#1925Club: The Heart of a Dog by Mikhail Bulgakov
Simon and Kaggsy’s classics reading weeks always get me picking up older books. I found this unusual Russian novella on a giveaway pile a few years ago and it’s been on my #NovNov possibility shelf ever since, but now turned out to be the perfect time for it. This review also fits into the Hundred Years Hence challenge.

Sharik is an abused stray dog, living on scraps on the snowy streets of Moscow until Professor Philip Philipovich Preobrazhensky takes him in. The professor is a surgeon renowned for his rejuvenation procedures – implanting monkey ovaries into a middle-aged lady, for instance – and he has designs on the mutt. His new strategy is to take the pituitary gland and testicles of a just-deceased young man and transplant them into Sharik. The central chapter is composed of medical notes taken by Preobrazhensky’s assistant, Dr. Bormenthal. Gradually, a transformation is achieved: The dog’s bark becomes more of a human groan and his fur and tail fall off. Soon the new man is fully convincing: eating, dressing and conversing. Even in a matter-of-fact style, the doctor’s clinical observations are hilarious. “The dog[,] in the presence of Zina and myself, had called Prof. Preobrazhensky a ‘bloody bastard’. … Heard to ask for ‘another one, and make it a double.’” The scientists belatedly look into the history of the man whose glands they harvested and discover to their horror that he was an alcoholic petty thief who died in a bar fight. Sharikov follows suit as an inebriated boor who pesters women, wants to be known as Poligraph Poligraphovich – and still chases cats. Is it too late to reverse a Frankenstein-esque trial gone wrong?
This was a fairly entertaining fable-like story, with whimsical fragments of narration from Sharik himself at the start and close. The blurb inside the jacket of my 1968 Harvill Press hardback suggests “The Heart of a Dog can be enjoyed solely as a comic story of splendid absurdity; it can also be read as a fierce parable about the Russian Revolution.” The allegorical meaning could easily have passed me by, being less overt than in Animal Farm. Reading a tiny bit of external information, I see that this has been interpreted as a satire on the nouveau riche during the Bolshevik era: Sharikov complains about how wealthy the professor is and proposes that he sacrifice some of his apartment-cum-office’s many rooms to others who have nowhere to live. But yes, I mostly stayed at the surface level and found an amusing mad-scientist cautionary tale. I’ll read more by Bulgakov – I’ve had a copy of The Master and Margarita for ages. Next year’s Reading the Meow week might be my excuse.
[Translated from Russian by Michael Glenny, 1968]
(Free from a neighbour, formerly part of Scarborough Public Library stock) ![]()
I also intended to read An American Tragedy by Theodore Dreiser from the university library, having a dim memory of a black-and-white film version starring Montgomery Clift (A Place in the Sun). But the catalogue’s promised 400-some pages was a lie; there are two volumes in one, totaling 840 pages. So that was a nonstarter.
But here are some other famous 1925 titles that I’ve read (I’m now at 7 out of the top 15 on the Goodreads list of the most popular books published in 1925):
The Great Gatsby by F. Scott Fitzgerald
The Trial by Franz Kafka
The Painted Veil by W. Somerset Maugham
Emily Climbs by L.M. Montgomery
Carry On, Jeeves by P.G. Wodehouse
Mrs. Dalloway by Virginia Woolf
I’ve previously participated in the 1920 Club, 1956 Club, 1936 Club, 1976 Club, 1954 Club, 1929 Club, 1940 Club, 1937 Club, 1970 Club, and 1952 Club.
#NovNov25 and Other November Reading Plans
Not much more than two weeks now before Novellas in November (#NovNov25) begins! Cathy and I are getting geared up and making plans for what we’re going to read. I have a handful of novellas out from the library, but mostly I gathered potential reads from my own shelves. I’m hoping to coincide with several of November’s other challenges, too.

