Love Your Library: August 2026
Thanks to Eleanor, Marcie, and Skai for posting about their library borrowing and reading!
This month marks six years that I’ve been volunteering in my local public library. I’m perversely nostalgic for those early days in summer 2020, when we were closed to the public and staff and volunteers socially distanced around an otherwise empty library.
In a normal year, I always forget just how busy the library gets during the school holidays. The children’s shelves, especially, look ransacked and the number of reservation requests shoots up as kids (and some adults) work towards the Summer Reading Challenge. I look forward to things quieting down again.
My library recently acquired the Wainwright Prize shortlists, so I’m taking advantage of the opportunity to read most of the Conservation titles (whereas the Nature writing titles mostly struck me as samey). I’m hoping it will also buy more from the Booker Prize longlist – besides the Harrison and Perry, which I’m waiting for. You can see I’ve also been stocking up on short story collections for Short Story September, which starts tomorrow!
My library use over the last month:
(links are to any book reviews not already featured on the blog)

READ
- Our Spoons Came from Woolworths by Barbara Comyns (for Classics book club)

- I Feel Bad about My Neck by Nora Ephron

- One Ukrainian Summer by Viv Groskop

- The Shock of the Light by Lori Inglis Hall

- Kakigori Summer by Emily Itami

- The New Carthaginians by Nick Makoha

- Country People by Daniel Mason

- The Heartstopper Yearbook by Alice Oseman

- Heartstopper: Volume 6 by Alice Oseman

- The Land and Its People by David Sedaris

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Women in Translation Month reads:
(All originally published in French, though Valckx is Dutch?)

The Years by Annie Ernaux [transl. Alison L. Strayer]: This was a buddy read with Marcie of Buried in Print, though she quickly zoomed ahead! I preferred it to some of Ernaux’s other short memoirs (Happening, I Remain in Darkness, A Woman’s Story) precisely because it is not a memoir but a portrait of her life and times, mostly delivered in the first-person plural with some third person – in the late pages she herself calls it an “impersonal autobiography.” I was most wowed by the opening and closing litanies of the random memories lost whenever any individual ceases to exist. Elsewhere, when not used to depict her actual experiences (via scenes or photographs), the approach does tend toward the generic, yet it gives a good sense of social fads and political trends all the same. Education and consumerism seem like routes out of poverty, whereas novelty and technology offer false promise. Reading something like this would be a good way for younger generations to summon up some sympathy for Boomers. ![]()
Favourite lines: “Our parents and the middle-aged were from another time” / “She does not feel any particular age, though certainly feels a young woman’s arrogance vis-a-vis older women, a condescension towards the post-menopausal. It is unlikely she will ever be one of them herself.”
Edith: The Girl Who Was 100 Years Old by Catharina Valckx [transl. Antony Shugaar]: Speaking of never growing old… This is a charming middle-grade fantasy about a girl given two blessings by fairies: the ability to animate objects, and the gift of eternal childhood. The former is good fun, allowing her to have a sentient grandfather clock and a pet lemon named Squirt; the latter comes to seem like more of a curse, though. Edith has long outlived her parents and starts to think her condition is “eternal boredom.” She, Squirt and Bolster the dog set out to find the original fairy, now herself an old lady, and see if the spell can be reversed so Edith can experience life in all its stages. Somehow I can’t see this message catching on in the USA! I loved the illustrations and the whimsy but wanted it to go further, Moomins-like, into Edith’s losses and longing. ![]()
Persepolis by Marjane Satrapi [transl. L’Association / Anjali Singh]: This was one of the first graphic memoirs I ever read (along with Fun Home), a classic of the genre. I wanted to reread it because it has, unfortunately, taken on renewed relevance because of war in Iran and the author’s death earlier this year. Her memoir of growing up in the 1980s and 1990s illuminates what it’s like to live under an authoritarian religious regime in a time of war, and likely planted the seeds for novels such as Martyr! and The Persians.
Satrapi’s parents had secular values but, after the 1979 Islamic Revolution, everyone had to fall in line: she wore the veil whenever she left her house, and though her family made wine they were ready to dump it down the toilet at a minute’s notice. On the one hand, she and her friends were normal Westernized adolescents interested in pop music and trendy clothing; on the other, there were shortages, bombings, and rumours of relatives and neighbours being disappeared for voicing revolutionary ideas. A missile exploded in her neighbourhood, narrowly missing her building but killing their Jewish acquaintances.
Volume 2, “The Story of a Return,” has Satrapi attending school in Austria and encountering a whole new world of drugs and sex. “The harder I tried to assimilate, the more I had the feeling that I was distancing myself from my culture, betraying my parents and my origins”. She returned to Iran four years later to find a country that was still repressive but beginning to be rebuilt after war. Art school (with fully clothed life models) and a brief marriage in her early twenties followed, but she had to leave Iran for good to find a life of creative fulfilment. ![]()
Her father’s wise words: “As long as there is oil in the Middle East we will never have peace”; “We Iranians, we’re crushed not only by the government but by the weight of our traditions.”
CURRENTLY READING
- Taking Pictures by Anne Enright
- I Remember Nothing and Other Reflections by Nora Ephron
- The Given World by Melissa Harrison
- Night, Neon and Other Stories of Suspense by Joyce Carol Oates
- Natural Disaster by Lisa Owens
- Hum by Helen Phillips (a buddy read with Marcie of Buried in Print)
- Crossing the Water by Sylvia Plath (from university library)
- The Original by Nell Stevens
- The Queen’s Gambit by Walter S. Tevis
SKIMMED
- Come What May: Life-Changing Lessons for Coping with Crisis by Lucy Easthope

