well as an emotional crutch in many situations to come: during boarding school in Montreal, her rebellious high school years, and while living off of trendy grains and Dumpster finds at a co-op in Berkeley.

Reichl worked with food in many ways during her twenties. She was a waitress during college in Michigan, and a restaurant collective co-owner in California; she gave cooking lessons; she catered parties; and she finally embarked on a career as a restaurant critic. Her travels took her to France (summer camp counselor; later, wine aficionado), Morocco (with her college roommate), and Crete (a honeymoon visit to her favorite professor). Raised in New York City, she makes her way back there frequently, too. Overall, the book felt a bit scattered to me, with few if any recipes that I would choose to make, and the relationship with a mentally ill mother was so fraught that I will probably avoid Reichl’s two later books focusing on her mother.

Source: Awesomebooks.com

My rating:

 

Educating Alice: Adventures of a Curious Woman by Alice Steinbach (2004)

(20 Books of Summer, #14) Steinbach makes a repeat appearance in my summer reading docket: her 2000 travel book Without Reservations was one of my 2018 selections. In that book, she took a sabbatical during her 50s to explore Paris, England, and Italy. Here she continues her efforts at lifelong learning by taking up some sort of lessons everywhere she goes. The long first section sees her back in Paris, enrolling at the Hotel Ritz’s Escoffier École de Gastronomie Française. She’s self-conscious about having joined late, being older than the other students and having to rely on the translator rather than the chef’s instructions, but she’s determined to keep up as the class makes omelettes, roast quail and desserts.

Full disclosure: I’ve only read the first chapter for now as it’s the only one directly relevant to food – in others she takes dance lessons in Japan, studies art in Cuba, trains Border collies in Scotland, etc. – but I was enjoying it and will go back to it before the end of the year.

Source: Free bookshop

Books in Brief: Five I Enjoyed Recently

Despite my largely successful resolution to focus on my own books for the summer, I’ve also gotten through plenty of e-books from NetGalley and Edelweiss, too. I just find it easier to fit time with the Kindle into my day, whether it’s 20 minutes over lunch (food-themed nonfiction works particularly well for such situations) or 30 minutes on the cross trainer. Here’s a sample of the e-books I’ve enjoyed this summer: four nonfiction and one fiction.

Pancakes in Paris: Living the American Dream in France

By Craig Carlson

pancakesA good-natured memoir about the travails of opening the first American-style diner in Paris. Carlson charts his somewhat chaotic growing-up years in Connecticut, the college study abroad experience that kindled his love for France, his years trying to make it as a screenwriter and director in Hollywood, his long-held dream of opening Breakfast in America, and finding a French sweetheart of his own. Much of the book is devoted to a blow-by-blow of the bureaucratic nightmare of opening a restaurant, starting with getting investors on board and continuing through France’s ridiculously restrictive labor laws. (The impression I came away with was: France – great place to be an employee or rent property; terrible place to start a business.) Next time I’m in Paris, I will be looking to get myself a stack of his signature blueberry and white chocolate chip pancakes. Releases September 6th. 3.5 star rating

 

When in French: Love in a Second Language

By Lauren Collins

when in frenchCollins, a journalist from North Carolina, married a Frenchman named Olivier she met while working in London. They then moved to Geneva, a mutually unfamiliar place but one where French reigned. For the first time, she was forced to learn a new language to survive. I love how she blends her own story with the philosophy, history and science behind language use. As she learned how to do things she never expected to have to in French – deal with her in-laws and give birth, for instance – she developed a new appreciation for the marvel that is bilingualism and pondered whether she was the same person in a different language. My favorite section recounts a holiday to Corsica that brought her family and Olivier’s into close quarters and cast her in the unforeseen role of translator. There’s a surprising amount of linguistic detail here, but Collins incorporates it well. Releases September 13th. 4 star rating

 

A Body, Undone: Living On After Great Pain

By Christina Crosby

body undoneCrosby teaches English and gender studies at Wesleyan University. Her inclusion in this “Sexual Cultures” series has to do with her lesbian feminist ideology but also the new understanding of her body an accident forced upon her at age 50. While she was cycling, a stick stuck in her spokes and she fell over onto concrete, breaking vertebrae in her neck that damaged her spinal cord. In the midst of a full and physical life, she became a quadriplegic. The great irony was that in this she joined her brother Jeff, whose MS had long since reduced him to a wheelchair. Here, in a memoir written 11 years after the accident, she reflects on chronic pain and new limitations – even including bowel habits – with blunt honesty as well as literary allusions. Along the way she remembers physical pleasures now denied to her. Nonetheless, she never comes across as sorry for herself. I found this to be highly absorbing. 4 star rating