Although we’re not using the below as themes this year, I’ve grouped my options into categories:
Short Classics (pre-1980)

Just Quicksand to read from the Larsen volume; the Wilder would be a reread.
Contemporary Novellas

(Just Blow Your House Down; and the last two of the three novellas in the Hynes.)
Also, on my e-readers: Sea, Poison by Caren Beilin, Likeness by Samsun Knight, Eradication: A Fable by Jonathan Miles (a 2026 release, to review early for Shelf Awareness)
*Margaret Atwood Reading Month is hosted by Marcie of Buried in Print. I’ve just read The Penelopiad for book club, so I’ll start off with a review of that. I might also reread Bluebeard’s Egg, and I’ll be eagerly awaiting her memoir from the library.
[*Science Fiction Month: Beautyland by Marie-Helene Bertino, Archive of Unknown Universes by Ruben Reyes Jr., and The Afterlife Project (all catch-up review books) are options, plus I recently started reading The Martian by Andy Weir.]
Short Nonfiction
Including our buddy read, Sister Outsider by Audre Lorde. (A shame about that cover!)
Also, on my e-readers: The Serviceberry by Robin Wall Kimmerer, No Straight Road Takes You There by Rebecca Solnit, Because We Must by Tracy Youngblom. And, even though it doesn’t come out until February, I started reading The Irish Goodbye: Micro-Memoirs by Beth Ann Fennelly via Edelweiss.

For Nonfiction November, I also have plenty of longer nonfiction on the go, a mixture of review books to catch up on and books from the library:

I also have one nonfiction November release, Joyride by Susan Orlean, to review.
Novellas in Translation
At left are all the novella-length options, with four German books on top.
The Chevillard and Modiano are review copies to catch up on.

Also on the stack, from the library: Super-Frog Saves Tokyo by Haruki Murakami
On my e-readers: The Old Fire by Elisa Shua Dusapin, The Old Man by the Sea by Domenico Starnone, Our Precious Wars by Perrine Tripier
*German Literature Month: Our recent trip to Berlin and Lübeck whetted my appetite to read more German/German-language fiction. I’ll try to coincide with the Thomas Mann week as I was already planning to reread Death in Venice. I have some longer German books on the right-hand side as well. I started Kairos but found it hard going so might switch to audiobook. I also have Demian by Hermann Hesse on my Nook, downloaded from Project Gutenberg.
Spy any favourites or a particularly appealing title in my piles?
The link-up is now open for you to share your planning post!
Any novellas lined up to read next month?
Novellas in November 2025 Link-Up (#NovNov25)
Add all your novella reviews, listicles, and other related posts to the link-up below.