CHECKED OUT, TO BE READ
- Ever Land by Amy Abdelnoor
- Through the Window by Julian Barnes (to reread)
- A Day in the Life of a Smiling Woman: The Collected Stories by Margaret Drabble
- The Most of Nora Ephron – I’m on an Ephron kick at the moment!
- Hail Mary by Funmi Fetto
- Gentleman’s Relish by Patrick Gale
- From Far Around They Saw Us Burn by Alice Jolly
- The Good Terrorist by Doris Lessing (from university library, for Classics book club)
- Everest by Ashani Lewis
- The News from Dublin by Colm Tóibín
ON HOLD, TO BE COLLECTED
- In Meadowlight by Sussie Anie
- The Savage Landscape by Cal Flyn
- The Leveret by Anna Goldreich
- Eat the Planet Well: How to Fix Our Toxic Food System – One Meal at a Time by Dave Goulson
- The End of Everything by M. John Harrison
- When the Forest Breathes: Renewal and Resilience in the Natural World by Suzanne Simard
- Fiesta: A Journey through Festivity by Daniel Stables

IN THE RESERVATION QUEUE
- The Strangers by Naomi Alderman
- Stop All the Clocks: Poems of Love and Loss by W.H. Auden
- Dodge City by Patrick deWitt
- Honour & Other People’s Children by Helen Garner
- Every Last Fish by Rose George
- Neurodivergent by Nature by Joe Harkness
- Hag: Forgotten Folktales Retold by Daisy Johnson et al.
- How to Be Hopeful by Caitlin Moran
- The Winter Guest by Sarah Moss
- Autumn by Kate Mosse
- Sunrise by Téa Obreht
- May We Feed the King by Rebecca Perry
- Green Crime by Julia Shaw
- The Housekeeper by Rose Tremain
RETURNED UNREAD
- Every One Still Here by Liadan Ní Chuinn – It takes a lot for me to overcome my groundless antipathy to stories about The Troubles.
What have you been reading or reviewing from the library recently?