  

The Reader on the 6.27

By Jean-Paul Didierlaurent

readerGuylain Vignolles works in a paper pulping plant. Rather than an enemy of books, however, he’s really a champion of the written word and its power to improve people’s lives. Every day when he descends into the belly of “The Thing” to clean it, he rescues the stray pages that escaped destruction and reads them aloud the following morning on his twenty-minute train commute, or to the residents of an old-folks home, no matter what their subject. He also helps his disabled former colleague Giuseppe stockpile all the books made from the recycled paper created on the fateful day the machine shredded his legs. There’s a charming Amélie vibe to this short novel, especially in the later chapters when Guylain sets off on a romantic quest to find the lavatory attendant whose wry diary he finds on a memory stick on the train. Most of the subplots could do with some expanding, but it’s a pleasant and super-quick read. 3.5 star rating

 

Stir: My Broken Brain and the Meals that Brought Me Home

By Jessica Fechtor

stirFor me this is right up there with Molly Wizenberg and Ruth Reichl in how the author merges food writing with a frank recounting of personal experiences with crisis and heartache. At age 28 Fechtor, then a graduate student in history and Yiddish, collapsed on a treadmill with a brain bleed. Surgery to clip the aneurysm left her blind in one eye. During her long recovery process she started a food blog. At the end of each chapter she shares recipes that alternate between simple, favorite dishes and more involved ones. It’s that unpretentiousness that really endears her to me. She doesn’t think she was particularly brave in getting through an unwanted illness; nor does she think the perfect almond macaroon or cherry clafoutis is beyond anyone’s capability. Instead, she gives a glimpse into an ordinary life turned upside down and the foods that helped her regain a zest for life. 4.5 star rating


Have you read any of these? Which one takes your fancy?

My Favorite Nonfiction Reads of 2015

Without further ado, I present to you my 15 favorite non-fiction books read in 2015. I’m a memoir junkie so many of these fit under that broad heading, but I’ve dipped into other areas too. I give two favorites for each category, then count down my top 7 memoirs read this year.

Note: Only four of these were actually published in 2015; for the rest I’ve given the publication year. Many of them I’ve already previewed through the year, so – like I did yesterday for fiction – I’m limiting myself to two sentences per title: the first is a potted summary; the second tells you why you should read this book. (Links given to full reviews.)

Foodie Lit

homemade lifeA Homemade Life: Stories and Recipes from My Kitchen Table by Molly Wizenberg (2009): Wizenberg reflects on the death of her father Burg from cancer, time spent living in Paris, building a new life in Seattle, starting her food blog, and meeting her husband through it. Each brief autobiographical essay is perfectly formed and followed by a relevant recipe, capturing precisely how food is tied up with memories.

comfort meComfort Me with Apples: More Adventures at the Table by Ruth Reichl (2001): Reichl traces the rise of American foodie culture in the 1970s–80s (Alice Waters and Wolfgang Puck) through her time as a food critic for the Los Angeles Times, also weaving in personal history – from a Berkeley co-op with her first husband to a home in the California hills with her second after affairs and a sticky divorce. Throughout she describes meals in mouth-watering detail, like this Thai dish: “The hot-pink soup was dotted with lacy green leaves of cilantro, like little bursts of breeze behind the heat. … I took another spoonful of soup and tasted citrus, as if lemons had once gone gliding through and left their ghosts behind.”


Nature Books

meadowlandMeadowland: The Private Life of an English Field by John Lewis-Stempel (2014): Lewis-Stempel is a proper third-generation Herefordshire farmer, but also a naturalist with a poet’s eye. Magical moments and lovely prose, as in “The dew, trapped in the webs of countless money spiders, has skeined the entire field in tiny silken pocket squares, gnomes’ handkerchiefs dropped in the sward.”

landmarksLandmarks by Robert Macfarlane: This new classic of nature writing zeroes in on the language we use to talk about our environment, both individual words – which Macfarlane celebrates in nine mini-glossaries alternating with the prose chapters – and the narratives we build around places, via discussions of the work of nature writers he admires. Whether poetic (“heavengravel,” Gerard Manley Hopkins’s term for hailstones), local and folksy (“wonty-tump,” a Herefordshire word for a molehill), or onomatopoeic (on Exmoor, “zwer” is the sound of partridges taking off), his vocabulary words are a treasure trove.