This post will be pinned to the top of my site through the first week of December to allow for any catch-up posts. I’ll create more link parties as necessary.
Check out all the previous posts here:
Add your link by clicking below!
Nine Days in Germany and What I Read, Part I: Berlin
We’ve actually been back for more than a week, but soon after our return I was felled by a nasty cold (not Covid, surprisingly), which has left me with a lingering cough and ongoing fatigue. Finally, I’m recovered just about enough to report back.
This Interrail adventure was more low-key than the one we took in 2016. The first day saw us traveling as far as Aachen, just over the border from France. It’s a nice small city with Christian and culinary history: Charlemagne is buried in the cathedral; and it’s famous for a chewy, spicy gingerbread called printen. Before our night in a chain hotel, we stumbled upon the mayor’s Green Party rally in the square – there was to be an election the following day – and drank and dined well. The Gin Library, spotted at random on the map, is an excellent and affordable Asian-fusion cocktail bar. My “Big Ben,” for instance, featured Tanqueray gin, lemon juice, honey, fresh coriander, and cinnamon syrup. Then at Hanswurst – Das Wurstrestaurant (cue jokes about finding the “worst” restaurant in Aachen!), a superior fast-food joint, I had the vegetarian “Hans Berlin,” a scrumptious currywurst with potato wedges.
The next day it was off to Berlin with a big bag of bakery provisions. For the first time, we experienced the rail cancellations and delays that would plague us for much of the next week. We then had to brave the only supermarket open in Berlin on a Sunday – the Rewe in the Hauptbahnhof – before taking the S-Bahn to Alexanderplatz, the nearest station to our Airbnb flat.
It was all worth it to befriend Lemmy (the ginger one) and Roxanne. It’s a sweet deal the host has here: whenever she goes away, people pay her to look after her cats. At the same time as we were paying for a cat-sitter back home. We must be chumps!
I’ll narrate the rest of the trip through the books I read. I relished choosing relevant reads from my shelves and the library’s holdings – I was truly spoiled for choice for Berlin settings! – and I appreciated encountering them all on location.
As soon as we walked into the large airy living room of the fifth-floor Airbnb flat, I nearly laughed out loud, for there in the corner was a monstera plant. The trendy, minimalist décor, too, was just like that of the main characters’ place in…
Perfection by Vincenzo Latronico (2022; 2025)
[Translated from Italian by Sophie Hughes]
Anna and Tom are digital nomads from Southern Europe who offer up their Berlin flat as a short-term rental. In the listing photographs it looks pristine, giving no hint of the difficulties of the expatriate life such as bureaucracy and harsh winters. “Creative professionals” working in the fields of web development and graphic design, they are part of the micro-generation that grew up as the Internet was becoming mainstream, and they tailor their products and personal lives to social media’s preferences. They are lazy liberals addicted to convenience and materialism; aspiring hedonists who like the idea of sex clubs but don’t enjoy them when they actually get there. When Berlin loses its magic, they try Portugal and Sicily before an unforeseen inheritance presents them with the project of opening their own coastal guesthouse. “What they were looking for must have existed once upon a time, back when you only had to hop onto a train or a ferry to reach a whole other world.” This International Booker Prize shortlistee is a smart satire about online posturing and the mistaken belief that life must be better elsewhere. There are virtually no scenes or dialogue but Latronico gets away with the all-telling style because of the novella length. Were it not for his note in the Acknowledgements, I wouldn’t have known that this is a tribute to Things by Georges Perec. (Read via Edelweiss) ![]()
We got to pretend to be hip locals for four days, going up the Reichstag tower, strolling through the Tiergarten, touring the Natural History Museum (which has some excellent taxidermy as at left), walking from Potsdam station through Park Sanssouci and ogling the castles and windmill, chowing down on hand-pulled noodles and bao buns at neighbourhood café Wen Cheng, catching an excellent free lunchtime concert at the Philharmonic, and bringing back pastries or vegan doughnuts to snack on while hanging out with the kitties. The S-Bahn was included on our Interrail passes but didn’t go everywhere we needed, so we were often on the handy U-Bahn and tram system instead. Graffiti is an art form rather than an antisocial activity in Berlin; there is so much of it, everywhere.
- Reichstag (Photos 1, 2 and 4 by Chris Foster)
- Reichstag tower designed by Norman Foster
- The Philharmonic
- Brandenburg Gate (Photos 1-3 by Chris Foster)
- Postdam’s Park Sanssouci
- Wen Cheng noodles
- Brammibal’s vegan doughnuts
I brought along another novella that proved an apt companion for our explorations of the city. Even just spotting familiar street and stop names in it felt like reassurance.