Share a link to your own post in the comments. Feel free to use the above image. The hashtag is #LoveYourLibrary.
My Year in Novellas (#NovNov24)
Here at the start of the month, we’re inviting you to tell us about the novellas you’ve read since last November.
I have a special shelf of short books that I add to throughout the year. When at secondhand bookshops, charity shops, a Little Free Library, or the public library where I volunteer, I’m always thinking about my piles for November. But I do read novellas at other times of year, too. Forty-four of them between December 2023 and now, according to my Goodreads shelves (last year it was 46, so it seems like that’s par for the course). I often choose to review books of novella length for BookBrowse, Foreword and Shelf Awareness. I’ve read a real mixture, but predominantly literature in translation and autobiographical works.
My favourites of the ones I’ve already covered on the blog would probably be (nonfiction) Alphabetical Diaries by Sheila Heti and (fiction) Aimez-vous Brahms by Françoise Sagan. My proudest achievements are: reading the short graphic novel Broderies by Marjane Satrapi in the original French at our Parisian Airbnb in December; and managing two rereads: Heartburn by Nora Ephron and Of Mice and Men by John Steinbeck.
Of the short books I haven’t already reviewed here, I’ve chosen two gems, one fiction and one nonfiction, to spotlight in this post:
Fiction
Clear by Carys Davies
Clear depicts the Highland Clearances in microcosm though the experiences of one man, Ivar, the last resident of a remote Scottish island between Shetland and Norway. As in a play, there is a limited setting and cast. John is a minister sent by the landowner to remove Ivar, but an accident soon after his arrival leaves him beholden to Ivar for food and care. Mary, John’s wife, is concerned and sets off on the long journey from the mainland to rescue him. Davies writes vivid scenes and brings the island’s scenery to life. Flashbacks fill in the personal and cultural history, often via objects. The Norn language is another point of interest. The deceptively simple prose captures both the slow building of emotion and the moments that change everything. It seemed the trio were on course for tragedy, yet they are offered the grace of a happier ending.
In my book club, opinions differed slightly as to the central relationship and the conclusion, but we agreed that it was beautifully done, with so much conveyed in the concise length. This received our highest rating ever, in fact. I’d read Davies’ West and not appreciated it as much, although looking back I can see that it was very similar: one or a few character(s) embarked on unusual and intense journey(s); a plucky female character; a heavy sense of threat; and an improbably happy ending. It was the ending that seemed to come out of nowhere and wasn’t in keeping with the tone of the rest of the novella that made me mark West down. Here I found the writing cinematic and particularly enjoyed Mary as a strong character who escaped spinsterhood but even in marriage blazes her own trail and is clever and creative enough to imagine a new living situation. And although the ending is sudden and surprising, it nevertheless seems to arise naturally from what we know of the characters’ emotional development – but also sent me scurrying back to check whether there had been hints. One of my books of the year for sure. ![]()
Nonfiction
A Termination by Honor Moore
Poet and memoirist Honor Moore’s A Termination is a fascinatingly discursive memoir that circles her 1969 abortion and contrasts societal mores across her lifetime.
During the spring in question, Moore was a 23-year-old drama school student. Her lover, L, was her professor. But she also had unwanted sex with a photographer. She did not know which man had impregnated her, but she did know she didn’t feel prepared to become a mother. She convinced a psychiatrist that doing so would destroy her mental health, and he referred her to an obstetrician for a hospital procedure. The termination was “my first autonomous decision,” Moore insists, a way of saying, “I want this life, not that life.”
Family and social factors put Moore’s experiences into perspective. The first doctor she saw refused Moore’s contraception request because she was unmarried. Her mother, however, bore nine children and declined to abort a pregnancy when advised to do so for medical reasons. Moore observes that she made her own decision almost 10 years before “the word choice replaced pro abortion.”
This concise work is composed of crystalline fragments. The stream of consciousness moves back and forth in time, incorporating occasional second- and third-person narration as well as highbrow art and literature references. Moore writes one scene as if it’s in a play and imagines alternative scenarios in which she has a son; though she is curious, she is not remorseful. The granular attention to women’s lives recalls Annie Ernaux, while the kaleidoscopic yet fluid approach is reminiscent of Sigrid Nunez’s work. It’s a stunning rendering of steps on her childfree path. ![]()
Reprinted with permission from Shelf Awareness.
I currently have four novellas underway and plan to start some more this weekend. I have plenty to choose from!
Everyone’s getting in on the act: there’s an article on ‘short and sweet books’ in the November/December issue of Bookmarks magazine, for which I’m an associate editor; Goodreads sent around their usual e-mail linking to a list of 100 books under 250 or 200 pages to help readers meet their 2024 goal. Or maybe you’d like to join in with Wafer Thin Books’ November buddy read, the Ugandan novella Waiting by Goretti Kyomuhendo (2007).