Theology Books

amazing graceAmazing Grace: A Vocabulary of Faith by Kathleen Norris (1998): In few-page essays, Norris gives theological words and phrases a rich, jargon-free backstory through anecdote, scripture and lived philosophy. This makes the shortlist of books I would hand to skeptics to show them there might be something to this Christianity nonsense after all.

my brightMy Bright Abyss: Meditation of a Modern Believer by Christian Wiman (2013): Seven years into a cancer journey, Wiman, a poet, gives an intimate picture of faith and doubt as he has lived with them in the shadow of death. Nearly every page has a passage that cuts right to the quick of what it means to be human and in interaction with other people and the divine.


General Nonfiction

penelope fitzgeraldPenelope Fitzgerald: A Life by Hermione Lee (2013): Although Penelope Fitzgerald always guarded literary ambitions, she was not able to pursue her writing wholeheartedly until she had reared three children and nursed her hapless husband through his last illness. This is a thorough and sympathetic appreciation of an underrated author, and another marvellously detailed biography from Lee.

being mortalBeing Mortal: Medicine and What Matters in the End by Atul Gawande (2014): A surgeon’s essential guide to decision-making about end-of-life care, but also a more philosophical treatment of the question of what makes life worth living: When should we extend life, and when should we concentrate more on the quality of our remaining days than their quantity? The title condition applies to all, so this is a book everyone should read.


Memoirs

  1. year my motherThe Year My Mother Came Back by Alice Eve Cohen: Wry and heartfelt, this is a wonderful memoir about motherhood in all its variations and complexities; the magic realism (Cohen’s dead mother keeps showing up) is an added delight. I recommend this no matter what sort of relationship, past or present, you have with your mother, especially if you’re also a fan of Anne Lamott and Abigail Thomas.
  1. The Art of Memoirart of memoir by Mary Karr: There is a wealth of practical advice here, on topics such as choosing the right carnal details (not sexual – or not only sexual – but physicality generally), correcting facts and misconceptions, figuring out a structure, and settling on your voice. Karr has been teaching (and writing) memoirs at Syracuse University for years now, so she’s thought deeply about what makes them work, and sets her theories out clearly for readers at any level of familiarity.
  1. l'engleA Circle of Quiet by Madeleine L’Engle (1971): In this account of a summer spent at her family’s Connecticut farmhouse, L’Engle muses on theology, purpose, children’s education, the writing life, the difference between creating stories for children and adults, neighbors and fitting into a community, and much besides. If, like me, you only knew L’Engle through her Wrinkle in Time children’s series, this journal should come as a revelation.
  1. do no harmDo No Harm: Stories of Life, Death and Brain Surgery by Henry Marsh (2014): “Terrible job, neurosurgery. Don’t do it.” – luckily for us, Henry Marsh reports back from the frontlines of brain surgery so we don’t have to. In my favorite passages, Marsh reflects on the mind-blowing fact that the few pounds of tissue stored in our heads could be the site of our consciousness, our creativity, our personhood – everything we traditionally count as the soul.
  1. i hate to leaveI Hate to Leave This Beautiful Place by Howard Norman (2013): Norman has quickly become one of my favorite writers. You wouldn’t think these disparate autobiographical essays would fit together as a whole, given that they range in subject from Inuit folktales and birdwatching to a murder–suicide committed in Norman’s Washington, D.C. home and a girlfriend’s death in a plane crash, but somehow they do; after all, “A whole world of impudent detours, unbridled perplexities, degrading sorrow, and exacting joys can befall a person in a single season, not to mention a lifetime.”
  1. portraitPortrait of an Addict as a Young Man by Bill Clegg (2010): Through this book I followed literary agent Bill Clegg on dozens of taxi rides between generic hotel rooms and bar toilets and New York City offices and apartments; together we smoked innumerable crack pipes and guzzled dozens of bottles of vodka while letting partners and family members down and spiraling further down into paranoia and squalor. He achieves a perfect balance between his feelings at the time – being out of control and utterly enslaved to his next hit – and the hindsight that allows him to see what a pathetic figure he was becoming.

And my overall favorite nonfiction book of the year:

light of the world1. The Light of the World by Elizabeth Alexander: In short vignettes, beginning afresh with every chapter, Alexander conjures up the life she lived with – and after the sudden death of – her husband Ficre Ghebreyesus, an Eritrean chef and painter. This book is the most wonderful love letter you could imagine, and no less beautiful for its bittersweet nature.


What were some of your best nonfiction reads of the year?