Sojourn by Amit Chaudhuri (2022)
The narrator of this spare text is a Böll Visiting Professor experiencing disorientation yet resisting gestures of familiarity. Like a Teju Cole or Rachel Cusk protagonist, his personality only seeps in through his wanderings and conversations. After his first talk, he meets a fellow Indian from the audience, Faqrul Haq, who takes it upon himself to be his dedicated tour guide. The narrator isn’t entirely sure how he feels about Faqrul, yet meets him for meals and seeks his advice about the best place to buy warm outerwear. An expat friend is a crutch he wishes he could refuse, but the bewilderment of being somewhere you don’t speak the language at all is such that he feels bound to accept. Meanwhile, there is the possibility of another academic admirer, Birgit, becoming his lover. Strangely, his relationship with his cleaning lady, who addresses him only in German, seems the healthiest one on offer. As the book goes on, the chapters get shorter and shorter, presaging some kind of mental crisis. “I keep walking – in which direction I’m not sure; Kreuzberg? I’ve lost my bearings – not in the city; in its history. The less sure I become of it, the more I know my way.” This was interesting, even admirable, but I wanted more story. (Public library) ![]()
We spent a drizzly and slightly melancholy first day and final morning making pilgrimages to Jewish graveyards and monuments to atrocities, some of them nearly forgotten. I got the sense of a city that has been forced into a painful reckoning with its past – not once but multiple times, perhaps after decades of repression. One morning we visited the claustrophobic monument to the Murdered Jews of Europe, and, in the Tiergarten, the small memorials to the Roma and homosexual victims of the Holocaust. The Nazis came for political dissidents and the disabled, too, as I was reminded at the Topography of Terrors, a free museum where brutal facts are laid bare. We didn’t find the courage to go in as the timeline outside was confronting enough. I spotted links to the two historical works I was reading during my stay (Stella the red-haired Jew-catcher in the former and Magnus Hirschfeld’s institute in the latter). As I read both, I couldn’t help but think about the current return of fascism worldwide and the gradual erosion of rights that should concern us all.
Aimée and Jaguar: A Love Story, Berlin 1943 by Erica Fischer (1994; 1995)
[Translated from German by Edna McCown]
Elisabeth “Lilly” Wust was a good German: the estranged wife of a Nazi and mother of four young sons. She met Felice Schragenheim via her new domestic helper, Inge Wolf. Lilly (aka Aimée) was slow to grasp that Inge and Felice were part of a local lesbian milieu, and didn’t realize Felice (aka Jaguar) was a “U-boat” (Jew living underground) until they’d already become lovers. They got nearly a year and a half together, living almost as a married couple – they had rings engraved and everything – before Felice was taken into Gestapo custody. You know from the outset that this story won’t end well, but you keep hoping – just like Lilly did. It’s not a usual or ‘satisfying’ tragedy, though, because there is no record of what happened to Felice. She was declared legally dead in 1948 but most likely shared the fate of Anne and Margot Frank, dying of typhus at Bergen-Belsen. It’s heartbreaking that Felice, the orphaned daughter of well-off dentists, had multiple chances to flee Berlin – via her sister in London, their stepmother in Palestine, an uncle in America, or friends escaping through Switzerland – but chose to remain.
The narrative incorporates letters, diaries and interviews, especially with Lilly, who clearly grieved Felice for the rest of her life. The book is unsettling, though, in that Fischer doesn’t let it stand as a simple Juliet & Juliet story; rather, she undermines Lilly by highlighting Felice’s promiscuity (so she likely would not have remained faithful) and Lilly’s strange postwar behaviour: desperately trying to reclaim Felice’s property, and raising her sons as Jewish. This was a time capsule, a wholly absorbing reclamation of queer history, but no romantic vision. (Secondhand purchase – Community Furniture Project) ![]()
[A similar recent release: Milena and Margarete: A Love Story in Ravensbrück by Gwen Strauss]
The Lilac People by Milo Todd (2025)
This was illuminating, as well as upsetting, about the persecution of trans people in Nazi Germany. Todd alternates between the gaiety of early 1930s Berlin – when trans man Bertie worked for Magnus Hirschfeld’s Institute of Sexual Science and gathered with friends at the Eldorado Club for dancing and singing their anthem, “Das Lila Lied” – and 1945 Ulm, where Bert and his partner Sofie have been posing as an older farming couple. At the novel’s start, a runaway from Dachau, a young trans man named Karl, joins their household. Ironically, it is at this point safer to be Jewish than to be different in any other way; even with the war over, rumour has it the Allies are rounding up queer people and putting them in forced labour camps, so the trio pretend to be Jews as they ponder a second round of escapes.
While this is slow to start with, and heavy on research throughout, it does gather pace. The American officer, Ward, is something of a two-dimensional villain who keeps popping back up. Still, the climactic scenes are gripping and the dual timeline works well. Todd explores survivor guilt and gives much valuable context. He is careful to employ language in use at that time (transvestites, transsexuals, “inverts,” “third sex”) and persuasively argues that, in any era, how we treat the vulnerable is the measure of our humanity. (Read via Edelweiss) ![]()
[A similar recent release: Under the Pink Triangle by Katie Moore (set in Dachau)]
We might have been at the Eldorado in the early 1930s on the evening when we ventured out to the bar Zosch for a “New Orleans jazz” evening. The music was superb, the German wine tasty, the whole experience unforgettable … but it sure did feel like being in a bygone era. We’re so used to the indoor smoking ban (in force in the UK since 2007) that we didn’t expect to find young people chain-smoking rollies in an enclosed brick basement, and got back to the flat with our clothes reeking and our lungs burning.
It was good to see visible signs of LGTBQ support in Berlin, though they weren’t as prevalent as I perhaps expected.
For a taste of more recent German history, I’ve started Kairos by Jenny Erpenbeck, which is set in the 1980s not long before the Berlin Wall came down. Unfortunately, my library hold didn’t arrive until too late to take it with me. We made a point of seeing the wall remnants and Checkpoint Charlie on our trip.
Other Berlin highlights: a delicious vegetarian lunch at the canteen of an architecture firm, the Ritter chocolate shop, and the pigeons nesting on the flat balcony – the chicks hatched on our final morning!
And a belated contribution to Short Story September:
Touchy Subjects by Emma Donoghue (2006)
I seem to pluck one or two books at random from Donoghue’s back catalogue per year. I designated this as reliable train reading. The 19 contemporary stories fall into thematic bundles: six about pregnancy or babies, several about domestic life, a few each on “Strangers” and “Desire,” and a final set of four touching on death. The settings range around Europe and North America. It’s impressive how Donoghue imagines herself into so many varied situations, including heterosexual men longing for children in their lives and rival Louisiana crawfishermen setting up as tour-boat operators. The attempts to write Black characters in “Lavender’s Blue” and “The Welcome” are a little cringey, and the latter felt dated with its ‘twist’ of a character being trans. She’s on safer ground writing about a jaded creative writing tutor or football teammates who fall for each other. I liked a meaningful encounter between a tourist and an intellectually disabled man in a French cave (“The Sanctuary of Hands”), an Irishwoman’s search for her missing brother in Los Angeles (“Baggage”) and a contemporary take on the Lazarus myth (“Necessary Noise”), but my two favourites were “The Cost of Things,” about a lesbian couple whose breakup is presaged by their responses to their cat’s astronomical vet bill; and “The Dormition of the Virgin,” in which a studious young traveller to Florence misses what’s right under his nose. There are some gems here, but the topics are so scattershot the collection doesn’t cohere. (Secondhand – Awesomebooks.com) ![]()
Trip write-up to be continued (tomorrow, with any luck)…
Love Your Library, September 2025
Thanks, as always, to Eleanor for posting about her recent library reading! And thank you to Skai for joining in again.
Somehow over the summer I forgot to mark two anniversaries: my library’s 25th birthday (July), and five years of me volunteering there (August). When I first started as a volunteer, Covid was still a raging unknown and the library was closed to the public. I shelved returns in an empty building. It was blissful, in all honesty. But I know it’s perverse to be nostalgic about the pandemic. I still enjoy my Tuesday morning sessions of hunting for reservations, even when it’s (too) busy and noisy during the school holidays.