Why not share some recent favourite novellas with us in a post of your own?





Samuel Taylor Coleridge’s performance as a father appears in one poem of Family Lines (ed. Armitage and Bower) and one essay of Frog by Anne Fadiman.













Remarking on how quiet/noisy a French dishwasher is in Paris to the Moon by Adam Gopnik/L’Appart by David Lebovitz and a mention of one’s good fortune in getting a store to accept a returned appliance.






The smell of vetiver: a cologne in Year of the Drought by Roland Buti and fabric softener in Brother, I’m Dying by Edwidge Danticat.
An insistence that the soles of a woman’s feet not be shown in A Rough Guide to the Heart by Pam Houston (etiquette in Bhutan) and Blonde by Joyce Carol Oates (when Norma Jeane Baker, aka Marilyn Monroe, is having early nude photos taken).






I’d read one memoir of working and living in Shakespeare and Company, Books, Baguettes and Bedbugs by Jeremy Mercer (original title: Time Was Soft There), back in 2017. I don’t remember it being particularly special as bookish memoirs go, but if you want an insider’s look at the bookshop that’s one option. Founder Sylvia Beach herself also wrote a memoir. The best part of any trip is preparing what books to take and read. I had had hardly any time to plan what else to pack, and ended up unprepared for the cold, but I had my shelf of potential reads ready weeks in advance. I took The Elegance of the Hedgehog by Muriel Barbery and read the first 88 pages before giving up. This story of several residents of the same apartment building, their families and sadness and thoughts, was reminiscent of
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After a dinner party, Marji helps her grandmother serve tea from a samovar to their female family friends, and the eight Iranian women swap stories about their love lives. These are sometimes funny, but mostly sad and slightly shocking tales about arranged marriages, betrayals, and going to great lengths to entrap or keep a man. They range from a woman who has birthed four children but never seen a penis to a mistress who tried to use mild witchcraft to get a marriage proposal. What is most striking is how standards of beauty and purity have endured in this culture, leading women to despair over their loss of youth and virginity.
We both read this, keeping two bookmarks in and trading it off on Metro journeys. The short thematic chapters, interspersed with recipes, were perfect for short bursts of reading, and the places and meals he described often presaged what we experienced. His observations on the French, too, rang true for us. Why no shower curtains? Why so much barging and cutting in line? Parisians are notoriously rude and selfish, and France’s bureaucracy is something I’ve read about in multiple places this year, including John Lewis-Stempel’s
This was consciously based on George Orwell’s
I forgot to start it while I was there, but did soon afterwards: The Paris Novel by Ruth Reichl, forthcoming in early 2024. When Stella’s elegant, aloof mother Celia dies, she leaves her $8,000 – and instructions to go to Paris and not return to New York until she’s spent it all. At 2nd & Charles yesterday, I also picked up a clearance copy of A Paris All Your Own, an autobiographical essay collection edited by Eleanor Brown, to reread. I like to keep the spirit of a vacation alive a little longer, and books are one of the best ways to do that.