Early in the month, my husband and I went to an evening event at the library with Jasper Fforde. C is a fan, having read five of his novels, whereas I read The Eyre Affair during graduate school and found it silly – in the same way I can’t really get on with Douglas Adams or Terry Pratchett. But with tickets just £5, I thought why not go and support the library.
Fforde considers himself an “accidental author” for two reasons: one, he was seen as a stupid child who would never achieve anything – his dyslexia wasn’t diagnosed until he was in his fifties; and two, he wanted to work on films, and indeed did for a time. In 1988 he sat down to write a short story treatment of his intended film script and fell in love with the process of writing. He described it as being like a jigsaw where the words just fell into place. Thirteen years of hard work later, he made the New York Times bestseller list.

I didn’t realize that Fforde has lived fairly locally and set novels in Reading and Swindon – comic in itself because these are very unlovely towns. His first two series, nursery rhyme crime novels and the Thursday Next books (the eighth and last, Dark Reading Matter, is due out in September 2026), were about “moving the furniture around in people’s heads,” taking existing classic stories and twisting them. When he tried making things up, as with the Shades of Grey and Red Side Story duology and The Last Dragonslayer children’s books, the results were not as commercially successful. During the question time he reflected on the irony of his book getting confused with the blockbuster Fifty Shades of Grey. He joked that some probably bought his book by mistake and then wondered where the bondage was.
The evening was a conversation with the library staff member who seems to organise all the events. She asked him a lot of questions about his process. He listed a few tenets he lives by: “the narrative dare” (come up with a random idea and then figure out how to pull it off), “the path less-trodden,” and “the no-plan plan” (he makes it up as he goes along). His mind works like a drift net, he said, saving bits and pieces up to use another time, such as snippets of conversation overheard on a bus. For instance, “Oh my goodness, they’ve trodden on the gibbon!” and “They say haddock is making a comeback.” He also leaves himself “off-ramps” he can take up later if he ends up writing a sequel.

(C is at the bottom right of the second photo.)
Fforde was very personable and self-deprecating and I got more out of the event than I might have expected to.
My library use over the last month:
(links are to books not already reviewed on the blog)
READ
- The Most by Jessica Anthony

- Sojourn by Amit Chaudhuri

- The Wedding People by Alison Espach

- Of All that Ends, Günter Grass

- The Summer I Turned Pretty by Jenny Han

- Seascraper by Benjamin Wood


SKIMMED
- Wild City by Ben Hoare
- The Land in Winter by Andrew Miller – The chilly writing and atmosphere suit the subject matter, but didn’t draw me in or make me care about the central characters.
- Cuddy by Benjamin Myers (for book club)
CURRENTLY READING
- Kairos by Jenny Erpenbeck
- Of Thorn & Briar: A Year with the West Country Hedgelayer by Paul Lamb
- Endling by Maria Reva

CHECKED OUT, TO BE READ
- The Penelopiad by Margaret Atwood (for book club)
- Red Pockets: An Offering by Alice Mah
- Death in Venice and Other Stories by Thomas Mann
- Opt Out by Carolina Setterwall
- Slags by Emma Jane Unsworth
ON HOLD, TO BE COLLECTED
- The Two Roberts by Damian Barr
- All the Way to the River by Elizabeth Gilbert
- The Haunted Wood: A History of Childhood Reading by Sam Leith
- Buckeye by Patrick Ryan
- A Long Winter by Colm Tóibín

C will read the Sopel for book club, but I have to miss that meeting for a Repair Cafe committee meeting.
IN THE RESERVATION QUEUE
- New Cemetery by Simon Armitage
- Book of Lives: A Memoir of Sorts by Margaret Atwood
- It’s Not a Bloody Trend: Understanding Life as an ADHD Adult by Kat Brown
- Flashlight by Susan Choi
- The Perimenopause Survival Guide: A Feel-Like-Yourself-Again Roadmap for Every Woman over 35 by Heather Hirsch
- Queen Esther by John Irving
- The Matchbox Girl by Alice Jolly
- Heart the Lover by Lily King
- Misery by Stephen King
- The Rest of Our Lives by Benjamin Markovits
- What We Can Know by Ian McEwan
- The Eights by Joanna Miller
- Mexican Gothic by Silvia Moreno-Garcia
- Super-Frog Saves Tokyo by Haruki Murakami
- Rainforest by Michelle Paver
- Death of an Ordinary Man by Sarah Perry
- The Lamb by Lucy Rose
- Flesh by David Szalay
RETURNED UNREAD
- Fulfillment by Lee Cole – Argh, this keeps being requested off me!
- An Eye on the Hebrides by Mairi Hedderwick
- Love in Five Acts by Daniela Krien
- The Artist by Lucy Steeds
I missed the moment on the last three but may try another time.
- The Eyre Affair by Jasper Fforde – I thought about giving him another try after the event, but … no.
RETURNED UNFINISHED
- The Mermaid Chair by Sue Monk Kidd – I read about 45 pages. The setup was interesting but the narrative voice did not captivate.
- The Names by Florence Knapp – Ditto, but only 25 pages. The writing was just not very good.
What have you been reading or reviewing from the library recently?

Share a link to your own post in the comments. Feel free to use the above image. The hashtag is #LoveYourLibrary.
Though I’ve read a lot by and about D.H. Lawrence, I didn’t realise he did all the cooking in his household with Frieda, and was renowned for his bread. And who knew that Emily Dickinson was better known in her lifetime as a baker? Her coconut cake is beautifully simple, containing just six ingredients. Flannery O’Connor’s peppermint chiffon pie also sounds delicious. Some essays do not feature a recipe but a discussion of food in an author’s work, such as the unusual combinations of mostly tinned foods that Iris Murdoch’s characters eat. It turns out that that’s how she and her husband John Bayley ate, so she saw nothing odd about it. And Murakami’s 2005 New Yorker story “The Year of Spaghetti” is about a character whose fixation on one foodstuff reflects, Stivers notes, his “emotional … turmoil.”
Stats: 12 stories (6 x 1st-person, 6 x 3rd-person)
Stats: 11 stories (3 x 2nd-person, 8 x 3rd-person)
Stats: 16 stories (12 x 1st-person, 1 x 1st-person plural, 1 x 2nd-person, 2 x 3rd-person)
Stats: 50 stories, a mixture of 1st- and 3rd-person
Stats: 11 stories, mostly by Memorial University creative writing graduates (7 x 1st-person, 1 x 2nd-person, 3 x 3rd-person)
Stats: 6 stories (5 x 1st-person, 1 x 3rd-person)
Stats: 14 stories (plus a handful of poems and an autobiographical fragment), all 1st-person
Isherwood intended for these six autofiction stories to contribute to a “huge episodic novel of pre-Hitler Berlin” titled The Lost. Two “Berlin Diary” segments from 1930 and 1933 bear witness to a change in tenor accompanying the rise of Nazism. Even in lighter pieces about a holiday at the Baltic coast and his friendship with a family who run a department store, menace creeps in through characters’ offhand remarks about “dirty Jews” ruining the country. The narrator, Christopher Isherwood, is a private English tutor staying in squalid boarding houses or spare rooms. His living conditions are mostly played for laughs – his landlady, Fraulein Schroeder, calls him “Herr Issyvoo” – but I was also reminded of George Orwell’s didactic realism. I had it in mind that Isherwood was homosexual; the only evidence of that here is his observation of the homoerotic tension between two young men, Otto and Peter, whom he meets on the Ruegen Island vacation, so he was still being coy in print. Famously, the longest story introduces Sally Bowles (played by Liza Minnelli in Cabaret), the lovable club singer who flits from man to man and feigns a carefree joy she doesn’t always feel. This is the middle of three Berlin books; I will have to find those and explore Isherwood’s other work as I found this witty and humane, restrained but vigilant. (Little Free Library) 






Mansfield was 19 when she composed this slim debut collection of arch sketches set in and around a Bavarian guesthouse. The narrator is a young Englishwoman traveling to take the waters for her health. A quiet but opinionated outsider (“I felt a little crushed … at the tone – placing me outside the pale – branding me as a foreigner”), she crafts pen portraits of a gluttonous baron, the fawning Herr Professor, and various meddling or air-headed fraus and frauleins. There are funny lines that rest on stereotypes (“you English … are always exposing your legs on cricket fields, and breeding dogs in your back gardens”; “a tired, pale youth … was recovering from a nervous breakdown due to much philosophy and little nourishment”) but also some alarming scenarios. One servant girl narrowly escapes being violated, while “The-Child-Who-Was-Tired” takes drastic action when another baby is added to her workload. Most of the stories are unmemorable, however. Mansfield renounced this early work as juvenile and inferior – her first publisher went bankrupt and when war broke out in Europe, sparking renewed interest in a book that pokes fun at Germans, she refused republishing rights. (Secondhand – Well-Read Books, Wigtown)






This posthumous prosimetric collection contains miniature essays, stories and poems, many of which seem autobiographical. By turns nostalgic and morbid, the pieces are very much concerned with senescence and last things. The black-and-white sketches, precise like Dürer’s but looser and more impressionistic, obsessively feature dead birds, fallen leaves, bent nails and shorn-off fingers. The speaker and his wife order wooden boxes in which their corpses will lie and store them in the cellar. One winter night they’re stolen, only to be returned the following summer. He has lost so many friends, so many teeth; there are few remaining pleasures of the flesh that can lift him out of his naturally melancholy state. Though, in Lübeck for the Christmas Fair, almonds might just help? The poetry happened to speak to me more than the prose in this volume. I’ll read longer works by Grass for future German Literature Months. My library has his first memoir, Peeling the Onion, as well as The Tin Drum, both doorstoppers. (Public library)










This is the middle of a trio of stories about Maya. They’re not in a row and I read the book over quite a number of months, so I was in danger of forgetting that we’d met this set of characters before. In the first, the title story, Maya has been with Rhodes for five years but is thinking of leaving him – and not just because she’s crushing on her boss. A health crisis with her dog leads her to rethink. In “Grendel’s Mother,” Maya is pregnant and hoping that she and her partner are on the same page.
I’ve had a mixed experience with Mackay, but the one novel of hers I got on well with, The Orchard on Fire, also dwells on the shattered innocence of childhood. By contrast, most of the stories in this collection are grimy ones about lonely older people – especially elderly women – reminding me of Barbara Comyns or Barbara Pym at her darkest. “Where the Carpet Ends,” about the long-term residents of a shabby hotel, recalls
Of course, I also loved “The Cat,” which Eleanor mentioned when she read my review of Matt Haig’s